BOOK REVIEW: Reality: A Very Short Introduction by Jan Westerhoff

Reality: A Very Short IntroductionReality: A Very Short Introduction by Jan Westerhoff
My rating: 4 of 5 stars

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If one has an inquisitive nature and finds oneself with a bit of time on one’s hands, one is likely to question reality eventually. What is reality? What does it mean to be real? (Yeah, just like Morpheus’s “How do you define ‘real?’”) How could we know if we weren’t in the reality we think we are? Does it matter? i.e. If we aren’t in the reality we think we are, do we have any other choice than to behave as if we are—in other words is there any hope of escaping whatever unreality our consciousness exists in?

Does the quantum world not make a lick of sense relative to the world as we know it because the ancestors who are simulating us never expected us to get far enough to investigate that scale before we crashed? And now, like the writers and directors of an unexpectedly popular and long-lived TV show, they have to find a way to cobble some convincing story together because their overlords aren’t willing to scrap a perfectly functional simulation as it’s churning out huge amounts of data. Of course most people quickly dismiss such possibilities as sci-fi, but—then again—that dismissal is what one would do if one was programmed to be psychologically pained by the idea that the lunatic shouting and running naked through the streets may have found freedom, while you–who appears to be fully successful in living life—are an automaton, a slave pure and simple?

Philosopher Jan Westerhoff provides a brief survey of the many ways reality has been questioned over time and what evidence proponents cite—or, if not evidence per se, what inexplicable phenomena at least make the possibility seem feasible. The book consists of just four chapters. The first chapter offers a context by discussing dreams and simulations. Dreams are one of humanity’s first sources of doubt about reality. This was most famously summed up by the Taoist philosopher Zhuangzi’s quote “Now I do not know whether I was then a man dreaming he was a butterfly, or whether I am now a butterfly, dreaming I am a man.” The simulation hypothesis suggests that societies eventually develop a capacity to run extremely advanced simulations that would feel very real, and, furthermore, the proliferation of such simulations would make it much more likely that we are in one than in a real world.

The next three chapters examine three subjects where reality is taken for granted, but which each face challenges. The author starts with the most basic component of reality, matter. If you ask someone how they know the world is real, they might just knock on wood or kick a stone. Of course, that response only goes so far because there are a lot of entities we consider real that aren’t made of matter (e.g. is an economic recession real?) and so it’s definitely not a complete way of looking at the topic. There’s also the fact that all this hard and solid stuff we experience is mostly empty space. In this chapter, Westerhoff spends much of his time examining the basics of quantum mechanics, and the quantum strangeness that has put it in the minds of many that the world is probably not what we think it to be.

Chapter three explores the reality of a person. This is where people have the hardest time questioning reality, because most of us are quite certain that we exist. Descartes statement of: “I think, therefore, I am” nicely sums it up. But is there a place associated with personhood, or is it an emergent property? If it has a point of origin, where is it? Westerhoff describes the famous rubber hand experiment that shows that the connection between mind and body is more illusory than we think. He discusses many of the syndromes that challenge our intuitive beliefs about what it means to be a person, e.g. Cotard syndrome, in which individuals firmly believe that they don’t exist. (Note: this topic—at least the scientific dimension—is covered in detail in Anil Ananthaswamy’s book “The Man Who Wasn’t There.”)

Chapter four explores whether time is really what we think it is, and what it feels like to us. A lot of this chapter takes up findings about free will. A famous study in the neurosciences showed that before people make a decision at a conscious level, there is activation of subconscious parts of the brain such that what feels like a decision freely and consciously made is actually already made before the consciousness ever becomes aware of it. This study, now overwhelmingly validated by replication, presents a major challenge to our notion of free will—which isn’t to suggest we’re necessarily being fed a decision from some mysterious elsewhere but if some combination of our limbic and enteric nervous systems are making decisions without conscious input, then what is the nature of freedom in free will?

The book has an interesting Conclusion that gives the reader a map to consider the various ways reality might exist (or not.) This isn’t a dichotomous question—i.e. it’s not necessarily a matter of the world is real or it’s not. Instead, it can be thought of more as a continuum between everything is real and nothing is real with various way-points in between such as “I am all that is real” or “Everything is real, but me” and various ways of considering how some of the world might be real while some of it is not. Among the latter models, the relevant factor maybe consciousness (i.e. conscious may be unreal or maybe it’s the only thing that’s real.)

