Above the blossoms sing the orioles:
Kuan kuan, their clear notes.
The girl with a face like jade
Strums to them on her lute.
Never does she tire of playing --
Youth is the time for tender thoughts.
When the flowers scatter and the birds fly off
Her tears will fall in the spring wind.
Translated of Burton Watson in: Cold Mountain: 100 poems by the T’ang poet Han-Shan, New York: Columbia University Press, p. 22
One may live a century --
Short span though it may be:
Joys are bitterly brief
And sorrows are many.
You may take a wine jug
On your wisteria rounds:
See flowers grow to the eves
As sparse rains wet the grounds.
And when the wine is gone,
One strolls with cane and croons.
We become wizened with age;
South Mount, fair through countless moons.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-third of the twenty-four poems. This poem’s Chinese title is 旷达, which has been translated as: “Illumed” [Giles,] “Big-hearted and Expansive [Barnstone and Ping,] “Expansive,” and “Open-minded.”
I
That is no country for old men. The young
In one another's arms, birds in the trees,
-- Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Write a letter to your 100-year-old self.
Dear Sir,
Of late, we find your kungfu lacks vigor and precision. We can no longer, in good conscience, keep you in the vanguard against invading Mongolian hordes.
Try to look on the bright side.
Sincerely,
Sumwun U. Yoostahno
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
Travels with Epicurus: A Journey to a Greek Island in Search of a Fulfilled Life by Daniel KleinAs far as life experiences, I find just about everything gets better with age. It’s probably to do with the dawning realization that most of the shit one has gotten worked up about over the years wasn’t worth it (as well as the realization that one has fewer years ahead than behind and so one had better get on with it in an aware kind of way.) As icing on the cake, I’m virtually certain to be long gone before the oceans boil or the robots rise up and massacre humanity.
If the question is what kind of things get better with age… certainly not french fries.
ripe grain turns gold, the year has matured like a person going gray
Our lives are blobs that melt away. You may not sense the drips. It happens slowly; you may never hear burbled blips. You may not feel that it's lighter, or that it's lost some girth. Because you've shed it gently each and every day since birth. And when you feel the withering, will you take it as loss? A good loss like becoming lean -- a skimming of the dross? Or like a vicious theft of the best parts of one's being: like time has grabbed the valuables and taken to fleeing? The melt will continue onward until there is no more. So, think yourself experience rich though you are time poor.
Introducing Epigenetics: A Graphic Guide by Cath Ennis
Tiger Riding for Beginners 