BOOK REVIEW: Lysis by Plato

LysisLysis by Plato
My rating: 5 of 5 stars

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This early Socratic dialogue addresses friendship and love — philia to the Greeks. In it, Socrates questions Lysis and Menexenus (two young friends) on the basis of friendship, whether it can be unrequited, and whether like or different individuals are better matched. The interrogation of Lysis illuminates Socrates view of the basis of friendship, wisdom. He questions Lysis about those things the boy’s parents won’t allow him to do, and those things for which they’d seek him out, ultimately suggesting that one’s wisdom is what attracts others to one, as friend or otherwise.

Later, Socrates questions Menexenus about whether the good befriend the good or are better suited to befriend the neutral individual. [The presumption that the bad are friends to no one takes them out all equations.] Socrates, with Menexenus’ consent, briefly concludes that friendships develop best between good and neutral individuals, but the dialogue ends with Socrates being skeptical of his own conclusion – perhaps feeling the weight of problems that a listener might contemplate (e.g. the idea that there are good, bad, and neutral people – rather than all of us being a melting pot of good, bad, and ugly.)

It’s not dissatisfying that the dialogue ends without an answer. Its value lies in triggering readers to contemplate the question. For my part, I considered the poor analogy between how people view relationships between doctor and patient, versus between friend and friend. The doctor isn’t put off by a patient seeking a practical benefit from them (improved health,) but many a friendship has died from one side seeking personal gains. [And yet, I still draw no conclusion because clearly there is some benefit each half of a friendship perceives, if not one as coldly rational a Socrates describes.)

This dialogue is worth a read to trigger contemplation of friendship.

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BOOK REVIEW: Jesus: A Very Short Introduction by Richard Bauckham

Jesus: A Very Short IntroductionJesus: A Very Short Introduction by Richard Bauckham
My rating: 4 of 5 stars

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This book explores the life of Jesus, the historical context of that life, his approach to teaching, the nature of his identity, the story of his death, and concludes with the origins of Christianity. The book rests on a couple of controversial ideas, the most influential of which is that the four gospels of the New Testament are valid historical sources and that they’re more useful than competing sources (e.g. the Gnostic Gospels.) Rather than asking the reader to take this as a given, Bauckham does present his argument in the second chapter.

I found this book to be intriguing and worth reading – surprisingly, once I realized it was written by a theologian, and not a Religious Studies scholar or historian. (Theologians have skin in the game of religious teachings, whereas Religious Studies scholars and historians are expected to be more objective with regards to religious claims.) It’s telling that I didn’t realize Bauckham was a theologian right away; he does generally present the material with the dispassionate objectivity of a scholar. However, eventually, he slips into the proclivities of a theologian, such as the stance that in the absence of strong evidence either way one might as well accept the truth of religious teachings. Also, he gives Jesus a free ride on shady behavior (as when Jesus compares a Gentile to a dog – which Bauckham calls “almost rudely negative” before rationalizing away said negativity.)

For me, the discussion of Jesus’s teaching style (Ch.5) was the book’s strongpoint. That chapter shows the reader how Jesus became such a big deal. Believer or not, one will come away impressed with Jesus as a teacher.

If one is looking for a book that considers the gamut of views about Jesus, this isn’t the book you’re looking for – e.g. Chapter 6 on Jesus’s identity doesn’t give time to the view that he was just a smooth-talking preacher whose followers likely absconded with his body – let alone that he was a fiction. That said, there is a great deal of interest in the book, and I found it well worth reading.

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BOOK REVIEW: A Natural History of the Future by Rob Dunn

A Natural History of the Future: What the Laws of Biology Tell Us about the Destiny of the Human SpeciesA Natural History of the Future: What the Laws of Biology Tell Us about the Destiny of the Human Species by Rob Dunn
My rating: 5 of 5 stars

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Out: November 9, 2021

Maybe you’ve seen “Save the Humans” bumper stickers. They came about due to twin realizations. First, the desire to save whales proved too remote to spur humanity into better behavior. Second, the sci-fi subtext that humans don’t need other species and that we can survive any form of cataclysm [including those that kill off everything else] is wrong on both counts.

