Slowly, silently, the moon Walks the night in her silver shoon; This way, and that, she peers, and sees Silver fruit upon silver trees; One by one the casements catch Her beams beneath the silvery thatch; Couched in his kennel, like a log, With paws of silver sleeps the dog; From their shadowy cote the white breasts peep Of doves in a silver-feathered sleep; A harvest mouse goes scampering by, With silver claws, and silver eye; And moveless fish in the water gleam, By silver reeds in a silver stream.
All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms; Then the whining school-boy, with his satchel And shining morning face, creeping like a snail Unwilling to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side. His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything.
NOTE: Sometimes called the “Seven Ages of Man,” this soliloquy is spoken by Jacques in Act II: Sc. 7 of As You Like It.
The thirsty Earth soaks up the Rain, And drinks, and gapes for drink again. The Plants suck in the Earth, and are With constant drinking fresh and faire. The Sea itself, which one would think Should have but little need of Drink, Drinks ten thousand Rivers up, So fill'd that they o'erflow the Cup. The busy Sun (and one would guess By 's drunken fiery face no less) Drinks up the Sea, and when he's done, The Moon and Stars drink up the Sun. They drink and dance by their own light, They drink and revel all the night. Nothing in Nature 's Sober found, But an eternal Health goes round. Fill up the Bowl then, fill it high, Fill all the Glasses there, for why Should every creature drink but I, Why, Man of Morals, tell me why?
From our low seat beside the fire Where we have dozed and dreamed and watched the glow Or raked the ashes, stopping so We scarcely saw the sun or rain Above, or looked much higher Than this same quiet red or burned-out fire. To-night we heard a call, A rattle on the window-pane, A voice on the sharp air, And felt a breath stirring our hair, A flame within us: Something swift and tall Swept in and out and that was all. Was it a bright or dark angel? Who can know? It left no mark upon the snow, But suddenly it snapped the chain Unbarred, flung wide the door Which will not shut again; And so we cannot sit here anymore. We must arise and go: The world is cold without And dark and hedged about With mystery and enmity and doubt, But we must go Though yet we do not know Who called, or what marks we shall leave upon the snow.
Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.
I The grey sea and the long black land; And the yellow half-moon large and low; And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand.
II Then a mile of warm sea-scented beach; Three fields to cross till a farm appears; A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, thro' its joys and fears, Than the two hearts beating each to each!
Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do no grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.
Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think'st thou dost overthrow Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more must flow, And soonest our best men with thee do go, Rest of their bones, and soul's delivery. Thou art slave to fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppy or charms can make us sleep as well And better than thy stroke; why swell'st thou then? One short sleep past, we wake eternally And death shall be no more; Death, thou shalt die.