BOOK REVIEW: Things Fall Apart by Chinua Achebe

Things Fall Apart (The African Trilogy, #1)Things Fall Apart by Chinua Achebe
My rating: 4 of 5 stars

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Things Fall Apart is about a man who conducts his life ever trying to distance himself from his father. In the process, he sows the seeds of his own destruction. Residing in the small (fictional) Nigerian village of Umuofia in the late 19th century, Okonkwo strives to be hyper-masculine in everything he does. As a young man he becomes a village wrestling champion and, when it comes time to start farming, he’s driven to be the best farmer possible in order to pay off his debts and to be as wealthy as possible. He feels that his father, who was constantly in debt and negligent in his familial duties, was weak and effeminate. On the one hand, Okonkwo’s drive is respect worthy, but, on the other, his need to appear strong in the extreme comes off as a bit pitiful.

There are a couple of crucial events in Okonkwo’s life in which his need to appear manly results in great inner distress. The first occurs when it’s determined that a young man who’s been staying with Okonkwo’s family must be killed. (The young man was sent to Umuofia as a settlement for a wrong between the young man’s father and an Umuofia resident.) Okonkwo has been a father to the young man. Even when a village elder tells Okonkwo to have no part in the killing owing to being like a father to the boy, Okonkwo feels he must participate lest he be seen as effeminate. Of course, Okonkwo is wracked with guilt because he murdered a boy who’d been like a son to him. Later, an accidental discharge of Okonkwo’s firearm kills an innocent young man. The worst part of this for Okonkwo is that an accidental killing is seen as a “woman’s offense.” As punishment, Okonkwo and his family are sent in exile on another village for seven years. Okonkwo isn’t so much torn up by killing another innocent as by the fact that the way it happened makes him look girly in the eyes of others—or so he believes.

Besides the character portrait of Okonkwo, the book is also a commentary on the nature of colonialism and proselytizing missionaries. The first part of the book is set in a pre-colonial state, but in the latter half the rapidly developing tensions between the missionaries and the local villagers is featured. When Okonkwo and his family return to Umuofia after seven years, he finds that white men have built a church and are actively seeking to turn the villagers away from the indigenous beliefs. Of course, for Okonkwo this is just too much, and he can’t believe others are putting up with this. (Adding to his torment is the fact that his son is one of the converts—possibly because that son himself wants to distance himself from the father who murdered his best friend [the boy from the other village.]) Okonkwo is ultimately unable to tolerate that the world has become something so different from what he believes is right, and to continue living means to steer away from the path that he has locked his life into.

This short and thought-provoking book is a great window into pre-colonial Africa and the clash of worldviews that colonization brought. It’s also a cautionary tale about not having sympathy for the failings of one’s father—not to mention the weakness inherent in our own humanity.

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BOOK REVIEW: Anno Dracula by Kim Newman

Anno DraculaAnno Dracula by Kim Newman
My rating: 5 of 5 stars

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Anno Dracula is set in a world subsequent to the events of Bram Stoker’s Dracula. In the world of Anno Dracula, Dracula kills Van Helsing (not the other way round) and becomes more powerful than ever. In fact, the Count has married himself into line to become king. Vampires flourish in the open and their numbers are swelling. But a few of them are being gruesomely murdered. In Newman’s work, the vicious Whitechapel murders attributed to Jack the Ripper target young, “turned” working women of Whitechapel. The killings attract attention and become politically charged. The book’s plot revolves around the investigation by an unlikely duo, Charles Beauregard (human) and Geneviève Dieudonné (Vampire elder), into the murders.

Newman creates a fascinating world that blends not only his own characters (e.g. Beauregard and Dieudonné), but also characters from other popular works set in the 19th century as well as from our own history. Some of these borrowed characters are important to the story, others are mere cameos, and still others are references to the departed or imprisoned. Among the book’s fictional pantheon are those from works by Robert Louis Stevenson, Oscar Wilde, H.G. Wells, Sir Arthur Conan Doyle, and—of course—Bram Stoker. Bram Stoker lends the critical character of Dr. John Seward to the book, although there are references to most of that book’s major characters. (You’ll miss some connections if you haven’t read Dracula, but you’ll still be able to follow the story.) The next biggest contributor of characters is Sir Arthur Conan Doyle. Mycroft Holmes, Inspector Lestrade, and Professor Moriarty are all present in the flesh, though the latter plays a small role, and others—including the great detective, himself—are referenced throughout.

