BOOK REVIEW: Philosophy in the Bedroom by Marquis de Sade

Philosophy in the BoudoirPhilosophy in the Boudoir by Marquis de Sade
My rating: 4 of 5 stars

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This seven-part dialogue tells the story of a young woman’s education in libertinage (“libertine” shouldn’t be confused with liberal or libertarian.) The book mixes action sequences of a pornographic nature with philosophical discussions on ethics, law, governance, relationships, and religion. A young woman, Eugenie, is sent (without objection) by her father into the care of Madame de Saint-Ange, though another character, Dolmance, serves as both the girl’s primary philosophy lecturer as well as the choreographer of the orgiastic sexual activities that take place throughout book.

Overall, the philosophy is weak, but not altogether lacking compelling ideas, at least in the context of its time – i.e. late Age of Enlightenment. Setting aside the controversial and broadly reviled nature of Sade’s philosophy, I criticize it primarily on the grounds that it misunderstands its own foundations and frequently contradicts itself. The foundations I’m referring to are the workings of the natural world. Libertine philosophy is an offshoot of Enlightenment thinking, and as such attempts to replace the superstition and the arbitrary morals of religion. The question becomes with what one replaces religion-driven bases for determining action. Sade’s argument is that we should see ourselves as part of nature and behave in synch with it. It could be argued that using natural principles as one’s guide is as fine an idea as any, but the problem is Sade doesn’t have an accurate picture of how nature really works. Ironically, he seems to have the same unsophisticated view of nature that his opponents held – i.e. that nature is always and everywhere a brutal and chaotic hellscape. [The main difference is that Sade assumed that one must surrender to this hellscape while his opponents proposed that one must subdue it.] The fact of the matter is promiscuity and intraspecies killing aren’t universal in nature, and cooperation does exist alongside competition in the natural world. (To be clear, interspecies killing is universal for many species and intraspecies killing occurs, but consider venomous snakes of a given species that wrestle for dominance while not using their poison or infantrymen who only pretend to shoot their weapons in combat. Also, I don’t mean to suggest monogamy is the rule [besides in birds, where it is,] but Sade seems to believe there is no order to mating in the natural world.) In sum, nature does not tell us to default to the most savage behavior in all situations, and while animals can be ferocious, they generally don’t go around being jerks for the sake of being a jerk.

Since I also criticized the book’s philosophy for inconsistency, I will give one example to demonstrate a more widespread problem. Dolmance tells us that humans should live checked only as nature would check us (as opposed to by religious dictates,) but tells Eugenie to not listen to the voice of nature that tells her to not behave fiendishly.

I also said this philosophy wasn’t without compelling points. Setting aside the many ideas that were well-addressed by more mainstream philosophers long before Sade entered the picture (e.g. the need to separate the activities of religion from those of government,) Sade’s arguments for seeing a purpose for sexual activity beyond procreation, against seeing the making of more humans as a grand and necessary virtue, and against attaching stigmas to nonprocreative sex are all ideas that have gained traction since the turn of the 19th century and arguably could be furthered to positive ends.

Speaking briefly to the non-philosophical side of the book, I will say that – excepting Dialogue VII (the final one) – this book was much less disturbing than some other of the Marquis’s books (e.g. 120 Days of Sodom or Justine,) Prior to the last section, the book involves consensual activities that aren’t dialed up to the maximum level of shock value. That said, Dialogue VII is as cringeworthy as they come. Also, I didn’t understand how all the orgy choreography could work, but that might be attributable to my lack of imagination.

This book will obviously not be everyone’s cup of tea (too much orgy sex for some, too much philosophy for others, and to much of both for most) but as the Marquis de Sade’s books go, it does delve most deeply into philosophy and is moderately less disturbing than some others.


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BOOK REVIEW: 100 Poems to Break Your Heart ed. Edward Hirsch

100 Poems to Break Your Heart100 Poems to Break Your Heart by Edward Hirsch
My rating: 5 of 5 stars

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Release Date: January 31, 2023

This anthology (and the accompanying analytical essays by Hirsch) covers over two-hundred years of poetry and works with a large set of translated languages as well as poems of English language origin. Therefore, the poems include an eclectic set of forms and schools of poetry. There are narrative poems and philosophical poems. There are sparse poems and elaborate poems. Besides the fact that they are all short to intermediate length poems (a few pages, at most,) the only thing the included poems have in common is some serious subject matter at each poem’s core. There are elegies and cathartic poems of illness or ended relationships, as well as tales of various types of tragedy (personal, global, and of scales in between.)

