Category Archives: Review

BOOK REVIEW: Norse Mythology by Neil Gaiman

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Norse MythologyNorse Mythology by Neil Gaiman
My rating: 5 of 5 stars

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This is the telling of a select group of Norse myths with the signature humor and down-to-earth prose of Neil Gaiman. It’s a fascinating collection of stories and is well-ordered so that the reader is often familiar with references to past events from earlier stories.

 

After an introduction that explains how Gaiman first became interested in Norse mythology both through the comics and then actual mythologies, there are a couple of chapters that largely provide background before delving into the chosen Norse myths in great detail. One of these chapters gives extended “bios”—if you will—for three of the most prominent characters: Odin, Thor, and Loki. Then there are a couple of chapters that both convey the timeline and of the spatial dimensions of the nine realms of the world the Norse created.

 

There is a brief story of how Odin lost his eye in the pursuit of wisdom that’s entitled “Mimir’s Head and Odin’s Eye.”

 

It’s from this point on that the stories are substantial and complete. The first of these stories is entitled “The Treasures of the Gods” and it’s about of how Loki created a competition among dwarf master craftsman. Loki does this in order to keep Thor from beating him with Mjöllnir after the god of mischief stole the hair of Thor’s wife, Sif (one of the items to be judged by the gods was stipulated to be a set of hair that would reattach and be as beautiful as Sif’s original hair.) The competition was Loki’s way of using a clever ploy to make the fix without it costing him anything and while at least sticking it to the dwarfs a little. The story is also well positioned as some of the items that are gifted to the gods in the competition are seen repeatedly in later stories. Loki creating mischief is a recurring theme not only in Norse mythology, but in this collection of myths specifically as they make for some particularly humorous tales.

 

“The Master Builder” is about a builder who shows up right as the Asgardians need a wall built. He claims that he can build it improbably quickly in exchange for the sun, the mood, and the hand of Freya (the most beautiful Norse goddess) in marriage. While all the other gods consider the price too high—not the least of whom being Freya—Loki convinces them that it’s an impossible task and that they can get free foundations if they give the builder a set timeline (a fraction of what he stated) and set another limitation or two. When they are on the verge of losing, the gods—suspecting the builder isn’t what he appears—agree to cheat.

 

“The Children of Loki” concerns a second family that Loki that is kept secret from the Asgardians. The three are an odd bunch: a girl who is half beauty / half corpse, the creature that becomes the Midgard serpent, and Fenrir wolf. Most of the story deals with the wolf child and the fact that they will only release the creature if they know that they can later bind it, but its strength is such that it seems to be able to break any binding. This story also explains why the Norse god Tyr has only one hand.

 

“Freya’s Unusual Wedding” This story revisits the idea of someone trying to negotiate Freya’s hand in marriage. Freya proves unwilling to take one for the team in order to fix the problems of other gods—in this case Thor’s hammer, Mjöllnir, has gone missing and the thief says he will give it back as a wedding gift. This time it is Heimdall—rather than Loki—who hatches a clever plot that will save the day.

 

“The Mead of Poets” This story revolves around a god of wisdom named Kvasir who comes into being after a strange treaty agreement between the Aesir and the Vanirs. Kvasir is killed and his blood is used to brew mead that is said to give imbibers the ability to write great poetry. This time it is Odin who saves the day and retrieves the mead. It also offers a humorous explanation of from whence bad poetry comes.

 

“Thor’s Journey to the Land of the Giants” Thor travels with Loki, and—eventually—with a bondservant named Thialfi (how Thialfi comes to be with them is part of a prank that Loki pulls that is explained at the story’s beginning.) The three were each subjected to a competition to see whether they were worthy, and it appears they weren’t.

 

“The Apples of Immortality” This is another tale that begins with a traveling trio including Thor and Loki. When Loki gets himself into hot water, he agrees to hand over the Apples of Immortality, which go hand-in-hand with the goddess who oversees them, Idunn. Without Idunn’s apples the Asgardian gods age and die like humans. Loki first has to hatch a plot to surrender Idunn, and then he’s forced by the angry and aging gods to carry out a plan to get her back.

 

“The Story of Gerd and Frey” This is a love story in which the god Frey (brother to the aforementioned Freya) is smitten with a woman named Gerd. Frey promises his magical sword, capable of defeating any attack, to his manservant in order for him to ask for Gerd’s hand.

 

“Hymir and Thor’s Fishing Expedition” Thor needs to borrow the huge mead cauldron of a giant to make a massive banquet happen. Thor goes on a fishing trip to help grease the wheel with the giant, who is very attached to the cauldron. Thor shows both his legendary strength and dimwittedness, but ultimately wins a bet that will grant him ownership of the cauldron.

 

“The Death of Balder” Balder is one of the most beloved Norse gods, and he dies as the result of one of Loki’s vicious mischiefs. To call it a prank would seem to trivialize it, but that seems to be how Loki views these acts. When the overseer of the underworld (where the dead who didn’t die gloriously in battle go), Hel, agrees that she will release Balder if all the creatures of the world agree that he was beloved, Loki outdoes himself.

 

“The Last Days of Loki” Adding insults (literally) to the injury of having been responsible for the death of Balder, Loki heads off into exile, but is pursued by the Asgardian gods.

 

“Ragnarok: The Final Destiny of the Gods” Here we have a description of how the Asgardian end of days is to play out. The Norse gods aren’t immortal, but Ragnarok is the end of a cycle, but not the end of all existence.

