BOOK REVIEW: Little Monsters, Vol. 1 by Jeff Lemire

Little Monsters, Vol. 1Little Monsters, Vol. 1 by Jeff Lemire
My rating: 4 of 5 stars

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Release Date: October 11, 2022

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It’s vampiric Lord of the Flies in a dystopian wasteland. Checks a lot of boxes. To begin on a positive note, I loved the character development in this book. Each of the kids is distinct and one rapidly develops an affinity for some of them and a distrust of others. Long story short, you want to know what happens to these kids, and why they’re in the situation in which they find themselves.

What I didn’t like is what I call the “resolution to hook” ratio. When something is written with serialization in mind, it’s a challenge to provide a satisfying story arc. There’s an incentive to end with a big hook, so as to draw readers farther down the line, and often the whole climax-resolution-conclusion bit is skipped or glossed over. Often, this leaves no (or a weak) resolution, such that reading the volume doesn’t scratch the itch that good stories do. Steamrolling through the end of the story arc to end on a cliffhanger may attract some continuing readers, but for those of us wary of the sunk cost fallacy (giving into an investment made with the assumption that it will eventually turn out positively,) it’s a sign to move on to the next story. (Lest one be Lost-ed – i.e. to be drawn in by a brilliant and inventive story only to see it become increasingly muddled, ultimately to end in a sad crash landing.)

The art is somewhat crudely rendered, but I suspect that was a conscious choice to achieve the desired atmospherics. And, I think it worked. The art clearly conveys the action.

If you have faith that you’ll eventually get that narrative itch scratched, you may want to check this one out. It does have a lot of potential. For my part, I’m once bitten, twice shy.


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BOOK REVIEW: Candide by Voltaire

CandideCandide by Voltaire
My rating: 5 of 5 stars

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Do we live in the best of all possible worlds? “Candide” attempts to wrestle with this question. The protagonist, Candide, is taught by his tutor – the renowned philosopher, Pangloss – that their’s is the best possible world. However, as the story unfolds as one bad turn of events after the next, it becomes harder to argue that there couldn’t be a better world.

Candide is forced to flee from his love (Cunegonda,) is conscripted into wartime military service, is arrested for heresy, becomes a serial killer, acquires and subsequently loses a fortune, is robbed, finds himself in the middle of war and other conflicts, and stumbles into and then flees what might be the closest his world has to a utopia, el Dorado. And, it could be argued, Candide gets off relatively easy. Cunegonda is raped, sliced open, and enslaved. Her brother, the Baron, is run through and is also enslaved. Pangloss gets syphilis, is hung, is partially dissected, and is enslaved, as well.

And yet, to the end, Pangloss retains his (and Liebniz’s) belief that they live in the best of all possible worlds. Candide (kind of) does as well, though at the book’s end he’s fatigued by the question and just wants to distract himself from it with some gardening. The degree to which Candide sticks to his guns is impressive, not only because of everything that goes wrong, but also because he gets a new mentor / friend, Martin, a mentor diametrically opposed to the views of Pangloss. Like Pangloss, Martin is also a philosopher, but Martin’s worldview is much less optimistic, but it also reflects the crucial idea that how bad or good the world is has more to do with one’s perception of it than the events that one experiences. (When Candide asks Martin who has it worse: one of the deposed kings they met or Candide, himself, Martin said he couldn’t know without experiencing what’s in the mind of each.)

Despite the steady flow of negative happenings, the book doesn’t definitively answer the thematic question. How could it? The most it can say is that we don’t live in the best of all imaginable worlds, but we can’t know whether those worlds we imagine are possible. For one thing, we are forced to recognize that humans are flawed and that nature is indifferent, and these factors might play a role in the variation between best imagined world and the world we know. For another thing, maybe we couldn’t handle a more perfect world. The old lady character asks the group whether all the trials they’ve collectively suffered are worse, or better, than sitting around doing nothing – as they happened to be [not] doing at that moment.

This book provides a thought-provoking journey, and it’s well worth reading.

