Tag Archives: Book Review

5 Fascinating Nonfiction Books I Read in 2017

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NOTE: I already did a post of the books published in 2017 that had the most profound effect on me. That post can be seen here. This one is about books I read in 2017, most of which weren’t published this year. The hyperlinks go to my GoodReads review of the respective book.

 

5.) Narconomics by Tom Wainwright: This is a look at how drug cartels have been drawing from the playbooks of successful multinational corporations to make their operations more efficient and profitable. It contains gripping journalism and–for an economics wonk such as myself–it hits the spot with regards to scholarly curiosity as well.

 

4.) The Man Who Wasn’t There by Anil Ananthaswamy: Neuroscience has been converging on a conclusion drawn by Buddhists long ago (though not necessarily sharing identical explanations /mechanisms) that the self is an illusion. Ananthaswamy considers the neuroscience of self by examining how nervous system ailments and injuries have challenged common explanations about what the self is based on what it feels to be a self. (e.g. Out-of-body experiences can be induced with electrodes. Some people deeply feel they are dead, or that they either have limbs that aren’t present or that limbs that are don’t belong to them.)

 

3.) The Way of the Iceman  by Wim Hof and Koen De Jong: Any book that can get one to start taking cold showers has to be pretty persuasive. Wim Hof is known for his cold endurance “stunts,” but his argument in this book is that anyone can do it and that there are health benefits to doing so. The authors report on the science of said benefits as well as offering a program to start one’s way on such a program.

 

2.) Trying Not to Try by Edward Slingerland: Slingerland brings a fresh look at the ancient Chinese concept of wu-wei (apparently pronounced “ooo-way.”) Wu-wei is variously translated as “actionless action” or “to do without doing,” and–while that may sound like meaningless bumper-sticker wisdom–it reflects a state of effortless action that requires an elusive but powerful state of mind.  Slingerland presents varied Taoist and Confucian approaches to the subject, but also relates the idea to modern ideas such as Mihaly Csikszentmihalyi’s “Flow.”

 

1.) How Enlightenment Changes Your Brain by Andrew Newberg and Mark Waldman: A neuroscientist and a positive psychologist team up to explain the common routes to the enlightened states of mind described in both Eastern religious / spiritual traditions and the mystic branches of Western religions (i.e. Jewish Kabbalah, mystic Christian sects, and Sufi Islam,) as well as their scientific underpinnings.

BOOK REVIEW: The Silk Road: A Very Short Introduction by James A. Millward

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The Silk Road: A Very Short IntroductionThe Silk Road: A Very Short Introduction by James A. Millward
My rating: 4 of 5 stars

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Millward’s emphasis is in pointing out that the Silk Road was neither predominantly about silk nor was it the single route that the word “road” implies. While silk was certainly a product that traded on this transportation network, it wasn’t necessarily the most important commodity by value– and certainly wasn’t in terms of its effect on the world. More broadly, the author presents a Silk Road that defies neat delineations and definitions, a Silk Road that is often more of a conceptual bridge than a literal transportation route.

The book consists of six chapters. The first describes the territory serviced by this network, and particularly Central Eurasia which served as the bridge between East and West. This is the Silk Road as connective tissue allowing dispersion of ideas, technologies, products, services, and art between regions separated by vast distances and cultural gulfs.

While chapter one deals in the space of the Silk Road, chapter two explores time periods in which the Silk Road flourished. This begins with Indo-European nomads as far back as 3000 BC / BCE, and proceeds through various eras seeing changes in the route and the products moving along it. Most of these eras, e.g. the classical Silk Road period and the time of the Mongol Empire, are defined by burgeoning use of the network. However, Millward does ask how dead was the period from the 3rd to the 5th AD / CE which is normally considered a dead spot in Silk Road history. It should be noted that modern history is addressed mostly in the last chapter, which considers whether the Silk Road remains relevant in today’s world with its very different transportation and communications infrastructures.