Many of the real world characters are literary greats (poets, playwrights, and novelists) including George Bernard Shaw, Lewis Carroll, Alfred Tennyson, and Oscar Wilde. However, also included are political figures, royalty, and—of course—the victims of Jack the Ripper. This mixing of the literary and historical worlds lures book-lovers further down the rabbit hole.

If this book seems like a murder mystery, it’s not. One of the interesting elements of Newman’s approach is that he reveals the killer from the outset. While we know who the killer is from the book’s opening, we don’t know whether or how he will be brought to justice—or what precisely justice means in this case. The book is more about the web of intrigue that surrounds the murders than it is about the murders. Ultimately, the book takes in a much bigger picture than a few murders in the seedy side of London.

Anno Dracula is intriguing and readable. If one has read Dracula, the various Sherlock Holmes stories, The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, and other contemporary literature, it’s all the more enjoyable for the way it artfully places these all in the same universe. I’d highly recommend this book for readers of the classic popular fiction.

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BOOK REVIEW: Hotel Iris by Yoko Ogawa

Hotel IrisHotel Iris by Yōko Ogawa
My rating: 4 of 5 stars

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Hotel Iris follows a Japanese girl’s dangerous liaisons with a mysterious older man. Unlike 50 Shades of Grey, with which Ogawa’s novel shares the theme of a young woman’s introduction into a sadomasochistic relationship, the female lead, Mari, is attracted to a man who isn’t handsome, rich, or successful. Mari’s motivations are more intriguing and complex. This makes her relatable to a smaller demographic, but potentially more interesting to a much larger one.

As I fear I’ve made this book sound like hard-core erotica (i.e. word porn,) I should point out that it’s really character-driven literary fiction. There are only a couple of scenes that involve sexual activity—granted those are intense and graphic. However, what readers who stay with this short book are seeking to understand is what about this young woman’s life creates such an attraction for an old man who—in conjunction with the prostitute he hired—gets kicked out of the hotel at which Mari works. Mari’s motivation is far from obvious, and thus the reader is left trying to assemble a puzzle.

The biggest piece of this puzzle may be that Mari’s beloved father passed away years before, leaving her in both the care and employ of her over-protective and cold mother. The Hotel Iris is a small seaside hotel of a middling nature in an area that thrives or dives at the whim of tourists. Mari’s parents had owned the hotel, but now it’s just her mom. Mari, her mother, and one housekeeper share the workload. Mari’s mother believes the customer is always right, but she also has questionable morals in dealing with customers (i.e. if she can get away with cheating them, she will.)

In addition to trying to figure out what drives Mari, the reader also wants to learn whether the girl will make it through alright. The man she is having a dalliance with, who we know as “the translator” because he translates from Russian to Japanese and vice versa, is painted as an unsavory character. But the reader doesn’t know whether he’s a mostly harmless pervert or a killer with a cabin on a remote and scantly-populated island. He has dark appetites, but how tight his grasp on reality is remains uncertain.

I found this book to be highly readable. It’s short, well-written, and keeps the reader questioning. The Japanese penchant for grotesquerie is an unabashed feature of the book. I’d recommend it… just not for your church’s book club.

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BOOK REVIEW: The Sky Unwashed by Irene Zabytko

The Sky UnwashedThe Sky Unwashed by Irene Zabytko

My rating: 4 of 5 stars

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The Sky Unwashed is a character-driven novel, telling the story of an elderly pensioner residing a few miles from the ill-fated Chernobyl nuclear plant. The protagonist’s name is Marusia, and she lives with her beaten-down son Yurko, his cheating wife Zosia, and the dysfunctional couple’s children (her grandchildren.)

The first part of the novel is a bit of a slog, though the character portraits of the adult family members may be enough to keep one intrigued if one enjoys being pulled into a dysfunctional Ukrainian village household. (The first part is a bit like “Jerry Springer—Ukraine Edition.”) Zosia’s unfaithfulness provides the main source of tension, but that tension is a quiet one between Marusia and Zosia. Yurko knows about his wife’s infidelity, but doesn’t seem to care–or doesn’t seem to be able to muster the energy to make the appearance of caring. Marusia, on the other hand, is the doting mother who feels that her doofus son could do better, but she bites her lip as she doesn’t feel it’s her place.