Dunn’s book explores what changes Earth’s lifeforms can expect of the future. As one might expect, these changes are heavily influenced by climate change, but Dunn also looks at the effect of other factors – notably the growing resistances that results from heavy use of biocides (e.g. pesticides, antibiotics, etc.)

Dunn investigates the effect of islands on evolution and speciation, and goes on to show that not all islands are surrounded by water. (By geographic definition they may be, but in terms of constraints that restrict the movement, interactions, and well-being of lifeforms there are many besides water.) This is important because climate change will drive species to attempt migration to areas that present the conditions to which the species is evolutionarily adapted. Some will fail and may go extinct. Some will succeed, but will upset the ecological applecart of the location into which they’ve moved.

Chapter nine discusses a crucial principle: being able to break a thing doesn’t mean one can readily fix it. Dunn describes plans to use robotic drones to replace the extinct bee pollinators that play a crucial role in our ecosystem, as well as the ways the drones are likely to fail to live up to their predecessors.

I found this book to be immensely thought-provoking. One can argue whether the author is too gloomy about human future (“human future” because Dunn is clear that life on the planet will go on), but it’s impossible to ignore that challenges exist.

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BOOK REVIEW: Phaedrus by Plato

PhaedrusPhaedrus by Plato
My rating: 5 of 5 stars

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“Phaedrus” is one of the middle Socratic dialogues of Plato (experts propose that the middle dialogues increasingly contain Plato’s own ideas [versus those of Socrates, himself.]) The subject of the dialogue is love and whether it is worth pursuing. Phaedrus has a speech by Lysias that he’s is quite excited about, one which claims that it’s better to have a “platonic” relationship than a loving one. As Phaedrus and Socrates walk, they debate about the speech. Phaedrus presses Socrates to deliver his own speech on the subject. Socrates delivers two; the first aligns with Lysias’ view and the second takes the opposing side.

Socrates concludes that, while love is a form of madness, it’s not the madness of human infirmity. Instead, it’s a form of divine madness, and – as such – should not be poo-poo’d too quickly. Socrates proposes that there are four varieties of divine madness (theia mania): prophetic, ritual, poetic, and erotic, and – of these – the latter is best and (again) shouldn’t be dismissed lightly.

After Socrates’ second speech and conversation that summarizes and clarifies it, the philosopher discusses how one can be led astray by elegantly formulated words, and how a philosopher should evaluate what is said to determine whether the speaker is wise or whether he (or she) just sounds sage by virtue of his (/her) poeticism.

While this dialogue can be a bit ethereal and mystic for my taste, it has some fascinating things to say. While I don’t necessarily believe in the “divine” part of divine madness, I do see that there are some people who are able to become unyoked from custom and convention, and to do so in a way that is not anxiety-riddled. I think this is a useful state to understand, and this dialogue is an excellent place to start.

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BOOK REVIEW: Selected Poems by John Keats

Selected Poems (Macmillan Collector's Library Book 189)Selected Poems by John Keats
My rating: 5 of 5 stars

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This collection of sixty-one poems from the early 19th century British Romantic poet contains a diverse cross-section of poems. While 61 poems might not seem like a substantial selection by today’s standards, this volume includes several long form poems such a “Lamia,” “Hyperion,” and a long excerpt from “Endymion.” It includes all of Keats’ most popular and anthologized works, including: “Ode to a Grecian Urn,” “To Sleep,” “Bright Star…,” “To Autumn,” and “Ode to a Nightingale.” Among the works included are short, medium, and long poems; rhymed verse and blank verse; sonnets and ballads; love poems, nature poems, Greek Mythological fan fiction [in verse,] and homages to important influences — e.g. Shakespeare.

Keats died at 25, making it all the more impressive that he had a body of work from which such a fine selection could be pulled. His imagery is vivid, and his lyricism is musical. I’d highly recommend this collection as an excellent overview of Keats’ poetry.