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BOOK REVIEW: Follow Me Down: A Reckless Book by Ed Brubaker

Follow Me Down: A Reckless Book Vol. 5Follow Me Down: A Reckless Book Vol. 5 by Ed Brubaker
My rating: 5 of 5 stars

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Release Date: October 18, 2022

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This hard-boiled crime graphic novel is a gritty PI story turned grittier revenge journey. In the manner of Hollywood films, it’s over-the-top in places, but it’s also a visceral and (at times) touching story. (Perhaps, because the pacing and drama of the love story are more realistic than the depictions of action – which isn’t a criticism. The book knows what it is, given the almost camp tone of a lead with the surname “Reckless.”) The protagonist, Ethan Reckless, is hired to track down a missing young woman. Ethan isn’t a PI but engages in “problem-solving” activities – often of a legally questionable variety. Finding the girl draws him into a greater mission.

I think pacing is what this book does so masterfully, such that even though the lead character may be a functional psychopath there’s a strong emotional resonance to the story.

This is supposedly the last volume in the “Reckless” series (volume #5,) and I love that it functions so well as a standalone story. If you enjoy crime stories, this one is worth looking into.

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BOOK REVIEW: Step by Bloody Step, Vol. 1 by Simon Spurrier

Step By Bloody StepStep By Bloody Step by Simon Spurrier
My rating: 4 of 5 stars

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Release date: August 30, 2022

This is the story of a young girl who goes on journey through a wondrous – and often perilous – exotic land with only the company of her giant knightly protector. The early part of the book involves this odd couple confronting various threats as they engage in their quest, but then they arrive in a fantastical realm, running up against their most dire threat yet — humanity.

This fantasy quest / adventure graphic novel is presented almost entirely without words. Each section is begun with a few poetically vague lines, but otherwise it’s entirely pictorial. The question is whether it works, or is like watching a movie with the sound and subtitles turned off – i.e. confusing and frustrating. The answer is complicated. For one thing, the part of the book where it’s just the girl and the giant works quite well because there aren’t a lot of characters to confuse or complex actions to grasp. However, this limits the story to a series of random unfortunate events. From the part where they arrive at civilization, it becomes less easily comprehended. There’s a lot of potential for: “Who is that, and why are they doing that?” And the conclusion has some complex story elements that are hard to comprehend without textual cues.

For another thing, it really depends on how attached one is as a reader to grasping what the author intended. If one is highly attached, one will probably spend a fair amount of time flipping back and forth and it will become an exercise in frustration as one tries to decipher meaning. If you don’t have such hang-ups – i.e. you see the act of reading as interpretative and believe all you need to do is let your brain make sense of the story (as it might in a dream — ) then it can be great fun. I came down on the latter side.

The artwork is imaginative and the “reading” process fascinating. If you’re game for a wordless story, you may want to check this one out.


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BOOK REVIEW: Trapped on Zarkass by Yann

Trapped on ZarkassTrapped on Zarkass by Yann
My rating: 4 of 5 stars

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Release date: October 11, 2022

This odd-couple quest story contextually resembles the movie Avatar, which is to say it involves an Earth-colonized exotic planet that has an intelligent – if primitive – indigenous lifeform. That said, neither the story nor the visuals are reminiscent of Avatar.

The story is about a pair of women who are tasked with tracking down a crashed enemy spacecraft in the remote jungles of the planet Zarkass, and returning with samples and intel about it. Because of treaties, the pair must operate undercover, assisted by a group of locals who are kept from the truth of the mission. One of the “agents” is a sweet, sensitive young woman who is pretending to do research as an expert on butterflies, and the other is a gruff, red-neck-ish drug dealer who’s released from prison to be the first woman’s guide and protector. The downed aircraft is a triangular spaceship that outmatches the Earthling craft, and the colonizers want metal samples to discover why their missiles glance off.

I enjoyed the story and found the world-building to be brilliantly imaginative [it’s outlandish, scientifically speaking, but creative.] As per the odd-couple norm, these two very different women slowly and begrudgingly develop respect and concern for each other by surviving numerous trials by fire together. Furthermore, in the end, it seems like they’ve developed a similar begrudging connection with the indigenous species that they did for each other. Even the main characters look down on the indigenous population throughout the book, but there seems to be a change. If you’re put off by nudity and near nudity of a gratuitous nature, the book does have it in spades.

If you like sci-fi adventures set on exotic worlds, you might want to give this one a look.


