Tag Archives: literature

MASTER WORKS: The Taming of the Shrew by William Shakespeare

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The Taming of the ShrewThe Taming of the Shrew by William Shakespeare

My rating: 5 of 5 stars

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This is one of Shakespeare’s most controversial works, and debates still rage about whether its misogyny was written tongue-in-cheek, was a product of the times, or was indicative of a dark side of The Bard.

The plot revolves around two sisters, Katharina and Bianca, and their suitors. The younger sister, Bianca, is a catch and has many suitors vying for her affection. However, Katharina is, in the terms of Shakespeare’s day, shrewish. She is out-spoken, strong-willed, and on occasion downright bitchy; characteristics that weren’t particularly marriageable back in the day.

The father of the two girls will not allow Bianca to be wed until Katharina, his elder daughter, is also engaged. However, no man is willing to take that bullet so that one of his buddies can marry the much beloved Bianca. That is until Petruchio enters the scene with his friend Lucentio. Petruchio could use the lucrative dowry and believes himself equal to the task of taming the shrewish Katharina. Petruchio’s decision makes Lucentio (not to mention Gremio and Hortensio, i.e. the other suitors) extremely happy.

Petruchio’s approach to taming is to be hyper-sensitive to Katharina’s complaints. She gets no food to avoid her inevitable gripes about the food’s quality. Since no gown would be good enough, she gets no new clothes. These actions are designed to train Katharina to bide her tongue.

Like all Shakespeare, the language is phenomenal.

Like all Shakespeare, everyone should read this work.

I’m curious about people’s feelings regarding this play.

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BOOK REVIEW: A Dead Hand by Paul Theroux

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A Dead Hand: A Crime in CalcuttaA Dead Hand: A Crime in Calcutta by Paul Theroux

My rating: 4 of 5 stars

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A Dead Hand opens with the protagonist, Jerry Delfont, receiving an unexpected and unusual letter. Delfont is a traveling writer who is temporarily in Calcutta. The letter is from an American businesswoman and philanthropist who seems to have gone native in India. The woman, Merrill “Ma” Unger, asks Delfont to investigate a mysterious event involving her son’s boyfriend, a young Indian man named Rajat.

Rajat claims to have woken up one night in his cheap hotel room to find the dead body of a boy on the floor. Rajat panicked and left, and is living in fear that he will be picked by the police.

The book in part traces Delfont’s investigation of this mysterious body, and in part describes his burgeoning relationship with “Ma” Unger. The former is slow going through the first 2/3 of the book, and at some points one wonders if Delfont has forgotten about the investigation altogether.

The title has a dual meaning. It describes both the writer’s block Delfont is suffering at the beginning of the book and the actual physical hand that turns up as the sole remaining trace of the dead boy who turns out really was in Rajat’s room.

Coming from famed traveling writer Paul Theroux, it’s no surprise that the development of setting is phenomenal. Theroux not only gives one a sense of the sights, sounds, and scents of Calcutta, he also gives the reader insight into the human dimension of India through a number of supporting characters. There is a passionate young woman who writes poetry and practices the Indian martial art of Kalaripayattu. She is a strong, bright, and independent woman but is stuck in a world of arranged marriages and sexual repression. Despite the official end of the caste system, we see completely subservient Indians as well as others who think they are beyond talking to a lowly writer.

The plotting is solid. It’s neither exceptional nor so flat or formulaic as to be boring. I, who am not particularly good at foreseeing plot twists, did anticipate the ending–at least in broad brush stroke terms. However, the book kept me interested and reading. There was a clear narrative arc and the main character definitely undergoes a change over the course of the book (more on that below.)

In my opinion, the book’s weakness is in character development, and specifically Delfont’s character. We are introduced to a Delfont who is having a tough time, but is essentially a likable guy with his head on straight. However, as he begins to fall for “Ma” Unger, he seems increasingly pathetic. Specifically, he falls into this weird relationship in which he seems to see her both sexually and maternally, and–like a schoolboy with a crush–he wants to do anything he can to please her and to gain her attention. Now, being pathetic is a little like being crazy. If the character knows or suspects they are crazy, then how crazy can they really be? Because Delfont recognizes he’s being pathetic, he remains a sympathetic character. However, I think Theroux over hammers the degree to which Delfont is smitten until we begin to think he is obsessed. The problem is that it makes his transformation and that of his relationship with “Ma”, which happens like the flip of a switch, less credible.

