Why I Study Thai Yoga Bodywork

Receiving my 60 hour course certificate from the teacher.

Receiving my 60 hour course certificate from the teacher

Thai Yoga Bodywork (TYB), also called Nuad Boran (ancient bodywork) or Thai Massage, is a system that integrates assisted yoga-style stretching, reflexology, acupressure massage, and elements of Ayurvedic healing to stretch and massage the body. Its history is believed to date back 2,500 years to Northern India, where its roots lay with Jivaka Kumar Bhaccha–a physician in Buddha’s community. However, the art reached its perfection in Thailand, the nation with which it remains most closely associated.

I recently completed an introductory course in this system in Bangalore through the Inner Mountain School of Healing Arts.

Before I moved to India, I thought a lot about what I would like to learn while I was on the other side of the planet. There’s a great deal of expertise on subjects sparsely taught in the US, and it can often be had at a bargain in comparison to American prices.

Some of the skills I wanted to foster were to be expected. I wanted to learn more about meditation and the ways of living in the moment and with a quieter mind. I’ve played with such practice for a long time, and I came to believe that becoming a better martial artist  and person depended upon cultivating fudōshin— an immovable spirit. I’ve seen no route to that state that circumvents quieting the mind, and that requires observing and training the mind. One can only become more physically capable for a time, then growth depends upon the mind, on shedding petty impulses, on being incapable of manipulation, and on being unswayed my the vagaries of emotion. I’ve begun working on this objective through visits to meditation centers and by making my own practice more regular.

I also want to learn about other martial arts, besides the one I’ve been learning my entire adult life. It makes sense to learn something about the indigenous martial arts of the places I visit. I want to experience the similarities and differences of these arts, and to learn about the cultural elements that shape those differences and elements of uniqueness.

However, one of the biggest surprises has been my new-found interest in studying Thai Yoga Bodywork (TYB.) When I visited Thailand last fall I studied Muay Thai (Thai kickboxing) for a week and Thai cooking for a day, but it didn’t occur to me to take one of the many Thai Massage short courses until I was back home. My interest in TYB is reflective of a broader desire to learn more about the indigenous healing methods of Asia, and that goes back a few years.  I developed a vague feeling that I wanted to study such things a couple of years back when I realized my body was deteriorating too fast for comfort, and Western medical treatment consisted of advising me to stop doing a number of the activities that I love.  Still, I must admit that I didn’t really give  a lot of thought to this interest until I started this course.

Having now thought about it, my interest in studying TYB is closely linked to my interest in martial arts. This notion might seem hard to reconcile.  TYB is a healing art, and martial arts, while they should be grounded in a sound moral philosophy, are essentially about inflicting damage on a body. The  two disciplines seem to be at odds. Still, they have a great deal in common. In each, mindfulness is key. Control of the breath is a common element of both. In Japanese martial arts there is a word, taijutsu, which means body skills, but which implies efficient use of the body. This means favoring bigger muscle groups over smaller ones where possible and taking advantage of the body’s natural alignment (e.g. straight spine) and body weight. These concepts that I had long practiced in budō were also ubiquitous in TYB. Furthermore, a number of the points that I had learned to attack, were now targeted to heal.

Still, some of these same points could be said to be common to any system of movement done properly, be it dance or exercise. So why I was drawn to TYB in particular? The most direct reason is to learn how to fix the failings of my body, and those that I’ve witnessed in others. I experienced these methods as a recipient in Thailand, and could see their value at once.

There’s also a benefit from increased understanding of anatomy and bodily awareness. One learns about how the musculature works to move the body in a way that isn’t easily picked up from textbooks. One begins to read bodies like others read books. One gains insight into the bodily deficiencies that one has taken on without even being cognizant of them. A martial artist may, on average, be a hundred times more bodily aware than the average person, but that doesn’t mean there isn’t great room for growth. (It speaks to how sadly lacking in bodily awareness most people are as much as anything.)

