BOOK REVIEW: Memory: A Very Short Introduction by Jonathan K. Foster

Memory: A Very Short IntroductionMemory: A Very Short Introduction by Jonathan K. Foster
My rating: 4 of 5 stars

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Everything we think, do, or say relies upon–or is influenced by–memory, and yet our memories offer a much lower fidelity and more highly corruptible recording than we tend to think. Even those events that lead to “flashbulb” memory (i.e. JFK’s assassination, 9-11 terror attacks, or the 3-11 tsunami in Japan) aren’t remembered particularly well. You may remember where you were and what you were doing in broad brushstrokes, but you probably wouldn’t test well on the actual details of the event. Old memories are constantly over-lain with a corresponding loss of accuracy. This brief introduction explains the basics of how memory works, and—as importantly—how it doesn’t.

The book is part of Oxford University Press’s “A Very Short Introduction” [AVSI] series, and it follows that approach. It’s under 150 pages, and written for someone looking for a “ground-up” explanation of the subject. It has minimal ancillary material, just a couple of pages of “Further Reading” after the book’s seven chapters. There are a few black-and-white graphics throughout the book, a combination of photos and diagrams.

Chapter 1 introduces the reader to what memory is and what it isn’t. One learns about the three-part process of memory (encoding, storage, and retrieval), an idea which will be important throughout the rest of the book because these stages mirror the structure of memory failures and the means to build a better memory.

Chapter 2 explores the landscape of memory, which is a great deal more complex than the short-term v long-term dichotomy that we all learned in school. There’s working memory, procedural memory, semantic memory, and episodic memory.

In chapter 3, the reader learns about how memories are retrieved or recalled and the immense power of context in the process.

Chapter 4 explains the many ways in which memory fails us from simple forgetting to false or corrupted memories. We learn how being knowledgeable improves our memory, but also how it can lead us into error.

The next chapter advances the same theme by looking at amnesia. While amnesia is one of Hollywood’s favorite plot devices, the subject is generally poorly understood because of the simplified and myth-filled nature of the entertainment form of the affliction. Here you’ll learn what one isn’t seeing in the soap operas.

Chapter 6 is entitled the “The Seven Ages of Man” and it looks at memory over the lifespan, with particular attention to the ends of the spectrum. On one end, why do most of us remember nothing from our first few years—and what we do remember is often quiet suspect (false memories from hearing stories about one’s infancy?) At the other end of the spectrum, we are all well aware of how memory degrades with age—particularly those of us buying and reading books on memory. However, one learns that it’s a great oversimplification. While our episodic (event) memory degrades, some elements of memory are quite robust to aging.

The last chapter discusses what does (and to a small degree, what doesn’t) work with respect to improving one’s memory. As it’s a short chapter in a short book, this should be taken as an outline of the subject. If this is one’s main purpose for seeking out a book on memory, one may want to keep looking.

At this point, I’ve read and reviewed many books in the AVSI series, and I found this one to be typical. It’s not among the most engaging of the titles in the series, but it gets the central concepts across in a way that is readable and soundly organized. Because there’s a lot of definitional and conceptual material to cover, there’s not a lot of room for the narrative approach, which isn’t to say that there aren’t brief descriptions of key cases here and there.

I’d recommend this book for someone wanting an overview of the subject of memory.

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BOOK REVIEW: Consciousness by Susan Blackmore

Consciousness: A Very Short IntroductionConsciousness: A Very Short Introduction by Susan Blackmore
My rating: 4 of 5 stars

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Consciousness remains one of the least understood phenomena of our world. It’s also one of the most intriguing subjects, and fascination with it has spurred debate both between science and religion and within science. While science has been moving toward the belief that consciousness is rooted in the brain, there remain many important questions to be answered. Of course, historically, it wasn’t at all common to think of consciousness as arising from the action of a material object (e.g. the human brain), it was beyond humanity’s intellectual capacity to comprehend how something as grand as consciousness could arise from a 1.2kg (<3lb) organ. Consciousness was intertwined with ideas of “the soul”—a non-material self-ness.

So it is that Blackmore takes on a shadowy subject in which questions are as likely to lead to more questions as they are answers. She lays out the arguments between scholars of science and philosophy as to what exactly consciousness is, how it operates, and how important it is or isn’t.

