BOOK REVIEW: Military Strategy: A Very Short Introduction by Antulio J. Echevarria II

Military Strategy: A Very Short Introduction (Very Short Introductions, #523)Military Strategy: A Very Short Introduction by Antulio J. Echevarria II
My rating: 5 of 5 stars

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This concise guide to military strategy is well-organized and can be readily understood by an amateur reader. The book provides an overview of the domain of military strategy by comparing and contrasting related pairs of strategic paradigms.

After an overview chapter (ch. 1) that broadly defines the subject and lays out the organization for the rest of the book, chapter two explores strategies of annihilation and how they are similar to and different from strategies of dislocation. Chapter three investigates attrition and exhaustion, strategies that deal in destroying warfighting resources and will to fight, respectively. Chapter four elucidates how the threat of force can be used to keep the enemy from making a move (deterrence,) or force them to make a desired move (coercion.) Chapter five looks at strategies that rely on instilling fear to change an opponent’s behavior, including aerial bombardment and terrorist tactics. Chapter six considers different approaches to using selective targeting to achieve strategic goals: i.e. decapitation and targeted killing. The penultimate chapter (ch. 7) contrasts the various approaches to cyber warfare with cyber-power, more generally.

The final chapter (ch. 8) briefly examines the determinants of success and failure of military strategy.

The book is straightforward and uses historical cases to provide clear examples of each type of strategy. It doesn’t go much beyond definition and some classic examples, but it is an excellent starting point for organizing one’s thoughts on the topic in preparation to learn more.

If you’re in need of a concise overview of (or refresher on) military strategy, this is a fine guide to consider.


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I Read the News Today, Oh Boy! [Free Verse]

I
A young man set his ex-fiancé on fire.
(Or, so the story goes.
[He claims she self-immolated.])

She succumbed to third-degree burns...
but not right away.
She lived long enough to know
the agony of third-degree burns. 

They'd met in college,
both studying to be engineers --
I mention that because
at the heart of the issue was caste.
It seems absurd enough
to murder a fiancé over
some imaginary mark of superiority,
but even more so when one considers
that they would have had the same qualification --
possibly similar jobs --
but for the boy's bigoted parents,
who insisted he call off the engagement,
and the boy, himself, 
who took things that extra murderous mile.

So, it wasn't even about who the couple were,
it was about what their grandfathers 
did for a living.

What a world.
 

II
The war is still burning. 
Among the latest questions are:

 Will Belarus be forced to join in the fighting?
&
If so, will having another set
of soldiers who are completely uninterested in the war -- 
other than as a trial to be survived, that is --
help or hurt Putin's position?

A related question is whether Putin
would rather watch the world burn 
than to lose face?

What a world.


III
The Pandemic said, "Psyche!"

This means America will roll the odometer
on COVID deaths.

We had things almost back to normal,
and then the virus caught its breath,
got it's footing,...
whatever viruses do.

What a world.

***

I think I'll check the news, again,
maybe sometime next year.

Midnight Circus [Free Verse]

The Midnight Circus
was not as it seemed.

It was bright colors:
motion-blurred.

It was the tinny monotony 
of music box-style 
tinkling tunes
&
organ tones.

One could even make
out the scent of fried foods
and cotton candy,
among the many other
[uncircus-like]
odors.

But there was also the story
a mind wrote to
dance sensory facts 
into sensory fictions;
that was where the falsity lie.

If one opened one's eyes,
letting them focus:
there'd be sparking wires,
&
 flames licking ever closer.

The shrill organ tones would 
become screams.

The summer night's 
humid heat would become 
third degree burns.

The circus smells would
become dust and death 
and acrid burnt combustibles.

So, he didn't open his eyes
to war or his impending demise,
but let his mind march
into that big musty, canvas tent,
surrendering to its irreality.

Mustard Gas Memories [Tanka]

the peachy glow
of haze in the sunset
stirs up fear
& mustard gas memories
among the old-timers

DAILY PHOTO: Gorkha Monuments

Taken in December of 2021 at the Batasia Loop Garden War Memorial
Taken in December of 2021 at the Eagle’s Crag, Kurseong

BOOK REVIEW: A Farewell to Arms by Ernest Hemingway

A Farewell to ArmsA Farewell to Arms by Ernest Hemingway
My rating: 5 of 5 stars

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This novel is set in Italy during World War I. The protagonist, Frederic Henry (like Hemingway, himself) volunteered to drive an ambulance in Italy during the war. The story is informed by, if not based upon, Hemingway’s personal experiences. Central to the story is a romance between Henry and a British nurse named Catherine Barkley. Their tentative flirtations deepen when Henry is wounded and spends a considerable amount of time at the hospital while recuperating. Barkley becomes pregnant with Henry’s child in the middle of the war. Henry returns to service for only a short time before he finds himself in the midst of a chaotic retreat from the swift advance of the Austrians and Germans. This retreat continues to go sour for Henry, leading to a flight for his life as he attempts to get back to Catherine so that he can get them both (plus the unborn child) to safety.

