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About B Gourley

Bernie Gourley is a writer living in Bangalore, India. His poetry collection, Poems of the Introverted Yogi is now available on Amazon. He teaches yoga, with a specialization in pranayama, and holds a RYT500 certification. For most of his adult life, he practiced martial arts, including: Kobudo, Muay Thai, Kalaripayattu, and Taiji. He is a world traveler, having visited more than 40 countries around the globe.

Around the World in 6 Myths

6.) Thor & Loki in the Land of Giants (Norse): There’s no shame in putting a mere dent in the impossible.




5.) Rama & Sita (Hindu / from the Ramayana): Careful with your assumptions. You may end up looking like a jerk even if you’ve proven yourself generally virtuous.




4.) Anansi the Trickster (Ghanan / Akan): Don’t do favors for tricksters.




3.) Arachne the Weaver (Greek): Don’t be arrogant, even if you’re the best.




2.) Izanagi & Izanami (Japanese [creation myth]): Hell hath no fury…




1.) White Buffalo Calf Woman (Native American / Lakotan): Don’t let your lust get away from you and be careful in your assumptions.

DAILY PHOTO: Scenes from Jaigarh Fort

Taken in November of 2015 at Jaigarh Fort, Jaipur

DAILY PHOTO: Eyed by an Adolescent Elephant

Taken in April of 2017 in Chobe National Park, Botswana

BOOK REVIEW: The Drunken Botanist by Amy Stewart

The Drunken Botanist: The Plants That Create the World's Great DrinksThe Drunken Botanist: The Plants That Create the World’s Great Drinks by Amy Stewart
My rating: 5 of 5 stars

Amazon page

 

This book is about how plants are used in the making of alcoholic beverages from vegetative matter that serves as the primary ingredient in fermentation to obscure herbs and berries used to lend subtle flavoring. The book covers a lot of ground, being at once a guide to the chemistry of fermentation and distillation, a mixologist’s recipe book, and a guide to growing the plants used to make booze.

I will admit, if I weren’t such a neophyte to both subjects at hand – botany and alcoholic beverages – I probably wouldn’t have rated this book so highly. For me, almost every page offered new fun facts about alcoholic beverages, some of which I’ve consumed and many of which I never have. So if you have a high degree of understanding about one or both of these subjects, you may not find the book as intensely satisfying. Also, at times the book comes off a bit pretentiously – hardcore drunks probably don’t want to be shackled with so many rules for optimal alcoholic consumption (e.g. what type of glass they should drink a given drink from, etc.), but hardcore drunks are probably not a huge readership demographic. (It should also be noted that the reader gets some knowledge to fight pretentiousness as well, such as against gin drinkers who say they would never drink vodka when, in fact, they are drinking juniper berry-flavored vodka.)

The book consists of three parts. The first part describes fermentation and distillation and then offers two sub-parts dealing with the most everyday bases for alcoholic drinks (e.g. corn, grapes, potato, and wheat) as well as some of the more obscure and unusual objects of fermentation, respectively.

The second part delves into the plants that are added for flavoring or the like, and these are organized by: 1.) herbs and spices, 2.) flowers, 3.) trees, 4.) fruit, and 5.) nuts and seeds.

The final part gives some guidance on how some of these plants can be grown. It should be noted that this section is a bit thinner because a lot of information on growing the plants is covered in side-bars in the earlier sections and also this isn’t the book’s main thrust. The third part is similarly divided up between herbs, flowers, trees, berries & vines, and fruits & vegetables.

There are quite a few graphics, mostly in the form of line drawings, throughout the book – some are purely aesthetic and others are informative (e.g. drawings of plants.) There is also a recommended reading section that proposes further books to expand one’s understanding at the nexus of booze and plants. The book presents a lot of material in text boxes that set the information aside. These boxes include recipes, but also insights into how to best grow these plants with particularly emphasis given to how the process is optimized for those growing for beverage production (e.g. sometimes the optimal variety isn’t the most common variety.)

I enjoyed this book. It was readable, full of fun bits of information, and written in a light-hearted style. If you’re looking for a book on plants and alcoholic beverages, this is a good starting point. It doesn’t get too deep in the weeds but yet offers some obscure but amusing factoids.

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BOOK REVIEW: Lila Says by Anonymous

Lila SaysLila Says by Chimo
My rating: 5 of 5 stars

Amazon page

 

Lila Says is the tale of a star-crossed odd couple. The lead, Chimo, is an unemployed, 19-year-old, Arab man living in a Parisian government housing complex. Chimo’s life revolves around writing stories and getting by however he can. A fair amount of the book is about living a life of poverty in the ghettos of one of the world’s most expensive cities, but the core of it is about Chimo’s relationship with Lila.