 

As I mentioned, the first couple chapters offer more backstory than the extensive myths through the rest of the book. This works well as it gives the reader the necessary background in a readable and palatable fashion. Another nice feature is a glossary that includes all the named characters and major places mentioned throughout the book. The section of mini-bios at the front only covers Odin, Thor, and Loki, and so it’s beneficial to have a list of all the various other gods–a number of whom (e.g. Freya, Frigg, Heimdall, Tyr, etc.) play major roles in one or more of the stories.

 

I’d highly recommend this book. It’s extremely readable, humorous, and educational to boot.

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BOOK REVIEW: Blood Meridian by Cormac McCarthy

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Blood Meridian, or the Evening Redness in the WestBlood Meridian, or the Evening Redness in the West by Cormac McCarthy
My rating: 5 of 5 stars

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There are no likable characters in this book, at least not ones that survive to a chapter’s end. There are, however, many enthralling characters. The book is set in the borderlands in the mid-19th century and it follows the exploits of a violence-prone teenage kid, called “the kid,” who ends up among his ilk in a band of men who are nominally hunting down violent Indian tribes for bounty, but which soon devolves into what it really is–a gang of outlaws.

 

While the kid is considered the lead because the story follows him from its beginning to its end, the most intriguing character is arguably the judge (Judge Holden.) He’s not the gang’s leader, but neither is he led. He comes across as a co-leader to Glanton, and is so much the ultimate villain that he’d be cliché in the hands of a writer less masterful than McCarthy. What makes him such an ultimate villain? For starters, he’s physically imposing, but he’s also physically abnormal in a way that sits counter to that might—specifically, he has something like alopecia that makes him pink and hairless over his entire body. (He’s described as looking like a gigantic baby when nude.) He’s also an incredibly smart man over multiple dimensions of intelligence. He speaks so eloquently that one can almost become convinced that he’s noble, despite his vile and ruthless behavior. [His soliloquies remind me of those in the books of the Marquis de Sade, except much more compelling and focused on war as opposed to domination. But he puts non-virtuous behavior on a footing of being inevitable in the state of nature.] Still, he’s as rational as he is ruthless. When he’s acting on his best behavior you’d think him the stalwart professional that his nickname implies, but when he’s vicious he’s vicious without shame or guilt.

 

Having discussed only characters, and knowing that this is literary fiction, one might wonder if there’s a story. In fact, there is a story—sort of an anti-hero’s anti-journey, if you will. The Glanton gang starts out with victory and accolades and while they face challenges (e.g. running out of gunpowder) they are a strong force through most of the story. However, they aren’t always the hunters, but sometimes become the hunted. As the story reaches toward its climax, the tables begin to turn and one begins to wonder whether there can be a peaceful end for men of violence.

 

The prose is beautiful and evocative, and at the same the writing style is sparse. The descriptions paint the scenes for one in vivid detail. You’ll likely learn some new words, but it’s not so much that there’s a choice to be pretentious with vocabulary, but rather the fact that it’s historical fiction necessitates a specialty vocabulary.

 

I’d recommend this for readers of fiction, but keep in mind that it is brutally violent and offers a depressing commentary on man’s inhumanity to man.

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BOOK REVIEW: Narconomics by Tom Wainwright

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Narconomics: How to Run a Drug CartelNarconomics: How to Run a Drug Cartel by Tom Wainwright
My rating: 5 of 5 stars

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“Narconomics” is about how drug cartels are taking pages from the playbooks of big businesses like Walmart and Coca-cola. In cases like diversifying into new markets or deciding to collude with a competitor, this might not seem surprising. However, it may come as a shock to find out about the franchising and CSR (corporate social responsibility) practices of drug cartels. Other than being outside access to the justice system, and thus resorting to violence to achieve what contracts, mediators, and courts would do for other businesses, the drug business it turns out is very much a business.

 

Along the way a secondary story emerges that is just as interesting and even more important. It’s the story of how the drug war makes no sense from the standpoint of economic logic. Destroying fields in South America only makes for poorer farmers because their monopsonistic (i.e. single buyer) market pushes the cost of lost crops back onto them. And because raw product is such a tiny portion of retail price, their destruction has almost no effect on prices at the user end. Furthermore, as more US and European states legalize marijuana, it seems that this will have more of an effect at putting cartels out of business and ending their reign of violence than all the arms shipments and foreign aid for drug enforcement ever had.

 

The book consists of ten chapters, each of which addresses an area of business practices that have been taken up by the drug cartels. Chapter one is about supply chains, and in the case of cocaine there is a rather long one. The raw product is grown in South America and must be infiltrated into the US—usually through Mexico. (For a while there was a prominent Caribbean route, but it was shut down—at least for a while.) This is where we learn about how the cartels adapt to eradicated crops, as well as how the product is marked up at various stages of the operation.

 

Chapter 2 is about the decision to compete versus collude. We mostly read about the competition, because in a lawless market competition equals violence. However, over time cartels have been increasingly willing to agree on distribution of territory. Although, there are also clever means to compete unique to criminal enterprises, such as engaging in violence in someone else’s territory to cause the police to crack down there—thus making it harder for said opposition.

