Tag Archives: Li Bai

BOOK: “Golden Treasury of Quatrains and Octaves” [i.e. 千家诗] Trans. by Xu Yuanchong and Xu Ming

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Golden Treasury of Quatrains & OctavesGolden Treasury of Quatrains & Octaves by Xu. Yuanchong (translator)
My rating: 5 of 5 stars

Publisher Site — China Translation Corp

This is the bilingual (Chinese-English) edition of an anthology of Tang and Song Dynasty poems commonly known in Chinese as 千家诗 (it has a much longer formal title,) which was jointly translated by Xu Yuanchong and Xu Ming (no relation.) The book is organized into four parts by the form of poem: 7-character line quatrains, 7-character line octaves, 5-character line quatrains, and 5-character line octaves. The anthology includes poems by Li Bai, Du Fu, Wang Wei, Meng Haoran, Jia Dao, Ouyang Xiu, Yang Wanli, Su Shi, and many other important Tang and Song poets — from Emperors to Hermits. That said, while the aforementioned Chinese title suggests there are works of a thousand poets involved, that’s an exaggeration. (And that’s probably all the better. While this was the golden age of Chinese poetry, going that wide into surviving poetry might involve hitting the dregs.)

Each entry has a title, byline, the poem in Simplified Chinese script and pinyin (Romanized phonetic script,) an English language translation, notes in Chinese, and a line or two of commentary in English. All but the seven-character line octaves take up just one page per poem. (Seven-character line octaves take two pages per poem.)

This is a great anthology. There’s an introduction to give insight into what approach the translators took. They stuck to rhyming verse to emulate the originals in form, but more can be learned from the introduction.

I’d highly recommend this anthology for poetry readers.

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“Down to Jiangling” [下江陵] by Li Bai [李 白]

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I left Baidi amid ochre clouds --
   Crossed a thousand li by day's end.
 Monkeys howled and chased along each bank;
   My skiff slipped past ten thousand mountains.

The original in Simplified Chinese:

朝辞白帝彩云间
千里江陵一日还
两岸猿声啼不住
轻舟已过万重山

Note: this is poem #269 of the 300 Tang Poems [唐詩三百首.]

“Spring Thoughts” by Li Bai [w/ Audio]

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Yan grass shimmers like silken jade.
 Qin mulberry trees' green leaves droop.
 Your homecoming is now at hand
 As heartbreak has me thin and stooped.
 Spring Winds and I are strangers --
 Why, past my curtains, the inward swoop?

Chinese Title: 春思; Original poem in Simplified Chinese:

燕草如碧丝， 秦桑低绿枝；
当君怀归日， 是妾断肠时。 
春风不相识， 何事入罗帏？

Note: this is poem #7 in “300 Tang Poems” [唐诗三百首]

BOOK: “Twenty-Nine Goodbyes” by Timothy Billings

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Twenty-Nine Goodbyes: An Introduction to Chinese PoetryTwenty-Nine Goodbyes: An Introduction to Chinese Poetry by Timothy Billings
My rating: 5 of 5 stars

Publisher website

The premise of this book is simple, Billings presents twenty-nine different translations of a famous farewell poem by the Tang Dynasty poetic genius, Li Bai, and compares, contrasts, and critiques them in detail. The included translations weren’t all crafted in the English language, but English translations (of the translations) are presented as needed. There are translations from French, Spanish, Japanese, and even modern Mandarin Chinese — among others.

Despite how that may sound, it is a tremendously readable book. Billings writes with engaging prose, employs humor (especially when critiquing his own contribution in the final chapter,) and uses complicated jargon only when necessary and with comprehensible explanations.

Still, it does take a certain level of passion to read because one is repeatedly examining the same poem, and one has to have an interest in the minutiae of said poem and – more importantly — an interest in the broader lessons conveyed about translation. If whether a color is translated as green or blue (or what symbolic object tumbles on the ground, or what sound a horse makes) doesn’t seem change the emotional experience of the poem for you, then you’ll probably have a hard time getting into this book. That said, the ability to take a longitudinal view –seeing same points in a given poem through the lens of different poets and translators cross time and cultures, does offer insight that one would be unlikely to get from reading any of the twenty-nine translations in isolation as part of a single translator’s collection of translations.

The most useful thing the book did for me was to increase my understanding of the nature of translation and its tradeoffs, as well as to elucidate how easy it is to miss the mark when one is translating from a perspective so different in time and worldview.

I’d highly recommend this book for anyone interested in Tang Dynasty poetry, translation, and the interface of culture and language.

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“Sitting Alone on Jing Ting Mountain” by Li Bai [w/ Audio]

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The flock flies high and vanishes.
 The sole cloud drifts to oblivion.
 Mountain and I exchange a gaze,
 Until only Jing Ting remains.

