Tsukahara Bokuden Defeats a Braggart

[Note: There are many versions of this story, and these events have even been attributed to other warriors. The tale was likely passed around orally before it was written down myriad times in myriad different ways (most famously in the Kōyō Gunkan.) The details of the story aren’t important; it’s the overall moral of the story and that remains the same from one version to the next.]

Bokuden Boat

Tsukahara Bokuden listened to the braggart nauseating the ferry passengers with graphic details of his “exploits.” Bokuden would have happily ignored the young samurai, but the cocky youth seemed eager to take offense at the lack of interest in his tales of hacking people to bits and was looking for a fight. The other passengers on the boat were all commoners: an elderly man who was probably a craftsman or a small business merchant, and a mother with her young child.

“Do you doubt me? Do you have the audacity to call me a liar,” The young man said, having not received a suitably enthusiastic response to his stories. And he stood, one hand on his scabbard and the other brushing his sword’s hilt.

Tsukahara Bokuden said, “Easy, young man. No one is calling you a liar. These good people are just not used to such bloody stories.”

The young samurai turned to eye Bokuden, who had appeared to be napping in the back earlier. The braggart asked, “And who are you to challenge me?”

“I didn’t challenge you. I merely explained these people’s lack of enthusiasm for your yarns. But if you must know, I am Tsukahara Bokuden,” he replied, hoping his name might give the bragging samurai pause. Bokuden was well-known, having traversed Japan in musha shugyō (sometimes related to the European “knights errantry,”musha shugyō was a time in a samurai’s life–particularly in times of relative peace–when he traveled the land engaging in matches with individuals from other schools to increase his skill and notoriety–i.e. if he didn’t get killed, which was not uncommon, even when the fight was with wooden swords.)

“I’ve never heard of you. What’s your style?” the cocky samurai asked.

“Mine is the School of No-Sword,” replied Bokuden.

“I’ve never heard of that school, but it sounds weak,” the braggart said.

“I assure you, the technique is quite powerful,” Bokuden said.

“Are you suggesting that you could defeat me with this so-called ‘no sword’ technique?” the braggart said, his hand tightening on his scabbard.

“I said nothing of the sort. I would just like to enjoy the remainder of the ferry ride in peace,” said Bokuden.

“Are you scared to have a match to see who’s style is better?” the cocky youth asked.

“Not in the least, but I see no benefit in it either,” Bokuden replied.

“I’ve had enough of your lip, old man, prepare to defend yourself,” said the young samurai.

Bokuden sighed, “If you insist upon a match, let us at least do so where these good people’s lives will not be in peril. Surely you’ll agree that it would do no great honor to the samurai class if we were to injure or kill innocent bystanders.”

At this the braggart just harrumphed, “Who cares, but I’ll take you on wherever you wish.”

Tsukahara Bokuden said to the oarsman, “Sorry to trouble you, but would you mind diverting to drop us on that outcrop so that we can spare these people the swinging blades.”

The oarsman was readily agreeable. He didn’t want two samurai fighting on his ferryboat any more than Bokuden did.

He rowed them to a stony outcrop that jutted up out of the water. The uneven rocky ground wasn’t ideal for a match, but it would spare the other passengers and would provide a challenge.

When the boat’s bow ground up against the rock, the young samurai jumped out, twisting around in air, and landed on the rock. The braggart held his scabbard and hilt at the ready for a swift draw. The young man was eager to do battle, and it was clear that he was annoyed with Tsukahara Bokuden’s slow movement. The older swordsman took out both of his swords and asked one of the passengers to hold the swords. The oarsman and the passengers were surprised by this disarming behavior, but they’d heard him call his school the “school of no-sword.”

Tsukahara Bokuden then moved up to the boat’s bow as if preparing to move ashore.

“Might I borrow your oar, young man?” Bokuden said to the oarsman. The oarsman nodded and handed Bokuden the long oar with two hands, and with his head bowed. The general assumption was that the older samurai wanted to stabilize the boat against the rock so he could pass ashore smoothly.

Taking the oar, Bokuden drove one end into the outcrop, and grabbed the other pushing the boat away from the rock. The boat glided out from the rock in an accelerating fashion.

Lunging toward the water’s edge, the perplexed braggart called out, “What on earth are you doing, old man?”

To which Bokuden replied, “I’m defeating you with the school of no sword.”

By the time the young samurai could remove his swords and tug away his outer garment, Bokuden had rowed out to deep waters and returned the oar to the oarsman.

 

DAILY PHOTO: In the Clinch

 

Taken in August of 2014 at the Rangsit International Boxing Stadium

Taken in August of 2014 at the Rangsit International Boxing Stadium

IMG_1434 IMG_1542 IMG_1579

BOOK REVIEW: The Book of Ninja [The Bansenshukai] Trans. by Anthony Cummins and Yoshie Minima

The Book of Ninja: The Bansenshukai - Japan's Premier Ninja ManualThe Book of Ninja: The Bansenshukai – Japan’s Premier Ninja Manual by Antony Cummins

My rating: 4 of 5 stars

Amazon page

The Bansenshukai is a 17th century manual of ninja tradecraft and fieldcraft compiled by Fujibayashi Sabuji. If you’re doing related research or are a geek about historic warriors and / or spies, you’ll likely find this book intriguing–and parts of it even fascinating. However, it’s important to note that this translation’s title The Book of Ninja may conjure up expectations of stories of derring-do and assassinations set in medieval Japan. This isn’t that book. This book contains an extensive discussion of morals, guidance as to how commanders should employ ninja, how to don a disguise and impersonate your way into enemy territory, technical discussion of how to infiltrate long-obsolete fortifications, insight into how to pick medieval Japanese locks, and instructions for how to make torches and rope ladders. This book won’t teach you how to be a ninja. (a.) I suspect no book could do that, b.) This one holds back a lot of secrets, and c.) Most of the information is obsolete from a practical stand point. (However, it’s likely to have many ideas of a strategic or philosophic nature that one might find thought-provoking.)

