Category Archives: nonfiction

BOOKS: A Few Rules for Predicting the Future by Octavia Butler

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A Few Rules for Predicting the Future: An EssayA Few Rules for Predicting the Future: An Essay by Octavia E. Butler
My rating: 5 of 5 stars

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Release Date: April 16, 2024

This brief essay by one of science fiction’s greats, Octavia Butler, discusses her thoughts about forecasting the future and why it’s worth doing even though it’s so difficult (at some level of precision– even impossible.) Butler tells a few stories about questions from fans, being prescribed medication, and growing up during the space race and Cold War, stories that cleverly present her thoughts on the challenging art of anticipating the future.

It should be pointed out that this is a very short work. Even the sixty-ish page count is deceptive as that is accomplished with lots of white space, with large fonts, and even with colorful blank pages (and / or artwork.) If you’re paying full book price for it, be forewarned that, as clever and quotable as it is, it’s essentially magazine article length (and not a long article at that.)

If you can get your hands on this essay for a price commensurate with its word count, I’d highly recommend reading it.

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BOOKS: Absinthe by Tania Brasseur & Tamara Berger

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Absinthe: The Forbidden Spirit: An Intoxicating History of the Green FairyAbsinthe: The Forbidden Spirit: An Intoxicating History of the Green Fairy by Tania Brasseur
My rating: 4 of 5 stars

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Release Date: February 27, 2024

The biography of a beverage might not seem exhilarating, but absinthe has no ordinary history. It rose from obscurity as a regional drink indigenous to parts of France and Switzerland to international celebrity by becoming popular with artistic geniuses of the era — e.g. Oscar Wilde. Some of whom credited the drink with more than just a pleasant tipsy sensation. Then it received its own prohibition while other alcoholic beverages remained perfectly legal. Of course, as with other prohibitions, Absinthe’s legend rose and taste for it didn’t disappear. Eventually, its prohibition ended, and absinthe was freed to have a second life.

This book is primarily a history of absinthe’s rollercoaster ride existence. However, it also discusses wormwood and other prominent ingredients, the distillation process, as well as the mythology that grew up around the beverage.

If you’re curious about the beverage and its mythos, I’d recommend you give this book a look.

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BOOKS: Bohemians: A Very Short Introduction by David Weir

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Bohemians: A Very Short Introduction (VERY SHORT INTRODUCTIONS)Bohemians: A Very Short Introduction by David Weir
My rating: 5 of 5 stars

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This book examines the brief life of the Bohemian artistic lifestyle, exploring how it came about, what it looked like in its heyday, what led to its demise, and by what / whom it was replaced (e.g. the Beats.) It is an intriguing examination of the subject. I will say, there were points that I felt the book had become lost in the weeds, but at other points I found it fascinating. I concluded that my own calculus was to find it interesting when it discussed the lives and works of artists who are still deemed to have relevance and influence today (e.g. Baudelaire, Picasso, and Whitman,) and not so much when it was elaborating on artists and works that have fallen into obscurity among the general populace (e.g. Henry Murger’s Scenes of Bohemian Life.) So, that may be more a reflection on me than on the book.

The author touches upon the fictional influences that inspired Bohemianism, the places where the lifestyle thrived (e.g. Paris and New York,) the philosophy and – particularly – the political philosophy of the Bohemians (e.g. often Anarchists or – at least – anti-government.) One of the topics that most interested me is how the successor artistic communities differed from the Bohemians.

If you’re interested in who the Bohemians were and how they differ from other artistic communities (before and after,) this book is well worth the brief read required.

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BOOKS: How to Talk Dirty and Influence People by Lenny Bruce

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How to Talk Dirty and influence peopleHow to Talk Dirty and influence people by Lenny Bruce
My rating: 5 of 5 stars

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This is the autobiography of the comedic legend, Lenny Bruce. The first half (or so) of the book discusses Bruce’s life before standup comedy. This includes time as a sailor (US Navy) during the Second World War, as a sailor in the merchant marine, as a farmhand, and brief stint as a grifter. The second half takes place while Bruce is a working comedian but focuses heavily on his legal troubles including multiple Obscenity trials and one for Narcotics.