That said, not all of the poems feature a dark and melancholic tone. There are several poems that are humorous — in a gallows humor sort of way. Such poems include: Dunya Mikhail’s “The War Works Hard,” Harryette Mullen’s “We Are Not Responsible,” and Stanley Kunitz’s “Halley’s Comet.”

Of course, there are many poems that are as devastatingly sad as the title leads one to expect. Of these, Eavan Boland’s “Quarantine,” the story of a man carrying his illness-ravaged wife in search of survival during a famine in Ireland in 1847 takes the award for saddest. There are poems in this book that are more brutal, encompass vaster scales of suffering, or combine lyrical skill and emotional experience more artfully. But none of those poems socked me in the chest like Boland’s. One thing that struck me during my reading was what an intense force multiplier story is in creating poignant poems. Several others among my favorites told stories that made for visceral reads. These include: “Song” by Brigit Pageen Kelly, “The Race” by Sharon Olds, “Terminus” by Nicholas Christopher (also among the most savage tear-jerkers,) and “The Gas-Poker” by Thom Gunn.

Other favorites include: Langston Hughes’s “Song for a Dark Girl,” Miklós Radnóti’s “The Fifth Eclogue,” Stevie Smith’s “Not Waving but Drowning,” and “Mendocino Rose” by Garrett Hongo.

I’d highly recommend this book for poetry readers.


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BOOK REVIEW: Eastbound Maylis de Kerangal

EastboundEastbound by Maylis de Kerangal
My rating: 5 of 5 stars

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Release of Paperback Edition: February 7, 2023

This novella is translated from French but set in Russia. The story is short and simple, yet evocative. It’s about the attempt of its two main characters to conduct very different plans of escape. Aliocha is a soldier who’s traveling by train to a remote assignment in the East when he decides to desert. Aliocha’s desertion plan ends up hinging on the assistance of a foreign woman, Hélène, a French woman who – as it happens – is fleeing a failed relationship. For whatever reason, but perhaps because she knows the intense need to break free, Hélène decides to shelter Aliocha in her cabin until he can make clean getaway.

This is a quick but intense read. The lack of common language between the two escapees makes for an austere telling, one that adds to the emotional tone of the story. I recommend it for readers of literature in translation.


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BOOK REVIEW: The American Sonnet ed. by Dora Malech & Laura Smith

The American Sonnet: An Anthology of Poems and EssaysThe American Sonnet: An Anthology of Poems and Essays by Dora Malech
My rating: 5 of 5 stars

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Release date: January 12, 2023

The first one-third of this book is an anthology of sonnets by American poets that highlight some of the characteristics of form and content that evolved in America. Therefore, one shouldn’t expect these to all be fourteen lines of iambic pentameter. America is the land of Whitman, and discomfort with strict rules and constraining requirements along with a desire to etch one’s individuality and voice into all activities is part of what makes a thing American. It’s an enchanting and suitably diverse (also an inherently American requirement) selection of poems, and I think all poetry readers would enjoy reading it. Included among the almost 100 poets are: Walt Whitman, Phillis Wheatley, Natasha Trethewey, Robert Frost, Langston Hughes, Gwendolyn Brooks, Agha Shahid Ali, Claude McKay, Edna St. Vincent Millay, e.e. cummings, Countee Cullen, Natalie Diaz, Emma Lazarus, Terrance Hayes, Muriel Rukeyser, Sylvia Plath, James Wright, Gertrude Stein, Paul Lawrence Dunbar, Ralph Waldo Emerson, and Lucille Clifton. The poets run the gamut from the Colonial Era to present-day heavyweights, and their works approach the sonnet from perfectly conventionally to wildly experimentally.

The remainder of the book is a collection of short essays that discuss various aspects of the sonnet in America. While the editors don’t explicitly group the essays, I would put them in three baskets. First, there are those essays that examine the work of a particular poet and discuss that artist’s influence on the sonnet. Second, some of the essays examine sonnets through the lens of a particular demographic and investigate how poets of that demographic have influenced, been influenced by, or modified the sonnet, be it those of a particular race, sexual identity, place on the autistic spectrum, etc. Third, most of the other essays explore technical aspects such as line length, rhyme schemes, metering, etc.

As I mentioned, I believe poetry readers will enjoy the selection of poems anthologized, herein. The essays are another matter. They are much more of a mixed bag for poets and poetry readers and are more geared toward other scholars. That is to say, some of them are both interesting and useful for poets and poetry readers, but others will probably not be of much interest to the non-academic reader. While the essays are brief and most are quite readable, a number of them either delve into arcane matters or tumble so deeply down the rabbit hole of wokeness that it’s hard to grasp what the author’s point is (or whether he or she has one.)