Why is this book important and interesting (though–as I’ve suggested–some of its content seems patently boring)? We live in an era of information overload, and it’s difficult to fathom how little is truly known about the ninja of medieval Japan. We live during a time in which even the most secretive agencies document everything always (even if they sometimes manage to shred or burn that information.) In their heyday, the ninja weren’t big on writing down true and interesting information for fear it would fall into the wrong hands. Lack of documentation and false documentation were key elements of security. There are only a few manuals like this one in existence, and the Bansenshukai is considered by many to be chief among them by virtue of being the most extensive. (FYI- The other well-known manuals are the Shoninki and the Ninpiden, both of which also have English language translations available. Beyond these manuals, there are some surviving familial scrolls.) It should be noted that these manuals were written after the warring states period (though before the Meiji Restoration) when there was a fear that this information might be lost precisely because it was historically conveyed via word of mouth. And, it should be noted, throughout the work there are frequent statements to the effect of “there is an oral transmission”—meaning that key parts haven’t been written down and are only to be taught in person by hands-on instruction.

The Bansenshukai is organized into 22 volumes. The first volume is background and introductory information. The second and third volumes are more philosophical, dealing with achieving the “correct mind,” the former dealing with morality and the latter offering perspective on life and death.

The fourth through seventh volumes are designed to educate military commanders about how they might get the best use of ninja.

The next group of volumes (8 – 10) cover Yo-nin, which is the act of infiltrating enemy territory in the open through use of disguise and deception. The Japanese term yo is the same as the Chinese term yang, or sunny side—as opposed to yin (in in Japanese) which means the shady side. So these volumes offer advice for operating out in the open—in the light of day, so to speak. The previous volumes are contrasted with the next set of volumes (11-15), the In-Nin, which deals with covertly breaking into enemy houses and castles. Together the Yo-nin and In-nin chapters are likely to be the most interesting to the general reader–excepting the last of these (vol. 15, which deals with lock picking.) While I said that this book isn’t full of stories of legendary exploits, I don’t mean to suggest Fujibayashi didn’t use vignettes to reinforce his points (there are plenty of them)—just that these stories aren’t told to entertain but to educate.

The next two volumes are entitled Tenji I and Tenji II, and they discuss what the author considered the opportunities bestowed by heaven. The first of these chapters is mostly Chinese astrological hokum in painful detail. The second is a primitive primer on meteorology—which I suspect is a mix of good and bad advice based on the science of that time and place. (These people were exceptionally observant but the product of superstitious times, and so one can imagine fact and fiction being muddled together.) At any rate, I found the second chapter to have some quite interesting information of which I’d like to know more about the veracity.

The final set of volumes are on ninja tools (i.e. ninki.) These include chapters on climbing tools like rope ladders, water crossing devices like inflatable seats, breaking and entering tools, and many recipes for incendiary and explosive materials. Like the chapter on locks and lock picking, these chapters will mostly be of value to individuals with a heavy interest in the history of technology—with a particular focus on Japan and / or East Asia. In many ways the ninja were by necessity technologically advanced by the standards of that time in Japan’s history (keeping in mind that because of literally centuries of war, Japan wasn’t at the cutting edge of a spectrum of technology in the 17th century as they are today—though they made swords that at least rivaled if not surpassed those anywhere else in the world, but swords were on the way out or passé by that time in many places.)

There’s an additional text on strategy that forms an appendix to The Bansenshukai. To the front, there’s an explanation of Japanese locks of the time, written by a historian of such minutiae. There’s also front matter by the translator, providing valuable background material. Each chapter is heavily endnoted. These endnotes are generally explanatory in nature. While the text is quite readable given its era, there’s much that requires further explanation. Sometimes the notes elaborate on a statement in the text and sometimes they suggest that an explanation is unknown—either way that information can be quite beneficial. The graphics are simple drawings (I believe they come from the original text), and in some cases they wouldn’t be useful without the explanation of the text.

One will note a heavy Chinese influence in The Bansenshukai. There are frequent references to Sun Tzu and many of the vignettes use to illustrate points involve tales from China—though there are also many that feature Japanese warriors as well—e.g. Kusunoki Masashige, a samurai famous as a paragon of loyalty but who was also known for his use of ninjutsu and unconventional tactics, features prominently throughout the work—though it’s unknown how many of these tales are fact and how many legend.

If you’re still curious about the contents of this book after hearing what it is and isn’t, I’d highly recommend it. There’s a lot of thought-provoking information in the book, and if you’re doing research on the subject this book is essential reading. I should also point out that while I’ve suggested that much of the information is obsolete in the modern era, it’s not all so. There are some interesting perspectives on strategy, tactics, philosophy, and ethics in this book. [Plus, if you want to be the office ninja, it’s a must-read along with Machiavelli’s The Prince.]

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BOOK REVIEW: The Pyjama Game by Mark Law

The Pyjama Game: A Journey Into JudoThe Pyjama Game: A Journey Into Judo by Mark Law

My rating: 4 of 5 stars

Amazon page

Mark Law’s book contains two types of book in one volume, unified by the theme of judō. On the one hand, it’s a microhistory of the martial art and sport of judō–and, no, it’s not redundant to say the martial art and the sport because while these aspects overlap they aren’t identical. On the other hand, the book presents a personal account of Law’s experience as a judōka who began his practice at the ripe age of 50. The two elements of the book are interwoven together, and aren’t forced into distinct sections by the book’s organization. The history is obviously organized in a chronological fashion, but personal accounts are peppered throughout, and sometimes stories appear in history chapters.

