BOOK REVIEW: Crabwalk by Günter Grass

CrabwalkCrabwalk by Günter Grass
My rating: 5 of 5 stars

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This story is narrated by its lead character, Paul Pokriefke, a journalist who was on the ill-fated ship, the Wilhelm Gustloff, being born on a rescue ship immediately after his pregnant mother was among the small proportion of survivors to escape that most deadly maritime disaster in history. The sinking of the Gustloff is the book’s center of gravity, it’s around that event – and the events that led to it and that sprang from it – that the story swirls.

The strange title, “crabwalk,” can be taken in a number of ways. For example, the author uses the term when he advances the story by moving in some direction that isn’t chronologically forward. However, the central crabwalk is the failure of a segment of the German population to move forward in the aftermath of the Second World War. This is shown through the narrator’s son, Konrad Pokriefke, a neo-Nazi of sorts who has an obsession with the sinking of the Wilhelm Gustloff and the incident by which that huge ship got its name (Gustloff being a Swiss Nazi who was assassinated by a Jewish student named David Frankfurter.) For much of this story, Konrad’s obsession plays out on the internet, in chatrooms and on websites that Paul covertly monitors – Paul being estranged from his son, a misfortune that he often blames on his own fatherless upbringing.

One confounding element of the story is the apparent cold rationality of Konrad Pokriefke. To clarify, the young man doesn’t exhibit sound reasoning, but he has this rationale in his mind (nutty as it may be) and he is dispassionate about doing what he believes he needs to do. Konrad isn’t the red-faced, spittle-flying Neo-Nazi. At first, it felt implausible for Konrad to have such a set of views and to be so coolheaded about them. That said, I suspect the author wrote it that way intentionally, and eventually it came to feel true – if horrifying [i.e. the idea that this cold version of hatred might be more sustainable than the intensely angry variety and that it might also retain more hatred in the face of interaction with “the enemy” (it being harder to maintain generic hatred of people with which one has an up close and personal interaction.)]

I found this book, which mixes factual events with fictional characters, to be compelling and thought-provoking. It did have a slow burn at the start, but it makes up for it with greater intensity as the story climaxes.


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BOOK REVIEW: Public Domain, Vol. 1 by Chip Zdarsky

Public Domain Vol. 1Public Domain Vol. 1 by Chip Zdarsky
My rating: 4 of 5 stars

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This isn’t a superhero comic, but a meta-superhero comic. The central premise is similar to that of the popular novel “The Amazing Adventures of Kavalier & Clay,” by Michael Chabon, which is to say it’s about how comic book artists historically made work-a-day salaries while others (actors, executives, producers, etc.) became astoundingly rich off the creations of those artists. In this case, it’s the father of two middle-aged sons, one of whom has a gambling problem.

It’s a fine story, and the character development is well done. Of the two sons, there’s one that’s incredibly likable and the other makes you want to punch him in his stupid face, and – as a twist – the likable one is the man-child and the straightlaced one is the jerk.

If you’re interested in a story about comic book justice, you should check it out.


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BOOK REVIEW: All Talk by Bartosz Sztybor

All TalkAll Talk by Bartosz Sztybor
My rating: 4 of 5 stars

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Release Date: March 14, 2023

This is the tragedy of a young man, Rahim, whose need to feel esteemed and empowered leads him ever deeper into the gangster life. But in that vicious world, his desire to be seen as powerful and his inability to tolerate insult is a threat not only to his life, but to all those close to him – even those who are more emotionally mature than he. There are a couple characters that provide contrast by showing an ability to navigate that life of youth amidst inner city poverty. The reader hopes Rahim will bend their way but fears he will pull them down with him.

This is a straightforward story but is still emotionally rousing. It’s a little like watching a car crash in slow motion, one knows what will go wrong well before it does, just by virtue of the fact that it’s all been set inexorably in motion. And yet one can’t look away.

If you enjoy a modern-day tragedy, you may want to look into this one.


