World Writ Minimalist [Kyōka]

sunrise paints the haze
the color of campfire flames,
and nothing looks real,
but rather like a painting
by an artist, skilled & lazy.

DAILY PHOTO: Scenes from Snail Alley (Wōniú Xiàng,) Tainan

DAILY PHOTO: Thar be Dragons

BOOKS: “Bohemian Manifesto” by Laren Stover, Paul Himmelein, and Patrisha Robertson

Bohemian Manifesto: A Field Guide to Living on the Edge (Kindle Edition)Bohemian Manifesto: A Field Guide to Living on the Edge by Laren Stover
My rating: 5 of 5 stars

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The central premise of this book is that not only does the Bohemian artist live on, but she does so in five distinct varieties: the Beat, the Zen Bohemian, the Dandy, the Folkloric Bohemian, and the Nouveau Bohemian. While the title calls this book a “manifesto,” the term used in the subtitle, i.e. “field guide,” is far more apropos. Like a field guide to birds or mushrooms, it lays out
characteristics and distinctions, the characteristics of Bohemians, generally, and the five flavors thereof, more specifically, and it does so in a way that separates them from the other varieties of human.

One might be wondering, why are these varied categories classed as Bohemian, as it seems they are their own distinct class. One way to understand this is to consider the “Zen Bohemian,” who often bears little resemblance to the “Zen Buddhist” for which one might mistake him. The Zen Buddhist has both a strong connection to and a depth of knowledge of Zen Buddhism, but the Zen Bohemian often rather has a strong connection to a broad hodge-podge of Eastern philosophies and spiritual traditions that he may or may not properly understand the distinctions between.

This book is quite readable, and informative in an easy-going way, but it’s also perplexing. It’s informative in that it clarifies the characteristics of Bohemians across many criteria (e.g. food, clothing, tastes in literature, art, movies, and music, interest in boxing, etc.) It’s perplexing in that it starts with the premise that Bohemians are, at their core, free spirits who refuse to be hemmed in by convention, but then the bulk of the book is about the various tribe-signaling boxes that the Bohemian puts himself within to conform to the norms of the group. It seems that the authors are aware of this and actually produce humor through oddly specific statements such as, “They [Bohemians] still adore Laurie Anderson even though their yuppie brother went to see her.” It feels like they are aware that, to the extent Bohemians are truly free spirits, any description the authors give will be wrong at some level of granularity, and so they lean into it with great (sometimes comedic) specificity.

I enjoyed reading this book and picked up a number of interesting references to other books and whatnot. (I’m currently reading Kliph Nesteroff’s “The Comedians” because of a reference to it in this book.) I did find bits on subjects like wardrobes and astrology to be a bit tedious, but just skimmed through them.

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DAILY PHOTO: Pier 2 Art Displays

DAILY PHOTO: Formosa Boulevard Metro Station, Kaohsiung

The Painting by Wang Wei [w/ Audio]

Afar, colorful mountains.
 Near, silent waters.
 Spring 's gone but flowers remain.
 People come but birds aren't startled.
Original:

遠看山有色
近聽水無聲
春去花還在
人來鳥不驚

DAILY PHOTO: Bangalore Street Art

BOOKS: Bohemians: A Very Short Introduction by David Weir

Bohemians: A Very Short Introduction (VERY SHORT INTRODUCTIONS)Bohemians: A Very Short Introduction by David Weir
My rating: 5 of 5 stars

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This book examines the brief life of the Bohemian artistic lifestyle, exploring how it came about, what it looked like in its heyday, what led to its demise, and by what / whom it was replaced (e.g. the Beats.) It is an intriguing examination of the subject. I will say, there were points that I felt the book had become lost in the weeds, but at other points I found it fascinating. I concluded that my own calculus was to find it interesting when it discussed the lives and works of artists who are still deemed to have relevance and influence today (e.g. Baudelaire, Picasso, and Whitman,) and not so much when it was elaborating on artists and works that have fallen into obscurity among the general populace (e.g. Henry Murger’s Scenes of Bohemian Life.) So, that may be more a reflection on me than on the book.

The author touches upon the fictional influences that inspired Bohemianism, the places where the lifestyle thrived (e.g. Paris and New York,) the philosophy and – particularly – the political philosophy of the Bohemians (e.g. often Anarchists or – at least – anti-government.) One of the topics that most interested me is how the successor artistic communities differed from the Bohemians.

If you’re interested in who the Bohemians were and how they differ from other artistic communities (before and after,) this book is well worth the brief read required.

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Green Fairy [Free Verse]

Bohemians
   gathered around 
   the absinthe bottles,
  the light hitting 
   the bottles shone
   a radioactive shade
   of green.

That green light
   threw blotches
  against walls &
 floors & people &
  anything else there
  was to illuminate.

The more they drank,
 the less green the mottling --
  not because the empty glass 
   was clear, &
 didn't refract, or spray green,
   but because the splotches
  turned every color --
   every color there is --
  and the colors danced
   around the increasingly 
  amorphous surfaces.

 Until, at last,
  everyone was asleep,
 and visions of Green Fairies
  danced in their dreams.