As a history of judō, Law begins with the pre-history of the art in its ancestor martial art of jujutsu, he travels through the arts influence on off-shoots like Sambo and Brazilian Jujutsu, and he examines how the art has contributed to mixed martial arts—the 800 pound gorilla of present-day combative competitions. Particular emphasis is given to Kanō Jigorō’s role as founder of the art and the evolution of judō as an Olympic sport. Interestingly, besides founding Kodokan Judō, Kanō’s other claim to fame was in being the first Asian member of the International Olympic Committee (IOC). However, he never saw judō become an Olympic event, and—ironically–at least a few among those close to him doubted that Kanō would’ve been pleased with his art’s inclusion in the international games.

While Japan dominated judō when the sport first entered the domain of international competition, it wasn’t long before there were a number of other countries including the Netherlands, Russia, the United Kingdom, France, Cuba, and Korea that were producing first-rate judōka. Law devotes considerable discussion to the global blossoming of this sport, including entire chapters on some of the more prominent nations. The book discusses the double-edged sword that Japan faced. On one hand, the Japanese were heart-broken when other nations started beat them at their own game. On the other hand, it was clear that this had to happen for the sport to retain a global following. (Otherwise, the sport might have gone the way of baseball—being pulled out of the Olympics because only a handful of North American, Caribbean, and East Asian nations had any interest in it.

There are also chapters on women’s judō, a development that no doubt faced a good deal more misogyny than many sport’s bi-genderifications. There’s always been resistance to encouraging women’s participation in combative activities—even judō, a martial art whose dangerous edges were supposed to have been rounded off through rules, equipment (e.g. sprung flooring), weight classes, and close monitoring. Law discusses the hard fought evolution of the women’s side of the sport.

As a personal narrative, Law talks about the lessons he learned from training in judō and from testing for rank—an arduous process that requires beating other rank-pursuers in randori (free-form grappling, i.e. the grappling version of sparring.) Many of these lessons will be familiar to anyone who has practiced a martial art (e.g. while it’s more intimidating to fight someone who’s much more experienced in the art, it’s usually vastly more safe—both because senior players are more in control of their bodies and because they have less need to prove anything—i.e. they won’t injure an opponent to protect a fragile ego), but much of this discussion is specific to the culture and practice of judō.

If you’re interested in the history and development of judō, I’d recommend this book. I found the book to be at its most interesting when it addresses the history and globalization of the sport. However, those who haven’t practiced martial arts may find Law’s personal insight to be useful—particularly if you’re considering taking up judō and all the more if you intend to take it up past mid-life.

It should be noted that—judging by the identical table of contents and subtitle—this book was also released under the title Falling Hard: A Journey into Judo. The book does is annotated and provides references. Law is a journalist, and the niceties of that discipline are followed throughout.

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READING REPORT: February 20, 2015

This week’s Reading Report will be short. I didn’t complete any books this week.

 

Most of my reading was divided between two books that I’ve mentioned in earlier reports. The first is Zen and the Brain by James H. Austin. This is probably the most expensive book that I’ve purchased since the ridiculously overpriced textbooks of college. While I’ve been known to pan decent books for being overpriced (e.g. most recently Zen Mind, Strong Body by Al Kavadlo), I will say that I’ve found this book to be worth it. There are vast numbers of books on the fascinating findings of neuroscience research. Also, there is a vast canon on Zen, meditation, and the quieting and mastering of the mind. However, there are only a small (though growing) number of books that deal with the intersection of these two subjects, and none covers the subject in as much depth as Austin’s work–as far as I’ve seen. The chapters I’ve been reading of late deal with emotions, visceral drives, and memories–all relevant issues for one who is seeking personal development in a scientifically-minded manner. The next chapter will deal with GABA. I’m looking forward to this because I know there is scientific evidence that yoga can reduce depression through its effect on GABA levels, and I look forward to having a better understanding of how this works.

Zen&Brain

 

The second book that’s consumed a lot of my time over the past week is The Pyjama Game. I’m about 2/3rd of the way through this book and will finish it in the upcoming week. It is in part a micro-history of judō and in part an account of what it’s like to be a practitioner of the martial art of judō. While the micro-history chapters are chronological, they’re interspersed with chapters that are more of a personal accounting of the author’s experience (and the experience of individuals with which he interacted with first-hand–i.e. other amateurs.)  The era that was covered in my reading of the past week was an interesting one. It chronicled judō’s shift from a time in which Japan completely dominated the sport to one in which Russians, Europeans, and Americans started to make headway and—in some ways–unique contributions to the art. This includes judō‘s rise to Olympic status, and how the sport has progressed since that time.

pyjamagame

 

There were another couple of books that I read substantial parts of as research for the novel I’m writing. The first of these is The Taiheikiwhich is–as was the style in medieval Japan–a mix of part history and part literature. It tells the story of Emperor Go-Daigo’s retention of power, largely through the efforts of valiant loyalist warriors–most notably the famous Kusunoki Masashige.

Taiheiki

 

The second research work is entitled Fighting Techniques of the Oriental World: AD 1200 – 1860As my novel takes place partly in 14th century Japan, China, and Southeast Asia, this reference comes in handy for learning about the activities of warriors across several nations.