Chapter three is about the biology of the Silk Road. A considerable portion of this chapter is devoted to human dispersion and the legacy of events in Central Asia as seen in human DNA. However, the author also examines the spread of horses, grapes, and dumplings. The approach of focusing on a few key commodities is repeated in chapters four and five. (These three chapters form the core of the book.)

Chapter four reflects on the role of the Silk Road in dispersion of technology. Silk is presented in this chapter, but not so much as pashmina and bolts of cloth, but rather in terms of sericulture—the technology of producing silk. The second product to be evaluated herein is paper, and it’s argued that paper was a more important commodity than was silk. Medicine and military technology are also examined in this chapter as among the biggest global game changers of the Silk Road.

Chapter five is about the spread of art along the Silk Road. One of the most interesting parts of the book, for me personally, was a discussion of stories and myths that spread via the Silk Route, and which can be seen in various cultures along the way. The lute (and stringed instruments that sprung from it) is also considered as a key artistic commodity of trade. There is also an extensive discussion of visual motifs seen along the Silk Road, as well as the blue-and-white porcelain that was a popular product, ultimately becoming widely copied.

As discussed above, the last chapter is about the present and future of the Silk Road. Entitled “Whither the Silk Road,” the author suggests that this trade network didn’t become irrelevant with the rise of transportation by sea and air and new modes of communication—though it has changed considerably.

There are a small number of graphics, including maps as well as photos and pictures that depict examples of commodities and technologies relevant to discussion of Silk Road trade. There are also sections devoted to references, advice on further readings, and a page of relevant websites.

I’d recommend this book for anyone who wants a brief overview of the Silk Road. If you’re a history buff and want to dig deep and see broadly, it seems there are some very well-regarded books of a much more detailed nature. I can’t comment on said books, but I know there is more than one award-winning book on Silk Road trade and cultural interactions. This, as the subtitle suggests, is much more of an outline of the subject. That said, I think the author does a good job of picking a few exemplary commodities, technologies, and arts, and focusing on them. Thus, one does get some of the insights of a book that drills down, just not along as broad of subject matter.

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BOOK REVIEW: Love’s Labour’s Lost William Shakespeare

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Love's Labor's LostLove’s Labor’s Lost by William Shakespeare
My rating: 5 of 5 stars

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King Ferdinand and three of his attending lords (Berowne, Longaville, and Dumaine) make a pact to devote three years to intense study and self-betterment. During this time they are to study arduously while depriving themselves of certain earthly pleasures. Specifically, they will fast one day a week; they will sleep but three hours a night; and— most controversially— they will give up women altogether. Just as military strategists speak of plans not surviving first contact with the enemy, this pact falls apart with the arrival of the Princess of France and her three attending ladies (Rosaline, Maria, and Katherine.) The men each develop a fancy for one of the women, and the pact unravels when the men, spying on each other, realize the others are intending to woo and pursue.

As it’s a comedy, there are a number of opportunities for confusion and comedic relief. Such comedic elements include mix ups in the delivery of love letters, and disguise schemes that go awry. For a comedy, the play ends on an interesting note. As is expected, there’s a reconciliation of who loves whom. However, there are no weddings to suture up the conclusion, but instead another agreement is entered into in which the men and women will see each other again in one year’s time. This leaves readers to consider the question of whether they think the men can be more diligent students when love backs this pursuit (but provides a distraction) than when it works against it.

This is one of Shakespeare’s earlier works, and it’s more original than some. Still, it deals in some common comedic themes about the disruptive force of love and the effects of failed duplicity.

This play is highly recommended.

