BOOK REVIEW: Opium and Other Stories by Géza Csáth

Opium and Other StoriesOpium and Other Stories by Géza Csáth
My rating: 5 of 5 stars

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Release Date: December 13, 2022 [For the reviewed edition by Europa and translated by Kessler and Rogers]

Csáth was a Freudian who, in 1919 at the age of 31, murdered his wife before committing suicide. He was a brilliantly imaginative [if macabre-oriented] writer, and — as one might expect — this collection’s two dozen stories are dark, dreamy, and often detached from reality. The collection is full of hazy surreality and bleak obsessions, but it’s an intriguing and engaging read.

The book presents several recurring themes: mothers, murder, the murder of mothers, etc.; as well as repetition of surreal settings involving dreams, drugs, and demented minds. Therefore, I’ll only discuss a handful of my favorite stories in the hope they are a reasonable representation. In “Murder,” a man meets an acquaintance on the train and is told of the murder said acquaintance committed, told in a matter-of-fact tone. This prosaic approach to murder is a recurring element of Csáth’s stories as well, and it lends to both the surreal and eerie nature of the stories. “Little Emma” is about a “play hanging” committed by a group of kids. In “Young Lady,” a patient in an insane asylum tells his friend about his obsession with a young woman. “A Joseph in Egypt” is the story of a dream in which the dreamer engages in a tête-à-tête with a married woman. In “Toad” a man imagines he wakes up to find a monstrous toad in his bedroom, or so he believes. In “Matricide,” brothers attempting to rob their mother end up murdering her when she awakes during the crime. “Father, Son” is the story of a young man going to retrieve his father’s remains from the medical school that had come into possession of the body because his mother didn’t have the funds to afford a proper burial while the son was away overseas.

If you enjoy macabre and surreal stories, this collection is well worth reading. However, it will not be everyone’s cup of tea, owing to the dark tone and themes of the stories.


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BOOK REVIEW: Nights of Plague by Orhan Pamuk

Nights of PlagueNights of Plague by Orhan Pamuk
My rating: 5 of 5 stars

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Too soon? I’m interested to see how this brilliant novel does, not because anyone will question that it’s a well-crafted story but because it’s definitely less escapist in the wake of the COVID pandemic. Ordinarily, it would have all the emotional distance of historical fiction. However, here we have a novel set around the turn of the twentieth century, and it features the conspiracy theorists, the science deniers, the pandemic opportunists, and those prone to whistle through the graveyard as a disease eats their community alive – i.e. characters with whom we are now all too familiar.

The novel takes place on the fictional island of Mingheria in the Aegean (Mediterranean) Sea between Turkey and Greece during the waning years of the Ottoman Empire. Given its geography, Mingheria is a potential powder keg under the best of circumstances, being about half Greek Christian and half Turkish Muslim, both of whom overwhelm a group who identify primarily as Mingherian and who want to establish their own state, reflecting a primacy of Mingherian identity. (Not unlike those Kashmiris who want an independent Kashmir because they see their problem not as being a Muslim – Hindu one, but rather an India – Pakistan one.) While the story is full of both Mingherian domestic and international politics, it’s the plague that drives everything, or – more accurately – fearful (and often ill-advised) responses to the plague.

At the heart of the story are Princess Pakize and her husband, Doctor Nuri. The couple is diverted to Mingheria while sailing to China. The reason the Sultan changes their itinerary is two-fold: first, to fight a worsening outbreak of bubonic plague, and, second, to learn who killed the last doctor sent to lead the quarantine response, Dr. Bonkowski. (Bonkowski was a well-regarded medical expert who is killed by unknown perpetrators in the early chapters of the book.) As Nuri is engaged in public health matters and the Princess is occupied by writing letters to her sister and contemplating Bonkowski’s demise, they are swept up in events that will ultimately lead to a revolution and coup d’état. When those who oppose the public health measures (e.g. prohibition of Muslim funerary bath rituals) gain control, the epidemic swells to horrific proportions. As in Pamuk’s excellent novel, Snow, the tension between modern / progressive forces and religious traditionalists is ever present (not unexpected given Turkey’s long history of conflict between reformers and fundamentalists.)