All and all, I would recommend this book. I think it’s particularly interesting for one who wants greater insight into India and, specifically, Calcutta.

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WRITING DEVICES: The Author Cameo in A Dead Hand

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I’ll soon finish reading a novel by Paul Theroux called A Dead Hand. I won’t get into the details of the book in this post because I’ll do a review later, but there’s a writing device in it that really intrigued me. Theroux inserts himself into the novel in a cameo role as a competitor to the protagonist. That is to say, the main character is a traveling writer who writes mostly magazine articles, while Theroux a prolific writer famous for travelogues such as The Great Railway Bazaar and Ghost Train to the Eastern Star,  as well as for many novels which are written with a travel writer’s sensibility for location. (A Dead Hand takes place in and around Calcutta, India.)

I enjoyed the author cameo. It would only work well for a writer like Theroux, one who is both well-known and, because of his nonfiction work, who readers have a feel for as a person. Still, I couldn’t think of another novel I’ve read in which this has been done. I’ve only read Theroux’s nonfiction so far, so maybe this is a running gag with him.

Inserting himself offers some opportunity for adding humor. For example, there’s a part in which the main character’s friend, who is also a go-between who introduces the two writers, says, “He [Theroux] said he wanted to take the train from Battambang to Phnom Penh.”

To which the main character replies, “He would. The bus is quicker!”

This technique also gives one the impression that we are getting some inside insight into the writer. When the main character mistrusts the author, how are we to process that?

Granted it’s a little like an actor looking into the camera and talking straight to the audience.

I’m interested to hear if this is a more widespread technique than I’m aware of? Who else does this?

BOOK REVIEW: 101 Great American Poems ed. The American Poetry and Literacy Project

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101 Great American Poems101 Great American Poems by The American Poetry and Literacy Project

My rating: 5 of 5 stars

Amazon page

This is a collection of 101 poems by 39 different American poets. It begins with a poem by Anne Bradstreet in the 17th century and proceeds through to a work by W.H. Auden of the 20th century. In between are many poets that one would expect, such as Poe, Whitman, Dickinson, Sandburg, and Cummings. There are others that might be unexpected such as Abraham Lincoln, Herman Melville, and Stephen Crane. While the poems aren’t all jingoistic in nature, there is a recurring theme of celebration of America.

Most of the poems in this tiny anthology will be familiar to poetry readers. This is a $1 Kindle e-book of a Dover Thrift Edition, and so one won’t find living poets represented, or poems that tap into the zeitgeist du jour— at the risk of mixing loan words. However, most of these poems deserve to be read and reread.

A few of my favorites are below with title, author, and a fragment.

The Builders by Henry Wadsworth Longfellow
Nothing useless is, or low;
Each thing in its place is best;
And what seems but idle show
Strengthens and supports the rest.

The Raven by Edgar Allen Poe
Once upon a midnight dreary, while I pondered, weak and weary,

O Captain! My Captain! by Walt Whitman
O Captain! my captain! our fearful trip is done,
the ship has weather’d every rack, the prize we sought is won,

I’m nobody! Who are you? by Emily Dickenson
I’m nobody! Who are you?
Are you nobody, too?
Then there’s a pair of us–don’t tell!
They’d banish us, you know

The New Colossus by Emma Lazarus
“Give my your tired, your poor,
Your huddled masses yearning to breathe free,…

Solitude by Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone

War is Kind by Stephen Crane
Do no weep, maiden, for war is kind

Sence You Wend Away by James Weldon Johnson
Seems lak to me de stars don’t shine so bright,

Sympathy by Paul Laurence Dunbar
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;

Fire and Ice by Robert Frost
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire

The Road Not Taken by Robert Frost
Two roads diverged in a wood, and I–
I took the one less traveled by,
And that has made all the difference.

Chicago by Carl Sandburg
They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys.

Fog by Carl Sandburg
The fog comes
on little cat feet.

Thirteen Ways of Looking at a Blackbird by Wallace Stevens
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird;

The Red Wheelbarrow by William Carlos Williams
so much depends
upon

a red wheel
barrow

The Love Songs of J. Alfred Prufrock by T.S. Eliot
The yellow fog that rubs its back upon the window-panes,

First Fig by Edna St. Vincent Millay
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends–
it gives a lovely light.