While Chimo is awkward with girls and uncomfortable in sexual matters, Lila is an exhibitionist and – it seems at first – a nymphomaniac. She is a pretty blonde girl being raised by a Catholic aunt. Over the course of the novel, it becomes less clear that Lila is a nymphomaniac, and it’s possible that she just gets excited by causing arousal in others – particularly Chimo. In other words, it’s not so clear to what degree she is having sex, versus telling erotic tall tales. At any rate, the interplay between Chimo’s repressed nature and Lila’s unrestrained nature is at the center of the story. It soon becomes clear that part of the reason Lila has chosen Chimo is because he’s simultaneously safe and interested. That is, he can control his libido but doesn’t reject Lila’s flirtations. Chimo is surprised to find that Lila doesn’t talk to any of his friends the way she does to him, and – in fact – she doesn’t talk to them much at all.

This book is hard to rate. It’s definitely rough around the edges. However, as it’s presented as the journal of a young, unemployed man with minimal education that roughness contributes to an authentic feel. I have no idea whether it’s really a case like Go Ask Alice. (Go Ask Alice was presented as an anonymous manuscript written by a teen-aged girl whose life fell apart due to drug use, but it turned out to be written by a middle-aged woman whose life experience was nothing akin to Alice’s – though she was a therapist and youth counselor and thus had access to stories of those like Alice.) However, the text feels like it could have been hand-scrawled in the ruins of an abandoned building by candle light as described. (That is, if one discounts the British slang which takes one away from the “Arab man in a Parisian housing project,” but the book was originally published in French and so the English edition translation was made to invoke the same class level in its readership.) There are even a few footnotes about the state of the pre-edited manuscript that sell the meta-story of the book.

It’s also a great oversimplification to classify the book as erotica. It’s true that there is a great deal of sexual content in the book, and most of what Lila says, except toward the book’s end, is intended to be titillating. However, the book is also about living in poverty, selling blood to get grocery money and such. Furthermore, the book’s end ventures away from eroticism and into the realm of tragedy.

I found this book to be incredibly and surprisingly engaging. I might say I liked it warts and all, but I think it’s truer to say its warts contributed to making it more engrossing. I would highly recommend it for readers who don’t mind adult themes and who aren’t attached to happy endings (no pun intended.) I don’t mean to give anything away or to beat a dead horse. It’s just that if one picks the book up thinking of it as romance or erotica, one might feel betrayed. Better to think of it as a gritty work of fiction.

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BOOK REVIEW: Raoul Wallenberg by Ingrid Carlberg

Raoul Wallenberg: The BiographyRaoul Wallenberg: The Biography by Ingrid Carlberg
My rating: 5 of 5 stars

Amazon page

 

This is the most recent of the many biographies of Raoul Wallenberg. Wallenberg was a Swedish diplomat during the Second World War who is credited with saving thousands of lives. He was posted to Budapest with an assignment of issuing protective passports to Hungarian Jews. Hungary was a last bastion of Judaism among Nazi controlled / allied countries, but in the summer of 1944 they began mass deportation to the death camps in Poland. Protective passports from the neutral country of Sweden staved off deportation for many.

As dangerous as Wallenberg’s life was during his assignment to Budapest when he was constantly at odds with the Arrow Cross Militia (the Hungarian fascist party) and the Nazis who put them in power, the most intriguing part of Wallenberg’s life story may be his disappearance. In January of 1945, as he was seeking contact with the commander of the Red Army in Hungary to facilitate a post-War reconstruction of Budapest, he was arrested by the Soviets and surreptitiously moved to Lubyanka Prison in Moscow. The Soviets denied having Wallenberg, but facing overwhelming evidence from released prisoners who came into contact with Wallenberg in Lubyanka and Lefortovo prisons eventually made the Soviets recant. In the 1950’s they admitted they’d had him while making the suspect claim that he’d died of natural causes in 1947. There remains a great deal of mystery surrounding the case. Why they arrested Wallenberg in the first place? Why didn’t they release or exchange him like other foreign diplomats they had in custody. If they executed him – why’d they do it and why’d they do it when they did it. [There were claims by prisoners stating that they’d met Wallenberg in Gulag camps in the 1960’s and even into the 70’s (though the latter claims are more suspect.)]