BOOKS: “The Banished Immortal” by Ha Jin

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The Banished Immortal: A Life of Li Bai (Li Po)The Banished Immortal: A Life of Li Bai by Ha Jin
My rating: 5 of 5 stars

Amazon.in Page

Li Bai is considered to be one of China’s best poets of all time, writing during the Tang Dynasty (618-907 AD,) a time swole with poetic greats. However, it’s not just a prolific collection of extant masterpieces that make Li Bai worthy of a biography intended for a general audience. Li Bai was also a compelling character. He was, at once, a drunk and a genius; a swordsman of some skill and a card-carrying Daoist. It’s not just that he could edit drafts into brilliant poems, but he was said to be gifted at spontaneously spouting clever verse. He was constantly struggling to gain a post in government, but failed time and again. Even when his poetic renown became so great that he was given a post in the Imperial court, he was disappointed to find that it was largely ceremonial and that he would have no great impact on anything. He had a stunning fall from grace when he aligned with the wrong side during a civil war and was lucky to have been exiled rather than executed.

Ha Jin, a prominent present-day Chinese author best known for the novel Waiting, does an excellent job of exploring Li Bai’s life. What I particularly enjoyed is that Ha Jin (a poet himself) discusses how events in Li’s life spurred some of his great poems (which are often included in whole or in part.) Ha Jin is also careful to make clear when biographical accounts diverge, and there are many unknown or disputed details of Li’s life. In fact, there is a bit of a mythology around Li Bai, as one might guess from the title – which refers to a nickname bestowed upon the poet based on the belief that he was a Daoist immortal.

I’d highly recommend this book for readers of biography, those interested in Chinese history, or those who are intrigued by rebellious poetic souls.

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Drinking Alone by Moonlight by Li Bai [w/ Audio]

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A pot of wine, under blossoms.
   I drink alone, no friends in sight.
 I raise a cup to lustrous Moon:
   Me, Moon, and Shadow will make three.
 But Moon is a teetotaler.
   And Shadow just skulks at my feet.
 Still, Moon & Shadow are my chums.
   We need a bash before Spring's end.
 But my singing makes Moon recoil.
   And Shadow flops hard when I dance.
 At first, we have a grand old time,
   But we part ways when I drift off.
 We should keep this epic friendship rolling,
   and meet again in the River of Stars.

NOTE: I produced this “translation” / arrangement, using translations by Arthur Waley, Ezra Pound, and that of “The Anchor Book of Chinese Poetry” [ed. by Tony Barnstone and Chou Ping] to get varied takes on the source poem.

BOOKS: The Poet Li Po AD 701-762 Trans. & Ed. by Arthur Waley

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The Poet Li Po A.D. 701-762The Poet Li Po A.D. 701-762 by Arthur Waley
My rating: 5 of 5 stars

Available online at: Project Gutenberg – The Poet Li Po

Li Po, also Romanized “Li Bai,” is one of China’s most famous poets, the prolific Tang Dynasty poet wrote extensively at the nexus of intoxication and the beauty of the natural world. His well-loved and evocative poem, “Drinking Alone by Moonlight,” is a prime example [and is included in this selection.]

The selection consists of a small number of translations by [20th-century Orientalist] Arthur Waley. It’s only 20-some of the 1,000-ish extant poems of Li Bai, but it does offer variety in form and subject matter. It doesn’t include all of Li Bai’s most anthologized poems, which I consider a plus — i.e. Waley didn’t just assemble a greatest hits album.

The Waley translations aren’t as sparse as many that one will read. That offers the advantage of being clearer in meaning while losing some of the feel of the original. That said, I enjoyed this group of translations and didn’t feel they were too verbose – for the most part. It’s a selection well worth reading for those who enjoy poetry.

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Li Bai [Lyric Poem]

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Li Bai fills his cup;
 Li Bai loves his wine;
  Li Bai sits in moonlight,
 staring at the sky.

BOOK REVIEW: Poetry and Prose of the Tang and Song [Trans. by Yang Xianyi & Gladys Yang]

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Poetry and prose of the Tang and SongPoetry and prose of the Tang and Song by Yang Xianyi
My rating: 5 of 5 stars

Amazon.in Page

This collection includes works from eighteen prominent poets and writers from the Tang (618-907 AD) and Song (960 – 1279 AD) Dynasties of China. Among the most famous of the included authors are: Wang Wei, Li Bai, Du Fu, Bai Juyi, Wang Yucheng, and Su Shi. The included works (mostly poems but including some brief prose writings) explore subjects such as nature, social justice, patriotism, travel, and drinking. If some of those topics surprise you, you’re not alone. I may be letting my biases show, but I was surprised by how much social outrage and humor was contained in these works from the China of 750 to 1,400 years ago. That said, most of the works do present the kind of sparse imagist depictions of natural scenes one would likely expect from Chines poets in days of yore. (Think haiku, but longer — though no less devoid of analysis or judgement.)

As someone who isn’t an expert on Chinese literature or even a speaker of any of the Chinese languages, I can’t comment intelligently on how precise the translations are. However, the English language versions contained in this volume are evocative, clever, and, occasionally, funny.

To give one an idea of the kind of humor, I’ll offer this quote from a poem by Xin Qiji:

Last night by the pine I staggered tipsily
And asked the pine, “How drunk am I?”
When I imagined the pine sidling over to support me,
I pushed it off saying, “Away!”

I enjoyed this collection, and would highly recommend it.


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