Category Archives: Literature

BOOK REVIEW: Borges: An Introduction by Julio Premat

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Borges: An IntroductionBorges: An Introduction by Julio Premat
My rating: 5 of 5 stars

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Jorge Luis Borges was a thinking person’s writer, his works are both global and local (of Argentina or, specifically, of Buenos Aires focus,) are philosophical and literary and cut across scholarly domains, and they can also be arcane and fragmented. It’s because of this — combined with the fact that Borges work remains well worth reading — that a volume like this is beneficial. While the book does -in part – simplify and elucidate Borges’ work, it also expands on the Borges canon as a way to present the reader food-for-thought about ways in which one might approach the thoughts of Borges, oneself. The book is divided into two parts, one on the man and the other on his writings.

While this book is subtitled, “An Introduction,” I would suggest it’d be beneficial if one has read some of Borges’ major works (e.g. A Personal Anthology, “Ficciones,” The Aleph and Other Stories, “Selected Non-fictions,” etc.) Premat does offer some relevant background information when he references texts in order to help clarify his points, but not always enough to get the full understanding and less and less as the book progresses – so as to avoid redundancy. Borges’ work (tending toward short [even micro-] writings across fiction, nonfiction, and poetry) is challenging enough for this kind of study. As opposed to a novelist who would have a few major works to discuss, Borges has a vast body of writings that are no more than a few pages each.

As a reader of Jorge Luis Borges, I found this book to be beneficial and thought-provoking, and would recommend it for others who want to expand the depths of their understanding of this Argentinian writer and his ideas.

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BOOK REVIEW: Dwellers by Eliza Victoria

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Dwellers: A Novel: Winner of the Philippine National Book AwardDwellers: A Novel: Winner of the Philippine National Book Award by Eliza Victoria
My rating: 5 of 5 stars

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Release Date: August 16, 2022

This well-crafted tragedy features a form of magic handed down within a family that allows one to shift one’s consciousness into to the body of another, though this bodily colonization kills the original owner. While it might seem like just another sci-fi / fantasy plot device designed to make for an interesting adventure, the book conveys lessons about the discontentment and the inability to escape oneself. It’s also worth noting that despite its speculative fiction / fantasy gimmickry, the story is also a taut drama of family dysfunction.

The narrative isn’t linear, and this allows the story to begin in medias res, with the protagonist / narrator finding himself in the fire after having leapt from the proverbial frying pan. Two crucial mysteries are solved over the course of the book. The first mystery is why two young men would jump into new bodies, apparently with such urgency as to not realize the bodies they were taking possession of belonged to people whose lives were a horrifying mess. The other mystery is why those lives were such a mess in the first place.

I found this story intriguing and it kept me reading with an interest in discovering the base truth. The book’s beginning is a bit disorienting because all one knows is that the two characters living in the house aren’t it’s rightful owners, but rather mental settlers of unknown identity who’ve taken possession of the occupants’ bodies, and — speaking of bodies – there’s a mystery corpse in the basement freezer. The body in the freezer is both an excellent hook, and also the means to create a pause in any reader who might tend to think, “if I could, I’d definitely change bodies.” Despite the nonlinearity and the snarl of characters within the bodies of other characters, the book is readable; i.e. it’s not as challenging to follow the thread of plot as it often is in books with such narrative complications.

If you enjoy philosophical speculative fiction, this book is well worth looking into.

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A Midsummer Night’s Limerick

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Four Athenian youths fled out to the trees,
lacking the love geometry to put hearts at ease.
It might've been tragic,
but Puck worked his magic.
They returned by twos, not ones or threes.

BOOK REVIEW: Border Zone by John Agard

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Border ZoneBorder Zone by John Agard
My rating: 5 of 5 stars

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This amusing collection of poems combines autobiography with biography. It’s autobiographical in that it shines light on the poet’s experience growing up in the Caribbean and then living as an expat in the United Kingdom. It’s biographical in that it reflects the author’s interests in people and history, interests that are most boldly combined in the book’s final poem, “Casanova the Philosopher,” a long poem (though broken in to forty bite-sized chunks) that riffs on the life and legend of Casanova. The poems draw on literature, historical events, and mythology, and also include a few elegies.

The lighthearted tone — even when dealing with evocative subjects such as racism, censorship, and death – makes for a read that is at once pleasant and thought-provoking. A couple of my favorites were “The Migration of Coconut Water,” which plays with the panacea-like qualities that people attribute to their local favorite consumables, and “We Mosquitoes” which is from the perspective of the annoying little malaria-vectors.

Much of the collection is rhymed verse, often featuring the lyrical qualities that come of short lines. If you enjoy poetry with and international flavor and no shortage of humor, this collection is well worth checking out.


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BOOK REVIEW: God Bless You, Mr. Rosewater by Kurt Vonnegut

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God Bless You, Mr. RosewaterGod Bless You, Mr. Rosewater by Kurt Vonnegut Jr.
My rating: 5 of 5 stars

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This novel presents a satire of American socio-economic existence. It spends much of its time poking fun at old money folk (trust fund kids, as they’d be called today,) but the book has plenty of barbs to go around. The story centers on Eliot Rosewater, the head of the Rosewater Foundation, the charitable arm of an old money robber-baron kind of family corporation. Eliot is cut from different cloth, however. He’s in love with the work-a-day blue collar American, and does everything in his power to eliminate his separation from such people, including obsessively working with volunteer fire departments, setting up his foundation in his hometown (Rosewater, Indiana,) and making the Foundation an extremely personal organization that gives what would today be called micro-grants to ordinary citizens for ordinary uses.

