BOOKS: Wonderful Wonderful Times by Elfriede Jelinek

Wonderful, Wonderful TimesWonderful, Wonderful Times by Elfriede Jelinek
My rating: 5 of 5 stars

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If I said this book was A Clockwork Orange meets A Midsummer Night’s Dream it would be in some ways deceptive but in other ways, accurate. The book has none of the otherworldliness of those other stories and, instead, is set in a realistic 1950’s Vienna. Furthermore, those comparisons might confuse readers into not realizing this book is unambiguously a tragedy.

The book is set around four kids (Rainer, Anna, Hans, and Sophie) who like to beat up and rob adults, usually using a kind of catfishing scheme where they trick a middle-aged man into thinking he is about to have a getting lucky with Lolita moment before the other three gang up on the man in a moment of shock and awe. Here lies the “Clockwork Orange” comparison: youths enamored of violence as a means to combat the boredom and meaninglessness of their lives — possibly while passing on the abuse they receive in their own lives.

The “Midsummer Night’s Dream” part comes in with the book’s love geometry. Like that Shakespearean play, there are two boys and two girls and both boys are in love with the same girl (Sophie,) leaving the other girl (Anna) in a sad unrequited territory.

The book won’t be everyone’s cup of tea, and not only because it deals heavily in sex and violence. There are a couple factors that make the book feel strange. First of all, it is written in present tense. Secondly, it spends a lot of time in the minds of the characters and relatively little time with the action. Thirdly, the pacing of the conclusion and resolution of the book is abrupt and might feel forced — like the author was 245 pages in when the publisher told her that she had 250 pages, maximum, and that she’d better be wrapping it up. I didn’t find any of these factors to be problematic, but I can see how they would rub some readers the wrong way.

If the premise intrigues, you should definitely read this book – particularly if the previous paragraph’s warning didn’t turn you off.

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A Midsummer Night’s Limerick

Four Athenian youths fled out to the trees,
lacking the love geometry to put hearts at ease.
It might've been tragic,
but Puck worked his magic.
They returned by twos, not ones or threes.