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BOOK REVIEW: The Two Gentlemen of Verona by William Shakespeare

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Two Gentlemen of VeronaTwo Gentlemen of Verona by William Shakespeare
My rating: 5 of 5 stars

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This play uses some of the same plot devices of other Shakespearean comedies. First, there are two friends who fall for the same girl. Second, there is the father who wants said girl to marry someone other than the man she’s interested in marrying. Third, there is a girl who dresses as a man so that she can travel to chase after her beloved (only to be heart-broken.) [Think about that in the context of the theater of the era. The actor would be a dude playing a chick who’s pretending to be a dude.] The fact that there are some repeated themes doesn’t lessen the value of this work. For one thing, this is thought to be the first—not only the first of comedies but the first of Shakespeare’s plays more generally. Also, some of the most humorous dialogue is with secondary characters like Speed and Launce, the man-servants to Valentine and Proteus, respectively.

In the beginning, there are two gentlemen in Verona, Valentine and Proteus. Also in Verona is Julia, who loves Proteus. Proteus loves Julia back while he’s in Verona. However, after Valentine goes off to Milan for character building, Proteus’s father determines that his son should as well. In Milan, Proteus finds that Valentine has fallen for a girl named Sylvia. Unfortunately, Proteus falls for Sylvia as well and–not being a “bro’s before ho’s” kind of chap nor being the kind who can maintain long distance lovin’—he metaphorically stabs Valentine in the back and loses his mind. He could always shuffle back to Julia using the “what happens in Milan, stays in Milan” credo, except that Julia (posing as a boy) is witness to her lover’s unfaithful acts.

Read it, you’ll like it.

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BOOK REVIEW: The Guide by R.K. Narayan

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The GuideThe Guide by R.K. Narayan
My rating: 5 of 5 stars

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This novel’s lead, Raju, is sitting by a riverside shrine when he’s mistaken for a holy man. In actuality, Raju was just released from prison for forging the signature of a woman with whom he has a complicated relationship. The woman is married to another man but she has a love of dance, and her husband wants her to give up such frivolities. She falls for Raju, who is working for her husband as a travel guide /expediter, because he supports her in the pursuit of dance. [One can see the dual meaning of the title as Raju is a travel guide by trade and becomes a spiritual guide to the villagers of the fictional town of Malgudi.] After experiencing some hard times with the shops left him by his father, Raju finds success by being not only the lover of the dancer but also her Col. Tom Parker (i.e. her promoter /manager.)

The story isn’t told in chronological order, but is easily enough followed and is the more interesting for its nonlinear telling. For example, we learn the details of Raju’s troubles as a confession he makes to the individual who first mistook him for a guru.

The book explores several themes. One is the power of charisma and bumper-sticker wisdom in building a sage. When Raju’s first student hears his confession, the young man is unswayed, following Raju unwaveringly. On a brighter note, one also sees how people’s strong beliefs, ill-founded as they might seem to be, can produce a guru. Ultimately, Raju becomes the teacher that the entire village thought him to be all along.

There’s also the issue of passion versus familial bonds and tradition. While Raju’s mother personally likes the dancer woman, the fact that the girl is of a lower class and caste (not to mention married to another man), creates a tension. Raju must decide between his love of the dancer and that of his mother. We also get to see the hard edge of tradition in the Raju’s uncle who puts all the bias of class and caste in its most explicit form.

I enjoyed this novel. It’s a nice compact story and is very thought-provoking. The character of Raju is well-developed and interesting. The reader finds Raju likable even though at times he’s a bit loathsome in his behavior. There’s more than one comedy of error in the story’s formulation to offer some lightness to contrast the family drama.

I’d highly recommend this book for fiction readers. It was also interesting for me as an ex-pat in India as it offers some insight into the culture. It should be noted that it’s set in a bygone era. But even though it’s dated, one can see the long shadow of cultural proclivities in the story elements.

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BOOK REVIEW: The Sun and Her Flowers by Rupi Kaur

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The Sun and Her FlowersThe Sun and Her Flowers by Rupi Kaur
My rating: 5 of 5 stars

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This is the second collection of free verse (with some prose) poetry and line drawn art by Rupi Kaur, an ethnically Indian Canadian poet. Like the first collection, “Milk and Honey,” this collection has been well received critically. The strengths of the collection include some beautiful, evocative, and unique use of language; the author’s willingness to lay it all on the line in a bold and brave fashion; and the often clever–if simple, verging on crude—artwork. Its greatest weakness is frequent restatement of clichéd notions and truisms that don’t stand up well juxtaposed to the more personal and illuminating lines.