The book consists of eight chapters. The first chapter attempts to define consciousness and discusses the degree to which there is a lack of consensus on the subject. In doing so, it outlines why consciousness is such an elusive subject.

Chapter two describes the attempt to find correlates of consciousness in the brain, and it describes some of the case of brain damage that support the notion that consciousness is a product of the brain. Many beliefs of duality (i.e. the idea that body and mind are separate) have been in decline because of cases in which brain damage is specifically linked to changes in consciousness. Consider life-long love being uprooted by a scalpel.

Chapter three deals with a number of topics related to time and space, such as whether consciousness lags behind reality. That sounds ridiculous. However, remember that we experience the world from inside the frame of reference of consciousness.

Chapter four examines a number of illusions to which our conscious minds are systematically subject. We have a number of blind spots, many of which result from the fact that a great deal of what the brain does, it does without letting the conscious mind in on events.

In the fifth chapter, the author presents the link between consciousness and perception of self. It has long been taken for granted by most of the world that there is some soul that exists beyond the body, and it’s in this chapter that the author reflects upon whether this is an illusion or not.

Chapter six covers a topic that is integrally linked to consciousness and the idea of self, and that is free will. Free will is another notion that humanity historically took for granted that is coming under fire in the face of our increasing understanding of the brain. Current scientific evidence suggests that free will as we perceive it (i.e. thinking things through consciously and then making a decision at a conscious level) is an illusion.

Chapter seven is about the many altered states of consciousness, including: dreaming, drug-induced effects, meditation, and some of the widely reported experiences that seem to involve separation of consciousness from body (e.g. out-of-body and near-death experiences.)

Chapter eight ponders the evolutionary advantage offered by consciousness (especially if a major part of what we think we use our conscious minds for is an illusion.) One thing is clear; evolution doesn’t hand out vast and complex advances in capability if they don’t serve to make one more likely to survive to procreate. However, could consciousness—majestic as it may seem—be a mere side-effect of a big brain developed to facilitate survival in a world in which we weren’t the strongest, fastest, or most athletic creatures by a long shot?

The book uses a wide variety of black-and-white graphics including cartoons, technical diagrams, and photographs. These graphics help to communicate important ideas and are more likely to do so with levity than technical complexity. The book is readable, considering the challenging topic.

I’d recommend this book for those interested in an overview of the state of understanding and debate about what consciousness is.

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BOOK REVIEW: The Brain: A Very Short Introduction by Michael O’Shea

The Brain: A Very Short IntroductionThe Brain: A Very Short Introduction by Michael O’Shea
My rating: 4 of 5 stars

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The human brain in 120-ish pages, it’s an ambitious goal considering that the brain is widely considered to be the most complex object in the known universe. Still, this is one of Oxford University Press’s “A Very Short Introduction” (AVSI) series, so the only promise is to give one a concise overview of the subject for beginners. In that task, the book succeeds. In fact, the book takes on some subjects that one might think beyond its scope, such as the historical progression of our understanding of the brain and how technology might be used to repair damaged brains.

The book consists of seven chapters and an epilogue. The first chapter introduces the brain, and it makes this monumental subject manageable by considering reading—a skill that we take for granted but for which the brain conducts miraculous feats from rapid accurate eye movement to turning abstract symbols into meaning. The second chapter takes the reader on a tour of the changing understanding of the brain leading up to the discovery of the neuron—the brain’s basic unit. Chapter three explores how those neurons transmit signals, the fundamental action of the brain. Chapter four examines the evolution of the human brain, both from the perspective of how it could become so complex, and of why it needed to become so. Chapter five is about how the brain receives information and uses this information to conduct activities. A majority of this chapter is devoted to how patterns of light are recognized and turned into the meaningful basis upon which to make decisions or perform actions. Chapter six offers a basic understanding of memory, one of the roles we most closely associate with the brain. Chapter seven considers whether we’ll be able to fix damaged brains, and, if so, using what technologies. A brief epilogue tells us where the future of brain research will go–having gained much understanding since the invention of functional Magnetic Resonance Imaging (fMRI), neuroscience must find new approaches to take itself into the future.

The book uses line drawings to depict concepts that are hard to convey via text. While the graphics are simple black-and-white drawings, they are immensely beneficial. Like other AVSI books, there are no citations or notes, just a couple of pages of “further readings.” That’s not a criticism; it’s perfectly acceptable for this type of book.