Being the work of a comedian, it’s no surprise that this book is funny — frequently of the laugh-out-loud variety. However, it may come as more of a surprise how interesting it is as the account of a man’s life. Besides some interesting stories, such as: how Bruce got discharged from the Navy, how he acquired priest’s uniforms to conduct a con, his experiences getting high with a Turkish sailor as a merchant marine, and the ins and outs of his marriage to a stripper, one gains some insight into Bruce’s philosophy and why he insisted on being maximally edgy, even at the cost of blackballed by clubs. The book holds up surprisingly well, considering it was first published in the early / mid-1960’s.

If you’re interested in outlandish people, standup comedy, or free speech, this book is well worth reading, and will not disappoint. (If you liked “The Marvelous Mrs. Maisel,” it’ll definitely be up your alley.)

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BOOKS: The Half Known Life by Pico Iyer

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The Half Known Life: In Search of ParadiseThe Half Known Life: In Search of Paradise by Pico Iyer
My rating: 5 of 5 stars

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The subtitle to this collection of travel essays might suggest Iyer intends to write about the most idyllic places on Earth. In a way, he does, but he’s also revealing the conundrum of “paradise” by showing the reader places that have been called “paradises,” but which are also some of the furthest places from serenity imaginable. I wouldn’t say that the author is revealing the concept of paradise to be an illusion, but rather that he’s showing that there is an inextricable tangle of dark and light in any earthly paradise. I think the idea is best expressed in a quote from the book, “A true paradise has meaning only after one has outgrown all notions of perfection and taken the measure of the fallen world.” [FYI: the main title is from a quote from Moby Dick.]

From my experience with some of the places that Iyer covers (e.g. Kashmir, Sri Lanka, Varanasi, etc.) I can glimpse the substance that started him digging. It isn’t just that these places are superficially paradisaical (though Kashmir and parts of Sri Lanka are definitely scenically idyllic,) but there is some other (deeper) quality by which these places feel fantastical. Of course, the examples that I mentioned (as well as others: e.g. Jerusalem) are simultaneously examples of the antithesis of paradise. These are troubled places with histories of violence and dysfunction. I even learned that Bali (which doesn’t have its own chapter but is discussed) has barbarity in its own history, and it seems as likely a candidate for true paradise as any.

I enjoyed reading this book. I must admit that part of my fascination with it derived from the fact that I’d tread much of the same ground that Iyer covers. I’d highly recommend the book for readers of travel writing.

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BOOKS: How Long Can the Moon Be Caged by Suchitra Vijayan & Francesca Recchia

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How Long Can the Moon Be Caged?: Voices of Indian Political PrisonersHow Long Can the Moon Be Caged?: Voices of Indian Political Prisoners by Suchitra Vijayan
My rating: 4 of 5 stars

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It’s no secret that the Gandhian pluralistic vision for India has been taking some hard knocks under the current administration (and the rise of Hindu nationalism that it represents,) but it’s also not as widely and intensely discussed as it could be. This book represents an attempt to make the stories of dissident political prisoners more widely heard.

For that attempt, I would give it high marks, but the execution is problematic. The middle part of the book does a reasonably good job of telling the stories of these individuals. However, the book comes across far too much like a reference book than a journalistic account for much of its length — particularly in the beginning and at the end. The beginning has a long bullet point account of relevant events that I’m sure is meant to give readers an idea of the scope of the problem, but it also sterilizes the information. At the end there are letters and a chapter that consists entirely of data. Letters can be fine, but they aren’t the most evocative way to convey these stories because they contain a good deal of information that is extraneous to the author’s point, and thus the message is diluted.

I do wish supporting evidence was turned up and gratuitous statements turned down a bit. In other words, I assume the government could present a counter-narrative that these are not just dissenters voicing unpopular opinions but rather individuals actively engaged in subversive operations. Granted, the prominence of poets, the ill, and the elderly does make it hard to believe these are some sort of guerrilla warfare masterminds. True, there is a challenge in disproving a negative that makes it hard to prove a person has done nothing wrong.

