Taken February 12, 2014 in Bangalore.
Less gold (and tuk-tuks) in this shot.
DAILY PHOTO: Townhall in the Setting Sun
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Category Archives: India
BOOK REVIEW: Vajramushti by Christopher Fernandes
Vajramushti; Martial Arts of India by Christopher Fernandes
My rating: 3 of 5 stars
There aren’t many English language books on Indian martial arts, and most that do exist address a single style (most commonly Kalaripayattu.) Christopher Fernandes’s book, therefore, fills a void by providing an overview of martial arts on the subcontinent, and for the most part the book does an admirable job. I do have a couple of criticisms of the book that I’ll get into further down in the review.
The 350 pages of this book are arranged into 17 chapters, with the front and back matter of a scholarly work (i.e. in addition to an introduction and epilogue there are appendices and a bibliography.) The first few chapters set the historical background, and the last few chapters address topics that are related to—or interconnected with—the martial arts, e.g. pranayama (breathing), Ayurveda (traditional Indian medicine), dance, and games of martial relevance. Chapters 6 through 11 form the core of the book, and this is where one gets the book one expected. These core chapters are organized by region, and each gives an overview of one of India’s martial arts in great detail. The arts covered include: Thang ta (northeast), Gatka (author classifies as Central, but it’s commonly associated with the Sikhs [i.e. Punjab, in the Northwest]), Yudhkaushalya che Talim (Central), Silambam (south, Tamil Nadu), Kalaripayattu (south, Kerela), and Marma Adi (South). It’s not all-inclusive, but that might not be possible in a single volume. It does hit the major arts and covers a range of weapons and unarmed skills, and I suspect offers a fair representation of Indian martial arts past and present.
I have two major criticisms, and a third mild criticism. The first is purely technical and likely only applies to the Kindle edition (that’s the only edition I’ve seen), and you can probably guess my gripe. The formatting on the e-version of the book is poor. While this book isn’t as graphics-intensive as a typical martial arts book (i.e. there aren’t long sequences of technique photos) there are many graphics—and necessarily so. It would be hard to convey all the information in textual form for this type of book (e.g. consider the value of a picture of a complex weapon over a description.) What happens in Vajramusthi where the graphics are inserted is that the captions get kicked in among text. At least they italicized the captions so one can get used to this oddity, but it’s a bit hard on readability when one is reading along and there is a fractional caption randomly inserted mid-sentence. The photos also cause odd white space and very narrow columns here and there.
The second major criticism is that the book often forgets its theme. By that I mean that the author goes into far too much depth on topics that are tangential to the subject at hand and sometimes fails to indicate how the subject at hand is relevant. I’m not saying that historical background and discussions of breathing and Ayurveda shouldn’t be included, they are both quite pertinent, as are the other chapters that are more tangential. However, at one point the author provides a mini-herbal field guide that seems a bit too much information for those specific herbs, but, because it’s not an Ayurveda herbal field guide, he only covers a few. This creates a book that sometimes doesn’t seem to know what it wants to be or who its intended audience is. It’s most confusing in the early chapters that begin with the dawn of humanity. Obviously, the development of martial arts is inextricably tied into the rise of societies and states, but the author doesn’t consistently do a good job at connecting these dots so the book can maintain a consistent theme. I should point out that history buffs, dance enthusiasts, or physical education nerds may find the bonus material fascinating—and it is; it just belongs in different books. It does indicate that the author has done his research. While I’m a neophyte on the subjects covered, I believe that the quality of the information is quite good. (Although myth and fact are sometimes equated as with the discussion of Bodhidharma—a myth that many historians now believe false.)