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BOOK REVIEW: Breathe by Rickson Gracie

Breathe: A Life in FlowBreathe: A Life in Flow by Rickson Gracie
My rating: 5 of 5 stars

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Out: August 10, 2021

This autobiography of the phenomenal Brazilian Ju Jutsu practitioner, Rickson Gracie, begins with ancestral origins that include a Gracie who fought in the US Civil War through Rickson’s boyhood in Rio and his professional fights in Japan, and onward to how he reinvented himself after family tragedy and the end of his fight career. Along the way, he conveys lessons learned not only through personal experience and from his father and uncle, the founders of Gracie Ju Jutsu, but also through his studies with Olando Cani — a yogi and developer of bioginastica. While the book is overwhelmingly about a life in Ju Jutsu, Cani’s influence plays a crucial role as the yogi taught Rickson about breath control, and, among a huge pack of skilled Gracie fighters, that ability was pivotal in Rickson’s rise to the top. (The book’s title, “Breathe,” hints at the role breathwork played in Rickson Gracie’s legendary capacities for enduring, flowing, and keeping his head in seemingly unfavorable situations.)

The memoir is candid, offering insights into not only Rickson’s path to success, but also his failings (which, not unexpectedly given his single-minded obsession with Ju Jutsu and fitness, more often involved life as an impetuous youth, as a father, and as a person – generally – than it did his life on the mat.) The book also explores some of the fissures in the Gracie clan and how they grew under the pressure of the family’s mammoth success. With autobiographies, it’s always a challenge to know how true a picture one is getting, but Gracie’s willingness to self-critique makes this book feel truthful.

This book is fascinating and highly engaging. If you’re interested in martial arts, it’s a no-brainer for one’s reading list, but any reader who enjoys a memoir of a life intensely lived will find the book highly readable.

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BOOK REVIEW: The Good Man Jesus and the Scoundrel Christ by Philip Pullman

The Good Man Jesus and the Scoundrel ChristThe Good Man Jesus and the Scoundrel Christ by Philip Pullman
My rating: 5 of 5 stars

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Pullman tells the story of Jesus’s life from manger birth to the birth of the religion that flowed from Jesus’s crucifixion, with two major deviations from the gospel accounts. First, in this book, Mary gave birth to twins: one healthy, disciplined, and charismatic [Jesus] and one stunted, bookish, and with grand designs [Christ.] Second, the book tells the story in a way which requires no miracles or magic.

The reason for complicating the story with twins is to be able to split apart two confounding entities. Jesus represents the traveling preacher that most people find appealing and admirable. He’s compassionate, non-judgmental, simple (in the sense of eschewing wealth and glory,) and is a great storyteller. Christ represents the path that Christianity would come follow — one of billionaire evangelists, manipulative missionaries, and the Spanish inquisition – as well as, less intentionally, the Crusades, witch hunts, and pedophilic priests. That said, “scoundrel” status is only realized at the story’s end when Christ plays the Biblical role of Judas. Even then, Christ is conflicted and thinks he’s acting in accord with the directions of an angel.

While most of the events described will be familiar (in some form) to those acquainted with the New Testament stories, there’s an ongoing sub-plot between Christ and “the stranger,” a mysterious character who has an interest in seeing Christianity blossom, if in its imperfect form.

This book is part of a series on mythology called the Canongate Myth Series that features numerous renowned authors.

I found this take on Jesus’s story to be compelling and thought-provoking. I’d highly recommend it, except for those who take their Bible stories very literally and get riled by such writings.

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BOOK REVIEW: Kafka: A Very Short Introduction by Ritchie Robertson

Kafka: A Very Short IntroductionKafka: A Very Short Introduction by Ritchie Robertson
My rating: 5 of 5 stars

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Kafka’s life story presents us with one of the greatest literary counterfactuals: What if Kafka’s friend, Max Brod, had honored the writer’s deathbed wish to burn his novels and other unpublished works? After all, Kafka had an outsized influence on modern literature; “The Trial” and “The Metamorphosis” alone have had profound reverberations across the world of literature. It’s with this hook that we are pulled into Kafka’s short, tragic, but brilliant life.