Ars Poetica by Archibald Macleish
A poem should not mean
But be

I, Too by Langston Hughes
I am the darker brother.
They send me to eat in the kitchen
When company comes,

Little Old Letter by Langston Hughes
You don’t need no gun nor knife–
A little old letter
Can take a person’s life.

Nothing struck me as conspicuously absent from this collection, but I’d be curious what poems people feel should (or shouldn’t) be in such a collection.

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BOOK REVIEW: Classic Haiku ed. by Yuzuru Miura

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Classic Haiku: A Master's SelectionClassic Haiku: A Master’s Selection by Yuzuru Miura

My rating: 5 of 5 stars

Classic Haiku is a collection of 106 poems by masters such as Matsuo Bashō, Kobayashi Issa, and Yosa Buson. It’s logically arranged into five sections: Spring, Summer, Autumn, Winter, and New Year’s Day. While haiku has come to be thought of as any poem in a 5-7-5 syllable arrangement, those familiar with traditional haiku know that there are other requirements that are at least as fundamental as the syllabic arrangement. One of these is that the poem be pure observation devoid of exposition. Another criteria is that it be rooted in nature. A final criteria, historically, has been that the poem indicate the season, if not giving an explicit seasonal word or phrase. This makes the season an optimal organizational unit for the book.

One nice feature of this book is that it includes the English translation, the Japanese romaji version (i.e. the way it would be spoken in Japanese but using roman alphabet characters), and the version using the Japanese system of writing. Granted, for those who aren’t fluent in Japanese, these features might not seem to add much. However, sound can be evocative itself in poetry, and so it can be interesting to read the Japanese for that reason. Furthermore, there are those who argue that 5-7-5 syllables is not the closest facsimile to Japanese haiku for haiku written in English. Because of the average length of syllables, some say that a 2-3-2 accented syllable pattern for English haiku is closer to the original Japanese form. Reading the Japanese, gives one an idea of the sound characteristics of Japanese haiku.

[Furthermore, if one loves a haiku enough to want to get it tattooed in Japanese on one’s body, one can double-check the characters before one gets it done at a Chinatown tattoo parlor only to find that what one really has tattooed on one’s butt is, “Syphilitic nightmare – Ketchup bottle mayhem day – Rides the goat to school”]

Here’s a sampling my favorites:

 

the raftsman’s straw cape
brocaded with
the storm-strewn cherry blossoms
– Yosa Buson

calm and serene
the sound of cicada
penetrates the rock
– Matsuo Bashō

in summer grasses
are now buried
glorious dreams of ancient warriors
– Matsuo Bashō

oh, cricket
act as grave keeper
after I’m gone
– Kobayashi Issa

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BOOK REVIEW: Solaris by Stanislaw Lem

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SolarisSolaris by Stanisław Lem

My rating: 4 of 5 stars

Solaris is the  best known work of the Polish sci-fi writer Stanislaw Lem. It’s the story of the planet Solaris’s super-intelligent ocean and the humans that are observing it from an orbiting space station. Scientists discover that the ocean is intelligent because the planet orbits two stars, and the ocean must redistribute itself as ballast to keep Solaris from flying off out of its star systems.

Having had no luck in learning about this ocean, the scientists begin more invasive operations–bombarding the ocean with electromagnetic radiation. The ocean then begins to project human beings into the space station, using blueprints in the minds of the scientists. Each of the scientists begins to see, and eventually interact with, someone from his past. Each “guest” is physically indistinguishable from the person in the respective scientist’s past, but the simulacra are “off.”  These simulacra stir up bad memories.

The most extensive interaction we see between a crew member and one of these manifestations is that of the protagonist, Dr. Kris Kelvin, and his ex-wife. Dr. Kelvin is a psychologist and is the most recent crew edition. (The novel actually starts with him as a new arrival, we learn of the earlier incidents as he does.) His “visitor” is the spitting image of his wife, a woman who committed suicide after the couple broke up.

The novel plays with an intriguing question. What if a person you loved and lost came back from the dead, but you would only be able to experience them as they existed in your mind? In some sense, they’d be more real to you than the actual person. But you’d know they were just a fabrication, and you could never learn anything new about them. At first Kelvin rejects, even banishes, his wife’s doppelgänger, but when she inexplicably returns he finds it hard to maintain his distance.