There’s a [variously-attributed] quote about war being: “long periods of interminable boredom punctuated by sheer terror.” This book captures that feel, but even during the moments of quiet from the opening through Henry’s rehab to the weeks hiding out in the Swiss mountains, Hemingway keeps the story engaging by shining a light into the protagonist’s psychology – and, occasionally, through wit. Then there are the thrilling moments like the shelling that wounds Henry or his various narrow escapes.

I found this book to be highly engaging. It has some beautiful language, exemplified by the famously well-composed opening paragraph, mixed with the taut suspense of life in a war zone. If you’re interested in war stories or classic American literature, it’s a must-read.

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BOOK REVIEW: Power Born of Dreams by Mohammad Sabaaneh

Power Born of Dreams: My Story is PalestinePower Born of Dreams: My Story is Palestine by Mohammad Sabaaneh
My rating: 4 of 5 stars

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Out: October 7, 2021

This graphic novel reflects upon the Israel-Palestine conflict through the lens of the author’s (artist’s) time in prison. At first, I found the story to be an evocative personal account of life in prison, but as the story continued it felt progressively less personal and more propagandistic. The central theme is that Palestinians feel imprisoned by circumstance, regardless of whether they are actually in a jail or not.

Still, it’s not the kind of work that will constructively advance a dialogue. It will rub those who sympathize with Israel the wrong way because it’s far from an unbiased account of events, vilifying the Israelis while glorifying (or failing to acknowledge) the Palestinians who engage in violence. This bias is particularly notable in the back matter, which presents accounts that seem journalistic, but which selectively present information to make it appear that all fault lies exclusively on one side.

To be fair, the author spent time in jail for (as best I could learn from the internet) what sounded like consorting with unsavory characters. [Which reeks of Soviet-style “justice,” but the book doesn’t really delve into the reason for his imprisonment, and – even if it did – I’m not sure that I’d trust that it’s the complete truth – given the way the general narrative is presented. So, I couldn’t tell you whether the author is an artist wrongly imprisoned for expressing himself, or whether he did something that was truly and legitimately seditious.]

The art is linocut to create a chiaroscuro effect (i.e. white lines, black background) and is stylistically interesting.

I enjoyed the art and found this to be an interesting read, but I wouldn’t recommend readers take it at face value as a fair account of the conflict, but rather as one man’s personal message about the conflict.

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BOOK REVIEW: Dreaming Eagles by Garth Ennis

Dreaming EaglesDreaming Eagles by Garth Ennis
My rating: 5 of 5 stars

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New Edition Out: June 1, 2021

This graphic novel by the author of “The Boys” and “Preacher,” tells a story based on the experiences of the Tuskegee Airmen, and does so as a story within a story. The framing story is set in 1960’s America and finds a World War II veteran (a pilot of the Tuskegee Airmen) trying to talk his teenaged son down from getting too entangled in the Civil Rights movement — for reasons that are only revealed as he completes the telling of his experiences at war. Through flashbacks, the protagonist depicts not only the thrilling exploits of air-to-air combat over Europe and the visceral tragedies that occur when hot lead meets with aluminum high above the world, but it also shows the unique tribulations experienced by these particular military men – such as “leaders” who wanted to see them fail and widespread discrimination.

The story-in-story approach is an excellent one because it allows for a character arc in which the protagonist grows. Without getting into spoiling details, as the protagonist revisits his story, he comes away with a new and changed perspective (which is always a valuable feature in storytelling.) The frame also breaks up the history and helps maintain reader attentiveness by showing the influence the story has on the attentive son. (Young men not being famous for being interested in the life stories of their parents.) I don’t mean to suggest that the war story is not interesting. It’s full of action, heroism, and the tension of interpersonal conflict. However, for those who aren’t history buffs and are acclimated to Ennis’s more popular fare [i.e. full of superheroes and random acts of violence and titillation,] the story may feel a bit flat only by virtue of the fact that it is constrained by actual historical events.

I found the art to be well-crafted. The chaos of air combat is conveyed without being so chaotic that one can’t tell what is happening, and the graphics offer a great sense of setting and era.

This volume is definitely worth giving a read. It tells a compelling story of the combative exploits and the political / social travails of these groundbreaking and heroic pilots, while holding a mirror to the rank societal biases of the era.