It’s the Chernobyl meltdown that kicks the novel into interesting territory. One is shown how tragedy can bring out the best and worst in people. Both Yurko and Zosia have jobs at the plant, but it’s Yurko who’s working when the incident occurs, and it’s he who gets a dose of radiation that will prove lingeringly fatal. Interestingly, the reader isn’t taken into the plant often. We don’t see Yurko fighting the fires, but rather we see the family in the village Starylis. We experience the family first noticing Yurko’s failure to return and then becoming increasingly concerned. We see the family noticing the subtle signs of something gone awry—like air that tastes of pennies.

Starylis’s occupants—including Marusia’s family–are eventually evacuated to Kiev. It’s here that we see how events press the once hostile family together before ultimately tearing them apart. The Zosia we found unpalatable in the first part is now seen in more sympathetic terms. We see her at her best and her worst, and we see that in sum she is a survivor. Her behavior, good and bad, is committed saving the remainder of her family—which is her children.

The truly visceral part of the novel is reached when Marusia opts to move back to Starylis, despite the fact that it’s abandoned. At first, the elderly woman is completely alone. It’s the eerie loneliness of an abandoned place that one once knew as a thriving community. Even the livestock Marusia left behind is long gone. Her daily ritual includes ringing the church bells to let any other stragglers know they aren’t alone. Eventually, she befriends a cat gone feral, and shortly thereafter others begin to trickle back to the village—virtually all of them women.

In retrospect it seems the author might not have been comfortable writing male characters. The only male character of note is Yurko, and he’s by far the most flat of the major characters—that’s probably on purpose and it feels true enough. The only other male character we get to know in any detail is quickly killed off. Given all the male-dominated works of literature, this isn’t necessarily a complaint or a problem—just an observation.

I’d recommend this book for the patient. If you need a hard and fast hook to keep you engaged, you’ll have trouble with this book. However, once one gets into the parts set in Kiev and the abandoned Starylis, you’ll find the book intensely engaging.

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BOOK REVIEW: A Tale for the Time Being by Ruth Ozeki

A Tale for the Time BeingA Tale for the Time Being by Ruth Ozeki

My rating: 5 of 5 stars

Amazon page

A struggling novelist named Ruth finds a watertight package containing a Hello Kitty lunchbox washed ashore on an island off the coast of British Columbia. Ruth’s initial assumption is that it’s debris from the March 11, 2011 tsunami that scoured a large swath of coastal eastern Japan out to sea. However, her husband, Oliver, who has more expertise in these matters, tells her that it’s unlikely that the box could cross the Pacific so quickly and that it would be jettisoned out of the currents that consolidate plastic rubbish into large debris fields like the Great Pacific Garbage Patch. When the lunch box’s contents turn out to include a teenage girl’s journal and a number of letters, it seems as though the mystery might be solvable.

The journal is written by a Japanese girl in turmoil named Nao. Nao grew up in American, her father working for a Silicon Valley computer firm until he lost his job. A major factor in Nao’s depression is that she has to return to her ethnic homeland of Japan as a stranger. Her formative years were spent in America, and she is out-of-place in Japan and—as a result—she falls victim to vicious bullying. Furthermore, her father is unable to find a job in Japan and becomes suicidal. The household has to tighten its proverbial belt because Nao’s father, Haruki #2, isn’t working and Nao’s mother has limited earning potential. (FYI: the “#2” refers to the fact that Nao’s father had an uncle for whom he was named who’d been a scholar forced to serve in a kami kaze squad during the war.)

Nao also becomes suicidal, but she is firm in her conviction that she will not fail like her father has done on two occasions. There’s one thing that she must do first and that’s to pen the story of her great-grandmother Jiko. Jiko is a centenarian Buddhist nun and the family matriarch on Nao’s father’s side of the family. Nao stays a summer with Jiko, and the old nun in all her wisdom becomes an anchor in the girl’s tumultuous life. With a level of narcissism appropriate to a teenager, Nao ends up telling us a story that’s more autobiographical than an account of Old Jiko.

A Tale for the Time Being interweaves two storylines. One line is Nao’s journal entries and letters from the lunchbox. The other line is Ruth’s journey as she reads the journal and becomes obsessed with discovering more about Nao and her family members. Eventually, Ruth’s investigation turns up information about Haruki #1 and Haruki #2 that Nao apparently didn’t know, and that both Ruth and the reader hope the girl will learn. Nao comes to idolize Haruki #1 in part because he was committed to his fate as a kami kaze. It’s not that she believed in the kami kaze objective (she identifies more as American than Japanese), but she sees Haruki #1’s commitment in contrast to her father’s behavior. Nao’s myth about her great-uncle turns him into a counterpoint to the father that she loves but thinks a pathetic loser. In a way, this novel is a cautionary tale about drawing conclusions about the virtues and vices of others without knowing their whole story.