I found “The Brain: AVSI” to be informative and interesting. The author uses some illuminating examples and cases to cover a lot of ground in a small package. I’d recommend the book for anyone who wants a neophyte’s introduction into the human brain.

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BOOK REVIEW: Touch by David J. Linden

Touch: The Science of the Sense that Makes Us HumanTouch: The Science of the Sense that Makes Us Human by David J. Linden
My rating: 5 of 5 stars

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“Touch” is a neuroscientist’s perspective on the human sense of touch, and the profound impact it has on life in our species.

It’s a short book, only about 200 pages of substantive text, arranged into eight chapters. The first chapter considers the role that our sense of touch plays in our lives as social animals. There are a number of studies described in this chapter, but I’ll cite only two that I think give an idea of what the chapter is all about. The first considers why a person holding a cold coffee is likely to be viewed more negatively than if that same person was holding a hot coffee after a handshake. The second reports that survey takers in a mall were more likely to gain compliance if they engaged in gentle, casual, and non-creepy touch—e.g. fingers to forearm.

The second chapter explores the combination of sensors we have in our skin—particularly in our fingers–that allow us to conduct feats of dexterity that (while we take them for granted) are phenomenally difficult. For all the billions put into robotics research, robots are nowhere close to being able to complete tasks that any five-year old can do. The third chapter examines how humans are uniquely geared to be able to give and recognize a particular type of touch sensation, the caress. Throughout the book there are a number of interesting stories, some of them are scientific case studies and others… not so much. This chapter begins with the story of a man on trial for flying into a rage because his girlfriend couldn’t get the pressure right when engaging in manual stimulation. (The author was actually on the jury.)

The fourth chapter delves more deeply and explicitly into sexual contact. Whereas chapter 3, dealt largely with hand against random skin, this chapter deals in genitals and erogenous zones more specifically. There are also a number of fascinating cases / stories herein. A lot of the chapter deals in how we experience and interpret pleasure.

Chapter five explains a specific type of sensation, that of temperature. It considers why crushed chili feels hot but crushed mint feels cool to the skin. While the focus of the book is on human anatomy, physiology, and social interaction, there are many cases from other species throughout the book. This chapter offers a prime example. It explains how Vampire Bats have a unique ability to sense infrared. This is of benefit to them, since they only take blood meals and, therefore, need to be able to sense where the blood is flowing and has the least insulation (fur) over it.

Continuing the examination of specific kinds of sensation, chapter six is about pain. This is where the neuroscientific perspective offers some interesting insight. In particular, because it considers why soldiers who had multiple gun wounds could do their job on the battlefield with nary a peep of complaint, but then would raise holy hell about a bad blood stick a few days later in the hospital. The case of a medic who was badly shot up but not cognizant of it until later is discussed in some detail.

Chapter 7 deals in the itchy, and asks and answers the question of whether or not itchiness is a particular case of low-intensity pain. By low intensity, I’m not speaking of the compulsive behavior sometimes spurred by such sensations.

Chapter 8 is also highly neuroscience influenced. It deals with various illusions of sensation, and how these illusions come about through the interaction of sense and the brain. While the most famous example of such an illusion is phantom limb pain experienced by amputees, Linden addresses less traumatic and more work-a-day tactile illusions for most of the chapter. (This may be because there are a number of popular works of neuroscience that deal in phantom limbs—most notably V.S. Ramachandran’s books.)

I enjoyed this book. It conveys significant technical detail, but does so in a fashion that is easy for a non-expert to follow both because of readable writing and the use of stories. The author uses frequent graphics to help clarify points, and the graphics (mostly line drawings and graphs) do their job by being easy to follow and interpret.

In short, the book was highly readable, concise, and informative. I’d recommend it for anyone interested in the sense of touch.

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BOOK REVIEW: The Sensual Body by Lucy Lidell

The Sensual Body: The Ultimate Guide to Body Awareness and Self-FulfilmentThe Sensual Body: The Ultimate Guide to Body Awareness and Self-Fulfilment by Lucy Lidell
My rating: 3 of 5 stars

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This is a book about body awareness. It explores the subject by presenting tidbits from a range of movement and posture systems.

