BOOK REVIEW: Socrates: A Very Short Introduction by C.C.W. Taylor

Socrates: A Very Short IntroductionSocrates: A Very Short Introduction by C.C.W. Taylor
My rating: 5 of 5 Stars

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In Plato’s Socratic dialogues, Socrates is forever challenging sophists and others who propose to know what virtues are while they are demonstrably unable to define or delineate them. I wonder how he would have felt about being one of the foremost examples of a person that people firmly believe they know, when there is good reason to believe that much of what we know is false. Socrates is described in comedic plays like Clouds by Aristophanes, but those descriptions are written for comedic effect. There is a large body of works by Plato describing Socrates’ philosophical jousts, but it seems clear that some of these writings reflect Plato’s views which may or may not have been shared by Socrates. There are a few matters of official records, and numerous isolated mentions from people who either loved or loathed Socrates (loving and loathing not being states conducive to accurate reporting.)

This book attempts to concisely review what is known about Socrates and his philosophy, what is myth, and what can, at best, be regarded as the features of a fictional Socrates. The book starts with a chapter on Socrates’ life and what is widely believed true about his biography. Then the book outlines the body of writings that discuss and describe Socrates, particularly those of Plato, Xenophon, and Aristotle. Next there is a chapter that explores the philosophy Plato’s Socrates, a fictional construct partially based on the man and partly shaped by his student’s views. The last two chapters discuss the legacy of Socrates (real and mythical) in philosophy and culture.

There is a Further Reading section at the end to give the reader some sources to continue their investigations. I found this to be a fine overview, well-organized, and readable. It will be more useful to those who read Plato, and relevant works of Xenophon.

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BOOK REVIEW: Henry VIII by William Shakespeare

King Henry VIIIKing Henry VIII by William Shakespeare
My rating: 5 of 5 stars

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This play takes place over a period of time, for want of a better measure, straddling the first two [of six] marriages of Henry VIII. It doesn’t reach the ill-fated end of Anne Boleyn, but rather finishes with the baptism of the girl child she birthed [Elizabeth, who will later be Queen.] [Of course, the failure to produce a male child was the downfall of Katherine of Aragon’s Queenship, so the birth of Elizabeth doesn’t bode well.]

In as much as a history has a theme, this one would be the conflict between the aristocracy and the clergy. This is first, and most extensively, seen through the rise and fall of Cardinal Wolsey, who wins the favor of the King in the Cardinal’s conflict with the Duke of Buckingham, but later Wolsey gets ousted after an aristocratic cabal diverts the Cardinal’s mail to the King. Henry discovers that Wolsey has recommended denial of an annulment of Henry’s marriage to Katherine, despite the fact that Wolsey was telling the King to his face that the marriage’s end had his endorsement. Later, we find aristocrats (the King’s Council) taking on the Archbishop of Canterbury, Cranmer, but Henry sides with the Archbishop as he once had with Wolsey.

The play’s major events are the execution of Buckingham, the divorce from Katherine, the marriage to Anne Boleyn, and the birth of Elizabeth.

This isn’t the most compelling of the Shakespearean histories, but it does have its intrigues. No doubt it would be a bolder play in the absence of the authoritarian nature of monarchy, but it’s still worth reading.

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BOOK REVIEW: Basho’s Haiku Journeys by Freeman Ng

Basho's Haiku JourneysBasho’s Haiku Journeys by Freeman Ng
My rating: 4 of 5 stars

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Out: October 19, 2021

The first thing a prospective reader should be clear about is that these aren’t Basho’s haiku. Basho wrote travelogues in haibun (a spare form of prose typically matched with one or more haiku,) and so one might expect the poems to be from them. On a related note, while all of the poetry is haiku in form, not all of it is haiku in substance. That is to say, it’s all presented in a three-line 5 – 7 – 5 syllable format, but some of it reads like a prose description of events chopped up into 5 – 7 – 5 syllable bit-sized pieces. That’s not to say that there aren’t many poems that do have the feel of true haiku, presenting spare natural imagery juxtaposed but not explained, analyzed, or judgement-laden. It seemed like the further into the book I got, the more of the poems felt like proper haiku.