This book is compelling and, in the wake of the COVID pandemic, makes a profound commentary on how far we haven’t come.


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BOOK REVIEW: The Voices of Water by Tiziano Sclavi

The Voices of WaterThe Voices of Water by Tiziano Sclavi
My rating: 4 of 5 stars

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Release Date: November 22, 2022

As the title suggests, this graphic novel is about a guy who hears voices, voices that he most often can’t quite make out, but only in the presence of moving water – i.e. rain, the shower, a sink, etc. Though the reader may read it more as a series of short fiction chapters with a vague vein of interconnectedness. A choice was made to keep the text sparse and to let the imagery do the heavy lifting. I’m not sure it worked out as well as intended, though there is wide variation throughout the book. There are a few chapters that can be read as clear and evocative standalone stories (e.g. “Revenge,” “In a Better World,” and “A Day of the Week: Tuesday,”) but there are others that leave one wondering whether one grasped what was intended (if anything was intended.)

The art is line-drawn (penciled style) monochrome. It works well for the tone of the book, and many of the frames feature old town European architecture that is both attractive and establishes an interesting setting.

This one is definitely high on atmospherics and feels a little disjoint because it’s not always clear that the protagonist, Stavros, is in the vicinity of the action, and – therefore – how the overarching narrative ties together. Overall, I think it works, and I’m glad I read it.


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BOOK REVIEW: The Closet, Vol. 1 by James Tynion IV

The ClosetThe Closet by James Tynion IV
My rating: 5 of 5 stars

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Release Date: October 18, 2022

The protagonist, Thom, is a stay-at-home dad whose four-year-old is having nightmares of a monster that resides in the closet and sits on his chest in the manner Fuseli’s “The Nightmare.” Thom is both someone that you want to shake and / or slap, and – yet, at the same time – he is every single one of us at some point in our lives. (i.e. He is completely overwhelmed and stuck in a fantasy that he can dig out from under the rubble of past mistakes and be born anew, and the fact that he can’t ever be free of the past and always has to deal with momentary reality just adds to his anger and frustration.) The thing is, Thom isn’t a bad guy, but you still want to slap him. That’s what I call excellent character development.

I don’t know where the overarching story is going, and don’t even know whether it’s truly speculative fiction or rather domestic realism, but I know it draws one in and is evocative.

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BOOK REVIEW: Slumber, Vol. 1 by Tyler Burton Smith

Slumber, Volume 1Slumber, Volume 1 by Tyler Burton Smith
My rating: 5 of 5 stars

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Release Date: October 18, 2022

Stetson is a “dream eater.” She makes her living by entering the dreaming mind of clients and “killing” their nightmares. When a series of mysterious and highly irregular murders happen in the real world, the police develop a hunch that Stetson might be involved, or – at a minimum – know something they don’t. And it soon becomes clear that it’s not just a job for her; there’s some sort of personal stakes or vendetta driving her.

I got hooked on this book. The art is colorful and fun and plays well with the imaginative and amusing dream world. The story was well-crafted and offered a satisfying and pleasurable read. If you’re into surreal speculative fiction that deals in dreams and nightmares, it’s worth looking into this book.

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BOOK REVIEW: The Golem of Venice Beach Vol. 1 by Chanan Beizer

The Golem of Venice BeachThe Golem of Venice Beach by Chanan Beizer
My rating: 4 of 5 stars

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Release Date: November 15, 2022

The title is the premise. The Golem of Prague is now living in Venice Beach, CA. However, the protagonist is a human hipster with a sunglass kiosk near the beach named Jake. Jake is a secular Jew with a penchant for all manner of drugs who falls in love with a neighbor who is some sort of chosen one for a Santa Muerte cult that’s protected by some drug-dealing gangbangers. The connection to the Golem is that Jake’s bloodline is protected by the Golem.