FightingTechniquesOrientalWorld

 

I purchased three books this week. In a way, I was successfully (and happily) suckered. For those who haven’t realized, Amazon is very clever. If you look at a book once or twice, the price will often rise a little when you go back. This drives a few suckers to buy it at a higher price before it rises to some imagined peak price. I’ve noticed this on enough occasions to believe that it’s not just coincidence. Furthermore, as one trained as an economist, I know this is a sound pricing strategy. What I’d not yet experienced is that if one keeps periodically checking on the books–but not buying–the prices will creep back down to a new low, probably only a tiny bit under the first price you saw. I bought three books that I’ve been looking for both on Kindle and at my local bookstore, but which have stayed above my reservation price.

 

The first, and most expensive, was Buddha’s Brain, which is along similar lines to the aforementioned Zen and the Brain. The book is by a neuroscientist who specializes in neuroplasticity, and who examines how one can go about “rewiring” one’s brain to be happier and more well-adjusted.

BuddhaBrain

 

The second book is called The Relaxation Response. It was the cheapest book of the three and is much older than the book Buddha’s Brain. In it Dr. Benson (Harvard MD) describes the relaxation response as the body’s counterpoint to “fight or flight” mode. In this state of relaxation, the body–among other things–goes to work on repairing what ails it. There’s a lot of evidence that a human body can repair most of what can ail it if it gets enough rest–i.e. sufficient break from stress.

Relaxation Response

 

My final purchase was A Confederacy of Dunces. This book is considered to be one of the best comedic novels in American literature. It’s also a book that all depressed writers (which is to say all writers struggling to get things published) should read for the cautionary tale of the novel’s tragic back story. The author, John Kennedy Toole, committed suicide (at least in part) because he couldn’t get it published. His mother then took up the torch, shopping it around. It took her seven years, but she finally got it published after convincing the novelist Walker Percy to look at it, and having achieved his recommendation. In 1981 it won the Pulitzer Prize for fiction.

confederacy of dunces

READING REPORT: February 13, 2015

Welcome to a special Friday the 13th edition of the Reading Report. What’s so special about it? If you’re not deluded by superstition, then not much. If you are superstitious, reading this post may cause you to suffer a plague of locusts (or whatever plagues your particular geographic area.)

 

Now that we’ve gotten rid of the illiterate ninnies, we can get down to discussing books.

 

I finished two books this week–one nonfiction and one fiction. I’ll be posting book reviews within the next couple weeks.

 

The nonfiction book was called Yoga Body: The Origins of Modern Posture Practice. The author’s intriguing and controversial thesis is that yoga as it’s practiced in studios around the world today nothing to do with traditional Indian yoga, but, instead, owes it’s existence to European calisthenics and bodybuilding systems and the Indians that borrowed from them. I didn’t find the author’s argument compelling for a number of reasons that I’ll get into in my review. This isn’t to suggest that I’m certain he’s wrong. He may be right, but the way he constructed his argument left a great deal of room for doubt.

 

TLEG_Vol1

The fiction book was a graphic novel entitled The League of Extraordinary Gentlemen (Vol. 1). For those of you who haven’t seen the movie featuring Sean Connery, this comic book gathers together a team of protagonists from 19th century science fiction and adventure novels. The team consists of Mina Harker (of Bram Stoker’s Dracula), Allan Quatermain (of H. Rider Haggard’s King Solomon’s Mines), Captain Nemo (a Jules Verne recurring character), Dr. Jekyll/Mr. Hyde (Robert Louis Stevenson’s title characters), and Hawley Griffin (of H.G. Wells’ The Invisible Man). One needn’t have read all those classic stories to follow this book, but being a fan of 19th century tales of the fantastic definitely makes it more fun. The story depicted in this volume has nothing to do with the movie plot.

 

mantraSherlockHolmes

I’m more than halfway through a couple of books that I mentioned in earlier Reading Reports, they are Why Do People Get Ill? and The Mandala of Sherlock Holmes.  I read chapters 7 through 9 of the former book, which had to do with the expression of symptoms, the heart as a symbol and that symbol’s expression in illness, and the impact of mother’s experiences on infants and children. In the latter book, Holmes has arrived in Tibet, and the plot thickens. The author is Tibetan, and so has some unique insights. However, some chapters advance the story with action, and others are almost like travelogue.

 

I’m still early into reading two books that I’ve previously mentioned. The first is Zen and the BrainIn this book I’ve transitioned out of the part explaining Zen and the author’s experience of that tradition, and am now into the part that lays down the basic neuroscience. While the author writes in a readable style, for a neuroscientist, this is still challenging reading because of its scientific nature and the complexity of the brain. However, the chapters I read recently both raise some fascinating questions and provide useful information. The chapter I just finished dealt in part with the neurochemistry of addiction. I like that this book is divided up into short chapters. This is beneficial for taking in such complicated information. I need frequent think-breaks to ruminate on what I’ve read.

 

pyjamagame

The second is The Pyjama Game. After a slow start, the last two chapters have contained some fascinating information. One of these chapters dealt with the history of jujutsu, particularly as Japan transitioned from medieval to modern. The other chapter outlined Kanō Jigorō‘s development of judō.

 

I bought three books this week.

 

The first is entitled Healing Moves, and is by a married couple consisting of a fitness writer and a cardiologist. This book addresses a topic that is a prevailing theme in my nonfiction reading as of late, which is what movement, exercise, and physical activity can do to improve one’s health (not just one’s fitness.)

HealingMoves

 

The second book is Greatest Ever Boxing Workouts.  This book presents information about what boxers like Mike Tyson, Manny Pacquiao, and Floyd Mayweather do to prepare for fights. It’s a follow-up to an earlier book that included fighters like Muhammad Ali and Roy Jones Jr.