There are a number of graphics used to support the text, most of these are photographs and artworks, but some are diagrams. There is a “References and Further Readings” section in this book that is more substantial than most of the ones I’ve seen in AVSI (A Very Short Introduction) series books. It’s organized by chapter.

I’d recommend this book for anyone interested in the topic. I think the author does a great job in a small space of introducing various conceptions of reality. He draws on well-known works of film and literature to help clarify issues, and provides many thought-provoking ideas. It’s readable and doesn’t get bogged down in minutiae.

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BOOK REVIEW: A Wrinkle in Time by Madeleine L’engle

A Wrinkle in Time (A Wrinkle in Time Quintet, #1)A Wrinkle in Time by Madeleine L’Engle
My rating: 5 of 5 stars

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The Murry family feels mopey. There are a number of run-of-the-mill factors in the family malaise. Meg, the story lead, doesn’t fit in in school, and is frequently in disciplinary trouble. Her younger brother, Charles Wallace, is thought to be mentally deficient because he doesn’t talk to strangers, but he is—in fact—a genius. However, the big cloud hanging over this family’s head is that their father hasn’t been heard from for a year. He isn’t the type of father who goes out to the store for cigarettes and never comes back. Instead, Alexander Murry—Meg’s dad—is a loving father and husband who happens to be a renowned scientist who sometimes does work for the government. Even when he’s off doing top-secret work, however, he checks in with his wife and kids on a regular basis, but now there’s been no communication for months. The townspeople both pity the Murrys and think them to be living in denial because they maintain that Alexander Murry will soon come back.

While the book begins with a real world premise and feel, it soon becomes apparent that things aren’t what they seem–at least not around the Murry household. (Things not being as they appear recurs as a theme throughout this book.) Our first inkling of this unusualness comes when we realize that Charles Wallace isn’t only a genius and preternaturally mature, he also appears to be psychic. Events really turn strange when Meg’s mother, Katherine, goes out to investigate a noise and comes back into the house with an old lady who—surprise of surprises–Charles Wallace knows, a Mrs. Whatsit. And, as he seems to do with everyone, Charles Wallace begins talking to the old lady as if he were a sage old man.

The story follows the adventures of Meg, Charles Wallace, a boy named Calvin O’Keefe as they go with three mysterious visitors (one of whom is the aforementioned Mrs. Whatsit) in search of Alexander Murry. While O’Keefe is a popular kid and a jock, he doesn’t really feel he fits in. In that way, he’s a counterpoint to Meg. Meg doesn’t fit in and it gets her in trouble. O’Keefe pretends to fit in, but has angst about it. Furthermore, O’Keefe seems to have some sort of supernatural ability—perhaps not of the level of Charles Wallace, but enough to exacerbate his feeling of being an outcast among his own family and community. It’s Calvin’s feeling that he’s at home with the Murrys that accelerates his inclusion in the story.

The sci-fi elements of this book, as with many other great works of children’s science fiction, facilitate the teaching of simple moral /ethical lessons. Don’t rush to judgement about people—Aunt Beast is one of the most endearing characters of the book. Fitting in is not all it’s cracked up to be, and if everyone were the same, what a dreary existence life would be. And, ultimately, love conquers all.

I’d highly recommend this book for children and adults alike. The story is highly readable owing to narrative tension and mystery.

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BOOK REVIEW: Going Solo by Roald Dahl

Going SoloGoing Solo by Roald Dahl
My rating: 5 of 5 stars

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This is the second installment of Roald Dahl’s autobiography, and it covers the period from the time when the famous children’s author left home to work Shell Oil in East Africa, through his adventures as a pilot in the Royal Air Force (RAF) during World War II, concluding with his return home to England. In short it covers the earliest years of his adulthood, before he wrote such classic books for children as: “BFG,” “Matilda,” and “Charlie and the Chocolate Factory.”