The book is divided into three parts. The first is a brief overview of the subject of bodily awareness. This section discusses what it means to be aware of the body, how body and mind / emotion are connected, and it sets up the need for the practices described throughout the rest of the book. The second part deals with a series of solitary activities that one can do to improve one’s quality of posture and movement. It forms the bulk of the book. The nine chapters of this portion of the book can themselves be divided in two. Three of them deal in aspects of bodily awareness: breathing / voice-work, grounding, and sensation. These sections borrow and adapt from established systems in a generic sense (e.g. the section on grounding uses a number of techniques drawn from yoga.) The other six chapters each deal with a system of bodywork, including: self-massage, African dance, Tai Chi, Eutony, Kum Nye, and running.

I’ll describe two of these specifically because they aren’t household names. I suspect most readers can imagine what the following look like: self-massage, African dance (even if it’s from a Paul Simon video), Tai Chi (from old folks in the park), and running. However, it’s probably reasonable to assume that some readers will have no idea what Eutony or Kum Nye are. Eutony is a system developed by a Danish teacher, Gerda Alexander, during the 20th century to use explorative movement to work toward more efficient movement. As far as I can discern, the founder is no relation to F. Matthias Alexander who developed–the more famous–Alexander Technique (AT is mostly well-known among actors, actresses, and would-be entertainers.) However, Eutony might be put in the class of techniques like the Alexander Technique and Feldenkrais that were developed last century and work toward improved use of the human body. However, the approach seems much different from Feldenkrais, which is highly structured, while Eutony is apparently not.

Kum Nye isn’t well-known either, but not because it’s a johnny-come-lately, rather because it’s ancient and obscure. Kum Nye is a Tibetan system of yoga. A lot of the techniques shown seem to be designed to help one gain the suppleness needed for extended sitting in meditation, but there are also “flying” techniques and other standing techniques that will help loosen one up, perhaps to free one up for more meditation.

The third part is shorter: three chapters presenting systems of partner-work. The first chapter is on Aikidō. For those unfamiliar, this is a Japanese martial art founded by Morihei Ueshiba that emphasizes harmony and flow. The chapter features a few basic drills from that martial art. The next chapter is on relating to others in a general sort of way, e.g. body language, emotion, etc. The last chapter is about massage.

Graphics are utilized heavily throughout the book. These include color photographs and drawings. Given what the book tries to do–showing these various approaches to movement–the graphics are essential. In the unlikely event that there are any prudes who read my reviews, you may want to make a note that there is a fair amount of nudity throughout the book. It’s not gratuitous or raunchy, but if you’re one of those people freaked out by nudity, this is probably not the book for you (nor the subject to be studying, for that matter.)

The book’s strengths are its valuable subject, its organization, and its use of graphics. Its weakness is in the number of approaches that it examines. There are too many for one to get any great insight into any particular system, but it’s too few if the goal is to give the reader a menu of movement and bodywork systems from which to find on right for them. I guess I wasn’t really clear what the objective was. If it is to show the reader a variety of paths so they can find the one best for them, the menu is too small. However, if it’s to show the reader one path consisting of all these elements, then it’s muddled. Among Western health and fitness purveyors there’s a tendency to think that if you take anything that’s good and ram it together with anything else that’s good, you’ll get something great. This is clearly not true; sometimes you get a pudding sandwich. This book feels a lot like a pudding sandwich.

If you are looking for a limited survey of movement and body awareness systems, and are okay with the list mentioned, you should check this book out. It also has some good general information about body awareness, though it’s a bit pedestrian for experienced practitioners.

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BOOK REVIEW: The Tibetan Yogas of Dream and Sleep by Tenzin Wangyal Rinpoche

The Tibetan Yogas Of Dream And SleepThe Tibetan Yogas Of Dream And Sleep by Tenzin Wangyal
My rating: 5 of 5 stars

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I stumbled upon this book in a used bookstore, and didn’t know what to expect–but was intrigued. It’s a book on the Tibetan Bön approach to dream yoga and sleep yoga, written by a Bön lama (monk.) Dream yoga is a term used in Buddhism and other Eastern traditions to refer to what is called lucid dreaming in Western scientific circles. My review will focus on the more than 3/4ths of the book that deals in dream yoga (lucid dreaming.) The 40-ish pages that deal with sleep yoga are outside my wheelhouse. The author suggests that that part is for initiates who are familiar with certain background concepts. I’m not an initiate, and—in fact—I have no idea whether there is any merit to sleep yoga practice. Lucid dreaming is a well-studied and documented phenomena, but, as far as I know, what the author calls sleep yoga remains unstudied. All I can say is that the part on dream yoga is readily comprehensible, despite much of it being couched in spiritual terms, but a lot of the section on sleep yoga is arcane and ethereal.