 

Chapter 3 is about human resources, and the different approaches used to handle problems in this domain. In the movies, a drug cartel employee who fouled up always gets a bullet to the brain, but it seems that this isn’t always the case—though it certainly happens. Different countries and regions have differing labor mobility. In some cases, there is no labor mobility. (i.e. if one has a gang’s symbols tattooed all over one’s body, one can’t interview with a rival gang and Aetna sure as hell isn’t going to hire you.)

 

Chapter 4 is about public relations and giving to the public. One doesn’t think about drug lords engaging in CSR, but in some cases they may be more consistent with it than mainstream businesses. The cartels face an ongoing risk of people informing on them, and at least some of those people can do so without their identities becoming known. Violence is often used to solve problems in this domain, but it can’t do it all. That’s why drug lords build churches and schools, and often become beloved in the process.

 

Chapter 5 explores “offshoring” in the drug world. This may seem strange, but drug cartels, too, chase low-cost labor. But it’s not just about lowering costs, it’s also about finding a suitable regulatory environment—which in the cartel’s case means a slack one. An interesting point is made that all the statistics on doing business are still relevant to the drug business, but often in reverse. That is, if Toyota is putting in a plant, it wants a place with low corruption, but if the Sinaloa want to put in a facility–the easier the bribery the better.

 

Chapter 6 describes how franchising has come to be applied to drug cartels—famously the Zetas. The franchiser provides such goods as better weaponry in exchange for a cut of profits. Of course, there’s always a difference in incentives between franchisers and franchisees when it comes to delimiting territory, and this doesn’t always work out as well for drug dealers as it does for McDonald’s franchisees.

 

While the bulk of the book focuses on cocaine and marijuana, Chapter 7 is different in that most of it deals with the wave of synthetic drugs that has popped up. The topic is innovating around regulation, and so it’s certainly apropos to look at these drugs. If you’re not familiar, there are many synthetic drugs that are usually sold as potpourri or the like. Once they’re outlawed, the formula is tweaked a little. In a way, these “legal highs” may be the most dangerous because no one knows what effect they’ll have when they put the out on the street.

 

In chapter 8 we learn that the drug world hasn’t missed the online retail phenomena. Using special web browsers, individuals are able to make transactions that are not so difficult to trace. In an intriguing twist, the online market may foster more trust and higher quality product than the conventional street corner seller ever did.

 

Chapter 9 examines how drug traffickers diversify—most notably into human trafficking. Exploiting their knowledge of how to get things across the border, they become “coyotes.”

 

The last chapter investigates the effect of legalization, and it focuses heavily upon the effects that Denver’s legalizing marijuana has had in Denver, in the rest of the country, and on the cartels. Wainwright paints a balanced picture that shows that not everything is perfect with legalization. E.g. he presents a couple of cases of people who ingested pot-laced food products intended for several servings, and did crazy stuff. However, the bottom line is that legalization (and the regulation and taxation that comes with it) seems to be the way to go if you want to really hurt the cartels and stem the tide of violence, as well as to reduce the number of people showing up at the ER having ingested some substance of unknown chemical composition.

 

There is an extensive conclusion, about the length of one of the chapters that delves into the many ways our approach to eliminating drug use is ill-advised and dangerous. This connects together a number of the key points made throughout the chapter.

 

I found this book fascinating. Wainwright does some excellent investigative reporting—at no minor risk to life and limb. If you’re interested in issues of business and economics, you’ll love this book. If you’re not into business and economics, you’ll find this book to be an intriguing and palatable way to take on those subjects.

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BOOK REVIEW: Stealing Fire by Steven Kotler and Jamie Wheal

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Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and WorkStealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work by Steven Kotler
My rating: 5 of 5 stars

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“Altered states of consciousness” conjures visions of rogue scientists hitting hallucinogens and then sealing themselves up in sensory deprivation tanks until they either have a breakthrough or a breakdown. This book may touch on such activities, but it’s about something else. It’s about the states of consciousness in which the part of the mind that is critical, overly cautious, and always creating worst case scenarios fades into the background, allowing one to be more effective, happier, and to drop one’s neurotic tendencies. Kotler and Wheal refer to this as ecstasis, borrowing from the Greek word meaning “to get outside oneself.” They differentiate it from the Flow of Mihaly Csikszentmihalyi with which it clearly has overlap. (One of the authors, Kotler, wrote a great book on the exploitation of Flow by extreme athletes entitled “The Rise of Superman.”) [I’d love to see a Venn diagram of how they see these states overlapping, but—alas—one isn’t provided, though there is some discussion of it.]

 

The book is organized into three parts. The first part consists of three chapters and it both explores what ecstasis is and why it’s so hard to find. The story of how the Navy SEALs designs training to build group Flow states on command is illuminating as is the second chapter’s discussion of how Jason Silva found ecstasis through freewheeling philosophizing. The third of the chapters describes three prominent barriers to achieving these states of mind. These barriers are among the reasons for the rarity of these altered states even though they’re available to everyone.

 

The heart of the book is the second part which describes four avenues by which people pursue these altered states of consciousness: psychology, neurobiology, pharmacology, and technology. The chapter on psychology uses a dialogue series between Oprah and Eckhart Tolle as a stepping off point, probably more because of what it tells us about the scale of yearning for ways to get outside of one’s head than because of the dialogues’ value in facilitating that condition. Positive psychology as recipient of a mantle once held by religion and spiritualism is an important theme in this chapter.