In fifteen chapters, Dahl discusses his mysterious shipmate on the ship to Africa, a lion attack, an unwanted visitor in the form of a green mamba snake, and Dahl’s early experience of the war before he became a pilot. Becoming a pilot represents a shift in the book’s tone. From that point, it’s more of a war story, with the higher tempo of life and death situations that entails. That isn’t to say there’s no life and death in the first part, but it’s more quirky and humorous. In the chapters about his life as a pilot, Dahl describes crash landing in the desert and his subsequent recuperation, how he was posted to Greece where the German Air Force had a fleet of planes that made Britain’s look minuscule by comparison, and then his squadron’s move to Palestine to what would be his last battle-filled days before he was relieved from flight operations and sent home.

The stories throughout are as well crafted, as one might expect from a master storyteller. Dahl follows the advice (often-attributed to Elmore Leonard, but which has been around for decades in some words or another) to, “…leave out all the parts readers skip.” There is a tension throughout the book. It’s a much different approach than the previous volume, “Boy” which plays off the dramas of the adult-child interaction.

There are many graphics throughout the book, mostly black-and-white photos, but also maps and documents, but no other ancillary matter.

I’d highly recommend this book. If you want to know how to write a memoir that people will read, this is how it’s done. Dahl doesn’t try to take us from cradle to grave. He’s happy giving us the parts we won’t skip.

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BOOK REVIEW: Hapkido by Scott Shaw

Hapkido: Korean Art of Self-DefenseHapkido: Korean Art of Self-Defense by Scott Shaw
My rating: 4 of 5 stars

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When I picked up this book, all I knew about Hapkidō was that it was a Korean martial art, that it wasn’t a sport like its more famous martial cousin—Tae Kwon Do (TKD), and that it was a more comprehensive art (grappling as well as striking) than TKD. I grabbed it because at least one of these mental reductions proved only partially correct and I wanted to know what else I might be getting wrong. In the first paragraph, I learned that Hapkidō was heavily influenced by / a descendant of Daitō-ryū Akijūjutsu. (If that art sounds vaguely familiar, it’s because it was also a big influence for its most famous student, Morihei Ueshiba—i.e. the founder of the Japanese art Aikidō.)

This book is tiny. It’s an overview of the art in less than 100 pages (and, as is common with martial arts books, at least half the space is devoted to photos.) So the first thing a reader might want to be aware of is that you’ve probably read newspaper articles with higher word counts than this book. I’ll leave it to the reader to determine whether that’s a good or bad thing.

The book consists of five chapters, but the last chapter accounts for the majority of the page count (but not the word count.) The first two chapters are histories. The first offers an overview of Korean martial arts situated in the context of national events of the time. The second chapter is a history of Hapkidō and gives one insight into Daitō-ryū Akijūjutsu and how it came to influence the Korean founder of Hapkidō, Choi Yong-Sul.

Chapters 3 and 4 examine aspects of the art that one might call “pre-basics” for lack of a better term. As ki (i.e. life force / energy, those familiar with Chinese arts might know it as “chi” or “qi”) plays a central role in the art, Chapter 3 discusses ki and describes breathing and meditation practices that are used for building energy. Chapter 4 describes break-falls and the art’s one posture / stance (a natural posture.)

Chapter 5 describes, and presents photos of, basic defensive moves of Hapkidō. There are five sub-sections that explore, respectively, the following types of techniques: disengagements (i.e. breaking away from an opponent who has seized one), joint locks, throws, punch defenses, and kick defenses.

I found this book to be concise and informative. If one is seeking a detailed overview of the art, one might want to look elsewhere. However, if one is just trying to figure out what Hapkidō is all about, it should serve you well. I doubt that an experienced student of the art would get much out of this book as it’s just the bare bones. Not everybody is looking to delve into the minutiae.

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BOOK REVIEW: Tai Chi Chuan Classical Yang Style by Yang, Jwing-Ming

Tai Chi Chuan Classical Yang Style: The Complete Form QigongTai Chi Chuan Classical Yang Style: The Complete Form Qigong by Yang Jwing-Ming
My rating: 5 of 5 stars

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This book is one stop shopping for students of the Yang Style Tai Chi Chuan Long Form (i.e. 108 forms.) That’s not to suggest that it only describes the sequence of that form. It does that, but it also offers lessons in the history of the art, explanations of chi and qigong, and elucidation of the fundamentals of the art.

