Tag Archives: fiction

BOOK REVIEW: Primordial by Jeff Lemire

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PrimordialPrimordial by Jeff Lemire
My rating: 5 of 5 stars

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Out: May 24, 2022

This graphic novel blends alt history and sci-fi. It takes place in a world that differs from ours in a number of [mostly superficial] ways that might all be ripples from one major change, that change being that when the US and the USSR sent their test animals into space something very different happened, something that put an end to the space programs of both nations. The story features characters based on the real-world personages of Laika (the dog the Soviet Union shot into space) and Able and Baker (the monkeys that America sent.)

There are two storylines occurring simultaneously, first in the 1960’s and then in the near future. One of these is the tale of the aforementioned “test pilots,” and the other is that of two scientists who are trying to get the animals back, or at least to communicate with them. One of the scientists is an American professor from MIT doing contract work for NASA and the other is a Soviet biologist.

It’s a simple story, but I found it engaging and to be built on an intriguing premise. I’d recommend it for readers of graphic fiction, particularly those who enjoy counterfactuals.


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BOOK REVIEW: Sadhus by Patrick Levy

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Sadhus: Going Beyond the DreadlocksSadhus: Going Beyond the Dreadlocks by Patrick Levy
My rating: 5 of 5 stars

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I got to the last couple chapters before I realized that this was a novel, and not a work of immersion journalism. I don’t mean to suggest that it wasn’t as compelling as I’d wish a work of fiction to be. On the contrary, it’s a fascinating look into a group of people (Sadhus / renunciants) who are little understood because they exist on the edges of society and can appear strange – if not a little scary – in their countercultural existence. The book reads like an authentic account of the Sadhu experience of a Frenchman who gives up his money and all but a few meager possessions to become a wandering ascetic under the tutelage a philosophically compatible Baba. (Until the fever dream ending instills a bit of surrealism and fourth-wall breaking.) The fact that the lead is demographically and a philosophically like the author, heightens the tendency to believe it’s nonfiction. [It’s quite possibly fictionalized autobiography to some degree, but I couldn’t say to what extent.]

Besides telling a story centered on a wandering Western ascetic in Northern India, the book does double duty in reflecting upon Hindu-Yogic-Tantric philosophy, particularly with respect to metaphysics. The lead character is neither religious nor a believer in the supernatural. Rather, he is (like many of us) in search of an almost defunct variety of a philosophy, the kind practiced by Socrates and some historic and present-day Buddhists, a variety that’s open to questioning and challenging all beliefs and assumptions as the means to better understand one’s world, a variety that recognizes the ubiquity of ignorance with respect to key questions of metaphysics. The story includes a number of Socratic method style conversations, as well as quotes from texts such as the “Avadhuta Gita” and “Ashtavakra Gita.”

I found this story to be compelling and informative, shining a light on a rarely-seen side of India.

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BOOK REVIEW: The Mythology Class by Arnold Arre

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The Mythology Class: Where Philippine Legends Become Reality (a Graphic Novel)The Mythology Class: Where Philippine Legends Become Reality by Arnold Arre
My rating: 5 of 5 stars

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Out: August 9, 2022

Let’s call this “Breakfast Club” meets “Ghostbusters” but instead of busting ghosts this group of student-misfits is tasked with getting Filipino mythical creatures back to their home domains while saving their own city from the most villainous of the beasts. There’s a lot happening in this graphic novel — action and adventure tied to the daunting task of containing these creatures, some magical and some monstrous, but there’s also a couple love stories that play out, as well.

I enjoyed reading this graphic novel, finding it fast-paced and imaginative. The characters, both human and mythological, are distinct and face meaningful problems. It’s a story that is both lighthearted and humorous, but with the requisite tension and conflict for such a story. If you’re into mythological superhero stories, check this one out.

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BOOK REVIEW: DMZ, VOL. 1: ON THE GROUND by Brian Wood

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DMZ, Vol. 1: On the GroundDMZ, Vol. 1: On the Ground by Brian Wood
My rating: 5 of 5 stars

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DMZ is a work of dystopian fiction that ditches the tired plot devices like Zombies and Nuclear Holocaust in favor of the fresh and simple idea of the American political divide run amok. The demilitarized zone (DMZ) in question is a sealed off New York City that exists in an armed and anarchic state.

The story features a journalism intern, Matty Roth, who helicopter crashes with a news crew in the NYC DMZ. At first, Roth is in over his head and just looking to escape to safety, but over the course of this volume he undergoes trial by fire and comes out the other side following his journalistic impulse to share the stories of the DMZ, stories which are much richer and more complex than people have been led to believe.

I had mixed feelings about the story as it feels like the protagonist is robbed of agency by always being saved. However, the story does show the character grow considerably and to face challenges voluntarily, and the assistance he receives does demonstrate community and humanity in a place that is supposed to be devoid of both.