 

The neurobiology chapter isn’t just about the biology of the brain and nervous system; it’s about the integration of brain and body. In it, we learn about how expressions, postures, and gestures can influence our state of mind.

 

Many apparently believe that the story of pharmacology is a much bigger part of this book than it actually is, but it’s a part that’s hard to ignore. As one who seeks non-pharmacological approaches to Flow (I’m more about yoga, meditation, and movement) I still found this chapter fascinating, and perhaps most so in its discussion of other species’ pursuit of chemically induced highs [particularly that of dolphins.]

 

The technology discussed covers a range of approaches from biofeedback devices designed to help one navigate one’s way into the zone, to gear to help one engage in trigger activities at lower risk. For example, the mix of defiance of gravity and high-speed gliding experienced wing-suiting seems to be a potent trigger for ecstasis. It also seems to kill anyone who keeps doing it long enough. So the question is whether one can create the sensation and still achieve the trigger without inevitably experiencing an untimely demise.

 

The grimness of that last paragraph is an apropos lead-in to discussion of the book’s final part, which considers how one can organize one’s pursuit of ecstasis without running into the many pitfalls that coexist with it—from becoming a pleasure junky to dropping out of life to killing oneself. The first of three chapters in the final part discusses the Burning Man festival phenomena in great detail as well as other avenues by which people find themselves drawn into the pursuit of altered consciousness. The next chapter describes how both government and commercial firms have sought to exploit the bliss of these altered states. The last chapter is about how to merge daily life and pursuit of ecstasis in a balanced way so one avoids becoming a pleasure junky who runs his life aground on rocky shoals in pursuit of the next ecstasis fix.

 

The book is endnoted, and has some nice ancillary features—a number of which are available online with the link being given at the back of the book. An appendix that I found interesting was one entitled “Notes on Inside Baseball.” This section discussed a number of controversies that were outside the scope of the book, but which readers might wish to research in greater detail.

 

I found this book to be highly engaging. The authors use the narrative approach throughout to keep it interesting, while at the same time conveying complex ideas in an approachable fashion. They scour many disparate realms in search of this altered consciousness, and so there’s never a dull moment.

 

I’d recommend this book for anyone interested in learning more about how to shut down that perpetually critical and gloomy part of the brain so that one can achieve one’s optimal potential.

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BOOK REVIEW: The Man Who Wasn’t There by Anil Ananthaswamy

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The Man Who Wasn't There: Investigations into the Strange New Science of the SelfThe Man Who Wasn’t There: Investigations into the Strange New Science of the Self by Anil Ananthaswamy
My rating: 5 of 5 stars

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What is the self, and is the self a distinct entity as we feel it to be? Those are questions that philosophers and theologians have been debating for centuries, and they’re the questions at the heart of this book. Ananthaswamy takes a crack at answering by looking at several of the ailments and mental phenomena that seem to steal or morph what we think of as the self.

 

While there are many distinct views on the self, the predominant view has always been the one guided by the way it feels. And it feels like there is some non-material entity—call it a soul, a spirit, a consciousness—that resides in the body though is–in certain extraordinary circumstances–detachable from the body (e.g. death.) This gave rise to a widespread belief that while our physical bodies may have a shelf-life, this non-material bit is eternal—or at least not governed by physical laws.

 

However, as science has illuminated the workings of the brain, it looks more and more as though this “non-material entity” is, in fact, an emergent property or illusion that derives from the activity of our material brain / nervous system. One of the phenomena that a materialist explanation would have once had great difficulty in explaining is the out-of-body experience [OBE.] Historically some may have written these off as fraud, but the cases are common enough and described similarly enough that that strains credulity. However, we now have strong reason to believe that the OBE is a specific kind of hallucination, and that reason is that OBEs can now be consistently induced by neuroscientists applying an electrode to a specific point on the brain. As for the old schools of thought, it seems that the Buddhists were by far the closest when they suggested that there is no self—that it’s illusory.

 

Ananthaswamy’s book consists of eight chapters. Each of the chapters addresses a particular ailment or phenomena of the mind that has something to tell us about what the self is and what it isn’t. If a specific injury, ailment, or consumption of a chemical cocktail makes one feel as though one has lost part of what it feels like to be a person—then we may get some idea where the self resides or where the series of neural activities that feels like a self resides. (Spoiler: There is no single spot in the brain where the self or sense of self resides.)

 

The first chapter gets straight to the heart of the matter by describing Cotard’s syndrome, a disease in which a person swears that he or she doesn’t exist or is dead. This affliction seems to attack the most fundamental sense of self—the gut feeling that one is a distinct living being. Another way that we think of ourselves as that distinct living being is through our life story. Chapter two looks at how diseases like Alzheimer’s shatter this sense of self-hood.

 

Another basic level at which we feel the self is in its correspondence to the confines of our body. However, not even this physically rooted approach to self is unassailable. One may be familiar with cases of phantom limb syndrome in which amputees feel a lost limb. Incidentally, this is another reason people have felt there was a soul—one that didn’t know the body was amputated and kept its original non-material shape, an idea that V.S. Ramachandran’s work showed was likely not the case. Ananthaswamy, however, focuses on an ailment that is the exact opposite of phantom limb syndrome, those who feel that one or more of their limbs are foreign entities. This is where the book’s reporting is at its most intriguing as the author manages to speak with a doctor who does amputations for such people at no small risk to his medical credentials.