The book is divided into four parts. Chapter one examines the history of this martial art and places Tai chi chuan in the context of Chinese martial arts as well as the Yang Style within the context of Tai chi chuan. The nine sections of the first chapter also explore Tai chi chuan as a means to healthy living, and provide guidance to students on how to go about taking up the practice.

Chapter two consists of five parts that delve into the concept of chi (qi), or energy. This section mixes together mythology of traditional Chinese theory on chi with scientific explanations where science has something to say on the matter.

The third chapter describes the 13 postures of Tai chi chuan, which are a set of fundamentals that feature prominently in the martial art. This is a relatively brief section and is where the book becomes photo intensive.

The fourth chapter offers students guidance about the unarmed element of Yang Style of Tai chi chuan. While the capstone of the chapter is a systematic walk through the Long Form, there’s also coverage of some Yang Style fundamental movements as well as presentation of meditation practices taught in the system. It should be noted that this book doesn’t cover the sequence of the Yang Style Short Form (a.k.a. 24 Forms, or the Beijing Standard Form.) (I mention that because that’s the most popular form in the world and many students may want to learn about it specifically. This book offers many insights into the minutiae of the component forms, but doesn’t describe it as a sequence.) There is a fifth chapter, but it’s only a brief conclusion.

With respect to ancillary matter, like most martial arts books, it’s graphic-intensive. The bulk of the graphics are photos that are used in chapters 3 and 4 to clarify the movements and postures. Said photos have arrows and other figures drawn onto them to help clarify the movement involve. There are also a few line diagrams and maps, and chapter 2 has a many scientific photos, diagrams, and anatomical drawings.

There are three Appendices. The first provides a list of the forms of the Yang Style Long Form. The second is a glossary of the many Chinese terms mentioned in the book. The final Appendix provides information about the DVDs that are available to be used in conjunction with the book (there are markers throughout the book to provide suggestions of when students should turn to the video lessons.) There are end-notes of cited material, but I read the Kindle edition, and most of these were unavailable because Chinese characters didn’t convert to the electronic format. This was no big deal for me because I couldn’t read the Chinese reference material anyway, but if you read Chinese, you might opt for the hard copy of the book.

I learned the Yang Style short and long forms several years ago, and bought this book to provide some background and technical guidance. I found the book to be interesting and informative, and would recommend it—particularly if you’ve learned the Yang Style (but one may find the early chapters interesting even if one hasn’t.) The author uses a number of entertaining and educational stories and the book is readable and insightful for students of all levels.

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BOOK REVIEW: The Body Has a Mind of Its Own by Blakeslee and Blakeslee

The Body Has a Mind of Its Own: How Body Maps in Your Brain Help You Do (Almost) Everything BetterThe Body Has a Mind of Its Own: How Body Maps in Your Brain Help You Do (Almost) Everything Better by Sandra Blakeslee
My rating: 5 of 5 stars

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This book examines the role of the nervous system in movement and bodily activity. It describes how one’s body is able to perform extraordinarily complex maneuvers that we often take for granted because they feel effortless. It investigates some of the ways in which the interface between body and brain go awry, as well as the various effects this can have. It also offers insight into how we can be deceived because we are experiencing the world less directly and more through the shaping activities of the brain than we feel is true.

The book contains ten chapters, plus a little forward and back matter. The first chapter is entitled “the body mandala” and it provides an overview of how the nervous system can be thought of as a series of maps layered upon maps that routes various input from outlying areas to the brain and commands from the brain to the outlying areas. A “mandala” is a symbolic representation of the universe [from Hindu and Buddhist traditions], and this notion is repeatedly revisited throughout the book.

Chapter 2 explores the mapping of the homunculus and its ramifications. If you’ve ever seen a 2-D or 3-D image /model of a human being that has gigantic lips and hands and disproportionately small torso and thighs, you’ve seen said homunculus (as the term is used in neuroscience.) The reason it’s scaled this way is that body part size is reflective of space in the nervous system dedicated to said parts and not their actual size. If you’ve ever seen one of those maps–called cartograms–in which the size of a country reflects a statistic, say, population (thus India, China, and Singapore are much larger than their physical size, but Canada is much smaller than its), you get the drift. This chapter also answers the question everyone wants to ask (and many do) which is “why–if the lips are so large because of their dedicated territory in the brain—are the genitals unexpectedly small in the homunculus?