At any rate, it’s a book I’m glad I read, and I did learn about the issue, but I wish the execution had been better. Maybe that’s for another book.

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BOOKS: Hadaka-Jime by Moshé Feldenkrais

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Hadaka-Jime: The Core Technique for Practical Unarmed CombatHadaka-Jime: The Core Technique for Practical Unarmed Combat by Moshé Feldenkrais
My rating: 5 of 5 stars

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This is an interesting little book. I’m not sure how much stock I put in its utility, but the idea of it intrigues me. That idea is a system of self-defense built around a single technique, in this case hadaka-jime — i.e. the rear naked choke. (For non-martial artists, the “naked” is based on the fact that it works with or without a gi [coat] — i.e. it doesn’t require gripping the lapels or other cloth as many chokes in jiu-jitsu do. So, get your mind out of the gutter.) When I say “a single technique,” I’m talking about that technique being applied against a variety of unarmed, knife, and bayonet attacks — hence this being a book-length endeavor. Another way of looking at this central idea is an attempt to maximize muscle memory building efforts — i.e. by having a less extensive body of techniques one can more heavily drill a few basics rather than an elaborate set of complicated moves. As Bruce Lee said, “I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.”

I should point out that the version of hadaka-jime that Feldenkrais uses isn’t the one that I was taught, and I suspect that will be true for most readers. If you learned to have the crook of the choking arm in line with the opponent’s windpipe and have that arm’s hand tucked into the crook of the opposite hand (forming a triangular choke,) then Feldenkrais’s variation will seem strange. Feldenkrais’s variation seems to be both more brutal (because it drives the bone of the forearm against the windpipe) and more vulnerable (because one’s hands aren’t as well tucked in and the structure isn’t as self-reinforcing as the triangular variant, which is quite difficult to contend with even for a recipient who is much stronger.) All that being said, one could easily apply the same set ups for the more popular variant, one just has to move a little deeper.

As I say, I have mixed feelings about this single technique approach. On the one hand, one can see successes like Ronda Rousey had while using juji-gatame (a cross-body ground-based armbar) repeatedly. On the other hand, everyone had to suspect the days of that success were numbered as other fighters knew exactly for what they needed to prepare.

It’s a short and simple book, the chapters arranged by types of attack. It has adequate pictures to get across what Feldenkrais is trying to convey. Those interested in martial arts and self-defense may want to check it out.

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BOOKS: Travels with Epicurus by Daniel Klein

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Travels with Epicurus: A Journey to a Greek Island in Search of a Fulfilled LifeTravels with Epicurus: A Journey to a Greek Island in Search of a Fulfilled Life by Daniel Klein
My rating: 5 of 5 stars

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With the wave of renewed interest in Philosophies of Life lately, it’s nice to see a book that puts Epicurus at the fore. In a number of ways, I believe Epicurus was the most advanced of Ancient Greek philosophers, and yet he doesn’t get much attention compared to Plato, Aristotle, and the Stoics. (In part this is because the vast majority of Epicurus’s writings were lost, and in part it’s because little-“e” epicureanism [i.e. being culinarily hedonistic] has become much more familiar to people than big-“E” Epicureanism [i.e. a materialist philosophy that values pleasure, but not in so hedonistic way as to lose sight of virtue and the countervailing costs of pursing pleasure.] While adjectival forms have done a number on Cynicism and Stoicism as well, the former is – for all intents and purposes – dead and the latter has become much more well-known to present-day people from a pile of podcasts, books, and vlogs.)

I should point out that Klein doesn’t solely focus on the philosophy of Epicurus, he also tells readers what other schools of philosophy teach us about how to age well (and to not turn into a curmudgeon) — most notably: Buddhism, Stoicism, and Existentialism. That said, it’s fair to call Epicureanism the backbone of this book.

One who reads the title might wonder whether this is a pop philosophy book on aging or a travelogue. It’s definitely both, but the philosophy part dominates. I would call it 70/30 pop philosophy to travelogue (maybe 65/35.) The book uses the individuals Klein interacts with on Hydra (and elsewhere in Greece) as examples of how people age well, and in the process shows the reader [textually] a beautiful part of the world. But the core of the book is about philosophy as it pertains to such topics as play, perception of time, idleness, and changing views of spirituality.

