BOOK REVIEW: The Art of Living by Epictetus; ed. by Sharon Lebell

The Art of Living: The Classical Manual on Virtue, Happiness and EffectivenessThe Art of Living: The Classical Manual on Virtue, Happiness and Effectiveness by Epictetus
My rating: 4 of 5 stars

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This thin volume is packed with the wisdom of Epictetus. Epictetus was a freed slave who made a name for himself as a philosopher in Rome about a century after the birth of Christ. While small-s “stoic” conjures an image of a dour automaton, the Stoics were philosophers who believed [he oversimplified] that there’s nothing worth getting broken up about. If you can do something to influence the outcome of an event, you just need to pick the virtuous course. And if you can’t do anything about it, getting mopey is futile. In many ways, Stoicism is the Western philosophy that is most in-line with Eastern philosophies in that it emphasizes that your internal mental state is independent of what is happening outside you; so, if you can rule your mind you can find your bliss. Lebell, the editor of this volume, heavily accentuates that similarity.

When I called this thin, I didn’t mean “thin” as a derogatory comment. That said, this book is even thinner than it’s 113-page count would suggest because (as with most poetry collections) there’s a lot of white space left under a few lines of text. I actually think it’s kind of nice that the publisher didn’t do what is usually done with such short books, which is to pad them out with various unnecessary ancillary material. That said, if you can get the e-book, you’ll save some trees from dying for blank space. If they would have placed more than one maxim per page, it would probably have been cut to about 60pp.

I found this book to be well-written and nicely presented, and would recommend it for someone who wants a simple and concise overview of Stoicism.

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BOOK REVIEW: Much Ado About Nothing by William Shakespeare

Much Ado About NothingMuch Ado About Nothing by William Shakespeare
My rating: 5 of 5 stars

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[Spoiler-laden summary: To be fair, you’ve had almost 400 years to read it or watch it.] The “nothing” that there is much ado about in this play is the [non-existent] hanky-panky of Hero, daughter of Leonato and the female lead. As it happens, a couple young and studly bachelors (Claudio and Benedick) roll into town after valorous service in the war. This causes some angst in Don John, bastard (Shakespeare’s word, not mine) brother to the Prince of Arragon, because his stock just plummeted. Don John, thus, devises a plot exploiting one of his minions and one of Hero’s attendants to make it look like Hero is flirting about with a strange man. This is a problem because it’s 1623 and Claudio wants his bride to be able to wear white.

When Hero is accused by some credible [but misled] witnesses including her fiancé, Claudio, she passes out from incredulity. Claudio takes off without knowing her condition. A Friar with a devil on his shoulder suggests Leonato tell everyone that Hero’s heart gave out and she died. Friar Francis is one of a handful of steadfast fans of Hero (as well as her cousin and best-friend Beatrice and – by extension – the man courting Beatrice, Benedick – who’s not so much sure of Hero’s virtue as he is sure that Don John is a jerk.) Sad as it is, Hero’s father and her fiancé are ready to relegate her to skanks-town, but her smart-aleck bestie / cousin Beatrice and the priest each have her / his own idea of how things can be set straight. As mentioned, the friar thinks that if Claudio believes Hero died, the better angels of his nature will make him come and atone for his accusations. Beatrice’s approach is to whip Benedick into challenging Claudio to a dual. (Which Benedick is not keen on because he’s war buddies with Claudio, but he plays it strategically by giving Claudio an opportunity to do the right thing while still challenging him.)

This is one of Shakespeare’s comedies, and so in the end everything works out after the twists and turns. Unfortunately, things even work out for Don John – for the time being, at least. The bastard (Shakespeare’s word) goes on the lam knowing the jig is up on his plot. His man, Borachio, rolls on him, and with Hero “dead” things are about to get serious. So, if you were expecting the villain to get it Shylock-style, you’ll be sadly disappointed.

Of course, it’s brilliant; it’s William -frickin- Shakespeare.

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DAILY PHOTO: 3 Takes on the Mythical Merlion

Taken in October of 2016 in Singapore

BOOK REVIEW: Prana and Pranayama by Swami Niranjanananda Saraswati

Prana And PranayamaPrana And Pranayama by Swami Niranjananda
My rating: 5 of 5 stars

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This is the Bihar School of Yoga manual on pranayama, or yogic breathing exercises. The book is a one-stop reference for yoga students and teachers wishing to review the philosophy and physiology of breathing practices, as well as to put together lessons or a plan of action for practice that consists of both preparatory exercises and classical pranayama.