As it happens, I was pleasantly surprised with the portion of the book about dream yoga. Having read a number of books dealing with the subject recently, I wasn’t sure whether I would learn anything that was both new and useful. But I was exposed to ideas that were new, useful, and mind-blowing. There were a few ideas for helping one to achieve lucid dreaming—mostly through practices carried out during the day—that I’d not seen in other works, at least not put in such clear terms. Also, while there is a lot of reference to the Bön and Buddhist spiritual traditions, this didn’t result in the explanations being needlessly complicated or arcane. There is a lot of information that one doesn’t need if one is a secular practitioner, but many readers will find it interesting, even if it’s not necessary to advance their practice.

The book is organized into six parts: 1.) The Nature of Dream, 2.) Kinds and Uses of Dreams, 3.) The Practice of Dream Yoga, 4.) Sleep, 5.) The Practice of Sleep Yoga, and 6.) Elaborations. The last part has information pertinent to both dream yoga and sleep yoga.

There are some graphics in the book including photos, line drawings, and tables. Most of these aren’t essential, but some make it easier to imagine what the author is describing (e.g. when he discusses sleeping positions.) The book has a glossary and bibliography. The former is useful, and the latter doesn’t hurt (but it’s only one page and offers only a handful of citations.) The glossary is mostly of foreign terms, but includes English terms specific to the religious traditions discussed. It offers both Tibetan and Sanskrit variants of the word if they exist, which is a nice feature. There is also an appendix which summarizes the crucial practices elaborated upon in the book.

I’d recommend this book for those interested in developing a lucid dreaming practice. I will say that it may not be the best first book to read on the subject, unless you are a practitioner of Bön or intend to be. (For that, I would recommend Charlie Morley’s “Lucid Dreaming: A Beginner’s Guide…” which I recently reviewed.) However, this book makes an excellent follow-up once one has read a book that is couched in simpler terms (i.e. not specific to a certain spiritual tradition) and which reports on the science. I found that the book gave me a number of new ideas, and—in fact—offered some insightful ideas.

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BOOK REVIEW: Lucid Dreaming by Charlie Morley

Lucid Dreaming: A Beginner's Guide to Becoming Conscious in Your DreamsLucid Dreaming: A Beginner’s Guide to Becoming Conscious in Your Dreams by Charlie Morley
My rating: 4 of 5 stars

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Lucid dreams are those in which the dreamer is aware he or she is in the dream and can interact with the dreamscape. Most people experience lucid dreaming only as a happy accident. Some people dream lucidly in their youth, but never as an adult. Some people become aware they’re dreaming under specific conditions, e.g. on a certain medication. However, lucid dreaming has been practiced in some traditions for centuries, most notably by Tibetan Buddhists (though chapters 5 & 6 demonstrate that it’s much broader than just the Tibetans.) Furthermore, having confirmed lucidity in dreams in sleep laboratories, scientists have moved to advance our understanding of the phenomena using the scientific method and by taking advantage of the latest brain imaging technologies.

Charlie Morley has written a couple books on the subject as well as giving a well-received TEDx Talk on the subject. Morley studied under a Tibetan lama as well as studying up on the science of the phenomenon.

There are eight chapters in this book. The first three chapters constitute part one, the basics. This part introduces one to the subject of lucid dreaming, considers some of the reasons why people get into it, and explains how to recognize one is in a dream. The remaining five chapters form the second part, which is about going deeper with one’s practice. The second part explores what one may see in a dream, and how one can use the experience of being lucid for self-improvement. Lucid dreaming is one of the few access points to one’s subconscious mind. The second part also charts the development of lucid dreaming in both the West and the East, as well as offering suggestions about how nutrition may help in one’s practice.

