Many particles to the atom, Many atoms to the molecule, Many molecules to the cell, Many cells to the tissue, Many tissues to the organ, Many organs to the system, Many systems to the organism...
Project Gutenberg Site
This collection consists of sixty-eight free verse poems, most of which are short (though a small number take up more than a page.) Crane’s poetry is philosophical and often surreal. It’s poetry that’s as likely to spur rumination as it is to evoke intense emotional experience. Some may find Crane’s poetry irreverent because it takes on formal religion and dogmatic groupthink, more generally, but – for others of us – therein lies its appeal.
This collection includes “In the Desert” as well as a number of Crane’s other well-known poems.
I’d highly recommend this collection for poetry readers, particularly those who enjoy poetry of a philosophical bent.
Behold, the grave of a wicked man, And near it, a stern spirit.
There came a drooping maid with violets, But the spirit grasped her arm. "No flowers for him," he said. The maid wept: "Ah, I loved him." But the spirit, grim and frowning: "No flowers for him."
Now, this is it -- If the spirit was just, Why did the maid weep?
With no god, but with spirit; With no mass of tiny things; Up on high, with the white clouds -- Borne aloft on breezy wings. From afar all seems in place. When you arrive it's not there. Just like acting with the Way Leaves customs beyond repair. Chaotic mountain woodlands, Sweet green moss in the sunshine. Keep reciting your mantra, Till it's lost among the pines.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-first of the twenty-four poems. This poem’s Chinese title is 超诣 and it’s been translated as “The Transcendental” and “Super”