This play uses some of the same plot devices of other Shakespearean comedies. First, there are two friends who fall for the same girl. Second, there is the father who wants said girl to marry someone other than the man she’s interested in marrying. Third, there is a girl who dresses as a man so that she can travel to chase after her beloved (only to be heart-broken.) [Think about that in the context of the theater of the era. The actor would be a dude playing a chick who’s pretending to be a dude.] The fact that there are some repeated themes doesn’t lessen the value of this work. For one thing, this is thought to be the first—not only the first of comedies but the first of Shakespeare’s plays more generally. Also, some of the most humorous dialogue is with secondary characters like Speed and Launce, the man-servants to Valentine and Proteus, respectively.
In the beginning, there are two gentlemen in Verona, Valentine and Proteus. Also in Verona is Julia, who loves Proteus. Proteus loves Julia back while he’s in Verona. However, after Valentine goes off to Milan for character building, Proteus’s father determines that his son should as well. In Milan, Proteus finds that Valentine has fallen for a girl named Sylvia. Unfortunately, Proteus falls for Sylvia as well and–not being a “bro’s before ho’s” kind of chap nor being the kind who can maintain long distance lovin’—he metaphorically stabs Valentine in the back and loses his mind. He could always shuffle back to Julia using the “what happens in Milan, stays in Milan” credo, except that Julia (posing as a boy) is witness to her lover’s unfaithful acts.
Read it, you’ll like it.