This is one of those titles that’s hard to rate. The art is well done. The character development is great. And it’s a compelling premise. (Though I think we may be experiencing a Golem zeitgeist as this is the second or third Golem story I’ve read recently. But, it could also be an anecdotal coincidence.) That all sound pretty good, but I have no idea whether the story is any good because it’s one of those one-story-arc-split-over-two volumes, and so the resolution-to-cliffhanger ratio is not good. [i.e. It ends all cliffhanger and with nothing having been resolved.] To be fair, the last line does promise to conclude the story in the second (next) volume. (i.e. As opposed to: “We’ll see if it’s popular and then string it out until there’s no hope of tying up all the loose ends.”) So, I guess it comes down to whether you’re a trusting soul. I don’t think I’ve read this author previously, and thus have no basis for drawing a conclusion.

So, my recommendation is…


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BOOK REVIEW: Lessons by Ian McEwan

LessonsLessons by Ian McEwan
My rating: 5 of 5 stars

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This book not only shows the characters learning their lessons, it has a few teachings for the reader, as well. The story follows the protagonist, Roland Baines, as he receives a series of harsh life lessons, at the center of each is a woman. There is Miriam, his piano teacher at boarding school, a woman who enters into a manipulative sexual relationship with Roland while he’s still a minor. There is Alissa, the wife who abandons Roland and their seven-month-old child to pursue her writing career. Finally, when a woman, Daphne, comes along with whom he can at last have a healthy relationship with a dependable partner, he has difficulty embracing the relationship because of his earlier experiences. We also witness the intergenerational learning of Alissa, whose mother never made good on her own potential as a writer.

The lessons for the reader are profound. First, after developing an intense and visceral dislike for Alissa because she abandons a baby and seems so oblivious to the suffering her actions have caused (e.g. her husband being suspected of a murder that never happened,) we are reminded that disappearing dads are par for the course; we may think poorly of them, but we rarely have an intense emotional response to such situations. Second, we are offered insight into the “intentional fallacy” – i.e. thinking one knows the author’s intentions and subjective thought processes from what she writes.

I found this to be a powerful story that asks one to confront all manner of intriguing questions. (e.g. If an individual ditches her [or his] family for career, does it make a difference if that person is the best at what she does or if she’s mediocre or if she stinks?) I’d highly recommend this novel for readers of literary fiction.


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BOOK REVIEW: War & Peace: The Graphic Novel Adapted by Alexandr Poltorak [from the work by Leo Tolstoy]

War and Peace: The Graphic NovelWar and Peace: The Graphic Novel by Leo Tolstoy
My rating: 4 of 5 stars

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Release Date: September 27, 2022

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Ambitious. Many readers will feel it’s overly ambitious or even impossibly ambitious. It’s not just the challenge of capturing a sprawling 1,220-page tome in a 220-page graphic novel. Tolstoy’s work has a vast cast of characters and captures a broad set of both fictional and factual events whose broad contours are determined by Napoleon’s wars in Europe, culminating in his adventures into Russia. (In other words, the narrative arc wasn’t organized in such a manner as to be readily compressible, but to capture real world events.)

I must make a confession. Usually, when I’m reviewing a graphic novel adaptation of a work of literature, I’ve read the source material. In this case, I haven’t, and so I may not be the best person to comment on how accurately Poltorak and Chukhrai condense events. I can say that the pacing of the book – particularly in the latter half – is a bit like taking in the world through the window of a speeding train. Of the two most important characters, this is particularly true of the experience of Prince Andrew, whose major moments are “blink and you’ll miss them.” Pierre’s arc seems to be covered in greater detail, though still at breakneck pacing.

Given all that, many people will say to themselves: “Realistically, I am never going to read a 1000+ page novel about the experience of Russian aristocratic families leading up to and during the Napoleonic French invasion, even if it has love triangles, conniving inheritance disputes, and plenty of good ole family dysfunction.” The early part of the book is mostly rich people sitting around at soirees discussing war (in peace) as they live out their various familial and romantic dramas. If you’re that person, this graphic novel maybe the perfect solution for you, and I’d recommend it.