The book is written as an instructional manual, and offers “toolboxes” of techniques to help advance one’s lucid dream practice by teaching one to remember one’s dreams, understand the phases of sleep, recognize one is in a dream, achieve lucidity, and know what to do once one is lucid in a dream. These are handy summaries of the lessons taught in greater detail in the text. All of the chapters but 5 and 8 have one of these toolbox summaries. There are also frequent text boxes of strange but true facts about lucid dreaming, tips from experienced lucid dreamers, case studies, and stories used to make relevant points about lucid dreaming. There are no graphics, but they aren’t missed.

I found this book to be useful and interesting. It’s readable and logically organized. I’d recommend it for anyone interested in developing a lucid dreaming practice—particularly if one is starting from scratch. There are a number of books on the subject, but many will be too ethereal to be of value to a new practitioner, but Morley writes in an approachable fashion and organizes the book to help one get into a practice as efficiently as possible.

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BOOK REVIEW: The Best of Poetry: Thoughts that Breathe and Words That Burn ed. by Rudolph Amsel & Teresa Keyne

The Best of Poetry: Thoughts that Breathe and Words that Burn (In Two Hundred Poems)The Best of Poetry: Thoughts that Breathe and Words that Burn by Rudolph Amsel
My rating: 4 of 5 stars

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This is a collection that gathers 14 poems for each of 14 different themes. If you’re a math whiz, you know that means it’s a collection of 196 poems, but they round it out with four bonus poems to make a clean 200. If you’re a poetry reader, many of these poems will be familiar. They’re classic works from master poets from the 18th, 19th, and early 20th centuries (a few earlier.) Still, they are worth revisiting, the collection is inexpensive, and the organization, itself, is thought-provoking.

The fourteen themes that create the organizational schema for the book are: 1.) rapture: words that burn, 2.) a door opens; a door closes, 3.) love, 4.) humor & curiosities, 5.) memory, 6.) nature, 7.) tales & songs, 8.) solitude, 9.) contemplation, 10.) mystery & enigma, 11.) parting & sorrow, 12.) animals, 13.) inspiration, and 14.) cities. Then there are a couple bonus poems each attached to both the introduction and the epilogue.

As mentioned, the poets are mostly household names of English-language poetry, including: Emily Dickenson, Walt Whitman, Alfred, Lord Tennyson, William Blake, Percy Bysshe Shelley, John Keats, W.B. Yeats, Edna St. Vincent Millay, Thomas Hardy, Ralph Waldo Emerson, Carl Sandburg, T.S. Eliot, Wallace Stevens, Shakespeare, Lord Byron, Ben Johnson, Lewis Carroll, Oliver Wendell Holmes, William Wordsworth, A. E. Housman, Edgar Allen Poe, Samuel Taylor Coleridge, and Robert Frost. There are some names that are less than household names, but none that are obscure to poetry aficionados.

Again, many of the poems are well-known. Some of them are fragments of long poems, but most are stand-alone works. Examples of some of the standards include: “Chicago” by Sandburg, “If” by Kipling, “The Road Not Taken” by Frost, “Let My Country Awake” by Tagore, “The Tiger” by Blake, “The Raven” by Poe, “Kubla Khan” by Coleridge, “The Daffodils” by Wordsworth, “The Jabberwocky” by Carroll, “She Walks in Beauty” by Byron, and “There Is No Frigate Like a Book” by Dickinson.

 

I should point out that this is the first volume in a multi-volume set. There is also a second volume out, but I don’t know what the plans are beyond that.
I enjoyed this collection. I’d read most of these poems before, but the vast majority deserve re-reading and re-reading again. I’d recommend it for poetry lovers.

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BOOK REVIEW: William Blake: Selected Poems ed. Paul Butter

Selected PoemsSelected Poems by William Blake
My rating: 4 of 5 stars

Amazon doesn’t carry this edition.

So, e-Bay

Blake’s “The Tyger” is one of my favorite poems, and one of the few that I’ve bothered to memorize. Even if the words made no sense, they sound beautiful together, but not only do they make sense they forge powerful imagery. Blake wrote many poems that managed to be both pleasing to the ear and meaningful.

This collection consists of about 80 poems and fragments (of longer poems) that are pulled from Blake’s collections. Much of Blake’s work is about nature, though the worlds of man and the divine also feature prominently. With respect to the human world, poems about children are particularly common. Most of the poems and partials fit on a single page or two, but some are as short as a four-line stanza and others are as long as a dozen pages.