I enjoyed this book. The translation seemed skilled to me (though I don’t read Polish, and hence didn’t read the original.) I’d recommend it.

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There have been three film adaptations of this novel. I haven’t seen any of the movies, but this is the trailer for the most recent one. The trailer emphasizes the love relationship more and the sentient ocean less than the novel (though the interaction of the protagonist with his imagined wife is central to the work.)

BOOK REVIEW: Steel and Other Stories by Richard Matheson

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Steel: And Other StoriesSteel: And Other Stories by Richard Matheson

My rating: 4 of 5 stars

Amazon page

Steel and Other Stories is a collection of 15 short stories from the author of I am Legend. Thirteen of the fifteen stories are from the 50’s, and motifs of that time are common (e.g. Cold War phobia, the Western, etc.)

1.)The title story, Steel, is about android boxers. Viewers of the movie Real Steel, which was loosely based on this story, will find the story not much like the film. In the film the boxers are robots, but in the story they are androids. For those readers who aren’t sci-fi geeks, the difference is that androids look and move like humans. There is more on the line in the final fight in the story than in the film.

2.) Fit the Crime is about a cantankerous old poet on his deathbed. It’s a humorous story and will be enjoyed by those who love language play.

3.) The Wedding is about a superstitious groom who gets on his bride’s last nerve.

4.) The Conqueror is the sole Western in the collection. It features gunfights and a final line revelation.

5.) Dear Diary is a very short sci-fi piece that is written in the form of three diary entries: one in 1954, one in 3954, and one at an undesignated date presumed to be later than the second entry. In typical Mathesonian style, the third entry, only a partial sentence, turns expectations on end.

6.) In Descent two couples are preparing to move underground to survive nuclear holocaust. Confronted with the decision of dying above ground or living a subterranean life, one of the men opts for the former. This creates a dilemma for the man’s wife.

7.) In The Doll That Does Everything two parents of a horrid child contemplate whether the lifelike doll they buy their child really can do everything.

8.) The Traveler is about scholars who go back in time, cloaked, to observe biblical history first hand.

9.) When Day is Dun is about the last man alive, but, unlike I am Legend, the apocalypse is of nuclear annihilation.

10.) Splendid Source is one of the most famous stories in the collection. It’s about a search for the point of origin of ribald jokes. Viewers of Family Guy will recognize its depiction in an episode of that series.

11.) Lemmings is one of the shortest pieces in the collection. It imagines humanity walking one after another into the sea.

12.) In The Edge a man finds that people he doesn’t know know him. This begs the question of whether he has a doppelgänger or he’s lost his mind.

13.) In A Visit to Santa Claus a man reconsiders a contract on his wife’s life that is to be executed on a visit to the mall to see Santa.

14.) In Dr. Morton’s Folly a dentist gets an after-hours emergency case.

15.) In The Window of Time A man travels back in time 68 years by mysterious circumstance, walking familiar territory in transformed in time.

Matheson is a master story craftsman, and this collection is an interesting mix of stories from various genres–some humorous and some dark.

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BOOK REVIEW: Night by Elie Wiesel

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Night (The Night Trilogy #1)Night by Elie Wiesel

My rating: 5 of 5 stars

Amazon Page

Nobel Prize Winner Elie Wiesel’s book, Night, tells his story as a boy caught in the Holocaust. A Jew from Sighet in Transylvania, Wiesel was evacuated from the ghetto as a teenager and shipped off to Auschwitz–later to be moved to Buchenwald.

At little over 100 pages, this thin book is tragedy distilled and condensed.

A few of Wiesel’s experiences stick with one because they are just so gut wrenching. One such story is about a woman in the train car who hallucinates fire and flames. Her insanity no doubt spurred by hearing of the massive crematoria. Her delusions were prophetic for all too many of those packed in that cattle-car.

Another key moment came after their train rolled into Auschwitz. Both Elie Wiesel and his father followed advice to lie about their ages, he to make himself older and his father to become younger. This got them both directed to the left; the people who would live for the time being– though they didn’t know that at the time.

The climactic portion of the book deals with the boy’s attempts to cope with his father’s severe illness. On the one hand, his father was all he had. On the other hand, he feared that he would not survive if he had to keep looking after the ill elder. Wiesel is quite frank about the dilemma that clouded his mind. His father’s death would make his own survival more likely. The guilt caused by these thoughts tormented him. This kind of guilt is a prevailing theme in genocide literature. It reminds me of Viktor Frankl’s comment in Man’s Search for Meaning in which he says that the sad truth survivors must live with is that, “the best of us did not return.”

