The West winds tumble fallen leaves;
Autumn 's yellow, though blooms are shy;
I brush at dust upon my sleeves;
The horses' hoofprints dot the frost;
Moonlit cocks crow amid grain sheaves;
The road to town: no passersby.
Fame 's not gained by effort or skill,
And would fade away ten years hence.
Please don't dance, but drink your fill.
Six Dynasty tales flow away:
Diluted as waters spread and spill.
The world feels like dream and pretense.
Tag Archives: Song Dynasty Poetry
“Mulberry Picking” [採桑子] by Ouyang Xiu [w/ Audio]
West Lake is beautiful from a small boat.
Green water wends its way through the lotus,
Sweet grass grows thickly all along the bank,
Faint music wafts from unknown points ashore.
When the wind quits, the Lake is glassy smooth;
The boat is perfectly still for a beat,
Then its movement is betrayed by ripples
And startled waterfowls' furious flapping.
Note: The title “Gathering Mulberry Leaves” was used by Xu Yuanchong for his translation. The Chinese title is: 採桑子 (Cǎi Sāngzǐ)
“Silk-Washing Stream” by Su Shi [w/ Audio]
BOOKS: “The Art of Writing” Trans. / Ed. by Tony Barnstone and Chou Ping
The Art of Writing: Teachings of the Chinese Masters by Tony BarnstoneMy rating: 5 of 5 stars
Publisher Website
This thin volume is packed with insights on writing — especially, but not exclusively, poetry. It consists of four chapters. The first two are the ars poetica of Lu Ji and Sikong Tu, respectively (i.e. The Art of Writing and The Twenty-Four Styles of Poetry.) The second half of the book consists of two chapters of collected sayings and poetry commentary excerpts.
I haven’t read a book so dense with quotable lines in a while. Some of the advice offered is universal and timeless (e.g. avoid cliches and read voraciously,) but some of it reflects a uniquely Chinese perspective rooted in Taoist and Zen sentiments (e.g. how to use wu wei [effortlessness] in one’s writing and so forth.)
There is a preface and each of the sections has its own editorial opening, but these never feel like padding (which often happens with books that come out to less than a hundred pages of content.) Instead, this ancillary material is concise and helps to offer historic and cultural context.
I’d highly recommend this book for writers and those interested in Eastern aesthetics and literature. That said, you don’t necessarily have to be interested in both. Any writer could pick up some beneficial tips while reading this book, and it’s compact, highly readable, and even humorous in places.
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“Spring Rise” by Fan Chengda [w/ Audio]
In Spring, the waters rise --
Shore grass sways with breezes,
And geese drift right beside;
Boats glide as the stream pleases.
Yon pagoda looks far,
but feels quite close.
Streamside, one feels a chill.
Fields have yet to be plowed --
Not while the torrents spill.
Mulberry limbs are bowed.
Soon we'll have a taste,
and harvest cocoons.
NOTE: The title of this poem is 蝶 戀 花. Xu Yuanchong uses the quite literal “Butterflies in Love with Flowers” as his translated title. I chose differently because a wet Spring is the throughline of the poem and, well, there are no explicit butterflies (or flowers) in the poem [only their potential.] Of course, maybe that’s exactly why the original is a great title.
“Riverside Daffodils” by Chen Yuyi [w/ Audio]
I still remember drinking on the Bridge of Noon
With bright wits of the day.
The silent moon
On endless river rolled away.
In lacy shadows cast by apricot flowers
We played our flutes till morning hours.
O'er twenty years have passed like dreams;
It is a wonder that I'm still alive.
Carefree, I mount the tower bathed in moonbeams.
So many things passed long
Ago survive
Only in fishermen's midnight song.
Translation: This Song Dynasty poem was translated by Xu Yuanchong in: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, p. 212-213
“Picking Mulberries” by Ouyang Xiu [w/ Audio]
Adrift on West Lake in a wine-laden, colorful skiff:
As flutes play fast and lutes, deftly
And a jade cup circuits swiftly,
The boat's calm rocking lulls the drunk into sleep.
Thin clouds seem to float right under the rudderless boat.
The water's blue matches the sky's,
As lake to sky and back move eyes,
"Do the clouds above match those that in the water float?"
“Hand in Hand” by Su Shi [w/ Audio]
Hand in hand.
Plum petals floated to her skirt.
-- Love unbound --
Now, lost souls mill about:
Thier loved ones long unseen.
Old songs are heard once more,
Recalling Tower and Temple.
On ordinary days,
I'd write a thousand lines.
Now, I brush away dust,
And think of us, together.
The moon reflects in the lake.
Willows droop beside water.
A dragon-head cloud drifts on air.
Note: Translated titles vary. e.g. Xu Yuanchong entitles his translation “Song of Incense.”
“Lost in Fog” by Qin Guan [w/ Audio]
The tower has vanished in the fog;
The boat is hidden in moon-shadow;
The perfect peach field cannot be found.
I'm shut in by the cold rain of Spring.
I hear the cuckoo's call at sunset.
Apricot blossoms sent by my friends
In letters received through the post
Cause an assault by countless memories.
A lonely river rounds the mountain,
But why should it flow toward my lost world?
“Renunciant’s Song” by Su Shi [w/ Audio]
The night is clear, even pristine --
A nightscape in silver moonlight.
"Yes, please! Pour me a bowl of wine.
Don't skimp! take it up to the brim."
And why should I chase wealth and fame
When it is sure to end in vain?
Events pass like a horse's sigh,
A spark on stone, or dream travel.
I can put out my ideas,
But who'll accept them as the truth?
Why shouldn't I just live happily
And innocently, like a child?
I could go back to carefree days
When life's trifles weren't torturesome.
Just me, my lute, a pot of wine,
And the stories drawn by the clouds.
NOTES: Song Dynasty Poet, Su Shi, was also known as Su Dongpo. The translated title of this poem also varies. In Deep, Deep the Courtyard, translated by Xu Yuanchong, it is entitled, “Song of Pilgrimage.”