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BOOK REVIEW: Philosophy in the Bedroom by Marquis de Sade

Philosophy in the BoudoirPhilosophy in the Boudoir by Marquis de Sade
My rating: 4 of 5 stars

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This seven-part dialogue tells the story of a young woman’s education in libertinage (“libertine” shouldn’t be confused with liberal or libertarian.) The book mixes action sequences of a pornographic nature with philosophical discussions on ethics, law, governance, relationships, and religion. A young woman, Eugenie, is sent (without objection) by her father into the care of Madame de Saint-Ange, though another character, Dolmance, serves as both the girl’s primary philosophy lecturer as well as the choreographer of the orgiastic sexual activities that take place throughout book.

Overall, the philosophy is weak, but not altogether lacking compelling ideas, at least in the context of its time – i.e. late Age of Enlightenment. Setting aside the controversial and broadly reviled nature of Sade’s philosophy, I criticize it primarily on the grounds that it misunderstands its own foundations and frequently contradicts itself. The foundations I’m referring to are the workings of the natural world. Libertine philosophy is an offshoot of Enlightenment thinking, and as such attempts to replace the superstition and the arbitrary morals of religion. The question becomes with what one replaces religion-driven bases for determining action. Sade’s argument is that we should see ourselves as part of nature and behave in synch with it. It could be argued that using natural principles as one’s guide is as fine an idea as any, but the problem is Sade doesn’t have an accurate picture of how nature really works. Ironically, he seems to have the same unsophisticated view of nature that his opponents held – i.e. that nature is always and everywhere a brutal and chaotic hellscape. [The main difference is that Sade assumed that one must surrender to this hellscape while his opponents proposed that one must subdue it.] The fact of the matter is promiscuity and intraspecies killing aren’t universal in nature, and cooperation does exist alongside competition in the natural world. (To be clear, interspecies killing is universal for many species and intraspecies killing occurs, but consider venomous snakes of a given species that wrestle for dominance while not using their poison or infantrymen who only pretend to shoot their weapons in combat. Also, I don’t mean to suggest monogamy is the rule [besides in birds, where it is,] but Sade seems to believe there is no order to mating in the natural world.) In sum, nature does not tell us to default to the most savage behavior in all situations, and while animals can be ferocious, they generally don’t go around being jerks for the sake of being a jerk.

Since I also criticized the book’s philosophy for inconsistency, I will give one example to demonstrate a more widespread problem. Dolmance tells us that humans should live checked only as nature would check us (as opposed to by religious dictates,) but tells Eugenie to not listen to the voice of nature that tells her to not behave fiendishly.

I also said this philosophy wasn’t without compelling points. Setting aside the many ideas that were well-addressed by more mainstream philosophers long before Sade entered the picture (e.g. the need to separate the activities of religion from those of government,) Sade’s arguments for seeing a purpose for sexual activity beyond procreation, against seeing the making of more humans as a grand and necessary virtue, and against attaching stigmas to nonprocreative sex are all ideas that have gained traction since the turn of the 19th century and arguably could be furthered to positive ends.

Speaking briefly to the non-philosophical side of the book, I will say that – excepting Dialogue VII (the final one) – this book was much less disturbing than some other of the Marquis’s books (e.g. 120 Days of Sodom or Justine,) Prior to the last section, the book involves consensual activities that aren’t dialed up to the maximum level of shock value. That said, Dialogue VII is as cringeworthy as they come. Also, I didn’t understand how all the orgy choreography could work, but that might be attributable to my lack of imagination.

This book will obviously not be everyone’s cup of tea (too much orgy sex for some, too much philosophy for others, and to much of both for most) but as the Marquis de Sade’s books go, it does delve most deeply into philosophy and is moderately less disturbing than some others.


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BOOK REVIEW: Eastbound Maylis de Kerangal

EastboundEastbound by Maylis de Kerangal
My rating: 5 of 5 stars

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Release of Paperback Edition: February 7, 2023

This novella is translated from French but set in Russia. The story is short and simple, yet evocative. It’s about the attempt of its two main characters to conduct very different plans of escape. Aliocha is a soldier who’s traveling by train to a remote assignment in the East when he decides to desert. Aliocha’s desertion plan ends up hinging on the assistance of a foreign woman, Hélène, a French woman who – as it happens – is fleeing a failed relationship. For whatever reason, but perhaps because she knows the intense need to break free, Hélène decides to shelter Aliocha in her cabin until he can make clean getaway.