BoxingWorkouts

 

Finally, I just got a short story collection on Kindle Daily Deal the other day entitled Lovecraft’s Monsters.  This isn’t a collection of H.P. Lovecraft stories, but rather is an anthology of stories inspired by Lovecraft’s work.

LovecraftsMonsters

10 Easy Pieces of Fitness Wisdom: and Why “Fitness Secrets” are Bullshit

A few weeks ago I did a post entitled, 10 Easy Pieces of Wisdom: and Why “Secret Wisdom” is Bullshit. That article’s premise was that understanding what one needs to do to be wise is simple, but the process of doing it is inescapably arduous–often to the point of seeming Sisyphean. (For those who aren’t brushed up on their Greek Mythology, Sisyphus was the guy who was punished by having to roll a rock up to the top of the hill only to let it roll back down, and the repeating the process ad infinitum.) I’m not saying that it’s a Sisyphean task, just that it can feel that way and one has to press forward through that feeling.

 

This post has the same premise, but applied to fitness. Fitness and wisdom have more in common than you might first think–they are both about improvement of the self. Unfortunately, the commonality that’s relevant here is that both invite crowds who will try to convince you they have an end-run around hard work. One of my past martial arts teachers, who was also in law enforcement, said that “cons only work on people with larceny in their hearts.” So it is that the con-men that are trying to sell “enhanced formula supplements” or “a 15 minute per week workout” can only sell to the people who want something for nothing. (Clue: what you get for nothing is nothing worth having.)

 

Without further ado, here are the 10 easy pieces:

 

1.) Know Thyself. This is a two-parter:

First, don’t let your ego write checks your body can’t cash. Some students want to jet right into the most advanced exercises. That’s like a third grader taking trigonometry; it’s ultimately less than productive. These are the individuals who tear ligaments, and who you don’t see again for six months–if ever. For virtually everyone, advanced exercises–be it a muscle-up or a yogasana like Urdhva Dhanurasana (A wheel pose, chakrasana, that is entered from a standing back bend)–require a lot of time spent in capacity building via fundamental exercises.

 

I’ll give an example, I saw someone on television yesterday doing the most horrendous single-armed push up. The only thing that kept this individual from damaging himself is that his range of motion was so tiny (he may have still injured himself.) His problem is that he heard that single-arm push-ups were cool, and he wanted to get straight to it. In reality, one needs to build into that exercise starting from a good solid standard push up, and then doing preppers (preparatory exercises) that gradually shift the load onto one arm. But maintaining form as well as one can. For example, putting one hand on a block off to the side, and gradually shifting it out to arm’s length.

IMG_3217 IMG_3218 IMG_3219

 

Second, on the other hand, don’t half-ass everything because you mistake discomfort for agony. This confusion cause people to greatly underestimate their capabilities. While you may think your teacher or trainer is a Sadist (only rarely are they are, really), the fact is that they are trying to give you one of the greatest gifts you can ever receive, which is the realization that you are capable of far more than you think you are–if you’re willing to gut it out through the challenging parts.

 

2.) Diet is the 800 pound gorilla of cutting weight. The simplified mathematics of this that adding exercise (while critically important to fitness) only marginally adds to the calories burned part of the equation. (Believe it or not one burns a lot of one’s calories just through baseline activities–breathing, walking, sleeping, etc.) However, when you cut caloric intake that’s all reduction from the intake side of the equation. However….

 

3.) Don’t make your goal weight loss, but rather to have a healthy and more functional body. Weight loss tends to be about external validation. That is, one wants to appear more attractive to someone else (or everybody else.) That’s a sucker’s game. People won’t necessarily notice–depending upon how often they see you and how self-absorbed they are. If you shed pounds at a healthy rate, people around you all the time don’t necessarily notice a day-to-day change.

 

On the other hand, as one starts feeling healthier and develops movement capacity beyond your previous capability, that can’t be taken away by anyone.

 

4.) When your body has been properly prepared through fundamentals, advanced maneuvers practically fall into place. I was taught a scorpion prepper  just a couple of weeks ago, and was surprised to find it was much easier than expected. I still have a lot of work to do to take it to the full pose. For example, I’m still using a wall so I don’t over-rotate in the arched back position,  but I bring my heels off the wall once I’m up. Next I’ll do away with the wall. Then it will be time to start bending my knees. My point is that  work on back stretches, core strengthening, and headstands made it relatively easy to get into the first stage.

IMG_3225

 

5.) Reveling in small victories can kill progress. The handstand provides a classic example. In the beginning, one starts kicking up against a wall. Even this can be a challenge in the beginning. However, as soon as it becomes doable, one should start gradually taking the training wheels off. This may begin as cautiously as pulling one leg away from the wall at a time. Then do away with the wall altogether. Then the suffering begins anew as one sheds the kick up in favor of a more controlled manner of ascent into the handstand.

 

6.) Don’t be quantitative.  A journalist once asked Muhammad Ali how many sit-ups he did in his training regimen. Ali said, “I have no idea. I don’t start counting until they start hurting.”

I’ve heard guys pleased with themselves because they do “sets of 100 push-ups.” This is often impressive only until you see the person actually do the exercise, and then–more often than not–you notice that they haven’t actually done one push-up. Rather, they’ve done a whole lot of mild elbow bends from a roughly plank-like position. It’s better to do 10 push-ups with a full-range of motion and controlled ascent and descent than to fool yourself with weak form.