The collection is divided into five parts, each of them reflecting a theme—while being tied together by the titular floral theme. “Wilting” is about breakups. This flows smoothly in tone into the second part, “Falling,” which is about sexual violence, depression, and the linkage between them. “Rooting” is about family and origins, and—in particular—the poet’s relationship with her mother. As an immigrant child who moved to Canada from Punjab while young, Kaur was more attuned to her new home than her parents—who were less at ease with their adopted homeland and more rooted to their ancestral home. The penultimate part, “Rising” is about love and relationships, and it takes the collection into brighter territory. “Blooming” is about feeling comfortable within one’s own skin, and—in particular—the female experience of it.

As hinted, the overall organization of the collection seems purposeful and intriguing. The two melancholy parts at the beginning are blended into the last two (more optimistic) parts by way of a chapter on roots and family. This bridging seems to be done on purpose to make a statement.

I enjoyed this collection, and would highly recommend it for poetry readers—particularly for those who enjoy free verse.

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BOOK REVIEW: Caesar’s Last Breath by Sam Kean

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Caesar's Last Breath: Decoding the Secrets of the Air Around UsCaesar’s Last Breath: Decoding the Secrets of the Air Around Us by Sam Kean
My rating: 5 of 5 stars

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A book about air and the gas molecules that float about in it may not sound gripping. However, Sam Kean has a gift for finding interesting little stories to make talk of nitrogen-fixing, the discovery of oxygen, and the improvement of the steam engine fascinating. Such stories include that of a vaporized resident of Mount St. Helens, a gas-belching lake that suffocated families in their sleep (not a horror movie plot—a documented event), the scientist who both made millions of new lives possible through his nitrogen-fixing process and then took killing to its most despicable with poison gas, the pig who survived nuclear fallout, and, of course, how the last breath of a Roman Emperor came to be his last–and how likely it is that you’re breathing some of it right now. Along the way you’ll learn about farts, about the use of nitrous oxide for fun and surgery, about Einstein’s venture into refrigerator design, about lighter-than-air air travel, and about what air might look like on another planet.

The book is divided into three parts and nine chapters. There are also eight “interludes” that each takes up an intriguing subject that is chemically or topically related to the preceding chapter. The first part, and its three chapters, addresses the components of air and where they come from. The three chapters explore sulfur dioxide and hydrogen sulfide as molecules released by geological processes (e.g. volcanoes,) the abundant but—without great effort—useless element of nitrogen, and oxygen—useful for breathing and setting the world on fire.

The middle part deals with how humans have used components of air for our own purposes. These three chapters discuss nitrous oxide’s invention, the exploitation of steam to power the Industrial Revolution, and the use of lighter-than-air elements for air travel.

The final part both describes ways in which humanity has changed the air, and looks at what we might have to contend with if we need to go to another planet to live. The seventh chapter explores nuclear testing and the radioactive isotopes that have been spread by it. The penultimate chapter examines the ways in which humans have tried to make weather more predictable by engineering it—usually with little to no effect. The last chapter is about what air might look like on other planets, be they planets on which we’d have to make air or ones that already have their own atmospheres.

There are a number of graphics, including molecule diagrams, photos, and artworks. There are also notes and a works cited section.

I’d highly recommend this book. I found it to be fun to read and fascinating. If you’re into science, you’ll love it, and—if you’re not—you may change your mind.