Students in the West may be more familiar with B.K.S. Iyengar’s “Light on Pranayama,” which offers a similar set of material and is this book’s main competitor for most readers. In my view, Swami Saraswati’s book is a bit more pragmatic and gets caught in the weeds less, but offers fewer detailed photos and is a little bit less precisely organized. If one is considering between the two books, I’d say the advantage of Iyengar is a 200-week course plan that some individuals may find a handy way to systematically advance their practice pranayama. The disadvantage of Iyengar is that he goes into vastly greater detail than most people will be able to take advantage of via book. (For example, there’s 22 pages of precise explanation of closing off one’s nostrils for digital pranayama.) In short, both books give the reader everything they’ll need in a pranayama reference, Swami Saraswati’s book is a bit more laid-back, and Iyengar’s a bit more oriented as a step-by-step instruction manual.

The twenty-one chapters of this book are organized into three parts, but we’ll call it four because the last part is divided in two sub-parts. The first part of the book is entitled, “Philosophy of Pranayama” and it dives into the definitions of prana, kosha (sheaths), chakra, nadi (channels), pranic fields, and discusses the connection between prana and chanting.

The second part of the book (ch. 8 – 13) explores the physiology of breath. This section explains the anatomy of the musculature that drives respiration (e.g. the diaphragm, intercostals, etc.), the processes of respiration and circulation, and the importance of the nose in breathing (which is more extensive than the average person could imagine.) This section also discusses the classical distinction between pranayama and rudimentary breath practices (i.e. whether there is breath retention, or kumbhaka), and has a separate chapter explaining retention. It also has a couple chapters that present the research on the benefits and effects of pranayama practice. (Full-disclosure: this isn’t up-to-date in the edition I read, and that was the 2016 — first digital — edition. So, I wouldn’t go here looking for information on the state of research because there’s been a virtual explosion of research that’s more recent than what is covered in the book. However, it will give one a gist what has been known for a while.)

Part III consists of two sub-parts. The first is called “Pre-Pranayama” and it includes many exercises to help one become familiar with one’s breath as well as to develop the foundational breaths (e.g. abdominal / diaphragmatic verses chest breathing) that are built upon in the final section. Part III.B presents the classic pranayama. The four chapters of this section are conveniently organized into: guidelines for practice (e.g. contraindications and general concepts to keep in mind), nadi shodhana (alternate nostril breathing), tranquilizing / calming breaths, and vitalizing / excitatory breaths.

There are five appendices as well as a glossary and two indexes (an index of practices and a general index.) The five appendices provide instruction on practices that are employed in pranayama, but are not pranayama themselves. These include supplementary practices, asana (seated postures for doing pranayama more than asana for opening the rib-cage, etc.,) mudra (“seals” postures of specific body parts), and bandha (locks). The presence of the first four appendices mean that one doesn’t have to buy other books (e.g. the APMB) to access this information. The fifth appendix gathers the sutra from “Hatha Yoga Pradipika” that deal with pranayama and provide an English translation. (HYP is a 15th century manual of Hatha Yoga that is much more detailed than Patanjali’s sutras.) There are graphics throughout the book as needed to convey information, mostly line drawings.

I found this book very useful and well presented. If there is one change that would improve the book it would be less crow-barring of science and traditional / philosophical beliefs about the body to be consistent with one another. I see the value of presenting both sets of information as both this book and the Iyengar book do, but a muddle is created by trying to force the explanations into consistency when they aren’t. (I think this book does it a bit more than Iyengar, but only because Iyengar puts much less emphasis on science than does this one.) The problem is that one ends up with low-quality pseudo-science amid the strong studies, and most readers won’t be able to tell scientific consensus and from the lunatic fringe. (e.g. The belief that kirlian photography is evidence of pranic fields or qi is far from scientifically supported.) That said, for most practitioners it doesn’t much matter as it doesn’t affect the nature of the practices, which are sound and well-described.

If you’re looking for a pranayama reference, this is a great option.

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DAILY PHOTO: Mosque of Pasha Qasim

Taken in December of 2014 in Pécs

5 Winter Night Haiku


 
snowy woods
glows in the moonlight
fox tracks



silent hour
smoke, a farm nearby?
who knocks?



barren woods
morning light will pass through
night’s void



who huddles?
a roadside silhouette
hitcher? boulder?



cloud & moon
paint different homesteads
from same scene

POEM: Blemished

divoted wall

bullet-pocked in a war long past

blemishes kept in remembrance

when foul winds blow from the past

we’re reminded how imagined catastrophes steer history

DAILY PHOTO: St. Mary’s Minor Basilica

Taken on September 29, 2019 in Bangalore.

B941B8A2-BE9C-4838-B8BF-0E733859682E

 

DAILY PHOTO: Chicago River

Taken in August of 2018 in Chicago

DAILY PHOTO: The Road to Boris Yeltsin Peak

Taken in August of 2019 near Jeti Oguz