Spring rains spur roadside flower growth,
and wildflowers creep to the mountain's base.
Hiking deep up the valley along the stream,
I see and hear hundreds of orioles.
Looking skyward, a cloud becomes a dragon or snake,
But then breaks up, giving way to blue sky.
Lying in the forest under hanging vines,
I can't tell north from south.
Tag Archives: translated poetry
“Strong” [Poetry Style #8] by Sikong Tu [w/ Audio]
Walk with a mind that's clear and unburdened,
With life force that flares -n- flows like rainbows,
Traversing the witch's gorge through the mountains --
Among the floating clouds and blowing winds.
Drink up the spiritual; dine on the real;
Let them ever build up in your body.
Emulate the health and might of the gods,
Preserve your energy through harmony.
Be one with Heaven, be one with the Earth.
See in yourself divine transformations.
Know all this to the utmost -- be all this,
And hold on to it 'til the bitter end.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the eighth of the twenty-four poems.
“Singing My Mind” #1 by Ruan Ji [w/ Audio]
“Cavalry Days” by Xin Qiji [w/ Audio]
Drunk, I'd keep a lamp lit to find my sword,
The blare of horns sounded throughout the camp.
Soldiers ate meat under waving banners;
The military band played boisterous tunes.
Autumn brought our troops to the battlefield.
Carried by a charger at full gallop,
My bow thwipped, sending swift arrows flying.
We restored Imperial lands, boldly,
And won great fame for fighting gallantly,
But fame grows thin and gray just like my hair.
BOOKS: “How to Love in Sanskrit” Trans. by Anusha Rao & Suhas Mahesh
How to Love in Sanskrit by Anusha RaoMy rating: 4 of 5 stars
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As one can tell from the title and cover, this is an anthology of poems translated from Sanskrit to English on the subject of love, relationships, and eroticism. The source poems come from a diverse collection of writings.
The translators made an editorial / translation decision to place the translations in a modern context. By that I mean that the poems, most of which were written hundreds of years ago, have references to cell phones and dating apps, as well as many colloquialisms and expressions du jour. Some readers will love how this makes it readable and relatable in the present-day. Others will find that it distracts and takes one out of the experience of reading classical literature. I’m not saying the decision is good or bad, but it is something of which a potential reader should be aware. The only critical comment I have on the matter is that, if you should be reading the book ten years from now, there will likely be both language and technical references that have not aged well, and which you will probably have to go to your AI historian to figure out. (Some expressions are cliched now.)
I did enjoy how much ground the collection covered. The poems are grouped into categories sticking to the “How To” motif of the book, e.g. “How to Flirt,” “How to Yearn,” etc. I will say I went through a period early in the reading in which it seemed like poem after poem was confusing teeny-bopper lust for love, seemingly celebrating pathologies like jealousy and co-dependence. Throughout this phase of the book there were a number of poems that read like bad schoolboy poetry. However, in later chapters there were more poems that were dignified and reflected a more mature grasp of the subject.
There were some features of the book that I loved. First of all, most of the poems have explanatory notes at the end that can be very helpful both because (as mentioned) most of the poems were written long ago and because I am a foreign reader. Secondly, there is an appendix with romanizations of the original Sanskrit.
Ultimately, I’d say a major factor in whether this anthology is for you will be whether you enjoy the colloquial tone and free verse form or find it off-putting.
View all my reviews
“Refined” [Poetry Style #6] by Sikong Tu [w/ Audio]
Buying fine jade in the springtime,
Enjoying rain song from within a cabin,
A taciturn scholar sits betwixt
Copses of tall, arching bamboo.
Sparse white clouds in a newly clear sky;
Swallows weave 'round trees in pursuit.
Light through leaf casts a green hue on all;
Sound of falling water, thin but near;
Flower petals fall without a sound.
But the man sits unyielding as a mum;
He writes what the scene dictates
To make a pithy book.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the sixth of the twenty-four poems.
Five Seasonal Poems of Miura Chora [w/ Audio]
“Concentrated” [Poetry Style #4] by Sikong Tu [w/ Audio]
Evergreen woods and a rough-hewn shack.
The sun sets through clear sky.
I shed my hat as I walk alone,
Listening for songbirds.
No wild geese are flying
From whence my beloved lives.
But in my mind, we are close --
Close enough to touch.
Dark clouds stand over the sea,
But in moonlight river isles gleam.
My eyes and my words stop at
That great river that sprawls ahead.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the fourth of the twenty-four poems.
“Fortuneteller’s Song” by Liu Yong [w/ Audio]
The maples have grown old;
Orchards have begun to wither.
The reds and greens have faded.
Climbing the heights, I
Feel the chill of late Autumn.
A ceaseless pounding sound
Drowns out the setting sun.
Remembered sorrows flock
To mind, making new sorrows.
We are separated
By a thousand miles;
From our two distant places
We can't even meet in dreams.
The rain stops, and the sky clears;
One can see the twelve green peaks.
Speechless, who could understand
My angst, as I stand cliffside.
I can write of my grief, but
Will the clouds bring a reply?
“Butterflies in Love with Flowers” by Zhu Shuzhen [w/ Audio]
Thousands of willow twigs beyond my bower sway;
They try to retain spring, but she won't stay
For long and goes away.
In vernal breeze the willow down still wafts with grace;
It tries to follow spring to find her dwelling place.
Hills and rills greened all over, I hear cuckoos sing;
Feeling no grief, why should they give me a sharp sting?
With wine cup in hand, I ask spring who won't reply.
When evening grizzles,
A cold rain drizzles.
Translation: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, pp. 146-147.