 

In chapter two, the author investigated the self as a collection of memories—in other words, the things one has done. Chapter 4 explores people who don’t feel a connection between the actions they are performing and the self even as they are performing said actions. The cases discussed involve patients with schizophrenia.

 

Chapter five examines depersonalization syndrome. With this syndrome, there’s an emotional disconnect which people feel as being in a dream, but during the patients waking life. The chapter focuses on two cases which give different means by which this can occur. One was an individual who was abused as a child, and the ailment seems to have been a defense mechanism to disconnect from the trauma. The other was chemically induced—though, disconcertingly, the effects went on long after all of the drugs should have been out of the woman’s system. Chapter six explores another set of afflictions involving stunted emotional response, and those are the autistic syndromes. The principle case involves a high functioning Asperger who was intelligent enough to learn how to respond even though he had no emotional cues. A quote from that individual that sums up his experience of the world nicely is, “I love my sister, but it’s done purely at a cognitive level. I think love for her; I don’t feel love for her.”

 

The penultimate chapter is where the author describes case of OBE and other hallucinations in which the self seems to migrate, split, or wander. The final chapter continues examining the self free of the body by considering cases of epilepsy. Epilepsy can have many powerful mental effects. One may be familiar with the many cases of “spiritual awakening” that have been attributed to temporal lobe epilepsy. And some have speculated that Joan of Arc, St. Paul of Tarsus, and Mohammed all suffered from epilepsy. Ananthaswamy also presents cases of people on psychedelics—most famously Aldous Huxley.

 

There’s an epilogue that both tells us what the Buddha had to say about self during his first sermon at Sarnath, and sums up what’s been learned about what the self isn’t and what it seems to be. The book is annotated, but there are no graphics or other ancillary matter. It’s really not needed as the focus throughout is narrative, the telling of fascinating cases that illuminate the experience of the self. I appreciate that the author went out and sought some unique cases. I read a fair number of pop neuroscience books, and there are a few cases that get rehashed ad infinitum (Phineas Gage, H.M. etc.) It’s not that Ananthaswamy doesn’t go retell a few of the classics, but he also does some original investigation. The chapters on depersonalization disorder and amputation show this distinct touch.

 

I’d highly recommend this book for those who want insight into the nature of the self from a scientific perspective. I’ve read many books that touch upon the subject as part of a broader theme, but this is the first I’ve read that focuses entirely on this subject from a scientific rather than philosophical or spiritual perspective.

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BOOK REVIEW: Incognito by David Eagleman

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IncognitoIncognito by David Eagleman
My rating: 4 of 5 stars

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This is the book that started me on a fascination with the science of the subconscious mind. In it, Eagleman explains that our subconscious mind has a much bigger role than our consciousness lets us believe. We feel that the conscious mind is in charge of the whole enchilada of our mental being, but in reality the conscious is often late to the party while still managing to weave a narrative about how it saved the day. The conscious has an important role, but one much more limited than it seems, but because consciousness Is the frame through which we are aware the world, it’s easy to miss how much the subconscious handles.

 

The book is organized into seven chapters. The first chapter sets up the notion that the mind is like an iceberg, the subconscious is the more massive portion that lies below the waterline, and the conscious is the peak that lies above.

 

The second chapter explores the interface of the senses and the mind. We think that our sensory experience of the world is like looking through a spyglass, but it’s much more a secondary rendering—subject to editing and corruption. Eagleman discusses many illusions that serve to show us that our sensory experience is not as true as we feel it to be.

 

Chapter three investigates why it is that in some cases the more we think about a task the worse we do with it, and how biases show up even among those who swear they don’t have a racist notion in their body. A number of interesting cases, such as chicken sexing, are used to convey where our conscious mind is of no use to us. Anyone who’s practiced a martial art is aware that sometimes thinking is death.

 

The fourth chapter explains concepts like instinct and our perception of beauty and attractiveness. It’s entitled, “The Kind of Thoughts That Are Thinkable,” and that gives some insight into the theme.

 

The next chapter covers one of the most important ideas of the book, that our brains are not all on one page on any given idea. This is one thing that our conscious mind dupes us into believing, that we have a certain belief and that we are uniformly of that view. In fact, our reasoning and emotional systems often have quite different perspectives on a matter. As I mentioned earlier the people who think they don’t have a racist notion in their body. In one sense, they are correct in that they can reason that it’s illogical to think of people differently based on skin color, but such a person still often shows a marked bias when asked to make associations that are made more quickly when they are not at odds for the subconscious.

 

Chapter 6 gets into the policy ramifications of what has been discussed to this point. If decisions aren’t a product of the conscious mind, then are we right to send people to prison for crimes that they didn’t consciously decide to commit and couldn’t have consciously overruled? The case of Charles Whitman who took up a sniper position in the University of Texas clock tower in 1966 takes center stage in this discussion. Whitman suffered a great change of behavior that was posthumously (by autopsy) linked to the development of a tumor. Eagleman proposes that the traditional question of blameworthiness is the wrong one.

 

The last chapter reflects upon what it means to be a human person in light of a mind arising from material activity. A central idea is the self as an emergent property rather than the “thing” we feel it to be.

 

The book presents many monochrome graphics of various types to support the text. It’s also annotated and has a substantial bibliographic section.

 

I’d recommend this book for anyone interested the nature of the subconscious mind. Eagleman uses interesting cases to demonstrate his points. This makes it quite readable while conveying some challenging ideas.