It is a children’s book, so I don’t think it’s a major concern that it focuses on the most rudimentary elements of haiku (i.e. syllable count and nature imagery) at the expense of subtler elements. The Zen nature of Basho’s haiku might be challenging for a young reader. I addition to the colorful and whimsical artwork, showing prominent places from Basho’s travels, there is a single page explanation of haiku to help get kids writing their own.

If you’re looking for a book to get a child interested in nature, haiku, or travel, you should give this one a look.

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BOOK REVIEW: After the Fall by Laurent Queyssi

After the FallAfter the Fall by Laurent Queyssi
My rating: 3 of 5 stars

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Out: October 12, 2021

This isn’t exactly a thinking person’s read. It’s a fine, if simple, return home quest story with plenty of action. But it feels like the production process began with an artist’s Wishlist – e.g. “I would like to draw a comic that combines my love of dinosaurs, aliens, roided-up dudes, scantily-clad women, fantasy genre weaponry, bare boobies, zombies, and set it all within a crumbling 21st century Earth city.” To which the writer said, “We can do that! I’ve been working on this story about a friend who got his headphones stolen.” And the artist said, “That sounds perfect!”

It’s not until the end of the book that we learn what could create such a disparate set of conditions. We know that nuclear radiation could only account for the super-huge and preternaturally-aggressive animals, as well as the superpowers. How are we to account for the fact that all the men look like Conan the Barbarian, all the women look like their previous gig was sitting atop a muscle car for a muffler shop calendar, and some of the dudes look like video game monsters / aliens? I won’t spoil the mystery radiation that could result in such a range of afflictions, as well as bringing back the dinosaurs, except to say that I didn’t find the explanation compelling.

Unless you’ve been looking for a book that combines pterodactyls, aliens, superpowered anti-heroes, boobies, roided-up dudes, and stylized battle axes, you can probably pass on this one. But, if you’re into such things,…

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BOOK REVIEW: The Gold Persimmon by Lindsay Merbaum

The Gold PersimmonThe Gold Persimmon by Lindsay Merbaum
My rating: 4 of 5 stars

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Out: October 5, 2021

This book consists of two stories with the common connection of being set in strange hotels. The first story is split between parts one and three (of three.) This allows part one to tell a story that feels like straightforward realism (while part three is where the story gets a bit trippy and where – in that trippiness – the reader may see connections between the two stories that may or may not be intended.) It’s the story of Cly, an employee of a fancy hotel [The Gold Persimmon] that specializes in serving a grieving clientele, and her love affair with a regular guest, Edith, who is a physician. The strangest thing in this story is that Cly is probably the most attached to her job of any low-level hotel employee in the history of low-level hotel employees.

The second story’s protagonist, Jaime, is an aspiring writer of nonbinary gender identification who is about to take a job in another hotel, a Japanese-style love hotel. [For the unfamiliar, that means a place with themed rooms where people come for short-term stays to get their freak on – think: dungeon, subway train interior, etc.] This story gets weird almost immediately as a fog descends over the city leaving only a few employees and customers trapped together inside the hotel. This is a much more engaging story than the other. The few people in the hotel inexplicably go all “Lord of the Flies,” and the reader can’t be sure whether it’s descent into madness from whatever fog has enveloped the hotel, or whether they are mostly unstable from the start.

It’s extremely difficult to write surreal- / madness-based stories that aren’t distractingly unclear about what – if anything – is real. I felt this story suffered from two difficulties. First, Jaime’s internal monologue sways radically from what seems like extreme paranoia to very reasonable states, but we don’t know the character enough to have a baseline. Second, many of analogies used in describing events read a bit clunky, causing one to need to re-read to try to make sense of whether what is said is what is actually being seen or whether it’s just a confusing metaphor.