I will end my review by suggesting that you read this book. It’s quick and–while not painless–insightful. I’d intended to ramble on with some personal experiences and observations, but have decided to make that its own post entitled <em>The Bullets that Bore no Name: or, the Burden we all Bear</em>.

If you’re just here for the Night review, thanks for visiting and Godspeed in your journeys through cyberspace.

If you’re at all curious about what I have to say, grab your mint julep and join me on the veranda. The veranda is this way.

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BOOK REVIEW: Story of O by Pauline Réage

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Story of OStory of O by Pauline Réage

My rating: 3 of 5 stars

Amazon page: See Here

I haven’t read 50 Shades of Grey, but was surprised to hear that it began as Twilight fan fiction. From the descriptions that I’d seen, it seemed much more like a relatively softcore, commercial-fiction version of Story of O. I don’t whether the Story of O fits into this recent genre development called “mommy porn,” because the book predates that terminology.

In Story of O a successful fashion photographer named “O” is in love with a man whose tastes run to the extreme. Her lover, René, asks her to come into this lifestyle, and she willingly submits to his wishes. Submission involves some harsh tests of her willingness to endure.

I expect the initiated will point out that one major difference exists between the two works. 50 Shades seems to involve a monogamous relationship, whereas– in the Story of O— O is handed off from René to a more senior dominant for her “training.” O then begins to fall for her new master. Moreover, there is no monogamy in Story of O–whatsoever. (i.e. O is passed around like a doobie at a Greatful Dead concert.) I’m not saying they are the same books, just that they seem similar. They are both books about women who willingly surrendering to men with exotic (re: freaky) desires.

There also seems to be a difference in endings between the two story lines (vis-á-vis who walks), but I will not go into that.

Actually, one major fault of Story of O is that there is not a proper ending (completion of a narrative arc.) The version I have has a brief annotation that says the ending was suppressed. It goes on to give a description of two alternate versions of a similar ending. I suspect the drafts of those endings were lost to the ages because I have a copy of the 1973 edition (the book came out in the 50’s) and to my knowledge there is no subsequent edition.

Those who are freaked out by kinkiness will find Story of O hard to stomach. In terms of language, I’ve read that it’s calmer than 50 Shades…, but in terms of the actions carried out I suspect it runs a bit more toward the exotic. Another group that will find this book to not be their cup of tea are those who have strong feelings about women’s empowerment. If that’s you, you will likely find it hard to relate to a woman who has power in her life, but who willingly–nay, eagerly– relinquishes it. Moreover, O seems to thrive on being dominated. That is, she falls hardest for the man who will most forcefully enslave her.

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BOOK REVIEW: Eclipse of the Crescent Moon by Géza Gárdonyi

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Bas relief of Siege of Eger

Bas relief of Siege of Eger

Eclipse Of The Crescent MoonEclipse Of The Crescent Moon by Géza Gárdonyi

My rating: 4 of 5 stars

This book is the English translation of a volume originally written in Hungarian and titled Egri Csillagok, i.e. “Stars of Eger.”

Historical fiction works best when the event it’s built around requires no fictitious embellishment to fascinate the reader. Eclipse of the Crescent Moon takes place during the 1552 siege of Eger. During this siege, 2,000 Hungarians held off at least 40,000 Turkish invaders for over one month. (In the book the Turks have a two order of magnitude advantage.) The Turks retreated despite having had superior armaments as well as a massive numeric advantage. It’s the perfect underdog story.

Reading a purely historic account would be interesting enough, but Géza Gárdonyi creates value-added by imbuing his characters with depth, particularly his lead Gergely Bornemissza. There wasn’t much known about Bornemissza. He was a minor character in history compared to Eger’s commander, István Dobó. However, his expertise in explosives did play a role in this Hungarian success story.

The book begins when Bornemissza is a young boy. He and a girl named Éva are captured by a Turk. The couple escapes and manages to free others. They later elope to avert Éva’s arranged marriage. They have a child who is later captured by the same Turk who had captured them.

A major subplot is a trip made to Istanbul in the heart of enemy territory to attempt to aid in the escape of Bornemissza’s  adoptive father.

The book is well translated and an engaging read.

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