Ultimately, I found the concept compelling and was deeply pulled into the world of this story. If you’re up for dystopian fiction, you might give it a try.


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BOOK REVIEW: Second Chances by Ricky Mammone

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Second Chances, Vol. 1Second Chances, Vol. 1 by Ricky Mammone
My rating: 4 of 5 stars

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Out: March 22, 2022

This is essentially a hard-boiled PI story, except, instead of being a private investigator, the protagonist runs what is basically a commercial witness protection program for individuals who are trying to escape from someone (but aren’t witnesses and – thus – can’t get the government to provide a new life on the taxpayer dime.) The story follows the fallout of a case gone wrong, in which the lead, Leblanc, finds himself being pursued by a sexy hit squad and must protect his clients at all cost.

It’s not the most innovative of stories and relies on action a great deal. The action being all the more important because our hard-boiled lead experiences little to no growth throughout the story. That said, it’s no worse than a great deal action stories, and better than some. It has a coherent storyline, lots of action, and characters that are interesting – if in a clichéd sort of way.

The illustration is monochrome but detailed, presumably the black-and-white format is meant to contribute to the noir / pulp feel.

If you like action stories, this is a fine one – but not necessarily one that differentiates itself from the pack.


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BOOK REVIEW: Tales of the City, Vol. 1 by Armistead Maupin (w/ Isabelle Bauthian & Sandrine Revel)

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Tales of the City Graphic Novel (Volume One)Tales of the City Graphic Novel by Isabelle Bauthian
My rating: 5 of 5 stars

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Out: May 3, 2022 [may vary in your area]

Set in San Francisco in the 70’s, this graphic novel based upon a 1978 novel by Maupin adeptly moves between about half a dozen story arcs. All of these stories are connected by key characters being residents of a Barbary Lane rooming house run by a maternal and jovial hippie pot-grower landlady named Anna Madrigal.

In a sense, the lead character is Mary Ann Singleton, a new arrival at 28 Barbary Lane. Singleton isn’t the kind of lead that the entire story revolves around; there’s plenty going on that takes place outside her perspective. However, Singleton does make a great focal point because she’s a fish out of water. Being Midwestern and straight, she’s a run-of-the-mill character in Ohio (her home,) but in SF, she’s the oddball. Her extreme ordinariness among outcasts both generates tension and highlights the unconventionality of the Barbary Lane rooming house.

The story is soap opera-like. It’s loaded with drama and low-level intrigues – extramarital affairs, closeted gays with out of the closet partners, drugs, etc. – but the pacing of these low-level intrigues keeps the flow of the story intense.

I never read the original novels, but I thought the artists did a great job of not only of illustrating the work, but also of organizing the story into a graphic format.

I’d highly recommend interested readers check it out.


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BOOK REVIEW: Right Ho, Jeeves by P.G. Wodehouse

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Right Ho, JeevesRight Ho, Jeeves by P.G. Wodehouse
My rating: 5 of 5 stars

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This is the second novel and seventh book by P.G. Wodehouse to feature the comedic duo of Bertram Wooster and his butler Jeeves. Wooster is a young man from a wealthy family who thinks more highly of himself than anyone else does. He’s a schemer, but not a particularly adept one. He serves as both narrator and comedic foil. He’s not a bright man, but thinks himself clever and is jealous that people are always coming to his preternaturally professional and laconic manservant, Jeeves, with their problems.

The plot and the humor are driven by Bertram’s harebrained schemes to save the day while showing everybody that it is he, and not Jeeves, with the insight to solve their problems. In this case, said problems include rectifying two breakups, getting a relative to repay his aunt Dahlia, and keeping a temperamental French chef from quitting, forcing the household of Brinkley Manor (Dahlia’s estate) to be subjected to the horrors of British cuisine.

While lifestyles of the rich and British might not be relatable, the humor travels well. I found the book to be funny, and – while it has a slow build — it ultimately generates a compelling plot. If you like humorous novels, this one is worth reading.


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BOOK REVIEW: A Bad Business by Fyodor Dostoevsky

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A Bad BusinessA Bad Business by Fyodor Dostoevsky
My rating: 5 of 5 stars

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This collection gathers six pieces of Dostoevsky’s short fiction, each brilliant in its own way. The stories vary in length and genre, but share an interesting insight into humanity.

“A Bad Business” is about a high-ranking official who decides to wedding crash one of his underlings. Like the third story in this collection, it’s the psychology that makes this tale compelling. The lead character vacillates between feeling empowered by his host’s deferential behavior and feelings of embarrassment and regret over violating norms. While it might sound like an unrelatable story, the psychological foibles shine through recognizably.

“Conversations in a Graveyard (Bobok)” is largely as the title describes, and is one of the speculative fiction pieces.

