I sing the body electric,
The armies of those I love engirth me
and I engirth them,
They will not let me off till I go with them,
respond to them,
And discorrupt them, and charge them full
with the charge of the soul.
Was it doubted that those who corrupt
their own bodies conceal themselves?
And if those who defile the living are as bad
as they who defile the dead?
And if the body does not do fully
as much as the soul?
And if the body were not the soul,
what is the soul?
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protruded, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
There's a certain slant of light,
Winter Afternoons --
That oppresses, like the Heft
Of Cathedral Tunes --
Heavenly Hurt, it gives us --
We can find no scar,
But internal difference --
Where the Meanings, are --
Non may teach it -- Any --
'Tis the seal Despair --
An imperial affliction
Sent us of the Air --
When it comes, the Landscape listens --
Shadows -- hold their breath --
When it goes, 'tis like the Distance
On the look of Death --
Climbing Taihang Mountain,
On the green winding way.
The jade-lined trail in fog,
Floral scents from the gray.
Stuck in unflowing time,
'Til a song sung bright and gay...
I'm steered back to my past
With the grace of ghosts at play.
Skirting roiling waters,
A Roc soars after prey.
The Tao is unbounded --
Round or square as it may.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the seventeenth of the twenty-four poems. This poem’s Chinese title is 委曲, and has been translated as: “Grievance” and “In Tortuous Ways.”
Should the wide world roll away
Leaving black terror
Limitless night,
Nor God, nor man, nor place to stand
Would be to me essential
If thou and thy white arms were there
And the fall to doom a long way.
Listless he eyes the palisades
And sentries in the glare;
'Tis barren as a pelican-beach --
But his world is ended there.
Nothing to do; and vacant hands
Bring on the idiot-pain;
He tries to think -- to recollect,
But the blur is on his brain.
Around him swarm the plaining ghosts
Like those on Virgil's shore --
A wilderness of faces dim,
And pale ones gashed and hoar.
A smiting sun. No shed, no tree;
He totters to his lair --
A den that sick hands dug in earth
Ere famine wasted there,
Or, dropping in his place, he swoons,
Walled in by throngs that press,
Till forth from the throngs they bear him
dead --
Dead in his meagerness.
Ah, make nature your home;
Be true and be unchained.
Enrichment by control
Can never be sustained.
Build your hut in the pines:
Toss your hat and read verse.
Know the dawn from the dusk,
But not time -- cradle to hearse.
If your life suits you well
Why must you strive and strain?
If you're unbound as sky,
This style you have attained.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the fifteenth of the twenty-four poems. This poem’s Chinese title is 疏野 and it has been translated as “Seclusion” [Giles,] “The Carefree and Wild Style” [Barnstone / Ping,] as well as, “Unrestricted,” “Seclusion,” and “Sparse Wilderness.”
I have never seen "Volcanoes" --
But, when Travellers tell
How those old -- phlegmatic mountains
Usually so still --
Bear within -- appalling Ordnance,
Fire, and smoke, and gun,
Taking Villages for breakfast,
And appalling Men --
If the stillness is Volcanic
In the human face
When upon a pain Titanic
Features keep their place --
If at length the smouldering anguish
Wil not overcome ---
And the palpitating Vineyard
In the dust, be thrown?
If some loving Antiquary,
On Resumption Morn,
Will not cry with joy "Pompeii"!
To the Hills return!
In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt -- a wind to freeze;
Sad patience -- joyous energies;
Humility -- yet pride and scorn;
Instinct and study; love and hate;
Audacity -- reverence. These must mate,
And fuse with Jacob's mystic heart,
To wrestle with the angel -- Art.
Dawn rain has washed the city of its dust;
The refreshed hotel willows tremble in a gust.
My friendly advice, you dry up another glass,
You have no acquaintance beyond The Jade Gate Pass.
Tiger Riding for Beginners 