This is a quick but intense read. The lack of common language between the two escapees makes for an austere telling, one that adds to the emotional tone of the story. I recommend it for readers of literature in translation.


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BOOK REVIEW: The Catcher in the Rye by J.D. Salinger

The Catcher in the RyeThe Catcher in the Rye by J.D. Salinger
My rating: 5 of 5 stars

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This book will be familiar to most Americans as high school required reading. It’s about a teenager, Holden Caulfield, who’s just been expelled from a boarding school and who goes on the adolescent version of a bender – which involves some drinking but is more a mix of attempted escape and soul-searching. At first, it seems that Holden just wants to put off having to see his parents (this not being the first school at which he’s failed,) but then it seems like he might try to escape the transition to adult life altogether.

The core premise is that Caulfield can’t adapt to adult life. This is interesting in that, in some ways, he’s preternaturally mature. The character has an unusually accurate perception of his own nature, even when that nature is petty, childish, or lazy. He doesn’t rationalize his failures but recognizes them. Ultimately, Caulfield can’t cope with the false masks required of adult living and the ever-changing nature of adult life.

Like many, I did a shoddy (at best) job of reading this book in high school. It’s not exactly an action-packed romp, and the major happenings (e.g. a fight at school, being shaken down by a pimp on behalf of prostitute whom Caulfield had paid but hadn’t had sex with, and an unwelcomed [possibly sexual] advance from a former teacher) are few, far between, and somewhat anticlimactic. That said, as literary fiction the book is readable, makes bold choices with language, builds a fascinating character, and offers plenty of interesting psychology to ponder.

I’d highly recommend this book for readers of literary fiction (or a re-read for those who half-assed it in school.)


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BOOK REVIEW: The Sandman, Vol. 1: Preludes and Nocturnes by Neil Gaiman

The Sandman Vol. 1: Preludes & NocturnesThe Sandman Vol. 1: Preludes & Nocturnes by Neil Gaiman
My rating: 5 of 5 stars

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In this, the first, eight-issue volume of Sandman, we’re introduced to Morpheus / Dream – the king of dreams & nightmares and one of the seven Endless – when he’s captured by an amateur occultist who was trying to kidnap Death [the (not-so Grim) Reaper and also Dream’s sister.] The story told in “Preludes and Nocturnes” is one of Dream’s captivity, escape, and the subsequent missions to reacquire three magic artifacts that were stolen from him when he was captured (i.e. his bag of sand, helmet, and ruby-like jewel.) That last sentence makes it sound like a far-out fantasy, but it’s really a relatable and human set of stories.

This imaginative and compelling opening volume is at its best with “24 Hours” (as well as “Passengers,” the issue that precedes “24 Hours” and sets up its story.) In “24 Hours,” escaped villain, John Dee, torments the occupants of a smalltown diner by manipulating their reality (a capability he achieved when he came into possession of Dream’s “ruby.”) It’s a story that’s both horrifying and thought-provoking as Dee forces the diners to shed the masks of polite society and get to know the uncensored versions of each other.

Another favorite is the concluding issue, “The Sound of Her Wings,” which is really more of an epilogue, given the story has been brought to a successful and satisfying conclusion with the penultimate issue. “The Sound of Her Wings” introduces us to Death (the kinder, more charismatic, and more articulate Gaiman-version of the Grim Reaper) and shows us interaction between Dream and Death as Dream learns a crucial lesson from his sister.

“Sandman” is an excellent series, and the volume where it all began is no exception. I’d highly recommend it for readers in general.


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BOOK REVIEW: Punishment of a Hunter by Yulia Yakovleva

Punishment of a Hunter: A Leningrad Confidential (The Leningrad Confidential Series Book 1)Punishment of a Hunter: A Leningrad Confidential by Yulia Yakovleva
My rating: 5 of 5 stars

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This is “Seven” meets “1984” — i.e. an American-style work of crime fiction where an obsessive and deceptively savvy detective attempts to solve a string of bizarre murders but set under a totalitarian regime in which the powers that be are more concerned about quashing liberties that might bloom into insurrection than solving the odd murder. Yakovleva isn’t the first to do such a fish out of water crime novel, but she does a fine job of it. The mash-up does spin things around a bit vis-a-vis the genre’s usual conventions and mechanisms. In the typical American version, the police detective teeters on roguishness, but in the Soviet Union, “going rogue” has an entirely different meaning and set of consequences. I enjoyed the psychology that plays out in this story.