The third criticism is classified minor both because it only comes into play in the epilogue and because if I was going to criticize every martial arts book author for this sin, I’d rarely have anything nice to say about a martial arts book. At the tail end of the book the author suggests that all the other martial arts of the world are just superficial competitive endeavors and only the Indian martial arts have depth that can lead to bettering oneself in a broad sense. This is a complete oversimplification, and especially odd for someone (like the author) who has apparently trained in other systems. (At one point there is a photo of Bruce Lee, captioned “Epitome of a Warrior,” and I can only assume from his commentary in the epilogue that the author is mocking the founder of Jeet Kune Do.) I do understand the passion that inflames the author’s sentiments, which is sadness that young Indians who study martial arts overwhelmingly look to the East—just as those in Europe and the Americas do. In Bangalore, where I live, there are two places that I know of that teach Indian arts (both Kalari) and at least eight places one can learn Muay Thai—not counting the fitness centers that have no one qualified to teach MT but do so anyway. Still, one need not take cheap shots at other martial arts in attempting to encourage people to study the indigenous arts.
While my review may come across as critical, there’s really not much wrong that a skilled editor and formatter couldn’t fix. (For example, one could get blitzed playing a drinking game whereby everyone takes a shot whenever they read the exact words “Vajramushti the classical Kshatriya Lion’s skill.”) The book’s virtues tend to outweigh its vices. If there were as many books out on the Indian martial arts as there are about those of China, Japan, or Korea, I don’t know that this one would get my recommendation in its present state, but there aren’t and so I do recommended it. It’s well-researched, contains useful graphics, and it provides insight into how the martial arts fit into the history, yogic science, and movement arts of India—if sometimes a bit too much insight.
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DAILY PHOTO: Roses are Red… and a Bunch of Other Colors
Taken on January 26, 2014 at Lal Bagh Gardens
Taken at the 2014 Republic Day Flower Show in Bangalore.
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DAILY PHOTO: Crocodile at Peace
Taken in November of 2013 at the Mysore Zoo
There is no smile
worn by a crocodile,
that’ll induce me to pet him.
There’s no grin,
neither wide nor thin,
that extends my treasured limb.
Save your beaming.
It looks scheming.
“No, I won’t go for a swim.”
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Kalaripayattu and Single Point Origin Myths
I just began my study of Kalaripayattu this morning. Kalaripayattu is an Indian martial art that is named for the training space (kalari) in which it is conducted. It’s a very different martial art from others I’ve studied, and is a great learning experience—as well as an excellent workout. Kalaripayattu is said to be one of the oldest formal martial arts that has survived into the modern era. I have no reason doubt this. The art is documented in the 11th century by a historian who attributes its development to wars between the Chola and Chera kingdoms.
However, there’s another common claim that is much more controversial, and that’s that Kalaripayattu is the “mother of all [Asian] martial arts.” With all due respect, I’m skeptical of this claim—even if we don’t take it in the literal sense (i.e. Asia is a big place and there are almost certainly places where martial arts were established before contact with the Buddhist diaspora.) I obviously don’t base my skepticism on what I have been taught—as that is, at this point, a miniscule portion of the most basic of basics.
While I can offer no definitive proof to discredit the claim, I do have specific reasons to be skeptical. The theory of Kalaripayattu as the origin of martial arts is based on the legend of Bodhidharma. The legend says that the famous monk shared martial arts with the monks of Shaolin in conjunction with the Zen (Cha’an) form of Buddhism, and from Shaolin as Buddhism spread so did the martial arts. I’ve read myths about the origins of the Japanese martial arts that I’ve studied that place the beginnings of their ancestor arts with Chinese Buddhists fleeing persecution during the T’ang Dynasty (as well as later periods.)
The first problem with this theory is that historians have found it to be unsubstantiated and dubious. While the belief that Bodhidharma introduced the Chinese to martial arts is one of the most widely believed and cited pieces of martial arts lore, Meir Shahar in his book The Shaolin Monastery [http://www.amazon.com/The-Shaolin-Monastery-History-Religion/dp/082483349X] states that the evidence doesn’t support this popular belief. Specifically, the only historical documentation of this theory is a document that was written in the 1600’s that the author claimed was “discovered” from an earlier time—the problem is that the language usage isn’t consistent with the claim that the document was from a much earlier period, and there are many verified mistakes in the document.
