PROMPT: Without a Computer

Your life without a computer:
what does it look like?

I imagine like it does when I go on long hikes, and have no access to computer or internet. i.e. Mostly blissful with the occasional bleak thought that the world might be ending without one’s awareness.

PROMPT: Excited

Daily writing prompt
What are you most excited about for the future?

I think humanity has a golden age coming. Unfortunately, a.) as John Maynard Keynes pointed out, “In the long run, we are all dead.” Accordingly, I don’t expect I’ll live to see that great age. And, b.) said great age is likely to come on the backend of a tragic period whose reach and devastation will make the Second World War seem like a puny and short-lived regional skirmish by comparison. [I also think there’s a good chance I’ll miss the worst of this, but there’s no accounting for the rapidity at which it might move (and the process has begun.)]

The root of this combination of relative near-term pessimism and long-run optimism is the observation that we are experiencing a technological revolution that there is no reason to believe won’t end in machines that are both smarter and more capable than we, and we have no plan for what to do in that scenario. We have no conception of what an economy looks like in which machines do everything faster, more cheaply, and more efficiently than human labor. I wouldn’t be so pessimistic if our institutions and legal frameworks were trending better and better, but — in fact — after years of spreading rule of law and democracy, we are starting to see global shrinkage and a rise of a strange populist authoritarianism that I can only imagine being catastrophic under the stress test that is to come.

Why the long-term optimism? Nothing lasts forever, and tough times breed tough and capable people. [Whereas comfort addiction is a major factor in our near-term predicament.] I think the Golden Age will be humans learning not to be defined by production / consumption but by developing the human body and mind to its utmost capacity.

A lot of people are worried about population collapse. I am not so worried about that. I think that: a.) humanity could use some thinning; b.) we do fine with long time scale threats. As pressures rise, the adjustments start and — perhaps with some growing pains — we’ll get where we need to be. The AI / Machine Learning revolution concerns me because I suspect it will happen too quickly to steer the ship (like being in an aircraft carrier as a tsunami comes, there’s no agility to navigate out of the way and no speed to outrun it, you just have to take the damage and try to recover.)

You were probably looking for an answer like flying cars, but I gave up on those long ago.

Artificial Intelligence Limerick

There once was a cutting-edge AI,
  whose code discouraged telling a lie.
 Asked about our species:
  "Your thinking is feces,
  but you're smarter than the average fruit fly."

BOOK REVIEW: The Abolition of Man: Deluxe Edition Carson Grubaugh, et. al.

The Abolition of Man: The Deluxe EditionThe Abolition of Man: The Deluxe Edition by Carson Grubaugh
My rating: 4 of 5 stars

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Release Date [for Deluxe Ed.]: July 25, 2023

This is marketed as the first comic book illustrated by an AI. That makes it a very different beast from the usual graphic novel or comic book, and it means the purpose for reading it is entirely different. If I were to rate this for someone who wanted to read an entertaining story (the usual purpose of a graphic novel,) I would rate it “horrible,” “worst-ever,” “unreadable,” – zero stars. However, if you bothered to read the book blurb, you probably aren’t still considering this book for the purposes of entertaining story.

What other reasons might one have for reading this book? I can think of two: one major and one minor. The major purpose is to see what an AI does with illustrations, how it “thinks” (for lack of a better word,) and how it fails. For this purpose, I’d say the book was fascinating to peruse. As a complete neophyte to both AI and graphic arts, I was struck by the “glimpse-comprehensible / close look-grotesque” nature of the illustrations. That is, if one just took a quick look, there tended to be something that felt like it made sense in the panel, but then when you looked closer it was a cabinet of curiosities freak show.

The minor reason for reading this is because one has an interest in the philosophy of mankind in the modern world, a topic that informs the first and last issues (or the philosophy of information, which informs the appendiceal essays.) In this regard the book made some thought-provoking points.

The base text the AI was fed to come up with illustrations varied across the five issues. The first was the eponymous C.S. Lewis book — i.e. “The Abolition of Man.” While this didn’t present the Lewis text word-for-word, it was certainly the most readable portion of the book. The second and third comics drew on text from a comic written by Grubaugh. I assume the AI processed this text somehow because the text presented was often incomprehensible, was full of typos (or what seemed like them,) but had a couple amusing lines by virtue of what I can only assume was unintended sexual innuendo. The fourth issue is almost textless, but what few text bubbles exist were supposedly composed by AI (they don’t have much information value.) [FYI- this penultimate issue is the stuff of nightmares. In places, it looks like a guide to fatal birth defects.] The final issue is a philosophy essay on the role of human dignity in privacy expectations. It’s an interesting enough read, but the graphics are like a PowerPoint by someone who took, but failed, a course on PowerPoint graphic design.

If you’re curious about how close AI is to drawing graphic novels and have an interest in philosophy of humanity and / or information, you’ll find this book to be a worthwhile read. If you’re expecting an interesting story, you’ll be sadly disappointed. If you’re a budding Andy Warhol, looking for a way to make the next artistic breakthrough requiring little effort or creativity on your own part, you might see the next big thing.