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BOOK REVIEW: Dwellers by Eliza Victoria

Dwellers: A Novel: Winner of the Philippine National Book AwardDwellers: A Novel: Winner of the Philippine National Book Award by Eliza Victoria
My rating: 5 of 5 stars

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Release Date: August 16, 2022

This well-crafted tragedy features a form of magic handed down within a family that allows one to shift one’s consciousness into to the body of another, though this bodily colonization kills the original owner. While it might seem like just another sci-fi / fantasy plot device designed to make for an interesting adventure, the book conveys lessons about the discontentment and the inability to escape oneself. It’s also worth noting that despite its speculative fiction / fantasy gimmickry, the story is also a taut drama of family dysfunction.

The narrative isn’t linear, and this allows the story to begin in medias res, with the protagonist / narrator finding himself in the fire after having leapt from the proverbial frying pan. Two crucial mysteries are solved over the course of the book. The first mystery is why two young men would jump into new bodies, apparently with such urgency as to not realize the bodies they were taking possession of belonged to people whose lives were a horrifying mess. The other mystery is why those lives were such a mess in the first place.

I found this story intriguing and it kept me reading with an interest in discovering the base truth. The book’s beginning is a bit disorienting because all one knows is that the two characters living in the house aren’t it’s rightful owners, but rather mental settlers of unknown identity who’ve taken possession of the occupants’ bodies, and — speaking of bodies – there’s a mystery corpse in the basement freezer. The body in the freezer is both an excellent hook, and also the means to create a pause in any reader who might tend to think, “if I could, I’d definitely change bodies.” Despite the nonlinearity and the snarl of characters within the bodies of other characters, the book is readable; i.e. it’s not as challenging to follow the thread of plot as it often is in books with such narrative complications.

If you enjoy philosophical speculative fiction, this book is well worth looking into.

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BOOK REVIEW: Black Water Lilies by Michel Bussi; Adapted by Fred Duval

Black Water LiliesBlack Water Lilies by Fred Duval
My rating: 5 of 5 stars

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Release date: October 11, 2022

This is a murder mystery novel by Michel Bussi adapted into a graphic novel. It’s a bold move to transform it into a graphic novel because the story is so setting-dependent, that setting being the timeless tourist village of Giverny in France, a village that served as the model for many of the paintings of Monet. That said, the book worked for me. I found it engrossing from cover to cover.

A trio of police detectives arrives in Giverny to investigate the death of a man who was stabbed and subsequently bludgeoned, his corpse found in a picturesque stream. So, one has this small town where everyone knows everyone else — and the secrets and the rumors, except these outsider detectives who must learn what they can from questioning locals who are used to keeping things to themselves. The detectives aren’t even clear about whether the victim was done in by his womanizing, his attempts to acquire rare paintings, or some unknown cause. Therefore, they have to purse multiple lines of investigation at the same time.

I found the story to be well-crafted in terms of how information is concealed and revealed and how the loose-ends and anomalies are tied up in the end. The art is beautiful and green, and captures the scenic appeal of Giverny. Though I should note that I don’t read many mysteries and those who do and who have intense attention to detail might find problems that I missed altogether.

I’d highly recommend book. Those with an interest in art will find the book particularly intriguing.


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BOOK REVIEW: God Bless You, Mr. Rosewater by Kurt Vonnegut

God Bless You, Mr. RosewaterGod Bless You, Mr. Rosewater by Kurt Vonnegut Jr.
My rating: 5 of 5 stars

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This novel presents a satire of American socio-economic existence. It spends much of its time poking fun at old money folk (trust fund kids, as they’d be called today,) but the book has plenty of barbs to go around. The story centers on Eliot Rosewater, the head of the Rosewater Foundation, the charitable arm of an old money robber-baron kind of family corporation. Eliot is cut from different cloth, however. He’s in love with the work-a-day blue collar American, and does everything in his power to eliminate his separation from such people, including obsessively working with volunteer fire departments, setting up his foundation in his hometown (Rosewater, Indiana,) and making the Foundation an extremely personal organization that gives what would today be called micro-grants to ordinary citizens for ordinary uses.