Even if Shahar and other historians are wrong, the evidence that Bodhidharma came from southern India and that he studied Kalaripayattu specifically seems to be non-existent. There is at least one popular theory of Bodhidharma that puts the origin of this famous spiritual leader outside of India altogether. If the aforementioned Indian historian was right and Kalari developed during 11th century wars, then it’s late for the life of Bodhidharma by some 500 years.
The challenge is that it’s difficult to compare the modern martial arts and see definitive evidence of historic connections. Some will say, “But Kalaripayattu doesn’t look like Shaolin Kung fu (or any other subsequent arts) at all.” While it’s not true that they don’t look anything alike, it’s true that they look very different. However, what one has to keep in mind is not only did Kung fu continue to evolve in order to optimize to its circumstance, its predecessor system (whether Kalaripayattu or otherwise) would have continued to evolve as well. The Kalaripayattu of today most likely looks quite different from 11th century Kalaripayattu, but we can’t know how so in any detail. This could make for some pretty rapid divergence. Others may say, “But, hey, I do see the similarities in kicks and postures and so forth.” This may be true as well, but can one be sure that one of those commonalities is causal of the other? What if it’s just the constraints of the human body that make all martial arts similar at some level of granularity?
My intent is neither to destroy origin stories nor to discredit any martial art. Obviously, Kalaripayattu has a long history, and the fact that it survived to modern times is a testament to its value over that time. Combat is a harsh evolutionary environment, and things that don’t work for the situations they face are likely to die with the people who practice those systems. However, I think it’s important for warriors to not succumb to false fables because they must see the world as it is and not as they wish it to be.
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DAILY PHOTO: Flower Fountain
Taken on January 26, 2014 at Lal Bagh Botanical Gardens in Bangalore.
This looks like a waterless fountain, a fountain bursting with flowers.
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DAILY PHOTO: Pink Coxcomb
Taken January 26, 2014 at Lal Bagh Gardens.
There were many beautiful coxcombs at the 2014 Republic Day Flower Show, but this one looked eerily like a brain.
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DAILY PHOTO: Republic Day Flower Show
Taken January 26, 2014 at Lal Bagh Gardens in Bangalore.
The Crystal Palace at Lal Bagh gardens, which is normally roped off and empty, has been packed brimming with flowers for the annual Republic Day Flower Show that ends today.
It would be slightly more enjoyable if security wasn’t threatening to wallop one with a stick if one loiters for a second. You can see it as many times as you can fit in a day, but you must keep moving along. It’s a one way flow, so if you don’t have the desire to go through twice (once on either side) I’d recommend going on the south side (farthest from the main entrance.) For some reason the crowd was about half on that side (probably because no one anticipated the layout would make you do two half loops instead of one full loop.) Why they did it, I have no idea, but the flowers were pretty.
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BOOK REVIEW: The Equanimous Mind by Manish Chopra
The Equanimous Mind by Manish Chopra
My rating: 4 of 5 stars
Imagine going to a meditation center and living by the following rules:
1. You may not have access to any reading materials.
2. You may not have access to any writing materials.
3. You must leave behind cell phones, tablets, laptops, watches, radios, and other portable electronic devices.
4. While there will be other people around, you are only allowed to talk to your instructor/mentor, and mustn’t acknowledge or interact with others. You will scarcely hear a voice unless you are in meeting with your teacher or listening to the taped lessons in the evening.
5. You will be segregated from the other sex. They will have separate living and meditation spaces.
6. You will eat only the vegetarian meals provided by the center.
7. You will spend your days mostly in meditation—meditation of a rigorously prescribed nature.
8. You have to live by these rules for ten straight days. You are strongly discouraged from attending if you don’t believe yourself capable completing of all ten days.