Chapter 3 describes how body maps can be in conflict and what effect this can have. It talks about why people who lose weight often still feel fat and move in ways that are not reflective of their actual figure. It also gets into anorexia (and the lesser known bigorexia) which reflect mismatches between perceived body image and actual body schema.

Chapter 4 investigates a fascinating phenomenon in which visualization can often result in strength and performance gains. Said gains aren’t on the same scale as among those who actually exercise or practice, but the fact that one can make gains without moving a muscle is certainly intriguing. Of course, the takeaway is that one can get the best of both worlds by augmenting physical conditioning and practice with visualization—one has a more finite number of feasible physical training hours in a day (i.e. there are diminishing returns on physical training at some point.)

Chapter 5 is the first of two chapters that deal with problems related to improper interaction between the nervous system and the body. Here we learn about “the yips” that plague golfers and other occupational dystonias. When one begins practicing any physical activity, the objective is to build up muscle memory so that the movements can be completed purely unconsciously. This works through neuroplasticity—the fact that sequences of neurons that frequently fire together become more strongly linked—but neuroplasticity can have a dark side at the extremes.

Chapter 6 considers the way in which the system of maps can fail such that one fails to recognize one’s own limbs, one recognizes extra ones, or the like. Chapter 7 is about peripersonal space—i.e. the physical bubble of space that one needs to feel comfortable, and which varies both culturally and individually.

Chapter 8 delves into the role that upcoming technology may have in changing how we look at the body-brain connection. Mirror neurons are the subject of the penultimate chapter. You’ve probably heard of these neurons which fire when we see someone else perform an action. Usually there is an inhibitory signal to keep our body from actual mimicry, but sometimes you may find yourself unconsciously mimicking the position or body language of another person when one is engaged in an engrossing conversation. (Yawning contagiousness is a featured example.) Mirror neurons play a role in how we learn so quickly, how we sometimes anticipate the behavior or emotions of others, and deficient activity in these cells has been speculated to be responsible for autism.

Chapter 10 describes the role of the insula in human activities. The insula has been found to be involved in emotion and rewards system by which humans are motivated to engage in a number of bodily activities.

The book has many graphics to clarify technical points, many of these being line drawings of the brain and other physiological structures. There is also a glossary of key scientific terms.

I found this book to be fascinating. It was highly readable despite its technical subject matter, and it described these systems and the research about them in a clear manner. I’d highly recommend it—particularly if one is interested in movement, fitness, and optimal human performance.

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BOOK REVIEW: On Looking by Alexandra Horowitz

On Looking: Eleven Walks with Expert EyesOn Looking: Eleven Walks with Expert Eyes by Alexandra Horowitz
My rating: 5 of 5 stars

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This is a field guide to getting the most out of walks in the city; though it’s presented through a series of essays. City-centeredness is the book’s niche. There are tons of books that teach one how to get more out of the subtle signs and signals seen in nature, but we tend to miss the nature (and a good deal of the culture) in our city walks because we view them in a utilitarian fashion and because there is so much shouting for our attention that it’s easy to miss nature’s subtle cues.

The book consists of 12 chapters—each of which is organized around a city walk. Eleven of these walks are with experts who offer the author (and her readers) greater insight into some dimension of the city walk experience that is often lost to the limits of our attention. When I use the word “expert,” I use it broadly. The reader may find some of these individuals more worthy of the title “expert” than others—e.g. two among them are the author’s 19 month old son and her dog—but they all offer a unique insight. [You may recognize the author’s name from a popular book she wrote on dog behavior, and that’s a particular area of interest for her.] Others are the kind of experts that might testify in court or be asked to give a consultation at a corporation. Along the way, Horowitz inserts more general information on the psychology and science of human attention–and its limits—as is relevant to the larger discussion.

The twelve chapters are organized into three parts. The first part deals with the inanimate dimension of the city. Its four chapters deal with the things that children notice owing to either their height or their unjadedness, the natural materials of the city (rocks and biomass), fonts and signage, and the under-appreciated ordinary.

