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About B Gourley

Bernie Gourley is a writer living in Bangalore, India. His poetry collection, Poems of the Introverted Yogi is now available on Amazon. He teaches yoga, with a specialization in pranayama, and holds a RYT500 certification. For most of his adult life, he practiced martial arts, including: Kobudo, Muay Thai, Kalaripayattu, and Taiji. He is a world traveler, having visited more than 40 countries around the globe.

CLASSIC WORKS: Bushidō by Inazo Nitobe

Bushido: The Soul of JapanBushido: The Soul of Japan by Inazo Nitobe

My rating: 4 of 5 stars

Amazon page 

On the whole, people are ambivalent about feudal times. On the one hand, it was a horrible time to be alive for 99.5% of the population. Chances are that if you’d lived during that time you’d be toiling ceaselessly on the land with no hope of improving your lot in life. Everything was determined by heredity, with merit having little to do with anything. This added insult to injury because that person you’d have had to suck up to was as likely to be putz as not.

On the other hand, there is widespread nostalgia for those times because one can’t help but feel that they were the golden days of virtue. As Ralph Waldo Emerson said, we think that society is ever advancing, but, in reality, we advance like a wave–losing as much on the backside as we gain on the front.

Inazo Nitobe’s book gives us an accounting of the chivalric virtue practiced by the samurai, the warrior class of feudal Japan. Bushidō means the way of the warrior. Nitobe lived after Japan’s feudal era, in the late 19th and early 20th centuries. Nitobe was an educator, and the book has a feel of erudition. Interestingly, the author was a Quaker and received education in the West, and, therefore, is able to contrast the Japanese worldview with that of Westerners.

The book is built around discussion of the seven virtues of bushido: justice, courage, benevolence, politeness, sincerity, honor, and loyalty. Each of these virtues has a chapter devoted to it (Ch. 3 through 9.) But first the book introduces bushido as an ethical system, and then it explains the effect that Buddhism, Shintoism, and Confucianism played in the development of this system.

Later chapters outline the education and training of a samurai, the importance of stoicism, the institution of suicide (seppuku), the symbolism of the sword in Japanese society, the role of women, the role of bushido as an ethical system in the present-day (his present), and its proposed role in the future. It is interesting that the book begins by discussing those things that influenced the development of bushidō, and it ends with discussion of how bushidō influences the larger world.

Our views of virtue have changed, but at some level remain consistent. The seven virtues are all still considered virtuous, but we don’t regard them in the same way today. In some cases we are undoubtedly better off with today’s views, but that’s not always the case.

Consider the seventh precept, loyalty. We still value loyalty, but in today’s world the rule of loyalty has an ever-present Shakespearean addenda: “to thine own self be true.” In other words, we no longer believe in loyalty that is blind as was valued in the days of old.

Sincerity, by which Nitobe generally means honesty, is also seen in a different light today. As depicted in the Jim Carey movie, Liar Liar, there’s a widespread view that it’s better to fib and make someone feel better than it is to tell the truth and hurt that person’s feelings.

One of the most intriguing chapters is the one that deals with seppuku. This is a concept that has never been well-understood in the West, and it’s a major point of cultural disconnect. While the Japanese have tended to see suicide as a means to restore honor that was lost in failure, in the West we tend to see it as a more pathetic and cowardly affair. I’ve recently been reading Ian Fleming’s You Only Live Twice, and this is one of many points of diverging attitudes between “Tiger” Tanaka and James Bond.

Bushidō is definitely worth a read. It’s thought-provoking, and is one of those books to be read slowly and conscientiously.

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DAILY PHOTO: Cabins at Seurasaari Island

Rustic cabins in the woods

Rustic cabins in the woods

BOOK REVIEW: Einstein’s Dreams by Alan Lightman

Einstein's DreamsEinstein’s Dreams by Alan Lightman

My rating: 4 of 5 stars

Amazon page

One might think that a novel written by a physicist would make for dreadful reading–and most of the time one would probably be correct. However, Lightman’s Einstein’s Dreams is a fascinating read. The arc of the book–what makes it a novel rather than a series of short scenes–is conveyed by a prologue, a few interludes, and an epilogue. These brief sections show an Albert Einstein as he went about life trying to work out his special theory of relativity.