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BOOK REVIEW: The Geography of Bliss by Eric Weiner

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The Geography of Bliss: One Grump's Search for the Happiest Places in the WorldThe Geography of Bliss: One Grump’s Search for the Happiest Places in the World by Eric Weiner
My rating: 5 of 5 stars

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This book combines travel writing with pop science discussion of what makes people happy (or unhappy.) Weiner travels to ten countries in pursuit of happiness, and reflects upon the cultural components of bliss.

Some of the countries, like Switzerland and Iceland, rank among the world’s happiest in international surveys. Some of the countries, such as Qatar and America, have every reason to be happy, but aren’t necessarily as blissful as the rest of the world would expect. Some of them, like India and Thailand, have good reason to be unhappy, and yet they manage to be global exemplars of happiness [at least within certain domains.]

Then there are a few nations that have unique relationships to happiness. Bhutan has a national policy on happiness [plus it’s a Buddhist country, and Buddhism probably offers the most skillful explanation of what it takes to be happy of any world religion.] Moldova provides a counterweight as it’s one of the least happy countries in the world. Weiner visits the Netherlands in part because one of the biggest academic centers studying happiness is located in Rotterdam, but it also offers an opportunity to study whether the country’s unbridled hedonism (drugs and prostitution are legal) correlates to happiness. That leaves Great Britain, a country known for wearing the same happy face as its sad, terrified, and enraged faces.

I’ve been to half of the countries on Weiner’s itinerary, and—of the others—I’ve been to countries that share some—though not all—of the cultural constituents of happiness. (e.g. I haven’t been to Qatar, but I’ve been to the UAE. I haven’t been to Moldova, but I’ve seen somewhat less grim Eastern European states. I haven’t been to Switzerland or Iceland but I’ve been to cold countries in Western Europe. I haven’t been to Bhutan, but I’ve been in areas where Tibetan Buddhism was the dominant cultural feature.) This allowed me to compare my experiences with the author’s, as well as to learn about some of the cultural proclivities that I didn’t understand during my travels. And I did find a lot of common ground with the author, as well as learned a lot.

I found this book to be interesting, readable, and funny. Weiner has a wacky sense of humor that contributes to the light-hearted tone of the book—perfect for the subject. That said, some people may be offended because the author doesn’t pull punches in the effort to build a punchline, and this sometimes comes off as mocking cultures. However, in all cases—even that of Moldova—Weiner does try to show the silver lining within each culture.

The paperback edition I read had no graphics or ancillary matter. There are no citations or referred works (except in text), and the chapters are presented as journalistic essays. The chapters largely stand alone, and so one could read just particular countries of interest. He does refer back to events that happened in earlier chapter or research that related to another country’s cultural proclivities, but not often. The first chapter, on the Netherlands, would be a good one to read first because he describes many of the scientific findings on happiness in that one.

I would recommend this book for anyone interested in what makes some places happier (or sadder) than others.

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BOOK REVIEW: Maps and Legends by Michael Chabon

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Maps and Legends: Reading and Writing Along the BorderlandsMaps and Legends: Reading and Writing Along the Borderlands by Michael Chabon
My rating: 5 of 5 stars

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This book consists of 17 essays about reading and writing. As the book’s title–also the title of the second essay–suggests, there’s an analogy drawn between story and a map, but—more importantly– Chabon proposes that the literary domain is a realm with frontiers and hinterlands. The central theme is that there is room for great discoveries if we stray from the center of the map were all is clear and well-defined. Literary fiction is the center. The hinterlands include a range of genres and approaches to story-telling that are often maligned as low-brow—e.g. fan fiction and comic books.

 

The book could be split into two parts, though the aforementioned theme cuts across all essays. The first 11 essays offer insight into maligned genres and their merits, but the next five shift gears into autobiographical telling of Chabon’s transformation into a writer. (The last essay, not present in some editions, could be seen as an epilogue to the entire work.) I’ll list the essays and give a hint about what each is about:

 

-“Trickster in a Suit of Lights”: This essay invites us to reconsider the connection between entertainment and literature, and in particular with respect to the modern short story.

 

-“Maps and Legends”: Here Chabon reflects upon the nature of a map and its analogy to the domain of fiction.

 

-“Fan Fictions: On Sherlock Holmes”: Fan fiction is maligned, and not entirely without reason. Even when it achieves great popularity, it’s often bad (e.g. “Fifty Shades…”) However, Chabon correctly suggests that we consider fan fiction too narrowly, including only that which reinforces our notions. He offers a great example of a character, Sherlock Holmes, who launched a thousand fan fictions, some of which are masterpieces in their own right.

 

-“Ragnarok Boy”: Mythology often seems tired and cliché, but there are reasons such stories survive across ages. Chabon explores what it is in Norse mythology that makes it an ongoing font of inspiration for writers.

 

-“On Daemons & Dust”: For a while, YA was the only genre with rising sales–much to the chagrin of those who felt this might herald the rise of a real world idiocracy. In this essay, Chabon describes what it is about Philip Pullman’s “His Dark Materials” series of fantasy books that pulls readers in—including the appeal of dark elements in stories.

 

-“Kids Stuff”: In this essay, Chabon considers the comic book and its evolution from kids’ stuff to a vast domain meant to appeal to a broad readership.