I will warn the reader that, while the book offers many great thoughts for a philosophy of aging well, I didn’t agree with everything in the book. Klein contrasts his philosophy for living well into old age and for adapting one’s life to changing roles to the people he calls the “forever young” crowd. I wouldn’t put myself in the “forever young” category as I don’t believe I’m grasping at youth and all its blessings and pains. However, I suspect Klein would put me in that group because I work out intensely, watch what I eat / manage my vices, and am trying to work things so that my heart explodes while I’m still physically and mentally capable — i.e. before I become decrepit or senile. My point is, I’m not sure Klein’s dichotomy is that useful or reflective of reality, and that being health-conscious should necessarily be contrasted with enjoying the pleasures of age. [Truth be told, I’d say the biggest driver for people being more health-conscious into old age is seeing earlier generations live longer, but with a decreased quality of life through that period of increased longevity — See: Being Mortal by Atul Gawande.]

Still, overall, the book is quite readable and offers much excellent food for thought, and I’d recommend it for anyone who is interested in moving into advanced age in a way that isn’t misery filled.

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BOOKS: The Creative Act by Rick Rubin

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The Creative Act: A Way of BeingThe Creative Act: A Way of Being by Rick Rubin
My rating: 5 of 5 stars

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This book offers Rick Rubin’s philosophy of creativity and art. For those unfamiliar with Rubin, he’s a ZZ Top-looking music producer who contributed to a lot of successful albums, ranging from hip hop to the rock-n-roll of Tom Petty. He was a major player behind the Run DMC cover of Aerosmith’s “Walk This Way” that blew peoples’ minds in the 80’s. Interestingly, Rubin is neither a musician nor a technologist, and I heard him say in an interview that his great value-added was having an extremely high level of confidence in knowing what he liked. Rubin has a persona that is as much guru as music producer, and this book reflects this broad insight and wisdom.

In the book, Rubin lays out his view of the creative process and the mistakes people make with it, but along the way he offers insight into such interesting questions as why some artists only seem to have one major work in them. While Rubin’s experience is mostly with music (though he also worked with comedian Andrew Dice Clay on Clay’s albums,) his book is broadly targeted towards all artists, and he seems to use as many examples from literature and graphic arts as he does from music.

Rubin does sound a bit woo woo here and there, but I found that many statements — e.g. those that spoke of the universe’s role in artistry — could be interpreted in a way that wasn’t necessarily superstitious. While woo woo sounding statements often get on my nerves, I felt Rubin’s use was poetic and spoke to a broader truth.

I’d highly recommend this book for artists and creative types, regardless of field.

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BOOKS: Kingdom of Fear by Hunter S. Thompson

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Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American CenturyKingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century by Hunter S Thompson
My rating: 5 of 5 stars

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Kingdom of Fear is part memoir and part commentary on the state of America at the turn of the millennium. As a memoir, it explores Thompson’s bid for Sheriff, his arrest and judicial proceedings for drug and explosives charges that resulted from a “he said / she said” accusation that did not warrant charges in and of itself, a wild and wooly road-trip through Nevada, and Thompson’s position at the center of an investigation of a “threat” on the life of actor, Jack Nicholson.

As a commentary on the decline of America it discusses the battle for Grenada, a trip to Cuba, 9-11 and its aftermath, and the book revisits the ’68 Democratic Convention. It’s all written in Thompson’s drug-fueled Gonzo style, making it incredibly entertaining to read even as the hard walls between fact and fiction seem to dissolve. While the factualness might be at times in question, there is always a kind of truth that can only be received from those who’ve tossed off the shackles of societal convention and are willing to tell it as it is — even the embarrassing bits (especially the embarrassing bits.)

It’s not for those who take life and authority figures too seriously, but otherwise it’s a tremendously compelling and sometimes hilarious in its depiction of pre- and post-Y2K America.

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