Ozeki does a great job of creating characters multi-dimensional enough for us to become intrigued by. Just as Ozeki has her same-named secondary protagonist, Ruth, sitting on the edge of the seat wanting to find out what happened to Nao and her family, we—too–are pulled into that mystery. The challenging approach of weaving Ruth’s story into the journal’s contents works well.

Ozeki hints that there may be something supernatural about the world in which her characters inhabit. There’s a member of a species of crow that shouldn’t be on the American side of the Pacific who shows up at about the same time as the lunch box. Also, we can’t tell whether some of Nao’s stories are the wishful delusions of a tormented girl or whether they reflect some kind of subtle magic. It’s a similar approach to that of other literary fiction authors such as Haruki Murakami.

I’d recommend this novel. It’s gripping and readable.

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BOOK REVIEW: After Dark by Haruki Murakami

After DarkAfter Dark by Haruki Murakami

My rating: 5 of 5 stars

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[Note to readers unfamiliar with Tokyo: There are a couple of facts about the city that one must understand for this book to make sense. First, while Tokyo is a city that’s always moving, the trains don’t run between roughly midnight and five am (your results may vary by station.) Second, because many people live far out in the suburbs and the cost of living is high, taxis aren’t an option for much of the population. These two facts add up to a slew of business for those industries that cater to the population caught out “after dark” (i.e. after the trains stop running–not after sundown) including: all-night diners, love hotels, c-stores, bars, pachinko parlors, bowling alleys, and manga bookstores.]

This novel takes place in Tokyo during the wee hours of a single night. Murakami satisfies a form of voyeuristic impulse by giving us a peek into the lives of a few of the people out and about while the masses are home slumbering, or—at least–whiling away insomnia-ridden hours in the privacy of their own homes.

The protagonist is a young college student named Mari. As she sits in a 24-hour Denny’s reading, Mari immediately triggers curiosity. She isn’t typical of the disheveled, boozy, or garish crowd out “after dark.” In a post-witching hour world of drunken salaryman, micro-miniskirted hostesses, tattooed yakuza gangsters, and nightlife-savvy travelers, the bookish young woman stands out. We soon learn that Mari didn’t miss the last train on accident, but rather is staying out all night on purpose to be out of the house. This further raises the level of intrigue.

In the Denny’s, Mari is approached by a gregarious young man named Takahashi who is grabbing a quick snack before going back to his nighttime hobby of jamming in a jazz band. Takahashi introduces himself as someone who already knows Mari from a party. He’s a couple years older than the young woman, and was a classmate of Mari’s sister, Eri. The party at which he met Mari was mostly attended by kids the age of Eri and himself, and Mari was just along for the ride with her more popular sister.

Eri is another major character in the book, although her mysterious presence is mostly in a sleeping state. Eri, unlike the plain Mari, is drop dead gorgeous, and has been doing modeling jobs since she was a child. Takahashi is but one of the young men infatuated with Eri—though we get the feeling that Takahashi realizes that Eri isn’t in his league. He’s a pragmatist—if begrudgingly so. The rest of the book hinges on this chance encounter between Mari and Takahashi.

Suspicions that the grim hours of circadian disruption are the domain of crime and vice are confirmed when a bulky former female wrestler turned love hotel manager, named Kaoru, rushes into the Denny’s seeking Mari. Kaoru is an acquaintance of Takahashi (who has since left the diner to play jazz) and she is seeking Mari because Takahashi told her that Mari spoke fluent Chinese. A Chinese prostitute was beaten up at the love hotel, the Alphaville, and Kaoru needs to talk to the foreign woman to get to the bottom of the matter. Kaoru’s investigation is in part driven by the fact that the Chinese hooker’s John dashed on the hotel bill, but the former wrestler also has a soft spot for the beaten girl and wants to do the right thing by her—though Kaoru knows the police can’t be involved because the Chinese working girl will, at a minimum, be deported by the authorities, or, worse, be punished by the Chinese mafia who pimp her.

