grape tendrils encased in crystalline frost. blows into cupped palms.
Frost Spiral [Haiku]
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The trees will soon be barren, all. It is that time of year -- the Fall. The understory never was, and can't now house the insect buzz. And, so, the woods stand silently -- nothing treads in peace, nor violently. It's empty; devoid of motion: life hides below, as in Oceans. It does feel like we're out to sea - a strange place where both sides are lee. And - so - we're stuck, we can't move on, but can see promise over yon.

I click on Google Maps;
a pin highlights for a cemetery,
and, here, I stumble upon
graveyard reviews.
These reviews intrigue me because
it seems to me that if one is capable
of writing a cemetery review,
then one is unqualified.
And, if one is qualified to comment
on the caliber of an eternal resting place,
then one is unlikely to be capable of
posting a review.
I read one of the one-star reviews
and see that the reviewer's principal complaint
is an overabundance of "pocong."
"What is a 'Pocong?'" you may ask.
It is a Javanese ghost that takes up
occupancy in death shrouds.
Why is there a Javanese ghost
infestation in a cemetery 4000 kilometers
from Java, and -- as near as I can tell --
with zero Javanese occupants?
The review does not say,
but I love that someone panned
a cemetery based on the presence
of foreign ghosts
[and not because it is simultaneously
phasmophobic and xenophobic.]
But because it shows an unbridled commitment
to one's imagination that is usually
only seen among children.

i walk through the graveyard,
subtracting birth from death dates
to determine age at death.
there’s a correlation between
speed of calculation &
the degree of tragedy.
the faster i can determine an age,
the more disconcerting the death:
like the girl — 1990 to 2008.
the 89 year old man who survived WWII
service in the Burmese jungle
doesn’t raise as many questions.