DAILY PHOTO: Helicopter in the Mountains

Taken in May of 2018 near Annapurna Base Camp [ABC]

Mountain Fog [Free Verse]

fogged in at a teahouse,
a growing gray of view,

this world lacks 
sharp lines,
excepting the hint of:

-a sloping roofline
&
-a building's corner

 these lines are 
sharp relative to
the amorphous gray;

but fuzzy compared to 
the same line's clarity 
on a blue sky day

now,
they're blurred, 
as if the village
had been painted by a
skilled - but lazy -
painter,

a sumi-e master
with a melancholy soul

Wu Shih / “Nothing Special” [Free Verse]

a steady rain patters
into puddles
far below

i close my eyes,
listening for a
pattern

but it's chaotic -
 a random rhythm that
tugs at my eyelids,

lulling me into 
a dull state of mind

BOOK REVIEW: Writing Haiku by Bruce Ross

Writing Haiku: A Beginner's Guide to Composing Japanese PoetryWriting Haiku: A Beginner’s Guide to Composing Japanese Poetry by Bruce Ross
My rating: 5 of 5 stars

Amazon.in Page

Out: March 15, 2022

With this guide, Ross offers a compact guide to navigating Japanese poetic forms and the offshoots and variations that have evolved in America. The book does have a particular focus on the American and international style of haiku, and related forms, though the author always lays the groundwork by first exploring the “rules” of the traditional Japanese form. He also discusses concepts, such as wabi and sabi, that heavily inform Japanese poetry. However, most of the examples come from English language writers, and there’s extensive discussion of how American haiku differs in form and substance. This makes the book particularly useful for English-as-native-language writers who wish to capture the flavor of this spare and elegant poetic form, but who have limited acquaintance with the Japanese language and culture.

I didn’t think I’d need another guide for writing haiku after reading and re-reading William Higginson’s The Haiku Handbook, but Ross does cover a few topics in greater depth and detail, particular haiga (combining graphic arts with haiku,) renga (a partnered / team style) and several American variations, and ginko (a nature walk-based practice.)

The book has graphics as needed (i.e. in the haiga section,) and offers and extensive set of recommendations for further reading as well as resources.

While I’ve been writing haiku, tanka, and senryū for some time, I learned a lot from this book, and it got me excited to try some of the forms with which I’m inexperienced. I’d highly recommend this book for beginner, intermediate, and advanced haiku poets.


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DAILY PHOTO: A Village in Himachal Pradesh

Taken in June of 2015 in Himachal Pradesh

Yellow Trumpet Vine [Haiku]

yellow flowers
face the four directions,
as if true trumpets

Hawk Fight [Haiku]

hawk dogfight -
the chased twists in midair,
going talons up

In the Dark [Tanka]

the sun is down
and the power is out
[fade to black]
my view becomes naught
my thoughts, anything but

DAILY PHOTO: Evergreens on the Mountain, Himachal Pradesh

Taken in June of 2015 in the Great Himalayan National Park