This book does demand attentive reading. There are quick and dirty transitions that can make the book read in a disjoint fashion, and – if you blink – you may miss something crucial to the story. That said, it’s not a murder mystery precisely, and so it’s not like one is engaged in a clue hunt. The story has a fascinating premise and I enjoyed reading it tremendously.


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BOOK REVIEW: Ahiahia the Orphan by Levi Illuitok

Ahiahia the OrphanAhiahia the Orphan by Levi Illuitok
My rating: 4 of 5 stars

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Release Date: April 11, 2023

This is a brief and action-packed graphic novelization of a traditional story of the Inuit people of Kugaaruk. That said, it’s probably too brief and action-packed for its own good. The story revolves around a man, Ahiahia, who is orphaned when members of the tribe kill his parents, and then when he comes of age the same contingent have it out for him. While one can imagine any number of internecine conflicts that could lead to the murder of his parents, the fact that we have no clue of the attackers’ motivation makes the whole thing feel gratuitous.

Ahiahia’s grandmother takes the boy in and goes to great lengths to see that he will be safe in the face of whatever familial rivalry led to his parent’s murder. Her actions blend the magical with the practical (e.g. chanting incantations over the bow and arrows she makes for him.) For me, the moral of the story can be seen in this blending. We don’t know how much of Ahiahia’s successes are due to the practical versus the magical, but one feels they worked together and that one without the other would probably not have fared as well.

At the end, there’s a scene that may be disturbing for those who have strong feelings about patriarchal subjugation of women, but it’s hard to argue that it’s not authentic.

This is a very quick read and has sufficient action to keep it engaging. However, it can also feel a bit purposeless.


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BOOK REVIEW: Rivers of Babylon by Peter Pišťanek

Rivers of Babylon (Rivers of Babylon, #1)Rivers of Babylon by Peter Pišťanek
My rating: 5 of 5 stars

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This is a Horatio Alger story (rags-to-riches) done Slovak style, which is to say it’s decidedly more edgy and gritty than the typical American version would be. The protagonist’s success is not solely the result of hard work and determination, but also a nasty temper, a capacity for brutality, and an unstudied skill for reading and manipulating people (despite a lack of education or intellectual acumen.)

Rácz (the story’s lead) returns home to his village from military service believing that he has a modest inheritance coming his way, only to discover that some members of his extended family absconded with his deceased parent’s savings. The father of Rácz’s sweetheart recommends that Rácz go to the big city [Bratislava] to earn some quick cash because the father can’t very well marry his daughter off to a destitute young farmer. Rácz does go to Bratislava and happens to sit down in a dinner next to an old man who is looking for his own replacement to run the central heating system for a block that is dominated by a high-end hotel catering to foreign visitors as well as some mostly luxury shops and businesses. It’s not a prestigious job, essentially a furnace stoker, but the pay is not bad and most people treat the stoker pretty well because they’re scared of having their heat go out in the winter – except the hotel manager, who is a bully. Rácz has his “Falling Down” moment after being tormented by the Manager, and his burst of anger — and the realization that he can control the hotel and all that’s around it by blackmailing everyone to keep the heat working — starts him down a path that will result in his rise to gangster-king status.

The book is humorous throughout, though it’s largely black humor. As for trigger warnings: the book includes acts of rape and kidnapping. Rácz does have a kind of moral compass, and one does see where his limits lie and the ethical rules he applies, but that moral compass is wildly off-kilter in comparison to most of society. I found the psychology of Rácz and other main characters (e.g. Video Urban, a character who is far more street smart than Rácz, but not as capable of brutality) to be intriguing, and the book offers a vision of what made the Soviet leader’s tick. [The era seems to straddle the fall of Communism as a shift to privatization takes place in the book’s latter half.]

If you’re interested in Slovak literature or gangster literature or both, I’d highly recommend this book.


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