 

-“The Killer Hook”: This essay continues Chabon’s look at comic books, but through a specific example: “American Flagg!” a dystopian sci-fi comic book. Chabon proposes that “American Flagg!” spawned a new approach to comic book art and tone.

 

-“Dark Adventure”: This is about Cormac McCarthy’s “The Road.” Some topics are revisited, such as the appeal of dark and dystopian content. [For those unfamiliar, “The Road” is the story of a father and son wandering through a post-apocalyptic wasteland in search of some sort of stable community. McCarthy is the master of sparse prose, eschewing dialogue tags and maintaining a minimalist approach to his craft.

 

-“The Other James”: Here Chabon discusses the ghost story, using M.R. James’ story “Oh, Whistle, and I’ll Come to You, My Lad” as an exemplar.

 

-“The Landsman of the Lost”: Chabon discusses the comic strip work of Ben Katchor.

 

-“Thoughts on the Death of Will Eisner”: Eisner was a popular cartoonist, associated with such comic books as, “The Spirit.”

 

-“My Back Pages”: Here the book ventures into autobiographical territory as Chabon talks about his first dalliances with writing a novel.

 

-“Diving into the Wreck”: This continues Chabon’s telling of how he came to be a writer, and his early troubles in structuring a novel.

 

-“The Recipe for Life”: Here Chabon tells us about his introduction to Golems, a concept that would play an important role in one of his most influential works—an in the rest of the book. You’ll note the connection between fantastical devices and the telling of story that carries over from the first part.

 

-“Imaginary Homelands”: Chabon describes the role that is played by culture in forming a writer’s experience—both the culture one is living in and the cultural heritage that we each carry with us wherever we may roam.

 

-“Golems I Have Known”: This is one of the longer pieces and it presents the climax of Chabon’s tale of his transformation into a novelist. Golems as fictitious creatures built to facilitate certain truths are a central feature around which Chabon’s story is told.

 

-“Secret Skin”: [Note: This essay didn’t appear in the initial version of the book, and so your edition might not have it.] This essay invites the reader to reconsider the role that costumes and secret identities play for superheroes and how that need resonates with readers. In the process, this last essay sums up the reason why fantastical elements are so powerful in fiction.

 

There are only few graphics in the book, i.e. comic panels. Other than that there’s not much by way of ancillary matter, though there are recommended readings (oddly) interspersed within the index—rather than being a separate section.

 

I’d recommend this book for readers and writers. The essays are well-crafted and thought-provoking.

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BOOK REVIEW: Ruby Slippers, Golden Tears ed. by Ellen Datlow and Terri Windling

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Ruby Slippers, Golden TearsRuby Slippers, Golden Tears by Ellen Datlow
My rating: 4 of 5 stars

Amazon page

 

This anthology consists of 22 pieces of short fiction written by 21 authors and connected by the theme of “fairy tales.” These are variations on traditional folk and fairy tales written for adult audiences. Some are more recognizable than others either because they follow the original more or less or because they start with a more or less well-known tale. (Make a note, these aren’t for bedtime reading for the kids– unless you’re willing to shell out for therapy. Some are dark and some deal in adult sexual themes.)

 

“Ruby Slippers” by Susan Wade: A modern, journalistic hearing of the “Wizard of Oz.”

 

“The Beast” by Tanith Lee: What does a woman’s new husband do when he goes out, and where does he go? A variation on the theme of “Beauty and the Beast.”

 

“Masterpiece” by Garry Kilworth: This is a deal-with-the-devil story in which an artist must make a perverse decision between his masterpiece or something else dear.

 

“Summer Wind” by Nancy Kress: This is the first of three pieces that play off the Briar Rose / Sleeping Beauty concept. A prevailing theme is one of making a less passive sleeping princess.

 

“This Century of Sleep or, Briar Rose Beneath the Sea” by Farida S. T. Shapiro: This is one of the few poetic pieces in the anthology. It reconsiders the Briar Rose [Sleeping Beauty] fable.

 

“The Crossing” by Joyce Carol Oates: This is the last of the stories built around Sleeping Beauty. It’s a period piece set neither in ancient times nor the present day.

 

“Roach in Loafers” by Roberta Lannes: This is a humorous retelling of the tale in which the elves come each night and save the over-burdened cobbler.

 

“Naked Little Men” by Michael Cadnum: This time, instead of a cockroach, it’s naked little men that come to do the work.

 

“Brother Bear” by Lisa Goldsmith: Part Goldilocks and part tale of marriage in the animal kingdom.

 

“The Emperor Who Had Never Seen a Dragon” by John Brunner: An arrogant, despicable, and dense Chinese Emperor summons an artist who draws dragons, insisting the artist introduce him to a dragon. This story goes in the “be careful what you wish for” file. It’s among my favorites of this anthology.

 

“Billy Fearless” by Nancy Collins: Another outstanding story. Billy is fearless and he’s suffered for it because his father and others think he doesn’t have any sense. (He’s not the sharpest tool.) But one day he finds himself in a situation in which his fearlessness might work to his advantage.

 

“The Death of Koshchei The Deathless” by Gene Wolfe: This is based on a Russian folk tale of the same name, but shedding the superstitious / supernatural elements to give it a bit of realism.

 

“The Real Princess” by Susan Palwick: The story’s basis is “The Princess and the Pea.” The story is built around a sadistic king of an impoverished kingdom and the “Real Princess” who comes to live with him.

