Plantation at Dusk [Haiku]

one coffee plant
sticks out while all others
fade into dusk

Failing Daylight [Free Verse]

i walked the rutted road
in failing daylight
& 
wondered what I might find
when it turned to night
& 
milky moonlight 
would be the only 
means to see
&
i hear the relentless chirp
of a bullfrog that can't be seen
because it's everywhere
to my non-directional ears
but 
still i look for it
&
i step into a puddle
& 
my sock is squishy
with each left step
& 
i go home

Hypnotic Limerick

James Coates (1904)
There was an anesthetist / hypnotist
whose patients could never resist.
'Twas the even drone
of his flat monotone.
Even the surgeon fell asleep in his midst.

Ganesha [Free Verse]

Ganesha:
Obstacles removed
&
Good luck brought

All yields to the
elephantine forehead
&
elephantine learning

Seemingly immovable
when seated,
but I've seen you swing;
hoisted by a crane
& 
dangled out over the water

But the pendulum arc was 
short 
&
stiff
&
precarious:
as if it might flip the crane --

every remover of obstacles 
must leave a detritus of
past obstacles in its wake

Hamlet Limerick

Hamlet Stands Over Polonius;
Eugène Delacroix (1855)
There once was a wavering Prince of Denmark
whose uncle replaced his dad as monarch.
The ghost of his dad
said, "Kill 'em, my lad!"
Too bad he took that stab in the dark.

Helen of Troy [Limerick]

Abduction of Helen; (mid-18th cent. Venice)
There was pretty lady named Helen
whose beauty had all the boys yellin'.
No arrows from Cupid;
her glance made 'em stupid.
But did her face split a thousand melons?

BOOK REVIEW: Rilke: The Last Inward Man by Lesley Chamberlain

Rilke: The Last Inward ManRilke: The Last Inward Man by Lesley Chamberlain
My rating: 5 of 5 stars

Amazon.in Page

This book surveys the influences on Rainer Maria Rilke’s poetry, and makes the argument that Rilke was the last vestige of a mystically spiritual [Romantic or Romantic-esque] poetic line. Poetry was becoming more political and more influenced by nihilistic philosophies that eschewed inward investigations of meaning and self-realization, constructs that were seen as artificial and empty. Rilke bucked the trend, and while he did become an important poet, Chamberlain believes he paid a price.

The book discusses the influence of sexuality, spirituality, and artistic obsessions on Rilke’s poetry in great detail. It also talks about his life as an influence, both his family life (or lack, thereof) and the key years he spent in Paris. The last couple chapters tie the story together by clarifying what Rilke achieved and how it contrasted with prevailing trends.

If you’re interested in understanding more about the philosophical and spiritual forces impacting Rilke’s work, this is an interesting read. It’s not a biography, strictly speaking, but does unavoidably discuss Rilke’s life in some detail (though always through a literary / philosophical lens.)


View all my reviews