This book presents sketches of both the life and the body of work of Kafka, but subsequent chapters apply three different lenses to Kafka’s canon. The first of these is the body. It’s easy to see this theme’s influence in “The Metamorphosis” (in which the protagonist wakes up to find he’s a huge bug,) but Robertson shows us how the body cuts through other works and was influenced by skinny Kafka’s turbulent relations with his imposing father as well as by his difficulties in intimate relationships.

The second lens is institutions. Again, one of Kafka’s more famous works springs to mind, “The Trial,” but we also see that this, too, is a recurring theme — not only with respect to government / bureaucratic institutions (e.g. “In the Penal Colony”) but otherwise, as well. The final lens is religion and secularity. Kafka was living in the wake of Nietzsche and other nihilist and existentialists, and the atheist worldview was coming to dominate among the erudite segment of society. But Kafka straddled a line; the spiritual had appeal for him, but his life felt governed by nihilistic patterns.

I learned a great deal from this book. I think it offers important insight into Kafka and his writings.

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BOOK REVIEW: Hippias Major [a.k.a. Greater Hippias] by Plato

Hippias MajorHippias Major by Plato
My rating: 5 of 5 stars

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Socrates questions the arrogant sophist, Hippias, about the nature of beauty. The dialogue begins, as do most, with a meeting and pleasantries. This involves Socrates’ seemingly sarcastic praise of Hippias (we’re given no indication that Hippias sees the sarcasm, but – given the degree to which the sophist is in love with himself – that’s no surprise.) It’s possible Socrates is being sincere, but given the views attributed to him elsewhere, it seems uncharacteristic that Socrates should truly think Hippias wise because the sophist rakes in cash for making eloquent speeches.

The dialogue plays out with Hippias offering a range of unacceptable “definitions” of beauty. Hippias first presents a set of examples of things which are beautiful. This, of course, is unacceptable because if there is some common property of these varied entities, Socrates believes that property should be definable such that a person could see how the trait applies to other things. There are a series of other false starts involving goldenness, goodness, usefulness, popular agreement about what is beautiful, and a combination or two of the aforementioned.

Finally, Socrates suggests a definition of that which is pleasing to the eyes or to the ears. The discussion peters out after this definition is shown to be incomplete because pleasantness to eyes and to ears still begs the need of a common characteristic, as well as the fact that there are many concepts that are called beautiful that aren’t sensory experiences at all (e.g. a beautiful idea.)

This dialogue is more satisfying than Lesser Hippias, but is by no means one of the best. However, it does encourage thought about beauty, as well as about how both members of a set can have a characteristic that each does not have individually. If you’re interested in aesthetics, check it out.

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BOOK REVIEW: Laches by Plato

LachesLaches by Plato
My rating: 5 of 5 stars

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Project Gutenberg

This early Socratic dialogue asks, “what is courage?” Two older gentlemen, Lysimachus and Melesias, regret that they never had their mettle tested. The seniors ask two younger men who’ve served in battle, Nicias and Laches, whether the elder men should have their sons learn the art of fighting in armor to build courage in the young men. Nicias and Laches suggest that Socrates, who showed great valor in battle, should be asked the question.

Lysimachus believes this to be a good idea because then they have a tie-breaker if the two disagree. However, Socrates leads Lysimachus to understand the folly of this approach. What if the dissenter is the only one who truly knows what courage is and how it can be pursued? Socrates admits he has no great expertise in the matter, but is willing to help determine whether Nicias or Laches is more qualified to answer the question.

Laches goes first and defines courageousness as standing one’s ground in battle. However, under Socrates’ interrogation, Laches has to admit that a man who stays in place foolishly can’t be thought more courageous than one who fights in strategic retreat.

Nicias presents a definition that is more nuanced. Nicias says that courage is knowledge of what is fearful and what is hopeful. One might expect this to please Socrates because the philosopher famously believed that ethical behavior sprang from knowing – i.e. if a man knew what was right, he would act virtuously. However, as Socrates questions Nicias a couple issues become apparent. First, Nicias admits that the courageous person must know what is fearful and hopeful in the future as well as present (and who knows that?) Second, Nicias can’t really differentiate courage from virtue as a whole.

This brief dialogue is short, focused, and well worth reading.

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