Tag Archives: Eastern Philosophy

BOOK: “Understanding Eastern Philosophy” by Ray Billington

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Understanding Eastern PhilosophyUnderstanding Eastern Philosophy by Ray Billington
My rating: 4 of 5 stars

Publisher Site — Taylor & Francis

This book does a solid job for one that bites off so much in a single go. Eastern Philosophy is a large subject, and to try to outline the major premises of its varied systems and also compare them to Western / Abrahamic notions (when Western schools are sometimes no more different from Eastern schools than each side is within,) and to do so in under two-hundred pages is a daunting undertaking.

For the most part, I felt the book did a fine job of meeting its objective. A fair amount of selection and simplification is required. I will say the part describing karmic doctrine didn’t seem consistent with what I was taught and seems more in line with the early Western scholars who started writing about Eastern Philosophy but could not help but couch the subject in a Western / Abrahamic frame because it was what they knew and was invisible to them. I say this as one who is no big fan of Karmic philosophy, though for another reason (one which is also mentioned in this book.) I’ve always been told that the central idea is to do selfless acts in order to escape the karmic cycle. Billington, like others before him, states it as do “good deeds” and then he puts forth the critique that this won’t help because doing good for one’s own benefit is fraught with peril. My understanding from Sanskrit scholars is: first, Hindu philosophers were aware of this paradox from the beginning and that’s why the emphasis has always been on “selfless” acts; second, the Abrahamic bifurcation of all actions into good and evil is not so much a thing in Hindu thinking (most actions are inherently neither.) I should point out that there is a lot of internal conflict within these philosophies (e.g. differences between Buddhist and Hindu thoughts on Karma) and that Billington does elsewhere reflect on the differences between Eastern and Western thinking about good and evil.

The first two-thirds of the book is organized by schools of thought (beginning with the Indian ones and working toward Chinese / East Asian schools) and the last third deals with a series of fundamental philosophical questions.

If you want a quick outline of Eastern philosophical ideas, this book gives a good look at them, particularly if one is interested in a comparison to Western ideas. The book also spends a fair amount of time in discussion of what a religion is and how one differs from a philosophy.

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BOOKS: “Shaolin: How to win without fighting” by Bernhard Moestl

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Shaolin: How to win without fightingShaolin: How to win without fighting by Bernhard Moestl
My rating: 4 of 5 stars

Publisher Site

This is a self-help book that nominally draws on the philosophy of Shaolin Kung fu and its Chan Buddhist underpinnings, but – more broadly – employs quotes and examples from many, mostly Eastern, sources. For example, the ideas and stories of Miyamoto Musashi are perhaps as common as any source (Musashi was Japanese, not Chinese, and was not noted for being Buddhist. In his own words, he respected the gods and buddhas, but didn’t expect their help.)

The book offers a fine discussion of Eastern philosophic thought in action, particularly that which arose from warrior sources, but it isn’t particularly ground-breaking in any way. For those who like homework, the book does include many exercises to make the reading a more interactive experience.

I enjoyed reading this book well enough, but it didn’t distinguish itself and will soon fall into the mind-space of a fuzzy amalgamation of similar books I’ve read over the years.

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BOOKS: “Zen and the Ways” by Trevor Leggett

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Zen and the WaysZen and the Ways by Trevor Leggett
My rating: 5 of 5 stars

Open Library Page

This book is the most densely populated with interesting insights that I’ve read in some time. It’s not new, being first published in 1978, but it takes a variety of approaches to give the reader a better understanding of Zen and the application of Zen mind to martial arts and other activities that found benefit in stillness and clarity. By “the Ways,” Leggett is referring to those arts and activities benefiting from Zen, which include: tea ceremony, flower arranging, painting, poetry writing, and all manner of martial arts. [Often represented by ending “do” in Japanese.] (The latter are dealt with most extensively, but not exclusively.)

The book is arranged in six parts, the first half of which focus mostly upon Zen Buddhism and, particularly, the Kamakura school that found a huge following among warriors and other artists. Those first three chapters take a big to small approach, examining Zen from ever finer levels of detail, starting with an introduction to Zen Buddhism broadly, moving on to the Kamakura developments, and then finally focusing on one particular practice — that of Koans (stories that present riddles which the student can only “solve” in a non-intellectual fashion.)

The second half of the book investigates the ways Zen has been applied to various arts. This is where one sees the varied approaches used to explore the confluence of Zen and artistry. Part Four consists of a series of essays explaining concepts such as ri (universal truth) and ji (formal technique,) ki (vital energy,) and isshin (single-heartedness) / zanshin (lingering awareness.) Part Five consists of historic martial arts scrolls and excerpts, including Yagyu Munenori’s Art of War and Chozan Shisai’s “Tengu’s Guide to the Martial Arts.” The final part consists of stories that illustrate crucial ideas in a readable and memorable fashion.

I was extremely pleased to stumble across a copy of this book in a second-hand bookshop. I’d long ago heard a fascinating story about murders in Edo era Japan of high-level martial artists, all killed in the same manner. They never found the killer, but they figured out how the murders were done easily enough. The killer exploited his knowledge of that school’s techniques to lay a fake that exploited their own technique to create an opening. It’s a cautionary tale that drilling muscle memory is not the end-all be-all of martial arts, and that it can create its own problems. At any rate, I’d never been able to find the source… until now. There is a detailed discussion of it in this book.

For readers interested in how state of mind influences artistic performance, I’d highly recommend this book.

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