Much like the first story, “A Meek Creature” deals in subject matter that may seem unrelatable to today’s reader, but one will recognize the state of mind that drives the story. It’s about a middle-aged man who marries a teenaged girl. The story revolves around the young wife’s death, and attempts to reconcile her demise, which leads him into a dismal territory of self-discovery.

“The Crocodile” is the one piece that doesn’t at all suffer from being dated. While the details may feel retro, this absurdist dark comedy story remains both hilarious and meaningful. The underlying theme is disappointment that economic considerations have come to rule the world, but the story doesn’t beat one over the head with the politics, but rather lets the absurd situation of a man being swallowed whole by a crocodile do the work.

“The Heavenly Christmas Tree” reminded me of the fairytale “The Little Match Girl,” and is a heartfelt Christmas tale.

“The Peasant Marey” is the story of a prisoner having a flashback of the kindness of a neighborhood peasant in his childhood. It’s written in an autobiographical style. I don’t know how much license was taken, but I do know that Dostoevsky did spend time in prison as does the story’s lead.

This collection is well worth reading by any lover of short fiction.

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BOOK REVIEW: Y: The Last Man, Vol. 1: Unmanned by Brian K. Vaughan

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Unmanned (Y: The Last Man, #1)Unmanned by Brian K. Vaughan
My rating: 4 of 5 stars

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This graphic novel has a fascinating premise, a dystopia in the aftermath of the extinction of all males – except for one man (of whom we know.) The “Y” in the title is a reference to the Y chromosome that no doubt factors into the cause of the eradication of males, and some genetic mutation presumably explains why there’s this one male survivor. The state of the world is as seen in any apocalyptic dystopia in which a huge proportion of the populace dies off, leaving governance and essential services broken down, being replaced by anarchy. However, there’s also the unique feature that the clock is ticking on the last generation of humanity (and some other species,) unless something can be done about it.

The protagonist is a love-struck man-child who wants nothing more than to get to the other side of the world (to Australia from America) because it’s his fiancé’s last known location. However, given that the key to continuation of the species may lie within his chromosomes, what remains of the government insists he be studied. Other segments of the population have their own ideas about what they’d like to do if they get their hands on him. All of this makes international travel infeasible.

I’m a bit torn on this book. On the positive side, not only does it have a compelling premise, but it presents a thoughtful examination of some of the problems that might arise — such as political bodies being tremendously thinned and that the remaining women politicians wouldn’t necessarily be proportionately distributed between political parties. On the negative side, the volume doesn’t have a substantial climax and conclusion, and thus isn’t a satisfying standalone read. This isn’t uncommon among comic books written with vast serialization in mind. My problem with such writing is that if the first volume doesn’t provide a satisfying self-contained arc, I don’t trust that the story will ever conclude satisfyingly – especially if it’s something that turns out to be popular.

If you’re committed to reading the whole series, you’ll find this volume to provide a gripping and humorous start. However, I can’t say I’d recommend it as a standalone read, and I can’t speak to the overall story.


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BOOK REVIEW: St. Mercy by John Zuur Platten

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St. MercySt. Mercy by John Zuur Platten
My rating: 4 of 5 stars

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Out: March 1, 2022

This graphic novel combines a Cowboy Western with backstory featuring Incan mythology from pre-Colonial Peru, the latter adding a supernatural element to make a kind of “Unforgiven” meets “Dawn of the Dead” mashup.

It thought the Western narrative was quite well done. The villains were villainous. It’s nothing particularly novel, but the story and characters are skillfully crafted. The Incan story portion forms the origin story for the main character and offers a supernatural element thrown into the gritty realism of the Western. This part of the story is intriguing as well, but there are a couple things I should point out. First of all, I know nothing about Incan gods and monsters lore. Therefore, I can’t say whether the author and artist did their homework, or whether they just made up a generic demon and zombified beings out of nowhere. Secondly, I don’t think the link up of the two storylines was as seamless as it could have been. I found myself unsure of who was whom among carry over characters, and didn’t feel its relevance was sufficient to go back in the middle of what was otherwise an intense story in order to figure it out.

I think the story suffers from two common problems among comic books. First, the mindset of “you can smash any two good things together and make a great thing.” People love Westerns. People love zombies and monster. How could thrusting them together miss? Well, it misses because the visceral emotional quality of the gritty Western tanks in the face of magic and monsters. It misses because the smartly developed Sheriff character is squandered to get him out of the way. Second, this comic suffered from the “cool idea” problem. That’s when someone says “wouldn’t it be cool if…” And then there’s this idea that’s floating out there that you can either do a lot of work to fit into the story so that it makes sense organically, or you can cram it in there willy-nilly and hope the reader says, “cool,” instead of being befuddled by needless complication. I found myself more with the latter.

With a little thought and focus I believe this could have been an excellent story, but – as it is – it’s a bit muddled because it tries to mash together disparate story elements and genres in a way that robs its own thunder.


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