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BOOK REVIEW: The Claiming of Sleeping Beauty by A.N. Roquelaure (a.k.a. Anne Rice)

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The Claiming of Sleeping Beauty The Claiming of Sleeping Beauty by A.N. Roquelaure
My rating: 3 of 5 stars

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This is a bawdy take on the tale of Sleeping Beauty—and, in particular, the aftermath of her rescue and awakening. There are many such adult-targeted books based on children’s fairy tales, but the reader should be particularly aware of the nature of this story because it’s fairly hard-core. Since one may associate the fairy tale with lighthearted stories, many readers won’t be ready for the wide-ranging sexual and sadistic activity that goes on in this book. If you’re a hard-core sado-masochist, you may object that this isn’t so intense in subject matter. That’s probably true for you, but for the run-of-the-mill reader, it’s pretty wild stuff. In essence, Sleeping Beauty enters into a finite period of sexual slavery (technically more sexual indentured servitude) in repayment for her rescue.

Part of the reason that there may be misunderstandings of what this book is, is how it’s been marketed. There was a cover blurb on the version I read that says “If you liked 50 Shades, you’ll love the sleeping beauty trilogy.” This statement is clearly meant to capitalize on the success of those books. While I haven’t read any of the “Fifty Shades” books, I doubt that the claim is true. This book is somewhere between “Fifty Shades” and the works of the Marquis de Sade. While E.L. James’ books work on a one-on-one dynamic that forms an S&M tinged romance, Roquelaure / Rice’s book is about sexual servitude of individuals who are essentially stabled in a more harem-like situation. While they are both books that revolve around the psychology of dominance and submission, the dynamic of the two is quite different. From what I’ve heard about James’s works, Rice’s book is probably better written and it may even be a bit more psychologically sophisticated. However, if you’re expecting that “mommy porn” dynamic in which a man who is extraordinary in every way (billionaire / 6-pack having / philanthropist / speaks ten languages fluently / and has a doctorate in quantum rocket dynamics) takes a mediocre woman merely because she completely submits to him, you’ll probably be disappointed.

Because people’s ideas of what’s hard-core varies, I’ll touch on that. There is a huge amount of bondage and physical punishment. There’s no gore, no breaking of skin, nor any permanent damage /disfigurement. There’s no horror aspect to the book. As far as sexual acts are concerned, they are both heterosexual and homosexual in nature. There are a finite number of options, and I think they’re pretty much all touched on at some point. There’s no bestiality, scat, nor pedophilia—so if those are your limits, you’re safe.

This book was clearly outlined and written with the intention of being a trilogy or multi-part work. That is to say, the story arc is not particularly satisfying as a stand-alone book. This may, in part, also be because of the lack of importance of story to hardcore erotic works, but I suspect that the author / publisher had a thick tome and needed some place to chop it into standard length books to maximize revenue. I probably won’t read the other books, in part because this trend toward putting out books that don’t stand alone as stories cheeses me off a bit. As you might expect, the ending feels abrupt and seems more about leaving the reader dissatisfied (i.e. wanting to read the rest) rather than leaving them satisfied (having seen the character grow and change.)

Instead of making an explicit statement of recommendation, I’ll say that if you read the review and are intrigued, give it a read. If you read the review and are disgusted, avoid it. It’s as simple as that.

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BOOK REVIEW: Cave of Tigers by John Daido Loori

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Cave of Tigers: The Living Zen Practice of Dharma Combat (Dharma Communications)Cave of Tigers: The Living Zen Practice of Dharma Combat by John Daido Loori
My rating: 4 of 5 stars

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This book is a collection of transcripts of what are called dharma encounters, dokusan, or dharma combat. It’s a practice in Zen Buddhism involving a verbal interaction between student and teacher. Each of the twenty chapters takes a teaching of some past master of Zen (mostly Master Dogen), and explores it through these student-teacher interactions. The chapters begin with an introduction to the teaching at hand, conclude with a wrap up paragraph, and in between are an assortment of transcripts.

There’s a clear pro and con. Because information is presented in an unconventional format, there’s potential to gain insights that one might not otherwise. The students are trying to interact with the teacher in an unorthodox and outside-the-box manner. That’s part of the training. So as they relate the teachings to events in their own life or their own unique way of viewing the world, one gains access to those off angles of insight.