In between the interludes are a series of written sketches that depict dreams that might have been had by Albert Einstein between April 14th and June 28th of 1905. Each of these dreams depicts an alternative universe in which time is not experienced as we experience it: that is, as an inexorably flowing river with a clearly defined arrow. In one dream, time is circular. In another, a lifetime is compressed into a day. In another, there is no flow of time; the world is a snapshot. In another, immortality is the norm. In the latter dreams of the book, we see a convergence on time as we know it–though in dream-like abstraction.

This short book is both creative and well-written. Lightman excels at creating scene through vivid description. His approach to structure is unique.

One thing that might have improved the book is if the author had been a little bolder. Lightman feels the need to explicitly state what is going on in each dream world. However, his description is strong enough that such discussion is generally anti-climactic–one already knows how time is working (or not working) in a given universe before the author states it explicitly. Thus, these explicit descriptions succeed only in taking one out of the dream.

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DAILY PHOTO: Buddha in Phnom Penh

Taken on the grounds of the Royal Palace in October 2012

Taken on the grounds of the Royal Palace in October 2012

CLASSIC WORKS: Slaughterhouse-Five by Kurt Vonnegut

Slaughterhouse-FiveSlaughterhouse-Five by Kurt Vonnegut

My rating: 4 of 5 stars

Amazon page

If you’re like me, you had to read this in high school. I reread it as an adult because the first time its awesomeness was tarnished by the fact that it was mandatory. Being a pessimistic youth, my thought was, “How good could it be if they are making me read it?” They don’t make you read Batman; they make you read Moby Dick. I’m glad I reread it as an adult. Little did I realize, my knee-jerk rejection of the book as something forced upon me, beyond my control, was mirrored by the theme of the book.

Slaughterhouse-Five tells the story of Billy Pilgrim, an optometrist who survived the Dresden fire-bombings was abducted by an alien race and became “unstuck in time.” If you didn’t get this impression, the book is strange. As the term “unstuck in time” suggests, there isn’t a chronological sequencing of events. Instead, the story leaps around from Pilgrim’s adult life as an optometrist to his time as a young soldier in the military to his time as an exhibit in a Tralfamadorian Zoo.

While the novel covers a lot of life, many of the important themes are seen in protagonist’s war experience. It should be noted that there is an autobiographical component to this book. Vonnegut was a prisoner of war who was ordered to help dig for survivors in the wake of the fire-bombing of Dresden. This gave Vonnegut a unique perspective of war and how similarly it is experienced by the enemy. An important line of tension in the book is between Pilgrim’s character and that of the jingoistic Roland Weary.

The Tralfamadorian subplot has a lot to do with being out of control, and learning that perceptions of control are illusory. This is exemplified by the time jumps, which leave Pilgrim completely unable to predict what will happen next. Then there is Pilgrim’s experience being exhibited in an alien zoo, what  could be less in control than that.

Like most of Vonnegut’s work, Slaughterhouse-Five is a dark comedy. There is humor throughout, but humor wrapped in the macabre. For example, whenever anyone dies there is a chorus of “So it goes.”

Everyone should read this, and reread it if necessary.

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DAILY PHOTO: Jekyll Island Live Oak

The underside of a Live Oak.

The underside of a Live Oak.

There’s nothing that creepifies a place more than live oaks and Spanish moss. Live oak is a tree species whose limbs stretch out impossibly far, like serpents or gnarled grasping fingers. Spanish moss is the shaggy vegetation that drapes down from the limbs. It isn’t actually a moss. The two grow together throughout much of the coastal Southeast.

DAILY PHOTO: Jack Daniel’s Distillery Original World Headquarters

Taken Summer 2012 Jack  Daniel's Distillery Tour

Taken Summer 2012 Jack Daniel’s Distillery Tour

DAILY PHOTO: Qorikancha, Cuzco, Peru

Convento De Santo Domingo / Qorikancha; Taken 2010

Convento De Santo Domingo / Qorikancha; Taken 2010

A Roman Catholic Convent, Convento De Santo Domingo, was built over an important Incan site, Qorikancha (alt. sp. Coricancha.)

5 Classics of Martial Arts Cinema

Martial arts cinema ranges from the horrible through the campy to the excellent. There is one ever-present risk facing this genre. That is, like porn, movie makers may conclude that viewers aren’t watching for character or plot so they might as well just focus on the action. When they do that and then they blow the action– well, that’s when it’s painful to watch. By numbers, most of this genre probably falls into that category. However, sometimes they get it right.