 

“The Huntsman’s Story” by Milbre Burch: The Huntsman from the Snow White fairy tale, but in a brusk style and with a key difference.

 

“After Push Comes to Shove” by Milbre Burch: A poem on the Hansel & Grettel theme.

 

“Hansel & Grettel” by Gahan Wilson: This short story re-imagines the two children not as impoverished waifs but rather as wealthy trust-fund kids who travel the world, ending up at a fancy resort that represents the siblings’ second brush with stumbling into some place that could be bad for them.

 

“Match Girl” by Anne Bishop: A little abused orphan girl finds her fire. This is a prime example of a story not for the kiddies; it’s got a bit of an S&M undertone.

 

“Waking the Prince” by Kathe Koja: This is a variation on “Sleeping Beauty” with an obvious change in gender roles and the modern outlook that comports with said change.

 

“The Fox Wife” by Ellen Steiber: Based on Japanese folklore in which foxes are clever and conniving souls. A samurai’s trophy wife becomes possessed by fox spirit. This was among my favorites. It’s also one of the longer pieces.

 

“The White Road” by Neil Gaiman: A poem based on the English fairy tale of “Mr. Fox.”

 

“The Traveler and the Tale” by Jane Yolen: This one is a bit different. It’s a sci-fi tale that suggests fairy tales are injected into society in order to have some effect on behavior.

 

“The Printer’s Daughter” by Delia Sherman: This is also one of my favorites. It’s a take on the Pinocchio story. What’s fun about this version is that the totem brought to life is made out of proofing sheets. Since the printer mostly prints booklets of bawdy tales and, on the other hand, religious tracts, the girl that comes to life can only speak in two ways: one that would make a sailor blush and the other is quoting scripture.

 

Short story anthologies usually don’t included much in the way of ancillary matter beyond an introduction (and sometimes an epilogue,) but this one has a several pages of recommended reading at the end for those who are interested in learning more about fairy tales and how they come to be translated into modern forms.

 

I’d recommend this book for those interested in fairy tales of a form suitable for adults.

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BOOK REVIEW: The Cat’s Pajamas by Ray Bradbury

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The Cat's PajamasThe Cat’s Pajamas by Ray Bradbury
My rating: 5 of 5 stars

Amazon page

 

This is a collection of 20 short stories by Ray Bradbury written between 1946 and 2004. Bradbury was the master. Besides his imaginative gift for storytelling, he was a torch-bearer for language that was both beautifully crafted and highly readable. Bradbury often used words poetically but without detracting from story. I believe he did so through sparing and careful use. I also appreciate the way Bradbury smoothly moved between genres, and the fact that his stories could have a moral without being moralistic.

I’ll list the stories in this collection with just a few words about each.

 

1.) “Chrysalis”: An unlikely friendship develops. A story about race.

 

2.) “The Island”: The dangers of isolation. Tension skillfully ratcheted up.

 

3.) “Sometime Before the Dawn”: Why does the neighbor cry late at night?

 

4.) “Hail to the Chief”: What if Senators wagered America at an Indian casino?

 

5.) “We’ll Just a CT Natural”: This is one of my favorites, but it doesn’t have a complex story or involve clever sci-fi elements. It’s just a woman waiting for a visit from a man who she used to nanny, but who’s made it big as a writer. Two simple questions keep one glued to this story. Will he show up? If not, how will she handle it?

 

6.) “Olé, Orozco! Siqueiros, Sí!”: This is a commentary on what is art in the modern art scene.

 

7.) “The House”: A couple buys a fixer-upper, but there are mixed feelings between them.

 

8.) “The John Wilkes Booth / Warner Bros / MGM / NBC Funeral Train”: How time travel would spawn a history-entertainment complex.

 

9.) “A Careful Man Dies”: A hemophiliac author who’s writing a tell-all meets his match.

 

10.) “The Cat’s Pajamas”: A couple of lonely cat people vie for ownership of a stray that they happen upon simultaneously.

 

11.) “Triangle”: As in, “love triangle.” A take on the story of X loves Y, but Y is indifferent to X; while Z loves X, but X is indifferent to Z.

 

12.) “The Mafioso Cement-Mixing Machine”: It’s a metaphorical cement mixer, but it’s useful for—as a mobster might say—“takin’ out da trash.”

 

13.) “The Ghosts”: The children are enchanted with them, but their father wants to drive them off. The difference between how children and adults see the natural world, in a nutshell.

 

14.) “Where’s My Hat, What’s the Hurry”: A man goes through his little black book to find a woman more responsive to the “city of love” than his wife has been.

 

15.) “The Transformations”: This is another story about race and walking in the shoes of another.

 

16.) “Sixty-six”: This is a prime example of the genre-fluidity of Bradbury. It’s a murder mystery, but not just a murder mystery.

 

17.) “A Matter of Taste”: Human space explorers travel to a distant world and meet a species that is wise, benevolent, helpful, but they can’t get past the alien’s creepy appearance.

 

18.) “I Get the Blues When it Rains”: The fickle nature of nostalgia.

 

19.) “All My Enemies Are Dead”: A man tries to console a friend who believes it’s time to die upon seeing the obituary of the last of his enemies.

 

20.) “The Completist”: Having everything may include things one doesn’t want.

 

I’d highly recommend this collection for readers of short fiction. While some of the stories are over sixty years old, they’ve aged well.

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