Cow & Egret [Haiku]

the egret turns
as if to spurn its cow,
but it'll be back

Still River [Haiku]

branch-draped moss
high in the treetops:
wind wiggled

Fleeting Blue [Haiku]

a splotch of blue
catches my eye, i look
and it flits away

Poetry on the Cob [Free Verse]

People sometimes tell me 
they have trouble understanding poetry.

That's because they consume it
as they would a banana,
starting at one end and chomping
down to the other.

Poetry has to be consumed like 
corn on the cob.

One should start at one end
and work down to the other,
but then one has to 
go back to the beginning --
change one's angle of perspective --
and - again - go from one end to the other.

I can't
emphasize
this point about changing 
one's angle of perspective
enough. 

There is a difference:
with corn on the cob, one rotates the corn,
but, with poetry, one has to rotate something 
within the reader.
Otherwise, one is just chomping into
an empty rut -
a track devoid of sustenance.

Then, one has to repeat the process
until every last morsel has been consumed. 

That's how one ingests poetry.

The World Below [Haiku]

the pond reflects 
tiny things, yet makes the world
feel infinite

Light on Moss [Haiku]

morning light catches
the moss, and i see it for
the first time

The Raging River of Human Nature [Free Verse]

Human nature is a raging river
which a few shitty sandbags of common sense
will not detour. 

Some people stand on the bank
and shout at the river.
I will admit, I've done the same.

But those words neither soak in
nor bounce off that raging river --
they're made silent,
dying in air. 

Some people try to steer
the river by splashing at the lapping waters
near its edge,

But none of them is Moses,
not one can dam a river by force of will.

And - even if one could --
eventually, that person would have to let go,
leaving a backed up and angry river
to rage onward. 

Pollen [Haiku]

tiny tousled stalks
release a pollen plume
hush: here; hush: gone

Mud [Kyōka]

the mud patterns
carved in the tidal zone
beat any
work of art by
Andy Warhol

Suicide Slide [Free Verse]

One burning moment --
taffy-stretched to the edge of reason:

stretched so broadly that one 
can't fathom escape -
like Monkey on the Buddha's palm

One burning idea --
cloned, and then carved
to make infinite variants,
and painted infinite shades:
the dark tone of each
darker than the last

Burning ideas populating
the vast expanse of a
burning moment,
until the urge to escape
insists that one carve a hatch 
into living tissue

But what is it that does
the stretching of the burning moment
&
the cloning of the burning idea?

Can't that stretcher and cloner
 be wound back,
scaling all to proper proportions?

And can't it be done before 
that terminal instant 
is carved in jagged stone?