UNITED KINGDOM LIMERICK

BOOKS: “Smoke and Ashes” by Amitav Ghosh

Smoke and Ashes: A Writer's Journey through Opium's Hidden HistoriesSmoke and Ashes: A Writer’s Journey through Opium’s Hidden Histories by Amitav Ghosh
My rating: 5 of 5 stars

Amazon.in Page

Release Date: February 15, 2024 [NOTE: for this edition; the book is already out in some markets in some additions.]

Ghosh has written a fascinating exploration of the profound global consequences of that pretty red flower, the opium poppy. I find the events surrounding the Opium Wars to be among the most incredible stories humanity has written. It is mind-blowing that a substance could be so utterly addictive as to spur wars and global social and economic upheavals. That substance is, of course, tea. Ah, you thought I was going to say opium (or its relative, heroin,) didn’t you? But while opium is fantastically addictive, its addicts were by-and-large in peaceful stupors in (or on) their clouds during the time in question. It is the uppity Earl Grey addict who was draining Britain’s treasury of precious metals, and — as addicts do in their impoverished desperation — turned to dealing drugs.

There have been many books written on this subject, but Ghosh carves himself a niche. First, while accounts often focus tightly upon the central adversarial relationship of Britain versus China, Ghosh examines at leisure the roles of two lesser discussed players — India (not only as a subject of Great Britain but also as an autonomous actor) and America. The importance of India’s involvement, from being a major producer and processor of opium to sourcing the sepoys who actually fought the Opium Wars, has been largely ignored, and Ghosh helps to clear up distortions in the historical record. Second, the book investigates questions around America’s opioid crisis and what history can tell us about its drivers. In particular, what does the China’s explosion of addiction tell us about what might have spurred America’s crisis?

This is a readable and compelling nonfiction exploration of the influence of opium from a writer who has produced novels (e.g. the “Sea of Poppies” trilogy) set around these historical events.

I’d highly recommend this book for individuals interested in the influence of Opium, particularly if one is curious about how history relates to the recent crises and what role Indians and Americans played in events.

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Pillbox Kitsch [Tanka]

what is this place,
 with its defensive bunkers
  on every rise?
 lasting vestiges of war,
  so unlike my childhood home.

Cambridge U. Limerick

When Lord Byron lived at Cambridge University,
he greatly increased campus diversity.
He lived with a bear.
They were quite the pair.
For the poet, the dog ban was a perversity.

Cambridge Limerick

There was an outlandish student of Cambridge
who only had space for the tiniest fridge.
It all had to go -
milk and meat in the snow.
Turns out he liked his gin chilled just a smidge.

DAILY PHOTO: Orford Castle Closeup

Taken about 1989 at Orford Castle in Suffolk, England

DAILY PHOTO: Merchantile Marine Memorial, London

Taken in London in the late 80’s.

DAILY PHOTO: Buckingham Palace Changing of the Guard

Taken in 1989 in London

DAILY PHOTO: India Gate

Taken October 16, 2013 in Delhi.

Taken October 16, 2013 in Delhi.

The India Gate honors 70,000 Indians who died during World War I fighting on behalf of the United Kingdom. Beneath the arch is India’s Tomb of the Unknown Soldier.

It’s India’s answer to the Arc de Triomphe, and it sits at the opposite end of the Rajpath from the President’s house, i.e. the Rashtrapati Bhavan. Like the President’s house, the Gate was designed by Edwin Lutyens, a famous British architect.

The India Gate is among the must-see sights for visitors to New Delhi.

BOOK REVIEW: Heart of Darkness by Joseph Conrad

Heart of Darkness Heart of Darkness by Joseph Conrad

My rating: 4 of 5 stars

Amazon page

Heart of Darkness is a story within a story (i.e. a frame narrative) in which the protagonist, Marlow, tells a group of men on a ship on the Thames about his adventures captaining a boat on the Congo River. The use of a frame narrative both gives this novella/ novel a confessional feel, but also imagines Marlow’s audience feeling his tale particularly viscerally as some of them might be caught up in similar intrigues themselves.

Marlow’s job in the Congo is transporting ivory. However, the core of the story revolves around a trip to extract an agent of the ivory trade named Kurtz, and to transport the ill man to medical care. Kurtz is an intriguing character. This isn’t a man one can feel indifferently towards. Some love his intellect, charisma, or even his ruthlessness. Others despise him as the face of villainy. Kurtz represents imperialism at its most vile. Some natives are at war with him. Others respect and fear him. However, he’s willing to destroy them all on a whim to make the flow of ivory come more swiftly.

Marlow isn’t a member of Kurtz’s fan club initially and thinks the agent is completely insane, but he becomes intrigued with him as their journey progresses. In a way, Marlow is the moderate face of Imperialism. He doesn’t like the way the natives are treated, or the power plays and bureaucracy of the trade. However, he’s an active and willing participant, and, ultimately, when given a choice to work against the system or in support of it he chooses the latter. He hands over Kurtz’s report on the “Suppression of Savage Customs.” He also shows his sympathy towards Kurtz through his interaction with the dead man’s fiance.

This is definitely 19th century literature. While the book is very short, it’s readability isn’t high by today’s standards. It’s organized into just three parts or chapters, and the prose isn’t built for speed. Also, while it turns out to be a gripping tale, it’s slow off the blocks. It must also be put in the context of 19th century literature because the themes of imperialism and suppression of “savagery” have long since been settled. Viewed through today’s lens, the story might not ring true. Though I suppose there’s still a heart of darkness in urban environments today, behind walls rather than across seas.

What are the book’s strengths? While it may seem silly, the title is pure-D awesomeness. Also, while it’s not organized or written for readability by today’s standards, by 19th century standards it’s a page-turner. It’s certainly a compact tale. As I indicated, I’m not sure whether to call it a novel or a novella. Reading this book isn’t a major time investment, and it does pay off. Conrad’s use of descriptive language is often beautiful. Conrad’s characters all ring true and serve to sit one in a world of darkness beyond the imaginings of the London elite, where sad and terrible things happen to make their world possible.

Lastly, the book makes one think. Like Kurtz, one is likely to love it or hate it.

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