My rating: 5 of 5 stars
Kafka’s life story presents us with one of the greatest literary counterfactuals: What if Kafka’s friend, Max Brod, had honored the writer’s deathbed wish to burn his novels and other unpublished works? After all, Kafka had an outsized influence on modern literature; “The Trial” and “The Metamorphosis” alone have had profound reverberations across the world of literature. It’s with this hook that we are pulled into Kafka’s short, tragic, but brilliant life.
This book presents sketches of both the life and the body of work of Kafka, but subsequent chapters apply three different lenses to Kafka’s canon. The first of these is the body. It’s easy to see this theme’s influence in “The Metamorphosis” (in which the protagonist wakes up to find he’s a huge bug,) but Robertson shows us how the body cuts through other works and was influenced by skinny Kafka’s turbulent relations with his imposing father as well as by his difficulties in intimate relationships.
The second lens is institutions. Again, one of Kafka’s more famous works springs to mind, “The Trial,” but we also see that this, too, is a recurring theme — not only with respect to government / bureaucratic institutions (e.g. “In the Penal Colony”) but otherwise, as well. The final lens is religion and secularity. Kafka was living in the wake of Nietzsche and other nihilist and existentialists, and the atheist worldview was coming to dominate among the erudite segment of society. But Kafka straddled a line; the spiritual had appeal for him, but his life felt governed by nihilistic patterns.
I learned a great deal from this book. I think it offers important insight into Kafka and his writings.
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