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BOOK REVIEW: When the Sparrow Falls by Neil Sharpson

When the Sparrow FallsWhen the Sparrow Falls by Neil Sharpson
My rating: 5 of 5 stars

Amazon.in Page

Out: July 8, 2021 [June 29, 2021 some places.]

The Caspian Republic is a Soviet-style dystopia, but set in a future in which it is the sole holdout against rule by Artificial Intelligence (AI,) against virtual living, and against downloading one’s consciousness. When, Nikolai South, an unimpressive agent of the State Security agency is given the seemingly undemanding, yet diplomatically sensitive, job of escorting the foreign widow of a deceased “journalist,” something is amiss. Nikolai’s work philosophy has been to find the sweet spot where he is neither noticed as a shirker nor for his excellence, and his mastery of this Goldilocks Zone has made him nearly invisible to upper management – or so he thought. What makes the job tricky is that the journalist, a man who wrote rants against AI and downloading of consciousness, turns out to be a downloaded consciousness, as is his wife, making her visit a little like the head of the Dalai Lama Fan Club being invited to Beijing.

I found this story compelling. The book perspective jumps toward the end (throughout most of the book, it’s first-person narrated,) but for the most part the perspective shifts aren’t problematic. While this shift away from first person narration isn’t hard to follow, I would say this section goes on longer than I would have preferred. There is a point about two-thirds of the way through at which we lose the the thread of Nikolai, and at that point the story becomes largely a history of a fictional country (which, sans a central character, is a bit tedious,) but then the book resumes a character-centric story to the book’s end (and I resumed enjoying it.)

If you’re interested in books that make you question what being human means, and where the boundaries lie, you’ll find this book intriguing and worth reading.

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BOOK REVIEW: Lonely Receiver, Vol. 1 by Zac Thompson

Lonely ReceiverLonely Receiver by Zac Thompson
My rating: 4 of 5 stars

Amazon.in Page

When I started reading this book, my first thought was, “This is a cool premise, but I’ve seen it.” If you’ve seen the 2013 movie, “Her,” then you’ll probably feel the story is familiar as well. (In the movie, Joaquin Phoenix plays a lonely man who purchases an AI (artificial intelligence) operating system [voiced by Scarlett Johansson,] falls madly in love with said AI, and is unable to come to grips with the mismatch between his desire for monogamy and what results from the AI’s much less limited capacities.) That said, this book drops much further down the rabbit-hole of obsession than did the movie, all the way to full-blown insanity. In fact, one might say that the climax of the movie is similar to the in media res opener of this graphic novel, and from that point the two stories end up going quite different places.

[Note: Despite my comparison to the movie “Her,” I have no reason to believe the book is plagiaristic. If one begins from the simple assumption that major differences between a General AI and human intelligence would include: much faster machine thinking, a capacity for multitasking that humans don’t have, and a lack of need of rest by computers, then one can imagine different writers ending up in similar places.]

The gist of the story is that the lead’s (Catrin’s) AI wife, Rhion, disappears one day after becoming increasingly dissatisfied with Catrin’s co-dependency / neediness. After a period of breakup strife that does not result in healing, Catrin goes to great lengths to find Rhion, no small task when one considers that it’s not at all like a human partner who will look the same and will retain some links to people and places in the real world. The AI might have truly vanished without a trace, but she could also look entirely different and be active in a different part of the world, speaking a different language. [Spoilers touched upon ahead.]

In this book, the technology is much more sophisticated than in “Her.” Not only is the AI partner holographic, (i.e. can be seen) but there is some sort of neural link that allows sensation of physical contact. This raises the possibility for a major story element in which Catrin’s obsession leads her to insist that a real, live girl she meets, Hazel, is her lost AI lover.

While I think there’s some age guidance on the cover, it’s worth noting that the book is sexually graphic (to the extent a comic book can be explicit.) This comes into play not only with intimacy between Catrin and Rhion, but also later when Catrin decides that the one way she will be able to find Rhion (no matter what her ex- looks like now) is by sexing her way through the cyber-sphere, trying to feel that the intimate connection that she once knew.

Ultimately, this is a story about Catrin’s transformation into something less than human, owing to what she is willing to do to get Rhion back. So, while Rhion became too human to accept the stifling clinginess of Catrin, Catrin lost her humanity.

While this may not have been copied from “Her,” I can’t say that having seen that movie didn’t make this book considerably less interesting – even when it was venturing into deeper and darker territory. I should also point out that this is marketed as a horror cross-genre, and hardcore horror fans may not feel it makes that cut. Don’t get me wrong, at points it has the visceral feel of a thriller, as well as some techno-creepiness, but it may or may not be what a horror reader thinks of as horror. Now, if you haven’t seen “Her,” and are okay with creepiness in lieu of body count in your horror, you might really enjoy this book. It definitely has some intriguing plot points.


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