If you enjoy poetry and are interested in the American influence on the sonnet, this book is well worth reading – at least the poems and a selection of the essays.


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BOOK REVIEW: Talking to Strangers by Malcolm Gladwell

Talking to Strangers: What We Should Know About the People We Don’t KnowTalking to Strangers: What We Should Know About the People We Don’t Know by Malcolm Gladwell
My rating: 5 of 5 stars

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This book uses a model that Gladwell has employed to great success in many books. That model goes like this: 1.) find some research findings that are counter-intuitive or otherwise in opposition to the consensus view (and preferably not well-known outside academia;) 2.) carefully select some fascinating real-world cases that seem to highlight said findings; 3.) skillfully present the cases in a highly readable and evocative narrative form, making surprising reveals for maximum effect.

In this case, the beating heart of the book is research by a University of Alabama, Birmingham professor, Timothy Levine, that shows that people are bad at catching liars because we are wired to accept statements as true and that some portion of population present appearances out of kilter with their truthfulness. (i.e. Some people come across as liars — even when telling the truth, and others appear truthful with pants ablaze.) This contradicts earlier research that suggests liars always have tells. [Interestingly, if true, Levine’s research upends studies Gladwell used in his previous book “Blink,” research by Paul Ekman that suggested that liars have “leakage” of “micro-expressions” that reveal their true emotional state. Gladwell admits his views have changed on the Ekman work. It’s the price of dealing with ground-breaking counter-intuitive research: sometimes, it’s not going to validate as well as one would like – not unlike the controversy about the Anders Ericsson’s “10,000-hour rule” that is the core of Gladwell’s 2008 book “Outliers,” and which seems much less robust in light of subsequent research.)

Gladwell employs a number of compelling stories to show how even individuals who should be the best of us at telling truth from lies (e.g. counter-intelligence officers, industry experts, and veteran law enforcement officers) do dismally at spotting lies and at grasping the true nature of what strangers hold in their hearts. [It should be noted that people are better truth detectors than lie detectors because of the aforementioned truth bias.] Readers also learn quirky facts such as why the sitcom “Friends” is insanely popular in many non-native English-speaking countries. (e.g. In Vang Vieng, Laos, I witnessed this myself, with several cafes and restaurants playing “Friends” on a loop all day every day.) The book also presents discussion of research overturning the idea that facial expression of emotions is universal.

I found this book to be an intriguing read and would highly recommend it for those interested in learning why it’s impossible to “read” strangers. I don’t know how well the ideas will validate, but the cases are interesting and compelling.


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BOOK REVIEW: The Catcher in the Rye by J.D. Salinger

The Catcher in the RyeThe Catcher in the Rye by J.D. Salinger
My rating: 5 of 5 stars

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This book will be familiar to most Americans as high school required reading. It’s about a teenager, Holden Caulfield, who’s just been expelled from a boarding school and who goes on the adolescent version of a bender – which involves some drinking but is more a mix of attempted escape and soul-searching. At first, it seems that Holden just wants to put off having to see his parents (this not being the first school at which he’s failed,) but then it seems like he might try to escape the transition to adult life altogether.

The core premise is that Caulfield can’t adapt to adult life. This is interesting in that, in some ways, he’s preternaturally mature. The character has an unusually accurate perception of his own nature, even when that nature is petty, childish, or lazy. He doesn’t rationalize his failures but recognizes them. Ultimately, Caulfield can’t cope with the false masks required of adult living and the ever-changing nature of adult life.

Like many, I did a shoddy (at best) job of reading this book in high school. It’s not exactly an action-packed romp, and the major happenings (e.g. a fight at school, being shaken down by a pimp on behalf of prostitute whom Caulfield had paid but hadn’t had sex with, and an unwelcomed [possibly sexual] advance from a former teacher) are few, far between, and somewhat anticlimactic. That said, as literary fiction the book is readable, makes bold choices with language, builds a fascinating character, and offers plenty of interesting psychology to ponder.

I’d highly recommend this book for readers of literary fiction (or a re-read for those who half-assed it in school.)


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BOOK REVIEW: The Sandman, Vol. 1: Preludes and Nocturnes by Neil Gaiman

The Sandman Vol. 1: Preludes & NocturnesThe Sandman Vol. 1: Preludes & Nocturnes by Neil Gaiman
My rating: 5 of 5 stars

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In this, the first, eight-issue volume of Sandman, we’re introduced to Morpheus / Dream – the king of dreams & nightmares and one of the seven Endless – when he’s captured by an amateur occultist who was trying to kidnap Death [the (not-so Grim) Reaper and also Dream’s sister.] The story told in “Preludes and Nocturnes” is one of Dream’s captivity, escape, and the subsequent missions to reacquire three magic artifacts that were stolen from him when he was captured (i.e. his bag of sand, helmet, and ruby-like jewel.) That last sentence makes it sound like a far-out fantasy, but it’s really a relatable and human set of stories.