That said, I was engaged throughout the story, and found it compelling enough to need to keep reading. I’d say if you don’t mind some ambiguity and experimentation in writing, you’ll enjoy this book. If not, not.

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BOOK REVIEW: Meno by Plato

MenoMeno by Plato
My rating: 5 of 5 stars

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Online: MIT Classics

The central question of this dialogue is the teachability of virtue. The dialogue called Protagoras also delved into this question. Lest one think there’s no benefit to be had from reading a second take on the subject, the ultimate answer in this dialogue is the opposite of that seen in “Protagoras.” Socrates agreed with Protagoras that virtue was teachable. However, here Socrates concludes that it isn’t, citing the fact that there are no viable teachers of virtue (ever the anti-Sophist,) and yet there are people who consistently behave virtuously.

[If one wonders how two of Plato’s Socratic dialogues could feature completely different answers on the same question, the mid- and late dialogues are often thought to reflect Plato’s personal views more than his teacher’s. “Protagoras” is an early dialogue, while “Meno” is a middle dialogue. (It’s also possible they weren’t written by the same author as a number of dialogues attributed to Plato are in doubt.)]

I don’t find Socrates’s arguments on the subject at hand compelling. Socrates proposes that there are certain concepts that come pre-loaded into humans. He questions one of Meno’s slaves on geometry to show that the slave seems to have a grasp of geometry without having ever been taught. Ultimately, Socrates concludes that a grasp of virtue is divinely installed in many people.

Still, there’s lots of beneficial food-for-thought, particularly when Socrates differentiates knowledge and true beliefs / right opinions.

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BOOK REVIEW: Scout’s Honor by David Pepose

Scout's HonorScout’s Honor by David Pepose
My rating: 4 of 5 stars

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Out: October 5, 2021

This is one of those books that I found myself liking more and more as I continued to read, though which, frankly, the opening left me with low expectations. Said opening was pure Cold War cliché. In the aftermath of a nuclear war, radioactivity has had no impact on the human population besides thinning it out tremendously, but it has rendered incredible size, aggression, and monstrous adaptations upon every other species on the planet. [This preference for being cinematic over being smart is getting a bit old.] Between this and one of the lead characters hotwiring a car that had ostensibly not moved in decades, I was feeling I’d chosen poorly.

However, eventually, I did get the book that I’d expected from reading the blurb, a book based on the intriguing premise of a religified and militarized Boy Scout-like organization in a dystopian / post-apocalyptic future. The protagonist is named Kit, a highly-motivated Scout who has risen to the top of the troop through valor and clever-thinking. Kit has a secret, but learns an even bigger secret of the organization, one that throws the Scout’s worldview into doubt.

The book does a good job of establishing relationships to build emotional intensity, as well as in how it deals with the apparent truth that any organization that holds itself as a moral paragon is going to have some skeletons in its closet. I found it worthwhile to continue reading, even when this book felt like it was going to be just another post-apocalyptic cliché-fest.


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BOOK REVIEW: When a Robot Decides to Die and Other Stories by Francisco García González

When a Robot Decides to Die and Other StoriesWhen a Robot Decides to Die and Other Stories by Francisco García González
My rating: 4 of 5 stars

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Out: November 15, 2021

This book isn’t for everyone. There are two factors I believe a reader needs to be aware of going forward. First, shocking and taboo plot devices are used throughout; so, one needs to be mentally ready for bestiality, necrophilia, cannibalism, and enslavement. Second, while this is nominally science fiction, it’s not nerd’s sci-fi, but rather English Lit / Humanities major sci-fi. Which is to say, scientifically- / technologically-minded people are likely be occasionally distracted by thoughts like: “that’s not how that would work,” or “why did he use that word? It doesn’t make sense in that context. Is it just because it sounded vaguely techy?”