 

7.) Don’t mindlessly workout. Shun the distraction of headphones, television, or cellphones . If you find working out to be so mind-numbingly boring that you need a distraction, you should re-evaluate the nature of your workouts. You should be “listening” to your body throughout the process. If your goal is to have a greater command over your body and its movement, e.g. you are a martial artist, dancer, yogi, etc., then this is particularly important.

 

First of all, with respect to boredom, boredom is the product of a weak mind. So you might consider working the mind out as well. Secondly, if you are truly bored, you should be upping your game.

 

While this may be one of my least popular points in this post, if you don’t believe me, ask Al Kavadlo.

 

8.) Rest is part of the process. It’s not stepping away from the process. As your body rests, your mind should be alert and taking stock of the effect of the practice on your body. Rest breaks aren’t zone out time. Also, part of having a healthy body is building a healthy parasympathic nervous system and immune system. Your body requires rest to heal, and it can heal and fight off infections tremendously effectively if you provide the right conditions.

 

9.) Exercises that consist of the motions you will need for your particular life are the most important.  The term “functional fitness” is ubiquitous these days, but I first read this advice in Bruce Lee’s Tao of Jeet Kune DoLee said that actions like punching, kicking, and grappling practice should make up the core of a martial artist’s workout. That doesn’t mean one should do away with general fitness activities. (Lee certainly didn’t.) Martial arts provide a prime example of an activity that requires a well-rounded form of fitness. That is, one needs core strength, good range of motion, cardiovascular endurance, and extremity strength and speed.

 

10.) Don’t agonize over failures. Move onward and, carefully, upward. If you aren’t (safely) failing to achieve an occasional goal, then you need to kick your way out of that box of comfort zone you’re trapped in.

 

READING REPORT: January 23, 2015

If I were a kid today, I’d be diagnosed with ADD in a heartbeat. I rarely read one book straight through. However, I read a lot, and that means I switching from one book to the next–reading a chapter at a time. I do try to read no more than one book of a given type/genre at a time–often unsuccessfully, as you’ll see. With this in mind, I thought I’d experiment with a weekly post on what I’ve been reading that week.

Book-Review-The-Martian

Fiction: The novel that I’m currently reading is Andy Weir’s The Martian. This book is gripping. It’s considered to be one of the best–if not the best–science fiction works of 2014, although it was self-published in 2011. This is a great example of a book that couldn’t get published despite being spectacular, and which will now make a bazillion dollars. It also explains how a 2014 novel is set to have a big budget movie adaptation come out in late 2015. This book is like the movie Gravity set on Mars, except that it’s smarter.  It taps into that visceral fear of what it would be like to die alone in space–not in a flash but with time to know you are going to die. An unlikely, but plausible sounding, set of circumstances result in astronaut Mark Watney being left for dead on the surface of Mars. But, of course, he’s not dead. Watney has to be creative to figure out how to live for four years in hopes that the next manned Mars mission will go forward as planned. It’s a roller coaster ride between him thinking he will surely die and him coming up with clever solutions. If you are into science, it’s particularly intriguing. I’m about 20% of the way through.

 

Foreign Fiction: I’ve also continued to read a Hungarian novel called Quarantine in the Grand Hotel by Jenő Rejtő. This is a silly (in a good way) locked-door murder mystery. I picked it up in Hungary over the holidays, and will probably finish it in the next week or so. (I’m about 2/3rds of the way through, and it’s only a 160 page book.) It’s short, highly readable, and humorous.

I also read a chapter from The Mandala of Sherlock Holmes by Jamyang Norbu. A number of authors have picked up the mantle of Sherlock Holmes from Sir Arthur Conan Doyle.  (Not to mention TV shows and movies.) This book is published in India by a Tibetan author who imagines Sherlock Holmes traveled to India and Tibet after he was believed to have been killed (along with Professor Moriarty) in Switzerland. (Going over the falls as depicted in the second Sherlock Holmes movie featuring Robert Downey Jr.) There are three parts to the book: India, Tibet, and Beyond. I’m in the last couple chapters of the first part, most of which takes place in Bombay.

 

Short Stories: I’m about 85% of the way through 999: New Stories of Horror and Suspense. This is a collection of short fiction of horror / dark suspense. It features authors such as Joyce Carol Oates, Stephen King, Neil Gaiman, Eric Van Lustbader, and David Morrell.  All of the  works are short stories except for a novella/short novel by William Peter Batty. The novella is the last piece, and I’ve just started part II of it.

999_Horror&Suspense

 

Martial Arts: I just finished Dr. Anthony Catanese’s The Medical Care of the Judokabut I posted a review yesterday so I won’t get into that book. My next martial arts book will be The Pyjama Game by Mark Law, but I haven’t yet begun it.

 

Yoga: I’ve been reading two books related to yoga this week. I just finished Chapter 2 of Coulter’s Anatomy of Hatha Yoga. This chapter dealt with the anatomy and physiology of breathing. This book is an excellent resource for yoga teachers, but it’s pretty dense–which may explain why I’m only on Chapter 3. Not only does the chapter give general information on respiration, it also provides information specific to various yogic breathing methods such as abdominal, yogic, thoracic, paradoxical, and diaphragmatic.

The second yoga book I’m reading is Singleton’s Yoga Body, which is a history of yoga postural practice (asana practice). This book presents a controversial thesis, which is that postural practice (asana) wasn’t really a part of mainstream yoga until quite recently, and that it’s as much a product of what happened in the Western world in the early 20th century as it is a result of Indian yogic traditions–if not more. Having finished the first three chapters (about 30% through), I’m not sure whether I buy his argument or not. He has some documentary evidence on his side, but I know there is also a proclivity to equate the current era in which everybody documents laundry day with the past in which many people were much more secretive. It’s also often not true that the most vocal are not the mainstream. He may be correct, but he has yet to wow me. (Part of his argument is people like Max Muller and HP Blavatsky found hatha yoga [the style which most emphasizes posture] to be the domain of conmen and beggars.)