As with a few of Murakami’s other books, this book might be labeled “slipstream.” Slipstream is a genre that blends mainstream literary fiction with supernatural elements / speculative fiction. However, the scenes that aren’t realist generally involve the sleeping Eri in her room by herself. So, it may be that Murakami is just conveying the hazy and illusory world of sleep and life at the edge of sleep. I’ll leave it to the reader to make their own interpretations of this. There are also coincidences that could strain credulity, but this may just be an attempt to convey that the world of Tokyo “after dark” is a small pond.

I’d highly recommend this novel. Murakami gives us likable characters and one can see why said characters are draw to each other despite their very different existences. Then he puts them into situations that demand resolution. It’s a short, readable, and interesting novel.

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BOOK REVIEW: Crow with No Mouth: Ikkyu Translated by Stephen Berg

Crow With No Mouth : Ikkyu : Fifteenth Century Zen MasterCrow With No Mouth : Ikkyu : Fifteenth Century Zen Master by Ikkyu

My rating: 5 of 5 stars

Amazon page

Ikkyū Sōjun was the Howard Stern of Zen masters. Born in 1394, he lived through most of the 15th century. Ikkyū served as a temple’s abbot for less than two weeks before he quit in disgust, vowing to move into a red-light district—apparently he wanted to live among people he found more honest and less hypocritical. The Zen master despised the corruption and snobbery of monastic politics.

Crow with no Mouth is a collection of Ikkyū’s verse, which is largely in the Zen tradition–featuring natural subjects and simple wisdom in a sparse style. Of course, as per my comments in the preceding paragraph, there are a few poems on topics such as cunnilingus and debauchery—so it’s not what one would call a child-friendly collection (unless one enjoys explaining the sexual exploits of a lecherous monk to one’s child.) The more explicit poems may seem like a diversion from the Zen path, but perhaps not. Maybe Ikkyū offered them as a way to train the mind, to observe one’s reaction to shocking commentary as a means of changing one’s way of thinking.

A few of my favorite lines of a more traditional nature include:

-“you can’t make cherry blossoms by tearing off petals to plant; only spring does that”

-“sometimes all I am is dark emptiness; I can’t hide in the sleeves of my own robes”

-“it’s logical: if you’re not going anywhere any road is the right one”

-“the edges of the sword are life and death; no one knows which is which”

-“even in its scabbard my sword sees you”

-“a flower held up twirled between human fingers; a smile barely visible”

-“in war there’s no time to teach or learn Zen; carry a strong stick; bash your attackers”

Here are a few of those jarring lines that I mentioned above:

-“that stone Buddha deserves all the bird shit it gets”

-“all koans just lead you on but not the delicious pussy of the young girls I go down on”

-“ten fussy days running this temple all red tape; look me up if you want o in the bar whorehouse fish market”

-“my dying teacher could not wipe himself; unlike you disciples who use bamboo; I cleaned his lovely ass with my bare hands”

-“don’t hesitate get laid that’s wisdom; sitting around chanting, what crap”

-“who teaches truth? good/bad the wrong way; Crazy Cloud knows the taste of his own shit” [Crazy Cloud was Ikkyū’s name for himself.]

When he left the monastery, Ikkyū shredded the certificate that served as his monastic credential. Some of his students found it, and pieced it back together. That led to the following verse:

-“one of you saved my satori paper I know it piece by piece; you pasted it back together; now watch me burn it once and for all”

Ikkyū’s verse asks us to reevaluate what it means to be sacred or profane. The orthodox view would be that Ikkyū fell from the sacred life of a monk. However, Ikkyū tells us that one can degrade what is important by raising the wrong things to sacred status. Conversely, some of what we believe to be profane is just rooted in habitual and ill-reasoned ways of thinking.

I’d recommend this work for those who love the spare form of Japanese poetry, and who don’t mind a hard jolt to their psyche occasionally.

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READING REPORT: March 13, 2015

Welcome to a special–not really–Friday the 13th edition Reading Report. Were I one to plan ahead, I might have read something horrifying for this week, but I’m afraid there’s nothing to inspire dread… well, I don’t really know what your dread threshold is, but unless you have phobias about good posture or classic literature, I think you’re safe.

 

I bought The New Rules of Posture this week, and spent a lot of my reading time with my nose in it. It’s one of those books that has one periodically getting up to try some movement or postural experiment, but I’m about 2/3rds of the way through nonetheless. It’s written by a dancer turned Rolfer, and offers good insights on the subjects of posture and breathing for those of us who are interested in evaluating and improving such things. The line drawings, many anatomical in nature, are helpful and the readability is high for a such a book. I suspect I’ll finish it in the upcoming week and will have a review up within a couple weeks.