For those who are still reading, the stories are more than just shock for shock’s sake. They are thought-provoking, and the taboo topics both engage readers on a visceral level, but also engage readers on an intellectual level as symbolism. While it’s far from great sci-fi, it’s fine psych-fi (a subgenre that – like sci-fi – deals in speculative futures, but which focuses more on changes in human modes of interaction and ways of behaving – rather than on the effects of technological advances.) “The Year of the Pig” was probably my personal favorite. That story explores family dynamics, cultural proclivities, and personal psychology in a smart way.

If the opening paragraph didn’t scare you away, you’ll probably find some compelling stories in this collection.

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BOOK REVIEW: I Breathed a Body by Zac Thompson

I Breathed a BodyI Breathed a Body by Zac Thompson
My rating: 4 of 5 stars

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Out: October 5, 2021

This is one creepy commentary on technology run amok, and the alienation, desensitization, and disconnection that can result. [Or, at least that’s how I interpret it.] The protagonist is a driven social media executive who finds herself in territory that even she believes is over the line, despite her near psychopathic emotional disconnection. Another way to interpret the story is that the fungi that has taken parasitic control over humanity is making people see the world more as they would – i.e. with less cringing about death, decomposition, and deformation. [I happen to think that the fungi infection is a clever plot device to get across ideas about technology and modernity, but I could be wrong.]

Either way, I do think this is a clever story. There’s a species of Cordyceps fungi that takes control of the brain of an ant, steers it to the top of the nearest tree, and bursts out of the ant’s head to spread its spores from its new, elevated vantage point. This book reminded me of the Cordyceps fungi, and I wouldn’t be surprised if it inspired the story — with the requisite growth in sophistication to account for taking over a much more complex brain. This is a compelling and thought-provoking story, but it’s also gruesome and at times chaotic. If you can take horror, you’ll probably find it worth reading.

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BOOK REVIEW: Gorgias by Plato

GorgiasGorgias by Plato
My rating: 5 of 5 stars

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Project Gutenberg

This Socratic dialogue explores what rhetoric is, and whether rhetorician is a real job, like plumber or secretary, or whether it’s more like “bottled water sommelier” or “social media influencer” – i.e. an undertaking by which one can make loads of money without contributing society one iota. It starts out (as usual) with Socrates questioning someone, in this case the rhetorician Gorgias. This exchange can be summed up by the ideas that: 1.) rhetoric is persuasion; 2.) the ignorant are more persuasive to the ignorant than are those with knowledge. [Gorgias boasts that he has been able to convince patients to take actions that their physicians couldn’t. Because Gorgias had to admit he didn’t know as much about facilitating health as a physician, he was forced to agree to the sad absurdity that people will often comply with slick talkers who know nothing (a plight which may prove to be the downfall of our species.)] There’s a fine epistemological discussion of the difference between belief and knowledge that is used by Socrates to show that rhetoricians aren’t concerned with knowledge so much as beliefs.

Then Polus and Callicles (young rhetoricians) take up the questioning role, turning the tables and asking Socrates what is the art of rhetoric. [And we know they’re not going to like the answer.] Socrates denies rhetoric is an art, and calls it the counterfeit part of politics. Socrates compares rhetoric to cookery, where cooks pretend to be experts in what food should be eaten but, while people often love the cook’s meals, it’s the physician who actually knows what food is best. Socrates doesn’t consider rhetoric an art because it isn’t rooted in knowledge or virtue, but rather in momentary preferences. Much of the argument hinges on the fact that the young men believe it is worse to suffer injustice than to do injustice and that being able to exert control (be it for good or ill) equates to power and happiness. Socrates accepts neither premise, and systematically refutes both. Callicles’ tack is along lines of natural justice — the strongest do as they please and pursuit of pleasure is noble. [The truth is that while Socrates may have the more sound and supportable position, the rhetoricians describe the way the world operates more accurately.]

This is a sharp and insightful dialogue, and given its surprising relevance to the present day, I’d highly recommend reading it.

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