This imaginative and compelling opening volume is at its best with “24 Hours” (as well as “Passengers,” the issue that precedes “24 Hours” and sets up its story.) In “24 Hours,” escaped villain, John Dee, torments the occupants of a smalltown diner by manipulating their reality (a capability he achieved when he came into possession of Dream’s “ruby.”) It’s a story that’s both horrifying and thought-provoking as Dee forces the diners to shed the masks of polite society and get to know the uncensored versions of each other.

Another favorite is the concluding issue, “The Sound of Her Wings,” which is really more of an epilogue, given the story has been brought to a successful and satisfying conclusion with the penultimate issue. “The Sound of Her Wings” introduces us to Death (the kinder, more charismatic, and more articulate Gaiman-version of the Grim Reaper) and shows us interaction between Dream and Death as Dream learns a crucial lesson from his sister.

“Sandman” is an excellent series, and the volume where it all began is no exception. I’d highly recommend it for readers in general.


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BOOK REVIEW: I Escaped a Chinese Internment Camp by Zumrat Dawut & Anthony Del Col

I Escaped a Chinese Internment CampI Escaped a Chinese Internment Camp by Zumrat Dawut
My rating: 5 of 5 stars

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Release Date: April 11, 2023

This short but evocative graphic novella tells the story of a Uyghur woman who is sent away to a reeducation camp and who is also sterilized against her will. It shows the brutality of China’s totalitarianism at its most oppressive. It’s easy to see China as a fairly benign – if autocratic – regime until one learns about the Orwellian nightmare that exists for some minorities deep within the country.

FYI – This book won the 2022 Pulitzer Prize for “Illustrated Reporting and Commentary.”

I’d highly recommend reading this work as it shines a light deep down the rabbit hole of Chinese governance.


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BOOK REVIEW: Punishment of a Hunter by Yulia Yakovleva

Punishment of a Hunter: A Leningrad Confidential (The Leningrad Confidential Series Book 1)Punishment of a Hunter: A Leningrad Confidential by Yulia Yakovleva
My rating: 5 of 5 stars

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This is “Seven” meets “1984” — i.e. an American-style work of crime fiction where an obsessive and deceptively savvy detective attempts to solve a string of bizarre murders but set under a totalitarian regime in which the powers that be are more concerned about quashing liberties that might bloom into insurrection than solving the odd murder. Yakovleva isn’t the first to do such a fish out of water crime novel, but she does a fine job of it. The mash-up does spin things around a bit vis-a-vis the genre’s usual conventions and mechanisms. In the typical American version, the police detective teeters on roguishness, but in the Soviet Union, “going rogue” has an entirely different meaning and set of consequences. I enjoyed the psychology that plays out in this story.

This book does demand attentive reading. There are quick and dirty transitions that can make the book read in a disjoint fashion, and – if you blink – you may miss something crucial to the story. That said, it’s not a murder mystery precisely, and so it’s not like one is engaged in a clue hunt. The story has a fascinating premise and I enjoyed reading it tremendously.


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BOOK REVIEW: Zeno and the Tortoise by Nicholas Fearn

Zeno and the Tortoise: How to Think Like a PhilosopherZeno and the Tortoise: How to Think Like a Philosopher by Nicholas Fearn
My rating: 5 of 5 stars

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This book presents twenty-five philosophical tools or concepts fundamental to thinking philosophically. Fearn does an excellent job of making these ideas comprehensible while exploring how they can be of practical value in philosophizing (as opposed to diving into conceptual minutiae and the conflicts and debates around them.) The author uses stories, metaphors, and examples extensively, while avoiding jargon or complicated expressions and explanations.

The book is entirely Western-oriented, and one won’t see any discussion of ideas originating outside Europe (or North America by way of immigration from Europe.) That’s not uncommon for English language popular philosophy books, and I don’t think there’s anything nefarious to be read into it, though some will find it a shame. The philosophers whose ideas are addressed span from pre-Socratic Greece to Richard Dawkins (who I’m pretty sure is the only one still living.) The reader learns about reductionism, relativism, the Socratic method, analogy / allegory, teleology, thought experiments, parsimony, pragmatism (of sorts,) induction, skepticism, social contract, utilitarianism, dialectics, falsifiability, memes, deconstruction, and more.

I found this book to be readable and absorbing and would highly recommend it for anyone who would like an overview of the major ideas of Western philosophy and how they can be applied to thinking more philosophically.


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