NewRuleofPosture

 

I finished only one book this week, Why Do People Get Ill? I’ve mentioned this book in earlier reports, and will soon be doing a review, so I won’t spend much time on it now. It’s essentially about the roles that stress and the inability to articulate one’s feelings about illness play in catching a disease as well as its progression.

WhyDoPeopleGetIll_Leader&Corfield

 

As one can see, I’ve been on a body-mind nexus reading kick lately. I’m trying to educate myself about anatomy, physiology, and related biological sciences as a means to improve  the operation of body and mind. In addition to the featured titles above, some of the other books I’ve been reading during the past week include: Zen and the Brain (there was a fascinating chapter on indigenous opioids–i.e. morphine-like substances produced within the body–among this week’s chapters), The Trigger Point Therapy Workbook, and The Sensual Body.

Zen&Brain

TriggerPtTherapy

TheSensualBody

 

Moving beyond the body / mind books, I did do some reading that wasn’t research related. I’m about 40% through The Painted Word, having read the entries for the letters D, E, and (part of) F. My favorite word from the week was “dromomania” which means an intense passion for travel or wandering. As in, “I, Bernie Gourley, have a bad case of dromomania.”

Painted Word

 

The short story collection that I’m currently reading (I try not to neglect this medium) is Meeting the Dog Girls. I read about half-a-dozen stories this week (most of them are short, and a few of them–it could be argued–don’t really constitute stories), and I’m about 20% of the way through. Absurdism is a prevailing theme, though in some stories more than others. So far, I’m enjoying this collection. It’s mostly light and easily digestible reading, but has some intense moments.

Meeting the Dog Girls

 

With respect to novels, I slipped away from Mo Yan’s Life and Death are Wearing Me Out, and resumed reading Victor Hugo’s Les Misérables–a book which I started a while back. I’ve got to admit that reading 19th century literature can be a struggle, and–at the risk of offending–Hugo could’ve used a modern-day editor. (I realize that an alternative interpretation is that modern-day people–myself included–could use an attention span.) I’m only about 10% in, but I got through a powerful moment during which the gendarmes bring Jean Valjean before the Bishop. If you’ve read it (or seen one of the movie or theatrical adaptations) you’ll know what I’m talking about.

LesMiserables

 

 

The only other book I spent any significant time was The Taiheiki, and if–like me–you think reading a translation of 19th century French literature can be a challenge, try reading a translation of 14th century Japanese literature. As I’ve mentioned, this book is research for the novel I’m working on. The challenge is the vast cast of characters. It’s a blend of history and fiction, and if you don’t know who was allied with whom during the war between Emperor Go-Daigo and the Hojo, it’s hard to figure out who you should be rooting for–unless it’s talking about the legendary warrior Kusunoki Masashige or one of the few other really well-known samurai.  (Kusunoki was the lord of a small and inconsequential province and his name would likely have been lost to history–despite being a brilliant General–had he not become Japan’s national paragon for the virtue of loyalty.)

Taiheiki

BOOK REVIEW: The Mandala of Sherlock Holmes by Jamyang Norbu

The Mandala of Sherlock Holmes: The Adventures of the Great Detective in India and TibetThe Mandala of Sherlock Holmes: The Adventures of the Great Detective in India and Tibet by Jamyang Norbu

My rating: 2 of 5 stars

Amazon page

I gave this book the lowest rating that I’ve ever given a book I reviewed. However, there’s a selection bias at work. I don’t finish (and rarely start, for that matter) books that are so horrible that they’d get a lesser rating. Ergo, any book that I finish and review has some redeeming qualities. I’ll leave it to the reader to determine whether these redeeming qualities will outweigh the deficiencies of story in this book.