Could you do it? If your response is, “Sure I can, piece of cake,” you are either an exceptional person or a little deluded. And it’s probably more likely you are like the person who imagines they will be a hero in a bank robbery or mugging, but who ends up catatonically cowering in a puddle of their own piddle. Maybe it shouldn’t be a tough proposition, but it is.
The ten days described are the basic course offered at Vipassana meditation centers around the globe. Except your travel costs, there’s no cost to attend, and you aren’t even allowed to tip the staff–though you can make a donation at the end of the course to assist others. If you happen to be near a center, there’s nothing but will and 10 consecutive days of freedom to keep one from taking the course.
The Equanimous Mind charts Manish Chopra’s personal experience with the course. I bought the book because I intend to attend the course myself, and I craved insight into what the experience is like.
For those who are unfamiliar with Vipassana meditation, it’s nominally a Buddhist method, but practitioners are quick to point out that it’s actually areligious. One need not be Buddhist to attend. One could be a Hindu, a Methodist, or an atheist and get the same value from attendance. Adherents believe that this is the meditation method that Buddha himself taught. For those who thought this sounded awfully cult-like when I described it above, in many ways it’s the antithesis of a cult. There is no central guru to worship. The closest thing to the overarching guru, S.N. Goenka, passed away last year. You don’t have to join a group or swear allegiance. And not only don’t you surrender your life-savings, you don’t have to surrender one, thin dime to have the experience.
Chopra doesn’t write at all about the background of Vipassana, nor much about its philosophy or method. Instead, this book is a retelling of Chopra’s personal experience with the camp. There are many books that deal with those aforementioned topics, and so it’s no loss that this book doesn’t. It does give the reader a first-hand look at what it’s like to live in the camp and what prolonged meditation is like, and thus meets a valuable niche in lending comfort to those who are considering the course–but who are leery of what they will go through.
It’s remarkable that the author had the detailed recollections necessary to construct an entire book. The organization of the book chapters is by day, and so there are ten core chapters. (This is a good way to arrange it as there is apparently some universality to experience day-by-day. Not only are people being taught the same methods, but it seems most people who quit do so on days two or six—indicating many people hit “walls” at the same point.) One will remember that notebooks and writing utensils are prohibited. The last chapter informs the reader that Chopra began frantically outlining the book on his way home. It’s surprising that an entire book sprang from memory. The author does claim that the clarity gained through the course improved his memory.
One can’t help but wonder what the book would have read like if it had been compiled day-by-day as a journal. In other words, how much was the book was framed by the euphoria of just having completed the course? Chopra does mention some low points of the course, but, overall, the picture he paints is rosy. It may be that his experience was just overwhelmingly positive, or he could have been on a high from completing something quite difficult.
Chopra suggests that by the end he had greater mental clarity, decreased vice, increased mental capacity, and was living an idyllic life. I don’t want to sound like I’m treating the account as suspect, and I certainly wouldn’t suggest that Chopra is being blatantly dishonest. However, I worry that Chopra might have oversold the course. It almost reads like he’s been imbued with superpowers (mental, not physical–think Professor Xavier, not superman) at the end of the book. (He doesn’t suggest anything magical, but the claims are pretty impressive.) Maybe this is genuinely his experience, but it sounds a little too good to be true.
I’d definitely recommend this book for people who are considering taking the course. I’m not sure it would be of much interest to a more general reader. As I indicated, one isn’t going to learn a lot about the philosophy or history of Vipassana. One does learn a little about the methods from Chopra’s description, but it is fairly cursory. There is a fair amount of mundane information that people interested in the course will love to know (e.g. what kind of food was served and what it’s like to have to sit through one’s body aches), but which will be less than thrilling for someone who has no interest in taking the course.
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DAILY PHOTO: Temple Dancer
Taken November 23, 2013 in Belur, India
This may be my last Daily Photo post for almost a month. If I do get any in, they’ll be sporadic. However, upon my return I will have lots of new posting fodder from Malaysia and Thailand.
Tiger Riding for Beginners 