Still, this isn’t the full story of why I wanted to learn this art. Another reason came to mind in the introductory session, before we even began learning the technique. The teacher was talking about how TYB teaches humility, and how one has to learn to touch a stranger’s feet with compassion and devotion to that person’s well-being–an act that doesn’t come naturally to most of us.  Admittedly, this isn’t a level of humility and compassion that I have developed in life to date. Though I am the son of a mother who–as a nurse as well as a mother–was probably more at ease with putting the well-being others above her own comfort than anyone else I’ve ever met, for me this is a struggle outside my comfort zone. The martial arts teach a kind of humility (a lesson that all too many practitioners find a way to make an end run around), but if one’s practice is separate from one’s career field it’s easy for the notion of service to be so abstract as to lose meaning.

This, of course, returns back to my earlier mention of the mind. One’s ego is the biggest barrier to personal growth. Ego makes one easily manipulated. Ego makes one subject to petty impulses. Ego makes one give into fear and anger.

Learning a stretch

Learning a stretching technique

DAILY PHOTO: Chandni Chowk Street Food

Taken October 15, 2013 in Old Delhi.

Taken October 15, 2013 in Old Delhi.

Ummm! Fried breads.

Chandni Chowk is a major bazaar street that runs west from the Red Fort in Old Delhi. It’s a solid traffic jam from about 8:30am to 10:30pm. Bicycle rickshaws, auto-rickshaws, oxcarts, and automobiles can all be seen inching down the boulevard.

One can get cloth, sweets, suits, or glasses on the cheap.

7:00am gives one an entirely different perspective. There are people bathing in the streets from communal spigots. There are long lines of individuals, mostly men waiting to see the street doctor, who–right on the sidewalk–is bandaging up a badly swollen foot. There are worshipers entering the Sikh temple.  There is little traffic, but pallets of materials piled in the street outside some businesses.

DAILY PHOTO: Narayana Gurukula Bangalore

Taken on October 25, 2013.

Taken on October 25, 2013.

Well I’m back from my 10-day Thai Yoga Bodywork course, and will resume a normal posting schedule.

While I was gone I visited a couple  interesting places. One of which was the Narayana Gurukula Bangalore location. This small and simple ashram is watched over by a sweet lady known to visitors as “Ma”… and some really menacing looking dogs. Above is the interior of what might be called the main hall. There are some interesting stone carvings and artworks across the property as well as a little stone temple and a lilliputian book house.

I wasn’t familiar with Narayana Guru before my visit. There have been so many gurus in India, and it’s hard to know of them all. However, this particular guru and his disciples (one of whom, Nataraja Guru, started the Gurukulam) held forward-thinking views on society and spirituality. A Hindu, Narayana guru advocated unity between traditions and a focus on introspection as the route to betterment.

DAILY PHOTO: Taj Mahal

Taken October 13, 2013 in Agra, India.

Taken October 13, 2013 in Agra, India.

My last Daily Photo for 10-days. I tried to make it a good one.

DAILY PHOTO: Jama Masjid

Taken October 14, 2013 in Old Delhi.

Taken October 14, 2013 in Old Delhi.

This is India’s largest mosque. It is capable of holding 25,000 worshipers–mostly in that open courtyard that can apparently be covered as needed.)  It dates back to the rule of Mughal Emperor Shah Jahan–who you may know of from his requisitioning of the Taj Mahal.

It’s located in Old Delhi and is usually matched with trips to the Red Fort and Chandni Chowk (a huge bazaar street), which are both nearby.

It’s mostly Red sandstone with white marble, as was common of Shah Jahan’s other monumental structures.

[I realize it’s a cheat that I’ve posted two “Daily Photos” in a couple of hours of one another, but it’s a new day in the States–and I’ve got a ton of photos from my recent trip.]

DAILY PHOTO: Tower at Fort Agra

Taken October 12, 2013 in Agra.

Taken October 12, 2013 in Agra.

I just returned from a week-long trip to Agra and Delhi. (Hence my lack of posts of late.) The Taj Mahal dominates Agra’s tourist scene–and for good reason–but Agra Fort is an impressive site in its own right. Agra Fort is considerably more impressive than Delhi’s Red Fort, which I toured on the same trip. The fort offers some unique shots of the Taj Mahal from across the Jamuna River, but also has both marble and red sandstone buildings that have been impressively and meticulously maintained and restored.