The Mandala of Sherlock Holmes takes our beloved detective out of London and onto a trip from Bombay to Shangri La by way of Shimla (India) and Lhasa (Tibet.) It’s one of several pieces of Great Hiatus fan fiction out there. (I recently saw an addition that took Holmes to Japan.) Fans of Sherlock Holmes will be aware that Sir Arthur Conan Doyle became tired of the character at one point and killed him off (along with Professor Moriarty) at Reichenbach Falls. Holmes was “revived” several years later due to popular demand (and—perhaps—Doyle’s need for funds), leaving fans / authors to speculate what the detective did during his time in hiding (i.e. the so-called Great Hiatus.) This particular work tells us that Holmes spent his time in the Himalayas. It’s as good a setting as any, given that fascination with the esoteric Himalayan world was building in the West during this time. In an interesting feature, Norbu’s book brings in a fictional character from Rudyard Kipling’s Kim, Hurree Mookherjee, to serve as Holmes’s sidekick. (FYI: Kim was published during the Great Hiatus years.) The story involves shadowy plots against both Holmes and a young 13th Dalai Lama (this was the predecessor of the current Dalai Lama) that are incidental to obtaining a powerful mandala.

I’ll begin with the strengths of the work before I tear into what I found objectionable about the book. The author, Jamyang Norbu, clearly did his research, and there are some fascinating tidbits and insights into that era of South Asia history. As a Tibetan, Norbu, paints an intriguing travelogue of the territory that Holmes and Hurree traverse. Also on a positive note, I’d rate the readability of this work to be high. It doesn’t follow the 19th century so closely that it falls into the purple prose and general verbosity of that century’s literature, and I think that’s a good thing. The author manages to create a bit of the feel of 19th century literature without falling off the abyss.

The book’s negative qualities are disproportionately loaded toward the back of the book. (Part of what keeps one reading and engaged is that it seems like the book could turn out well.) Let me begin with one minor character defect of the book which is that not all of the chapters advance the story; a few are descriptive like travelogues. However, most of said chapters are so short that it’s not that problematic.

I should note that one star that might’ve been obtained for originality must be forfeited because there’s no shortage of books following the same general premise.

But the story’s major flaw is that devolves into supernatural speculative fiction done poorly. Let me say, I’m not against the supernatural genre in theory. However, as with stories about Superman, these tales are exceedingly easy to do poorly and extremely difficult to do well. In the real world, tension is easily created because the reader knows many of the limits that characters face, and a good writer forces his characters up against some of those limits. However, when characters seem to be limited by the laws of physics, but then just start pulling magic rabbits out of their hats, the tension drains. We assume our protagonist will prevail and the antagonist will be thwarted. The odds stacked against our hero(es) don’t matter if one expects they’ll pull out a—proverbial or otherwise–magic wand and claim a cheap victory. If one wants to do the supernatural well, one needs to not only make the antagonist stronger (which Mr. Norbu does), but one has to know what everybody’s limits are. Otherwise, it’s just a cheap spectacle. [I should point out that Hurree does engage in a non-magical action that is critically timed during a key moment of the story, and some readers may feel that this absolves the novel of its ham-handed introduction of the supernatural.]

There’s another problem with the degree to which the book hinges on the supernatural, and that is specific to the domain of Holmes. The supernatural is usually something to be debunked in the Holmesian domain. Sir Arthur Conan Doyle’s Holmes is a product of the dawning of the age of rationality, and he is a man of science. [Want to know more? See this Tor article entitled “No Ghost Need Apply.”]Doyle’s Holmes may accept the possibility of the supernatural and apparently supernatural elements may make appearances, but Holmes is always looking for an explanation rooted in logic and favoring the possible. While Norbu goes to great lengths to capture the flavor of Holmes in many aspects, he abandons the character altogether in favor a world that looks neither like our own nor the one Arthur Conan Doyle created.

The disappointment of this book is that it looks like it’s on a trajectory to hit its mark, but then sails wildly off target.

If you like supernatural fiction and you don’t mind that magic suddenly pops up to shape the climax of the book out of the blue, by all means pick this book up. Otherwise, I can’t say that I’d recommend it for Holmes’ fans.

View all my reviews

READING REPORT: February 27, 2015

I finished three books this week.

Antifragility

The first of these is Antifragile, the latest offering by Nassim Nicholas Taleb, whom you may know from Black Swan and Fooled by Randomness fame. While it’s his latest book, it came out a couple of years ago and I started it over a year ago.  The premise is that some entities become stronger when exposed to stressors and disorder,  and there are ways to nurture this tendency to be antifragile. While the ideas and many of the examples are fascinating, I put it down for a long time because Taleb is prone to rambling diatribes. After about the 1oooth time reading about how much he loathes the 98% of professors (we get it already), you may be ready to set it down as well.  [To be fair, Taleb probably gets a hundred death threats a year from enraged social science scholars whose life’s work will appear ridiculous to anyone who understands the gist of Taleb’s arguments in this and his preceding two books.] Taleb is a first-rate thinker who has delivered some very important messages about the misapplication of statistics, I’m not sure why he feels compelled go all Howard Stern about it–though it does probably sell a few extra copies and I suspect he is genuinely that way.