AnatomyHathaYoga_CoulterYogaBody_Singleton

 

Miscellaneous Nonfiction: I’ve got about 70 more pages to finish in a book called How Pleasure Works by Paul Bloom. As the title implies, this book is about the science of why people get pleasure from various things from food to sex to freaky sex to art to music, etc. The primary thesis is that there are hidden essences that are the source of pleasure. The chapter I just finished talked about an interesting study in which violinist extraordinaire Joshua Bell went into a subway station and played his $3.5million violin, and barely netted $30–even though there were people passing him who’d paid $200 to hear him in his tuxedo at a concert hall later that evening. The chapter also talked about art forgeries, and how some art is valuable when it’s associated with a famous painter and worthless when it’s a forgery by a presumably equally skilled forger (I say equally skilled because these individuals have been able to pass their work off to experts as a painting by a famous artist. In some cases, they weren’t forgeries but rather originals in the style of the famous artist and submitted as an unknown work found in a basement somewhere.)

HowPleasureWorks

 

I also finished the letter “B” in the book The Painted Word  by Phil Cousineau. This book is organized like a dictionary, except that it only contains certain English language words that the author finds particularly intriguing, and it gives background on usage and how the meanings have migrated. If you love language, you’ll find this book much less painfully boring than I have made it sound.

Painted Word

 

That completes the books I’ve been reading over the past week. I did purchase two books this week, but they’re far down the queue to be read. One is the graphic novel The League of Extraordinary Gentleman by Alan Moore, and the other is Right Ho, Jeeves by P.G. Wodehouse.

BOOK REVIEW: The Medical Care of the Judōka by Anthony J. Catanese

The Medical Care of the Judoka: A Guide for Athletes, Coaches and Referees to Common Medical Problems in JudoThe Medical Care of the Judoka: A Guide for Athletes, Coaches and Referees to Common Medical Problems in Judo by Anthony J. Catanese

My rating: 4 of 5 stars

Amazon page

I’d recommend this book for anyone who holds a position of responsibility in a dōjō or a combative sport gym, including: teachers, coaches, senior students, trainers, etc. It’s intended for those involved with sport judō, but because there aren’t a lot of sport or martial art-specific books of this nature this may be one of one’s best option to get this information. I haven’t stumbled upon other books like this, but performing a search did result in similar books either generic to martial arts or for other martial arts. However, all of the others that I saw were either old / out-of-date, only available in hardcopy (usually at great expense), or were not by physicians. This book is available on Kindle and is quite inexpensive.

While it’s geared toward sport judō, many of the injuries will be common across martial arts. This is truer of grappling-oriented martial arts, but things like mat infections, students with various chronic ailments, and participants being knocked unconscious. (The latter is covered extensively, but arguably being even more of a concern for strikers.)

The book is useful in two ways. First, it discusses first aid and treatment for common injuries in the martial arts. It’s not a first aid manual, and will not replace training. (In fact, the book assumes it’s talking to someone who’s in a position where they’ve had at least minimal training / experience.) However, it may provide useful information about what injuries one should make sure to be trained in when shopping first aid courses. It also gives one ideas about differences of opinion on certain approaches to treatment or the decision as to whether a given participant is safe to participate.

Second, the book discusses whether prospective students with common chronic ailments can safely participate, and under what circumstance. In many cases, this book goes about this by saying what the judō rulebook says. While this may not be a perfect guide for practitioners of other arts, it may give a reasonable idea about how serious one should take a given disease or infirmity.

The book consists of 20 chapters. Most of the chapters cover common injuries and ailments in judō, generally arranged by anatomical systems. However, there are also chapters covering nutrition/hydration, issues for athletes going abroad / older participants / and special needs athletes, drugs and doping considerations, injury rehabilitation issues, psychological challenges, and the traditional Japanese methods of resuscitation and first aid (kappo and katsu.)

In addition to the core chapters, there is some useful ancillary material. First, there are vignettes interspersed throughout the book that could be beneficial. These vignettes reflect the benefit of having an author who is a medical doctor, a long-time judōka, and an experienced match physician. The vignettes may be more likely to stick in one’s head than the blander presentation of information, and these sidebars often address unusual cases. Also, there are two glossaries—one that deals with martial art / sports terminology, and one for medical terminology.

While written by a physician, this book is not written exclusively for other doctors or medical experts. That is to say, it’s easily readable by a lay audience. Medical jargon, when used, is explained the first time in the text, so one doesn’t need to keep jumping to the glossary.

At least the Kindle version is graphics free. That would be problematic if it was a first aid manual, but that’s not this book’s purpose.

As I said in the beginning, if you have responsibilities for the well-being of martial arts students / athletes, you should read this book.

View all my reviews

2015 Martial Arts Movies

NOTE: I’ve revised this post with up-to-date information. Please see that post here.

My third annual preview of martial arts movies will be presented in two installments. Many of the movies in the latter half of the year do not yet have release dates or trailers by January. Ergo, I’m posting the first part now, and will do a revision in mid-summer.

