Chirp of an early cricket. Silence.
The lamp dies then flares up again.
Night must be raining outside the window:
plink, plink on the banana leaves.
Translation: Barnstone, Tony and Ping, Chou. 2005. The Anchor Book of Chinese Poetry: From Ancient to Contemporary. New York: Anchor Books.
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers; --
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.
Why fades a dream?
An iridescent ray
Flecked in between the tryst
Of night and day.
Why fades a dream? --
Of consciousness the shade
Wrought out by lack of light and made
Upon life's stream.
Why fades a dream?
That thought may thrive,
So fades the fleshless dream;
Lest men should learn to trust
The things that seem.
So fades a dream,
That living thought may grow
And like a waxing star-beam glow
Upon life's stream --
So fades a dream.
The splendour falls on castle walls
And snowy summits in old story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying,
On winding pool with willows dim,
At narrow strait the lovebirds swim.
Green duckweeds float,
Barring the lotus-picking boat.
Nor butterflies nor bees
Love fragrance from the withered trees.
When her red petals fall apart,
The lotus bloom 's bitter at heart.
The setting sun greets rising tide,
The floating clouds bring rain.
The swaying lotus seems to confide,
Her sorrow to the poet in vain.
Then she would not be wed to vernal breeze.
What could she do now autumn drives away wild geese?
Translation: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, p.226.
White in the moon the long road lies,
The moon stands blank above;
White in the moon the long road lies
That leads me from my love.
Still hangs the hedge without a gust,
Still, still the shadows stay:
My feet upon the moonlit dust
Pursue the ceaseless way.
The world is round, so travellers tell,
And straight though reach the track,
Trudge on, trudge on, 'twill all be well,
The way will guide one back.
But ere the circle homeward hies,
Far, far must it remove:
White in the moon the long road lies
That leads me from my love.
NOTE: This poem is sometimes titled by its first line or an abbreviated form, thereof. So, it’s sometimes called: “White in the Moon the Long Road Lies.”
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends --
It gives a lovely light!
In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter -- bitter," he answered;
"But I like it
"Because it is bitter,
"And because it is my heart."
Wavelet on wavelet glimmers by the shore;
Cloud on cloud dimly appears in the sky.
Unsaddled is my white-jadelike horse;
Drunk, asleep in the sweet grass I'll lie.
My horse's hoofs may break, I'm afraid,
The breeze-rippled brook paved by moonlit jade.
I tether my horse to a bough of green willow.
Near the bridge where I pillow
My head on arms and sleep till the cuckoo's song awakes
A spring daybreak.
Translation: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, p. 238
SPRING*
The spring sea;
gently, quietly,
all day long.
SUMMER
what a joy!
wading through summer rivers,
sandals in hand.
AUTUMN
vacant teahouse,
atop the mountain:
a harvest moon.
WINTER
neighbors detest me
for my whistling kettle:
a cold winter night.
* Translation by: Wilson, William Scott. 2023. A Beginner’s Guide to Japanese Haiku. Tuttle Publishing: North Clarendon, VT.
Tiger Riding for Beginners 