DAILY PHOTO: Another Bangalore Street Scene

Taken October 8, 2013

Taken October 8, 2013

This will be my last daily post for a few days. I’ll be traveling to Delhi and Agra and will have lots of new pics in about a week. This pic was taken in the area near Commercial street.

DAILY PHOTO: Wistful Monkey in the Mist

Taken September 2013 at Nandi Hills, India

Taken September 2013 at Nandi Hills, India

Sometimes, you just wonder what a monkey is thinking.

DAILY PHOTO: The Fried Wontons of Green Onion

Taken October 9, 2013

Taken October 9, 2013

I’m a hole-in-the-wall kind of guy. I like good food wherever I find it, but I find it particularly pleasurable at tucked away little places.

This week I ate at Citrus in Leela Palace. It’s one of the swankiest places in Bangalore. The food was excellent, but, of course, you know it’s going to be excellent. It’s expensive and has a French sommelier on staff. There’s great food, but no surprises.

Green Onion is a little first floor (second floor to Americans) Chinese place on a short side-street off of MG Road. I’ve been there twice, and it’s been almost full both times. It’s good food at a reasonable price. Today, I had the above fried wontons  along with kung pao chicken (which I order as much because it’s fun to say as because it’s delectable.) As can be said of most any Chinese place in Bangalore, it’s Indo-Chinese. That is to say, dishes don’t taste like they would in Beijing. That doesn’t make them bad, just different.

I don’t know if it’s cultural bias or not, but I think good Chinese food in America mirrors Chinese food in China more closely than does good Chinese in India. (Of course, bad Chinese food abounds in the U.S. and probably outnumbers good Chinese restaurants.) It may be because American food doesn’t have the extensive and potent flavor palette Indian food does, or because the China and India have shared a border for long enough to have developed a third entity cuisine over time in the manner that Tex-Mex food is distinct from Mexican. All this being said, it’s still tasty, just not in the same way Chinese food in China is.

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BOOK REVIEW: Gitanjali by Rabindranath Tagore

GitanjaliGitanjali by Rabindranath Tagore

My rating: 5 of 5 stars

Amazon page

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Gitanjali is the most well-known work of the Bengali polymath Rabindranath Tagore. Tagore was the first non-European winner of the Nobel Prize for Literature (1913.) While Gitanjali is a work of poetry, Tagore didn’t restrict himself to this form, but also wrote stories, novels, plays, and music.

Gitanjali translates to “Song Offerings” and while the English version is a translation, it was translated by Tagore himself. Thus, there is no need to wonder whether the translator got it right or injected too much of his own worldview into the process.

This collection of 103 poems (the original Bengali has 157)displays both beautiful language and thought-provoking sentiments. This may be why the work is so beloved and stands the test of time.

I’ll share a few of my favorite passages:

“The child, who is decked out with prince’s robes and who has jeweled chains round his neck loses all pleasure in his play;…” -Poem VIII

“O fool, to try to carry thyself on thy own shoulders! O Beggar, to come to beg at thy own door!” -Poem IX

“On the day when the lotus bloomed, alas, my mind was straying, and I knew it not.” -Poem XX

“On the seashore of endless worlds children meet.” -Poem LX

“In the moonless gloom of midnight I asked her, ‘Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome,– lend me your light.’ She stopped for a minute and thought and gazed at my face in the dark. ‘I have brought my light,’ she said, ‘to join the carnival of lamps.’ I stood and watched her little lamp uselessly lost among lights.” -Poem LXIV

“And because I love this life, I know I shall love death as well.” -Poem XCV

The edition I have, which is published in India by Rupa Press, contains Tagore’s Nobel Prize acceptance speech as well. (The Amazon page I’ve linked to shows the edition that I read, but the cover shown above is a different version. The poems are all the same because Tagore self-translated, it is only the supplemental matter that is different.)

I highly recommend this collection of poems.

View all my reviews