 

 

pyjamagameMark Law’s The Pyjama Game is in part a micro-history of the martial art and sport of judō, and in part is an accounting of his own experiences in taking up judō at the ripe age of 50. For me the history and evolution of judō is where the book is at its most interesting. However, if you don’t have any martial arts experience–or even if you don’t have any grappling-centric training experience–you may find Law’s discussion of testing and randori (free form training, the grappling equivalent to sparring) intriguing, or invaluable if you’re considering taking up judō, jujutsu, or sambo.

 

mantraSherlockHolmesThere is apparently a cottage industry of writers putting out their own Sherlock Holmes novels, and–in particular–writing about Holmes’s gap years. For those unfamiliar with the literary history of Sir Arthur Conan Doyle, at one point he got sick of writing these crime fiction novels and killed off Sherlock Holmes. However, there was such a clambering for the master detective that Doyle resuscitated Holmes. These gap years in which Holmes was believed dead have proven fertile soil for writers who wish to write their own spin on where Holmes went and what he did when he was traveling incognito. I saw a press post for a new one the other day in which Holmes goes to Japan. The Mandala of Sherlock Holmes, however, speculates that Holmes traveled to Bombay, and from there to Tibet and eventually to Shangri La. It’s an intriguing premise and offers some good travelogue type description of setting–however as a story it’s not as artfully executed as the Arthur Conan Doyle books.

 

I bought four books this week, two of which–in part–because they’ll help me complete the Book Riot 2015 Read Harder Challenge, which I will talk about below.

 

Dinosaurs_wo_Bones

Admittedly, I bought this book, Dinosaurs Without Bones,  not because the subject jumped out at me (though I’m sure it will prove thrilling) but rather because I knew the author about a billion years ago (I know; I should take geological time more seriously when mentioning a book of this subject.) At any rate, we trained at the same martial arts school in Atlanta, Georgia. That disclaimer being made, the topic looks fascinating and I’m eager to learn more about paleontological detective work.

 

GoldfinchThe Goldfinch won the 2014 Pulitzer Prize for Literature, and so it meets an unchecked requirement for the Book Riot Challenge (recent award winner of one of the major literary prizes.) Honestly, if it weren’t for my desire to complete the challenge, I might have read Tartt’s The Secret History first. The latter books seems a little more up my alley, but I”m eager to see what this critically acclaimed novel has to offer. If it’s engaging, I’ll go back and pick up her first novel.

 

AMillionShadesofGray

No A Million Shades of Gray isn’t a mommy porn book 20,000 times more intense than E.L. James’ book. On the contrary, it’s an intriguing YA book about a teenage elephant handler who escapes into the jungle with his elephant to escape war-torn Vietnam. This book will hit on an unchecked category on the Book Riot Challenge (i.e. YA book)

 

Life of Pi

Life of Pi is a book that I intended to read long before the movie came out, but still haven’t gotten around to it. It was cheap on Kindle, and so I picked it up. I’ve seen the movie, so it’ll be interesting to compare, given how visual the movie was.

 

I’m almost halfway through the Book Riot 2015 Read Harder Challenge. The 19 books I’ve completed thus far this year include books in 11 of the 24 categories, including:

 

3.) Short story collection or anthology: a.) 999: New Stories of Horror and Suspense, and b.) I Have No Mouth And I Must Scream

 

6.) By someone of another gender: a.) Tears in Rain, and b.) Principles of Tibetan Medicine

 

7.) Takes place in Asia: a.) Quarantine in the Grand Hotel, and b.) The Mandala of Sherlock Holmes

 

10.) A micro-history: Yoga Body: The Origins of Modern Postural Practice

 

12.) A science fiction novel: a.) Tears in Rain, b.) The Martian

 

17.) A collection of poetry: Leaves of Grass

 

18.) A book that was recommended: Key Muscles of Hatha Yoga

 

19.) A book originally published in another language: a.) Tears in Rain (Spanish), b.) Quarantine in the Grand Hotel (Hungarian)

 

20.) A graphic novel or comic book collection: The League of Extraordinary Gentlemen (Vol. 1)

 

23.) A book published in 2014: The Martian

 

24.) A self-improvement / self-help book: Zen Mind, Strong Body