On the other hand, reading the transcripts can be repetitive as the teacher is trying to make sure that all students have some common understanding. It’s also not clear whether there was much selectivity in picking the encounters that were presented. Some readers might enjoy that it’s like being there at the monastery, but others might find reading the book a little bit like watching sausage making. While there are clever and insightful students, there are also individuals who seem to just be trying to get there turn over with, who appear to have no interest in the topic at hand, or who think some random action like a war-whoop will be evaluated as a deep and meaningful insight on the subject by the teacher (spoiler alert: it almost never is.) One should also not assume factual correctness in the student’s commentaries (e.g. at one point one of the students incorrectly identifies Vishnu as “the destroyer,” but [in Hindu mythology] Vishnu is the preserver / maintainer and it’s Shiva who is the destroyer. This error is of little consequence to the point being made, but the reader should be aware that the priority was to be faithful in conveying the transcripts rather than to accurately convey information.)

The organization seems sound enough. The book begins with rudimentary topics such as zazen (sitting meditation) and progresses into more philosophical and esoteric topics. As mentioned, there are twenty chapters, each built around a specific teaching and with the same organization. The only ancillary material besides the front matter (a Forward and an “Invitation to Dharma Encounter”) is a glossary (which is a worthy addition given the wide-ranging terminology in English, Japanese, Chinese, and Sanskrit, as well as the many names of individuals and documents that may be unfamiliar to the uninitiated.)

I enjoyed this book. As I say, it has its positives and negatives, but—on the whole—it was insightful and interesting. I’d recommend it for anyone interested in Zen, particularly anyone who intends to spend time at a monastery or meditation center.

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BOOK REVIEW: The Sounds of Poetry by Robert Pinsky

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The Sounds of Poetry: A Brief GuideThe Sounds of Poetry: A Brief Guide by Robert Pinsky
My rating: 4 of 5 stars

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As the title suggests, this is a book about sound as a component of poetry. Besides the characteristics of noises made in reading poetry, the book details the various characteristics that shape the overall sound of a poem–such as the duration of a syllable and whether it’s stressed or unstressed. Having said that, a major theme of Pinsky’s work is that one shouldn’t be absolutist or rigid about these characteristics (e.g. stress versus unstressed) and should instead look at the relative traits (i.e. more or less stressed.) By adopting a more flexible view of the concepts like accent (stress), rhyme, similarity of sound, one opens up limitless options for poetry.

The book consists of five chapters. The front matter includes an introduction and a brief commentary on theory. The latter points out that there are no hard rules, but by paying attention to these concepts one can produce richer and more interesting sounding poems. Pinsky reviews the most common poetic terms (e.g. iamb, trochee, spondee, etc.) but also looks at how these are varied for effect in a way that is enjoyable to all but prosody hardliners.

The chapters are: 1.) Accent and duration; 2.) Syntax and line; 3.) Technical terms and vocal realities; 4.) Like and unlike sounds; 5) Blank verse and Free verse. (fyi: Blank verse is unrhymed verse that has a regular meter (most commonly iambic pentameter. Free verse is unrhymed verse with irregular meter.)

There are relatively few poems used as examples in this book. Some readers may find this a bit tedious and would prefer being exposed to more (and more varied) examples. However, other readers will enjoy drilling down into a few poems along several dimensions. That’s a matter of personal preference, but the reader should be aware of it.

The book is less than 150 pages even with the back matter, which includes recommended readings and glossary of names and terms. It’s a quick read.

I enjoyed this book. It’s not too technical, and can be followed by a reader whether they’ve had an extensive education into poetry or not. It’s not doctrinaire about prosody, which appeals to my personal preferences. It provoked some intriguing insights, such as the flexible approach to accent as well as poetry as an art that uses the body of reader as its medium—their respiratory systems, vocal chords, and related musculature how these sounds are produced.

I’d recommend the book for poets and readers of poetry who are serious about the endeavor.

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