In a bold move, this book is written in the old school style, which is to say chronologically. This may not seem odd for those who’ve been reading biographies and autobiographies for a long time. It’s how historians always used to write their books, and it certainly seems like a logical arrangement for the telling of historical events. However, the mode today is to start in media res, or in the middle of the exciting bits, and to sprinkle in only what is absolutely necessary of backstory as one goes along. Because of a combination of intense competition for one’s reading time and what seems like the diminished attention span of today’s average reader, it’s really quite brave for Carlberg to start with 150+ pages discussing: Wallenberg’s parents and grandparents, his days in America as an architecture student studying a form of building design that would be considered virtually useless when he returned to Sweden, and his attempts to get started in business in the years between his return to Sweden and his entry into the diplomatic corps. That said, this first of the three parts that make up the book is well done and more interesting than one might expect. It doesn’t suffer from the painful dryness that is so common when one discusses ancestors and the subject’s childhood. It’s not just that Carlberg keeps an eye on what data might be useful for the reader later in the book. In fact, I’d say that what makes the first part interesting isn’t that it shows us how Wallenberg’s youth forged him into an inevitable hero. Rather, it’s that we come away with a picture of a somewhat shiftless kid from the least wealthy limb of a family tree of a rich family. It’s not that he was born to be a hero that makes his background fascinating; it’s that he was in many ways an ordinary fellow whose decisions at critical moments made him a hero.

As mentioned, the book’s 23 chapters are divided into three parts. The first part, as described, is Wallenberg’s background. The second part explores his actions while posted to Budapest. This is when he had to deal with the likes of Adolf Eichmann and – at the very end – rogue elements of the Arrow Cross Militia who were engaged in killing sprees. The third part covers the period of Wallenberg’s arrest and disappearance at the hands of the Soviet Union. Many of the popular biographies of Wallenberg were written in the 1980’s, during a period of reawakened interest in his fate but when the Soviets were just beginning to loosen up, and so this version does contain a little bit of new information that came out during the Glasnost years and subsequently.

The book has a substantial group of black and white pictures of relevant people and documents. There are also modern-day descriptions of the author’s visits to various key places in Wallenberg’s story including various offices and residences, as well as Lefortovo prison. These are short (a few pages at most) and are interspersed with the chapters around which that locale was relevant. Some of them involved talking with people who had insight into Wallenberg’s life and other places are occupied by individuals with little to no knowledge of Wallenberg. There is a detailed accounting of sources, including both a bibliography and lists of interviewed individuals and unpublished sources.

I found this book fascinating. I will admit that I didn’t get hooked right away. While there was enough in part one to keep me interested, the book doesn’t become truly gripping until the second and third parts. In part three, it becomes genuinely hard to put down.

That said, if one is hoping for a work that resolves all questions, that work doesn’t yet exist, and it’s less and less likely that it ever will given the way the Soviets purged Wallenberg from documentation (very few references were found during the Glasnost era investigation) and apparently cremated his body. Few people remain alive who were involved and their memories are adversely effected by time. Still, Carlberg offers excellent insight into what went wrong on the Swedish side that may have contributed to Wallenberg’s demise. The Swedish diplomat jumped to conclusions that probably hurt Wallenberg’s survival odds. There are a few brief scenes in the book that are visceral, and one of these involves the degree to which that one diplomat was haunted by his missteps in the case. (Another involves a cudgel-wielding former KGB-interrogator who threatened Wallenberg’s step-brother when the relative tried to visit to find out more. If the sparse documentation is to be believed, the retired KGB man may have been the last person to speak with Wallenberg. But the man clearly wanted to put that behind him.)

There were just a couple of questions that I wish had been addressed by the book that weren’t. Carlberg is keen to point out that it appeared that the Soviets were hinting that a teen-aged Baltic refugee, Lydia Makarova, could be a possible exchange for Wallenberg. (The Swedish diplomats were too dense to get this at first because one had concluded Wallenberg died in Hungary and another – higher up — didn’t believe in quid pro quo life trades.) I can see how this Lydia Makarova wasn’t really relevant to Wallenberg’s story. She was just an extremely high value subject, but I couldn’t help but wonder why they would want a teen-aged girl so badly that they’d have been willing to take the public relations nightmare of admitting they abducted a diplomat regarded as an international hero. With the book weighing in at over 600 pages, I can see why there was reticent to investigate this further just to scratch an itch of curiosity, but still the itch remains.

I’d highly recommend this book. I’ve read other books on Wallenberg, and believe that this book offered substantial value added – particularly regarding the investigation of Wallenberg’s disappearance.

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DAILY PHOTO: White Stork Imitates Daniel-San

Taken in Chobe National Park, Botswana in April of 2017

DAILY PHOTO: Sailing Ship in the City

Taken in May of 2016 in Dubai

 


 

POEM: Dervish

see the dervish in mid whirl

decked out white as a pearl

can you feel the quick spin

pull you from a distant sin

blood flung wide in one’s insides

lifting brainward, like rising tides

somehow the mind becomes silent

as music blares, bold and violent

 

 

DAILY PHOTO: Sunset on Panagsama Beach

Taken in December of 2017 at Panagsama Beach