Opposing Eliot Rosewater is a lawyer named Norman Mushari who’s made it his mission in life to have Eliot proven insane so that he can have the Rosewater Foundation fortune shifted to Fred Rosewater (of the middle-class Rhode Island Rosewaters.) The challenge is knowing whether Eliot is truly insane or not, even Eliot, himself, doesn’t always seem clear on the matter. For many, such as Mushari, just the fact that Eliot is acting in opposition to the societal norm (e.g. setting up in Rosewater, Indiana v. New York or Chicago and not making big grants to corporations and colossal NGO’s but rather giving a few hundred dollars at a time to residents of Rosewater) is proof enough. And, if Eliot is crazy, is it because there’s something wrong with him, or that there’s something wrong with the world.

This book is hilarious, and the last chapter leaves the reader with a great deal to mull over. I’d highly recommend this book for all fiction readers.


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Sun Wukong [Common Meter]

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The Monkey King with magic staff
outmatched monsters and gods,
defying the Jade Emperor's
edicts against all odds.

He erased himself from out of 
The Book of Life and Death,
and lived through the Crucible --
nearly holding his breath.

Finally, the gods called Buddha,
though some had their qualms,
but the one thing Monkey couldn't do
was leap from Buddha's palm.

Shakespeare Clerihew

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The Bard, the great William Shakespeare,
made stony souls feel love, hate, and fear,
but I'll cease to dote,
in case he never wrote...

BOOK REVIEW: A Short History of Tractors in Ukrainian by Marina Lewycka

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A Short History of Tractors in UkrainianA Short History of Tractors in Ukrainian by Marina Lewycka
My rating: 5 of 5 stars

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This is a comedy of family dysfunction. The family consists of Cold War era immigrants to England from Ukraine. One adult daughter (Nadezhda) narrates the story, which about how her estranged relationship with her sister (Vera) is renewed through battle with a common enemy, Valentina, the gold-digging Ukrainian woman (younger than either sister) who’s moving in with the sisters’ eighty-four-year-old father.

There’re a few divides that generate the story’s tension. First, Vera grew up with war during her formative years, while Nadezhda was a child of the post-war peace. This informs how each sees the world and the other. Vera sees her younger sister as a naïve bleeding-heart socialist, while Nadezhda sees Vera as a cold and distrusting Thatcherite scoundrel. Second, there’s the chasm between established immigrant and new arrival, the former feeling that they kept their heads down, did the work, assimilated, and earned their status as citizens, while feeling someone like Valentina is tricking her way in and expecting to be handed all the perks of first-world living without working for them. Finally, there’s the gap between what a new immigrant expects life is like in a wealthy country, and what it’s actually like. Valentina has a television view of England that assumes the characters she sees are typical.

The story is funny, but occasionally poignant – e.g. as when we learn the family’s war-torn backstory or even when Valentina is shown in a more sympathetic light by our “bleeding-heart” narrator, who waivers between her family obligation self (who despises Valentina) and her socialist-feminist self (who empathizes with Valentina to some degree.)

I’d recommend this book for readers of literary fiction. It’s well-crafted and humorous. But it’s literary fiction, so if you need your characters likable and your plot strong, you may find it a bit dull.


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ESSAY REVIEW: Confessions of a Book Reviewer by George Orwell

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Confessions of a Book ReviewerConfessions of a Book Reviewer by George Orwell
My rating: 5 of 5 stars

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Available free through the Orwell Foundation

An amusing essay that reveals the dirty secrets of book criticism, while proposing that the vast majority of books don’t merit a review. Just a few pages long.

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BOOK REVIEW: Better Living Through Criticism by A.O. Scott

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Better Living Through Criticism: How to Think about Art, Pleasure, Beauty and TruthBetter Living Through Criticism: How to Think about Art, Pleasure, Beauty and Truth by A.O. Scott
My rating: 4 of 5 stars

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There’s a chasm between title and book. The title, which is clearly meant to play on the Dupont motto turned recreational drug user motto that substitutes the word “chemistry” in place of “criticism,” suggests a book that will be directed toward a reader, teaching said individual how to hone his or her skills of art criticism. This book, on the other hand, reads more like a review of the criticism industry that is meant to be received by an audience. In other words, it feels more like you’re in a Ted Talk than that you’re having a private lesson or conversation. It’s a fine book, witty, thought-provoking, and insightful by turns, but not the book one would expect from the title, subtitle, and blurb.

This essay (or collection of six shorter essays – if you prefer) examines the life and livelihood of art critics and how the endeavor has ebbed and flowed over the years. While the author is a film critic, he adeptly uses examples and stories from across the arts: poetry, paintings, music, theater, etc. In addition to the six chapters, there are three dialogues that are presumably meant to be reminiscent of Oscar Wilde’s essay / dialogue “The Critic as Artist,” a piece that is referenced and quoted in the book.

While the book is generally readable, it would probably benefit from more clarity of message while dialing down attempts to be witty and interesting. It seems like the author may have aimed to do what the films that film critics tend to love do, leave one walking away wondering what it is that one just consumed.

If you want to know more about the criticism “business,” i.e. who does it and how the job has changed (and continues to change,) you’ll enjoy this book. On the other hand, if you’re looking for a book that (as this book’s subtitle suggests) will help you better understand “how to think about art, pleasure, beauty, and truth,” then this might not be the book for which you’re looking.


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