BOOKS: “DCeased” by Tom Taylor

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DCeasedDCeased by Tom Taylor
My rating: 5 of 5 stars

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It’s the zombie apocalypse in a world brimming with superheroes. Sort of. As is mentioned a couple of times throughout the story, it’s not really zombies as we know them, and there are a few crucial distinctions. But, basically, zombie apocalypse. What matters is that it is a threat that grows to inexorable proportions because it infects efficiently and spreads rapidly, and no one is immune. The threat is increasingly everyone and everywhere. The source is a viral bit of “programming” called the Anti-Life Equation.

This is about as dark as superhero comics get. The heroes that we are used to saving the day experience only victories of a short-lived and pyrrhic nature, while experiencing defeat after defeat. There are no ex machina saviors, at least not that amount to more than a blip in the scheme of things.

I found this story, depressing as it may be, to be intensely suspenseful. Full Disclosure: I also liked the Avengers “Infinity War” movie much more than “Endgame.” It’s not that I necessarily like seeing villains win, but that a story feels more compelling when there is strong and successful opposition and when costs accrue. And credible opposition and true stakes are often missing from superhero comic book stories.

I’d recommend this book for superhero comic book readers.

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“When I Was One-and-Twenty” by A.E. Housman [w/ Audio]

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When I was one-and-twenty
 I heard a wise man say,
 "Give crowns and pounds and guineas
 but not your heart away;
 Give pearls away and rubies
 but keep your fancy free."
 But I was one-and-twenty,
 No use to talk to me.

When I was one-and-twenty
 I heard him say again,
 "The heart out of the bosom
 Was never given in vain;
 'Tis paid with sighs a plenty
 And sold for endless rue."
 And I am two-and-twenty,
 And oh, 'tis true, 'tis true.

Steam Treatment [Haiku]

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the tree that reaches
 over the hot spring-fed pond
 thrives on steam treatment.

DAILY PHOTO: Scenes from Taroko Gorge

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Tunnel of Nine Turns
On the Shakadang Trail with the morning sun
The freakishly turquoise waters of Taroko Gorge
Shakadang Bridge

BOOKS: “Saga of the Swamp Thing: Book One” by Alan Moore

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Saga of the Swamp Thing, Book OneSaga of the Swamp Thing, Book One by Alan Moore
My rating: 5 of 5 stars

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This volume presents two separate and complete story arcs. The first features the Floronic Man (Jason Woodrue) as the main villain, and it deals heavily in the origins of Swamp Thing and the creature’s struggles to come to grips with who it is and why it experiences the world as it does. The second story makes a shift to a more supernatural threat and shows a Swamp Thing who is more comfortable in its… roots? twigs? foliage? — whatever Swamp Thing has in lieu of skin.

Alan Moore does his usual superb job of creating a clever and satisfying set of tales. Swamp Thing was groundbreaking in its cross-genre mélange of horror, supernatural, eco-fiction, and sci-fi. There is also a certain smartness about the comic. One is led to consider questions of consciousness and humanity’s role in nature through these stories. And solutions are rarely achieved by punching the villain into a stupor. This won’t be for everyone. In some ways, the comic elevates the wise old mentor to the role of hero.

I enjoyed reading this book and would highly recommend it for readers of comic books and graphic novels.

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Happy Hour [Lyric Poem]

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The valley stretches in such a way
 that it gets sun but one hour a day.
 That Happy Hour when the sun aligns
 upon dewy grass and deep green pines.
 The local villagers, they all know
 when they should come and when they should go.
 But that Happy Hour is not for either.
 It's to face the sun and take a breather.

“Invictus” by William Ernest Henley [w/ Audio]

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Out of the night that covers me,
 Black as the pit from pole to pole,
 I thank whatever gods may be
 For my unconquerable soul. 

In the fell clutch of circumstance
 I have not winced nor cried aloud.
 Under the bludgeonings of chance
 My head is bloody, but unbowed.

Beyond this place of wrath and tears
 Looms but the Horror of the shade,
 And yet the menace of the years
 Finds and shall find me unafraid.

It matters not how strait the gate,
 How charged with punishments the scroll,
 I am the master of my fate,
 I am the captain of my soul.

Fluid Stillness [Haiku]

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the flower bobs
 on its long, stiff stem.
 the sage is unmoved.

DAILY PHOTO: Love Signs, Kaohsiung

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BOOKS: “Silk Dragon II” ed. & trans. by Arthur Sze

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Silk Dragon: Translations from the Chinese (Kage-an Books)Silk Dragon: Translations from the Chinese by Arthur Sze
My rating: 5 of 5 stars

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Release Date: May 28, 2024

Let me begin with a note of clarification: The edition that I read was the “Silk Dragon II” collection, which is due out in May of 2024. I mention this because there is potential for confusion in that this book looks like a sequel (i.e. a completely new set of poems,) but really it is something between a new edition and a sequel. That is to say, while it has a substantial amount of new material, it is built on the original “Silk Dragon” volume. This edition adds eighteen new poem translations, most of which are from poets of the modern era (I mean that loosely, not technically, so 20th century onwards.) I’d recommend readers get this edition, but not both this and the original.

This collection includes a wide range of poems from ancient times through China’s various dynasties to the modern day. It includes translations that are extremely well-known, such as Li Bai’s “Drinking Alone with the Moon” and Liu Zongyuan’s “Snow on the River.” But it also includes many pieces that are likely to be new to most poetry readers, particularly given they will be reading translations (i.e. Non-specialists in Chinese poetry.) As mentioned, the bulk of the new poems are from recent decades and tend to be free verse. [Though there are four new classical poems, as well.]

I found the translations to be evocative and approachable. I am unable to comment on how well Sze captures the feel of the original, but I can say that the translations of poems I’m familiar with were at least on par with other translations that I’ve read. The translations don’t always display the sparseness one sees in classical Chinese poetry, but the challenge of conveying form and meaning and metaphor through translation is immense and, at some level, impossible.

I’d highly recommend this poetry collection for readers of poetry and translated literature.

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