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BOOK REVIEW: Freiheit! by Andrea Grosso Ciponte

Freiheit!: The White Rose Graphic NovelFreiheit!: The White Rose Graphic Novel by Andrea Grosso Ciponte
My rating: 4 of 5 stars

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Out: March 4, 2021

This tragic story tells the tale of a small college-centric anti-Nazi resistance group, doing so in graphic novel form. While it touches upon the story of six White Rose members who were executed, special emphasis is given to the sister-brother duo of Sophie and Hans Scholl. White Rose was largely involved in distributing leaflets to encourage others to engage in resistance activities against the Nazis. (Note: the translated text of the White Rose pamphlets is included as an appendix.) There is so much attention given to the truly fascinating question of how a bunch of fascist lunatics managed to run a country into such diabolical territory that it can easily be missed that there was at least some resistance within Germany. I, for one, was oblivious to the story of White Rose before reading this book.

The arc of the story takes the reader from the upbeat stage during which White Rose was succeeding in distributing articulate and persuasive flyers, through some of their close calls and other frustrations (e.g. the Scholl’s father being arrested), and on to the bitter end. Much of what I’ve seen previously about resisters centered on communists. One sees in White Rose a different demographic. There are a number of religious references without the “workers of the world unite” lead that would be taken by leftist groups.

I believe the author overplayed the stoicism with which the executed individuals accepted their fate. This is based upon a true story, and so this may seem an unfair criticism because perhaps that’s how it appeared in reality. However, from a storytelling perspective, it felt surprisingly devoid of emotional content [given the events provide loads of potential for it.] There is a great tragedy in young people being executed by the State for asking others to resist fascism, but as a reader I didn’t really feel an intense visceral connection to events. As I said, I suspect this had to do with the author wishing to show that the Scholls took it in all in stride, but I think some display of angst or anger might have made for a more intense reading experience. I don’t know whether it was more a textual or graphic issue that left me unmoved.

All in all, the book was an interesting insight into resistance to the Nazis in an academic environment. I did find reading the pamphlet translations themselves to be insightful. The flyers give one insight into where the student-resisters were coming from, and what buttons wished to push in others. It might have been a bit more gripping, but it was an interesting telling of events.

If you’re interested in learning more about Germans who resisted the fascists, this book provides a quick example of how (and by whom) it was done, and I’d recommend you give it a read.

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BOOK REVIEW: The Photographer of Mauthausen by Salva Rubio

The Photographer of MauthausenThe Photographer of Mauthausen by Salva Rubio
My rating: 5 of 5 stars

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Due out: September 30, 2020

This “graphic novel” tells the story of a Spanish photographer, Francisco Boix, who was sent to the Mauthausen Concentration Camp as a Communist during the Second World War. [Note: I only put graphic novel in quotes because it’s not a fictitious story, which “novel” implies, but graphic novel seems to be the accepted term for any graphically depicted story – fact or fiction.] Mauthausen was a camp in Austria. While it wasn’t technically one of the extermination camps, it was legendary for the death toll associated with the granite mine where many of the inmates labored. Its “staircase of death” was the location of untold fatalities, including: murders by the Nazis, suicides, and even tripping accidents that will happen when an emaciated prisoner has to carry 50 kg stones up almost 200 uneven steps with no railing day after day.

Boix, who had been a journalistic photographer previously, was assigned to work for a Nazi officer who took pictures in the camp – particularly pictures of fatalities. Boix carried equipment, set up lighting, developed negatives, and made prints. His boss, Ricken, is depicted as bizarre character. On the one hand, Ricken seems not so bad by Nazi SS standards, but, on the other hand, he has a sociopathic inclination to see death as art. Boix takes advantage of his position to make copies of the negatives with the idea that they will be evidence when the war comes to the end. At first, there is support for this plot among the Spanish Communists, who help hide the negatives away in places like the carpentry shop. However, this support dwindles when it becomes clear that the Germans will lose the war, and – thus –surviving to the end becomes everyone’s primary focus. Soon Boix is on his own to figure out how to get the photos out. He develops a plan involving one of the boys at the camp (children being less intensely scrutinized) and an Austrian woman, who is a sympathizer.

The book climaxes with the operation to get the negatives out of the camp, but resolves with the immediate post-War period when Boix attempts to generate interest in the photographs as well providing testimony at the Nuremberg Trials. Boix is portrayed as fiery and impassioned. When the others at Mauthausen just want to survive to the end, he maintains that any risk is worth it. While he is shown to have some conflict about putting a boy’s life at risk with (arguably) the riskiest step in the process, he doesn’t seem waiver. At the trials he’s outraged about the panel’s insistence on “just the facts.” He wants to freely and fully tell the story of Mauthausen, and they – like courts in democracies everywhere – wish to maintain an appearance of the dispassionate acquisition of facts.

I found this book to be engaging and well worth the read. The artwork is well-done and easy to follow. The story is gripping. While there are a vast number of accounts of events at places like Auschwitz, there aren’t so many popular retellings of events at Mauthausen. I highly recommend this book for those interested in events surrounding World War II and the Holocaust.

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