The compiler of the poems, Peter Butter, doesn’t feel the need to pile in rambling prologues and introductions—a plus in my opinion. The only ancillary matter consists of two timelines: one of Blake’s life, and one of with key events that happened over the course of his life. I will say that these two timelines are confusingly arranged in the edition that I read. They are two pages each, with the pages of each facing each other. So, as one flips, one reads a page of life history, one of world history, one of Blake’s history, and one of world history. Either rearrangement of pages or formatting changes would fix this right up.

This is a great little collection with which to get a taste for Blake. I’d recommend it for those who want some of his classics and some others, but without the need to wade through unabridged collection—in case he turns out to not be your cup of tea.

I’ll leave you with one of my favorite lines from the collection: “Wisdom is sold in the desolate market where none come to buy,”

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BOOK REVIEW: The Story of the Human Body by Daniel Lieberman

The Story of the Human Body: Evolution, Health, and DiseaseThe Story of the Human Body: Evolution, Health, and Disease by Daniel E. Lieberman
My rating: 4 of 5 stars

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The story that this book tells is of a human body adapted and optimized for hunting and gathering that has been thrust by agricultural and industrial revolutions into conditions for which it is ill-suited. The central idea is that of the “mismatch disease.” The mismatch in question is a mismatch between the lives humans were evolved to lead and the ones that we have developed through cultural and technological progress. The human body is governed by what Nassim Nicholas Taleb calls “anti-fragility” or what biologists call “phenotypic plasticity.” Both terms say that our bodies get stronger when exposed to physical stressors and weaker in the absence of such stressors. We’ve now used culture and technology to reduce exposure to such stressors, while—at the same time—food is more available than ever and is in calorically dense / nutritionally sparse forms. This mismatch accounts for many problems. Of course, technology has also allowed us to reduce our exposure to dirt and germs, and this, after being once a boon, has begun to swing us into dangerous territory.

The 13 chapters (including the introduction) are divided into three parts in a logical manner to address the book’s objective. After an introduction that lays groundwork for understanding human evolution in a broad sense, the first part describes human evolution up to the point where culture became dominant force for our species. It clarifies how we became bipedal, how our diets developed, how we got smart, and the ways in which the aforementioned characteristics are interconnected. The second part shifts from Darwinian evolution to cultural evolution, and—in particular—elucidates the effects that the agricultural and industrial revolutions had on the human body. These cultural forces act much faster than evolution. While some argue that humans aren’t really subject to evolutionary forces anymore, owing to cultural and technological advances, Lieberman points out that Darwinian evolution does still effect humanity, but its effect is muted by comparison to fast-acting cultural developments. The final part looks at humanity in the present and projects out into the future. It considers what effect an over-abundance of energy and a declining need for physical activity have had on our species, and what can be done about it.

This book is thought-provoking, well-organized, and uses narrative evidence and humor to enhance readability. (A discussion of the absurdity of products in the Skymall catalog—e.g. luxury items for pet—is a case in point.) It certainly gives on a good education about human evolution. Furthermore, while there are many books out there that deal with mismatch as a cause of diseases like obesity and diabetes, Lieberman also addresses under-explored issues like postural problems from chairs, the influence of shoes on running gait, and the development of nearsightedness because of our close-focusing ways.

I’d say the book’s greatest flaw comes in its discussions of solutions at the end. The author puts all his eggs in the basket of wholesale solutions aimed to make society as a whole improve, while he could do more to share the details of what individuals can do to solve their own problems. Lieberman considers why natural selection won’t solve problems of mismatch and dysevolution. Then he considers how research and development and educational campaigns can only provide partial solutions. His ultimate solution is suggesting regulatory paternalism—e.g. what economists call Pigovian taxes–taxes designed to change behavior by making bad behavior (in this case sedentary lifestyles and over-eating / malnutrition) more expensive. Perhaps such solutions (which will remain political untenable for the foreseeable future in the US, at least) may be necessary, but one shouldn’t conclude that readers with better information and ways of approaching the problem can’t make a difference. I say this based upon the fact that a substantial (if minority) portion of the population is already doing the right thing—eating right, exercising, and not succumbing to modernity’s creature comforts. I, furthermore, say it as a one trained as an economist who has seen easier attempts at paternalism fail over and over again.

I’d recommend this book. I think it gives the reader insight into the problems caused by being evolved to be one thing while being groomed by culture to be another.

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