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BOOK REVIEW: Little Monsters, Vol. 1 by Jeff Lemire

Little Monsters, Vol. 1Little Monsters, Vol. 1 by Jeff Lemire
My rating: 4 of 5 stars

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Release Date: October 11, 2022

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It’s vampiric Lord of the Flies in a dystopian wasteland. Checks a lot of boxes. To begin on a positive note, I loved the character development in this book. Each of the kids is distinct and one rapidly develops an affinity for some of them and a distrust of others. Long story short, you want to know what happens to these kids, and why they’re in the situation in which they find themselves.

What I didn’t like is what I call the “resolution to hook” ratio. When something is written with serialization in mind, it’s a challenge to provide a satisfying story arc. There’s an incentive to end with a big hook, so as to draw readers farther down the line, and often the whole climax-resolution-conclusion bit is skipped or glossed over. Often, this leaves no (or a weak) resolution, such that reading the volume doesn’t scratch the itch that good stories do. Steamrolling through the end of the story arc to end on a cliffhanger may attract some continuing readers, but for those of us wary of the sunk cost fallacy (giving into an investment made with the assumption that it will eventually turn out positively,) it’s a sign to move on to the next story. (Lest one be Lost-ed – i.e. to be drawn in by a brilliant and inventive story only to see it become increasingly muddled, ultimately to end in a sad crash landing.)

The art is somewhat crudely rendered, but I suspect that was a conscious choice to achieve the desired atmospherics. And, I think it worked. The art clearly conveys the action.

If you have faith that you’ll eventually get that narrative itch scratched, you may want to check this one out. It does have a lot of potential. For my part, I’m once bitten, twice shy.


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BOOK REVIEW: Candide by Voltaire

CandideCandide by Voltaire
My rating: 5 of 5 stars

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Do we live in the best of all possible worlds? “Candide” attempts to wrestle with this question. The protagonist, Candide, is taught by his tutor – the renowned philosopher, Pangloss – that their’s is the best possible world. However, as the story unfolds as one bad turn of events after the next, it becomes harder to argue that there couldn’t be a better world.

Candide is forced to flee from his love (Cunegonda,) is conscripted into wartime military service, is arrested for heresy, becomes a serial killer, acquires and subsequently loses a fortune, is robbed, finds himself in the middle of war and other conflicts, and stumbles into and then flees what might be the closest his world has to a utopia, el Dorado. And, it could be argued, Candide gets off relatively easy. Cunegonda is raped, sliced open, and enslaved. Her brother, the Baron, is run through and is also enslaved. Pangloss gets syphilis, is hung, is partially dissected, and is enslaved, as well.

And yet, to the end, Pangloss retains his (and Liebniz’s) belief that they live in the best of all possible worlds. Candide (kind of) does as well, though at the book’s end he’s fatigued by the question and just wants to distract himself from it with some gardening. The degree to which Candide sticks to his guns is impressive, not only because of everything that goes wrong, but also because he gets a new mentor / friend, Martin, a mentor diametrically opposed to the views of Pangloss. Like Pangloss, Martin is also a philosopher, but Martin’s worldview is much less optimistic, but it also reflects the crucial idea that how bad or good the world is has more to do with one’s perception of it than the events that one experiences. (When Candide asks Martin who has it worse: one of the deposed kings they met or Candide, himself, Martin said he couldn’t know without experiencing what’s in the mind of each.)

Despite the steady flow of negative happenings, the book doesn’t definitively answer the thematic question. How could it? The most it can say is that we don’t live in the best of all imaginable worlds, but we can’t know whether those worlds we imagine are possible. For one thing, we are forced to recognize that humans are flawed and that nature is indifferent, and these factors might play a role in the variation between best imagined world and the world we know. For another thing, maybe we couldn’t handle a more perfect world. The old lady character asks the group whether all the trials they’ve collectively suffered are worse, or better, than sitting around doing nothing – as they happened to be [not] doing at that moment.

This book provides a thought-provoking journey, and it’s well worth reading.

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