Opposing Eliot Rosewater is a lawyer named Norman Mushari who’s made it his mission in life to have Eliot proven insane so that he can have the Rosewater Foundation fortune shifted to Fred Rosewater (of the middle-class Rhode Island Rosewaters.) The challenge is knowing whether Eliot is truly insane or not, even Eliot, himself, doesn’t always seem clear on the matter. For many, such as Mushari, just the fact that Eliot is acting in opposition to the societal norm (e.g. setting up in Rosewater, Indiana v. New York or Chicago and not making big grants to corporations and colossal NGO’s but rather giving a few hundred dollars at a time to residents of Rosewater) is proof enough. And, if Eliot is crazy, is it because there’s something wrong with him, or that there’s something wrong with the world.

This book is hilarious, and the last chapter leaves the reader with a great deal to mull over. I’d highly recommend this book for all fiction readers.


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BOOK REVIEW: A Short History of Tractors in Ukrainian by Marina Lewycka

A Short History of Tractors in UkrainianA Short History of Tractors in Ukrainian by Marina Lewycka
My rating: 5 of 5 stars

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This is a comedy of family dysfunction. The family consists of Cold War era immigrants to England from Ukraine. One adult daughter (Nadezhda) narrates the story, which about how her estranged relationship with her sister (Vera) is renewed through battle with a common enemy, Valentina, the gold-digging Ukrainian woman (younger than either sister) who’s moving in with the sisters’ eighty-four-year-old father.

There’re a few divides that generate the story’s tension. First, Vera grew up with war during her formative years, while Nadezhda was a child of the post-war peace. This informs how each sees the world and the other. Vera sees her younger sister as a naïve bleeding-heart socialist, while Nadezhda sees Vera as a cold and distrusting Thatcherite scoundrel. Second, there’s the chasm between established immigrant and new arrival, the former feeling that they kept their heads down, did the work, assimilated, and earned their status as citizens, while feeling someone like Valentina is tricking her way in and expecting to be handed all the perks of first-world living without working for them. Finally, there’s the gap between what a new immigrant expects life is like in a wealthy country, and what it’s actually like. Valentina has a television view of England that assumes the characters she sees are typical.

The story is funny, but occasionally poignant – e.g. as when we learn the family’s war-torn backstory or even when Valentina is shown in a more sympathetic light by our “bleeding-heart” narrator, who waivers between her family obligation self (who despises Valentina) and her socialist-feminist self (who empathizes with Valentina to some degree.)

I’d recommend this book for readers of literary fiction. It’s well-crafted and humorous. But it’s literary fiction, so if you need your characters likable and your plot strong, you may find it a bit dull.


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BOOK REVIEW: Doctor Strange: The Oath by Brian K. Vaughan

Doctor Strange: The OathDoctor Strange: The Oath by Brian K. Vaughan
My rating: 5 of 5 stars

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The story begins with Doctor Strange being hauled into the office of the “Night Nurse,” a doctor (misclassified because of Marvel’s great love of alliteration) who treats superheroes off the books and at all hours. Stephen Strange has been shot in the chest by a burglar, Brigand, who proves more capable than your average thief in the night. The drama is all over a potion. It turns out that said potion is intended to treat Wong (Strange’s valet, ally, and martial arts instructor) who is in advanced stages of cancer. However, there’s more to the potion than Strange realizes. This five-issue arc is a race against the clock to get the potion before Wong succumbs to his disease, but there are those who want nothing more than to keep the potion out of Strange’s hands.

Marvel fans will likely be familiar with the “Thanos was Right” movement, a group of fans who propose that in the last phase of the Marvel Cinematic Universe, Thanos wasn’t really a villain but was, rather, doing what needed to be done. This book plays similarly with ambiguity of villainy, asking the question “would a panacea really be good for mankind?” I enjoy such approaches to story in which its far from obvious who is right, making it completely believable that the story’s villain could see themselves as the hero (not to mention some of the readers seeing them that way.) Virtuous villains and heroes who make tragically bad decisions are one thing that Marvel does right both in the comics and the movies.

This book offers an intriguing story. It’s thought-provoking, though not the kind of trippy, surreal tale that many are looking for when they turn to Doctor Strange comics. It revisits Strange’s origin story, but just in enough detail to provide backstory for an important character. It’s a must-read for fans of Doctor Strange.


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