Of course, it’s not always clear what should be categorized as a martial arts film, given many cross-genre romps. The Matrix is science fiction, but it’s also a kung fu flick. The Bourne trilogy films are spy thrillers, but their characteristic gritty hand-to-hand combat sequences are integral to the films. I’ve tried to focus on films that one would unambiguously categorize as martial arts cinema (though anything by Kurosawa is likely to be considered mainstream cinema.)

I also, admittedly, display several of my own biases. I prefer films that avoid over-the-top superhuman choreography. I don’t want to say that I prefer realism. None of it is realistic, but there’s a vast difference between Jackie Chan’s choreography and that of The Curse of the Golden Flower. Still, I do include Crouching Tiger Hidden Dragon and Kung Fu Hustle, which both rely heavily on wires and superhuman feats. I also like period pieces as opposed to modern-day films. Of course, characters with charisma also get my attention, but I don’t think I’m unique in that regard.

5.) Enter the Dragon

Enter the Dragon is Bruce Lee’s last film, and features Lee as a Shaolin practitioner cum secret agent. The film reminds me of the Ian Fleming novel You Only Live Twice in that it’s about a person being tasked to infiltrate an evil mastermind’s sprawling lair not because it makes logical or reality-based sense, but rather because the proposed infiltrator is just that damn good.



4.) Crouching Tiger Hidden Dragon

This is undoubtedly the most critically acclaimed of the films on the list. It was nominated for a Best Picture Oscar in 2000, and while it did not win in that category, it did take four Oscars that year. It’s in a class of film that includes Curse of the Golden Flower and Hero that are known for stunning cinematography and historical settings. (Unfortunately, these films are also marked by an insanely excessive use of wire-work for my taste.) This film includes a romantic component as well as the fight to possess a sword called Green Destiny. As is mandatory for Kung fu films, there’s a martial arts master whose death must be avenged.



3.) The Legend of Drunken Master (aka Drunken Master II)

Jackie Chan plays a bumbling young man who is, ironically, a master of Kung fu when completely inebriated. The plot revolves around a mix up between an agent who is trying to steal a valuable artifact and Chan’s character who is trying to smuggle ginseng to avoid paying duty on it. Incredibly, the artifact and ginseng are packaged identically, and the thief ends up with the ginseng and Chan’s character with the artifact. It’s Chan at his best, with all the comedy and creative choreography that one would expect.



2.) Hidden Fortress

I’m not including this just to prevent a Chinese sweep. (On that note: I’ve heard the Thai Ong Bak films are quite good, but I haven’t gotten around do seeing any of them.) Anyway, there are some excellent Japanese period films that involve many combat sequences that are not over-the-top. Of course, Akira Kurosawa dominates in this realm. There are other Kurosawa films, such as Seven Samurai, Yojimbo, or Ran that could equally well be included. Hidden Fortress is probably best known to American movie buffs as a major influence on George Lucas in the making of the first Star Wars film. Hidden Fortress is a about a General (played by portrayer-of-samurai-extraordinaire Toshiro Mifune) who must escort a princess and her family fortune cross-country to safety. Of course, as in every hero’s journey, there are many challenges to be confronted.



1.) Kung Fu Hustle

This comedy is set in the gang-ridden slums of 1930’s Shanghai. A tenement complex is assailed by the gangs. However, the residents offer some surprising resistance in the form of unexpected apartment-dwelling kung fu masters. Unlike Jackie Chan’s down-to-earth comedies, this one is almost cartoon-esque. It features a cast of anti-heroes that keeps the film interesting, and the protagonist has a strong narrative arc.

DAILY PHOTO: 1989 RAF Mildenhall Airshow

Taken in 1989 or possibly 1990 at RAF Mildenhall

Taken in 1989 at RAF Mildenhall

I heard that this was the biggest military airshow in Europe that year because a horrible crash at the 1988 Ramstein Air Show shut down that show and maybe some others in 1989. (I stipulate “military” airshow because there is huge airshow in Paris each odd year that features military aircraft but also   commercial craft, and that show is not exclusively a Ministry of Defense or Department of Defense endeavor.)

Oddly enough there was also a crash at the 1989 Paris Airshow, but it resulted in no loss of life (the 1988 Ramstein crash caused 70 fatalities and several times that number injured.) There was no crash at Mildenhall in 1989 though. I remember the F-18 being about the most impressive thing that flew that year. This, I believe, is a Panavia Tornado, but I’m not that familiar with planes–particularly non-US models–so I could be wrong.