“Martial arts movie” is a bit ambiguous. Almost every action movie features martial arts. The leaked teaser for Ant-Man was pretty much a sequence of Scott Lang (Ant-Man) fighting his way through a corridor to access an elevator. So, does such a movie get included? I’ve opted against putting every action film with a kick in it into this post. Yet, I don’t want to stick to films that feature martial arts cliches (e.g. they killed my master, an evil billionaire is hosting a death match tournament, they killed me and left me for dead, etc.)  I, therefore, use the admittedly subjective litmus test of whether there would be a movie if one took away the martial arts and replaced it with brawling–not just whether it would be a less slick movie with a diminished “woo” factor.

I’ve tried to go as international as possible this year, including Bollywood (using the term colloquially if not precisely) and SE Asian releases in addition to the usual Hong Kong & Hollywood fare.

 

Underdog Kids (January 16): Described on IMDb as: “Inner city kids from a poor neighborhood go up against the undefeated Beverly Hills Junior National Karate Team.” I’ve seen no trailer for this, just a poster:
underdogs_2

Wild Card (January 30): This may be a cheat given what I said above. However, it’s a Jason Statham film, and like the “Transporter” films it probably doesn’t amount to much without the ass-kickery. Let’s face it, you’re not going to see Jason Statham for his extensive acting range.

Dragon Blade (February 19): Featuring Jackie Chan, John Cusack, and Adrien Brody. This is a period piece, and–as you can tell from the casting–is big budget as martial arts flicks go.

Wolf Warrior (March 1) [China]: This looks like more of a shoot-em-up action film than a martial arts film, but some have listed it as a martial arts film and the close quarters action is definitely reminiscent of a martial arts film.

Skin Trade (April): This film stars Tony Jaa and Dolph Lundgren as the good guys and Ron Perlman as the villain. As the title suggests, it’s set around a theme of human trafficking.

Bollywood Dragon  (May 15) [India]: The blurb for this one is: “An English martial arts instructor travels to Mumbai to identify her twin sister’s body, discovering she lived a mysterious life among the criminal underworld and decides to investigate by being her.”
There is no trailer up for this movie as of yet.

The Kickboxer: City of Blood: (May 15): This is a different project than the Bautista / Van Damme / Carano film that was originally titled “Kickboxer” and is now going by “Kickboxer: Vengence,” but there’s no graphic publicity out on it yet. It may not come out as scheduled.

The Transporter Legacy (June 19): Another “Transporter” film, but Ed Skrein plays the role of Frank Martin in this one. As with “Wild Card” it may be a cheat to include it as a martial arts film, but car chases don’t get these movies all the way to watchability.
I haven’t seen a trailer, but there are still photos.
TransporterLegacy

The Boy and the Beast (July 11) [Japan]: This also may be a cheat because it’s an animated film, but martial arts does seem to be a prominent feature of the work. (I believe I included one of the Kung fu Panda movies in one of my past posts, so I think this is fair game.)

Brothers (July 31) [India, in Hindi]: An Indian remake of the American film Warriors. In the American movie, two estranged brothers must fight each other in an MMA bout. (Hence the name of the Indian version, Brothers.) There’s not a proper trailer out, but there is this:

Crouching Tiger, Hidden Dragon: The Green Legend (August 28): Interestingly, this sequel to an immensely popular film will be released on Netflix and IMAX simultaneously. If this were some risky, low-budget film, going straight to Netflix wouldn’t be at all surprising, but this is the sequel to a movie that was (maybe still is) the highest grossing foreign language film playing in America. If this bold move pays off, it could be the beginning of a new paradigm of movie releases. [Also with The Interview going with an unconventional release owing to North Korean threats and intervention, there maybe a great deal learned about alternatives to a traditional film release.]
CTHD2

The Bodyguard (undesignated Summer release) [China]: Featuring and directed by Sammo Hung.
sammo-hung-740x400

Movies with unspecified release dates:

SPL (Sha Po Lang) II / A Time for Consequences / SPL2: Rise of Wong Po [China]: This Hong Kong film will feature Thai superstar Tony Jaa. (Is he in everything? Have they cloned him, or does he not need to sleep, eat, and poop like the rest of us.)
SPL_II_Teaser_Poster,_Apr_2014

The Chemist: A grain of salt on the 2015 release, please. This is an “assasin-who-can’t-bear-to-kill-his-victim-and-ends-up-protecting-her-instead” film.

Pound of Flesh: Jean-Claude Van Damme. The blurb says: “A man’s heroic attempt to help a woman in distress ends up with him waking up the next day without a kidney and plotting his revenge.”
PoundofFleshMovie

Kickboxer: Vengence: Featuring Dave Bautista, Jean-Claude Van Damme, and Gina Carano.

The Martial Arts Kid: As the unimaginative title (generic knock-off of the alliterative “Karate Kid”?) suggests, this is low budget. It features past martial arts competitors like Don Wilson and Cynthia Rothrock.
MartialArtsKid

Ultimate Justice [Germany]: The blurb on IMDb reads: “A team of former elite soldiers are drawn back into action when the family of one of their own is attacked.”
I haven’t seen any publicity for this movie yet.

The Monk (Summer) [China]:This movie is based on a popular Chinese novel entitled Dao Shi Xia Shan (A Monk Comes Down the Mountain.)
I’ve seen no graphic publicity on this one, and the novel has apparently not been translated to English, so I don’t have much to tell you.

Unlikely 2015 Releases:

Stan Lee’s Annihilator: IMDb has it listed for an unspecified 2015 release. If so, those involved are better at keeping secrets than anyone else in Hollywood.

Showdown in Manila: Featuring Mark Dacascos. It’s supposed to begin filming early in February, so a release this year is unlikely. It’s said to be like “The Expendables.” I assume that means that it’s a big cast of past super-stars, but it might just mean that it sucks badly.