The second part explores the animate part of the city, including insects, animals, and humans. The reader will learn that–despite the fact that they may only see the occasional bird or squirrel—the city is teeming with non-human fauna. The two chapters that deal with humans take quite different perspectives. One is with the Director of the Project on Public Spaces, an expert on how cities are organized (by planning, organically, and by default) and the effect that this has on people and their movement through cities. The last chapter in this part is by a doctor whose expertise is making diagnoses in the style of Sherlock Holmes by means of close observation of the minutiae of a person’s appearance and posture.

The final part is about the sensory experience of a city walk. The first chapter in this section details a walk with a blind woman who is attuned to moving about the city using her other senses. There’s a chapter with an expert on sound, and the walk she takes with her dog—whose experience is largely informed by its olfactory sense. The last chapter is a short summation of what the author has learned and begun to apply in her own solo walks.

The book has few graphics, e.g. depictions of relevant art. There are source citations arranged by chapter in end-note form.

I found this book to be intriguing and beneficial. I think we could all benefit from city walkers who were more tuned in to what was going on around them. (Sadly, the trend seems to be going the other way.) I’d recommend this book for anyone who likes to take a walk, and nature lovers may find it unexpectedly fascinating.

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BOOK REVIEW: Black Panther: A Nation Under Our Feet, Vol. 3 by Ta-Nehisi Coates

Black Panther: A Nation Under Our Feet Vol. 3 (Black Panther 2016-)Black Panther: A Nation Under Our Feet Vol. 3 by Ta-Nehisi Coates
My rating: 5 of 5 stars

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This is the concluding segment of a story written by Ta-Nehisi Coates in which King T’Challa (a.k.a. the Black Panther) must fight to keep his nation, Wakanda, from descending into chaos and revolution. It features “Black Panther (2016)” #9-12, as well as some supplementary material from “New Avengers (2013)” #18, 21, and 24.

As with the other volumes in this story, there is a major and a minor plot, and at the beginning of this Volume the latter resolves itself in order to fold into the main story. The major plot involves an attempted revolution fomented by a man named Tetu who heads a revolutionary organization called “the People” that has engaged in terrorist and other nefarious activities. While progress was made against Tetu and his allies in Volume 2, he still presents a threat to the throne and to Wakanda. However, Tetu isn’t the only threat to the nation. Wakanda’s problems are bigger and more systemic than that. While Tetu is a terrorist, there are dissenting factions with far more legitimacy, including the Midnight Angels (former bodyguards to the King, i.e. ex-Dora Milaje) and the much-loved philosophy professor, Changamire.

The secondary plot involves T’Challa’s search for his sister Shuri who has been trapped in the Djalia, the Wakandan plane of memory. At the end of the second volume, T’Challa resumes the search using a technology that channels and amplifies the powers of his friend “Manifold.” As it happens, bringing Shuri back occurs effortlessly, but it seems returning her to this world isn’t so critical to the story as the effect her experience had on her. She returns with an encyclopedic knowledge of the history of Wakanda as well as numerous inexplicable supernatural abilities. The past queen plays an important role in the balance of the story both by advising T’Challa, fighting, and lending her influence with the Midnight Angels (ex-Dora Milaje.)

The fight for Wakanda plays itself out as both a battle of action against forces controlled by Tetu and Zenzi as well as a battle for the minds of the people (not to be confused with the organization “the People.”) I found it to be a smart story.

The supplementary material from “New Avengers (2013)” was illuminating. My only problem with it is that it occurs after the story is complete. If one just reads this Ta-Nehisi Coates arc, one might want to go to the end of Volume 3, and read this material first or pick up the whole “New Avengers (2013)” story. By doing so, one will have a much better understanding of why there is so much conflict in Wakanda, and why T’Challa is so unpopular. It’s hinted at here and there, but I didn’t understand the motivation fully until this material showed the events rather than offering random back story tidbits.

I would recommend this story for anyone. I don’t think one needs to be a regular comic book reader or have a particular interest in the Black Panther character to find it interesting and enjoyable.

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BOOK REVIEW: Black Panther: A Nation Under Our Feet, Vol. 2 by Ta-Nehisi Coates

Black Panther: A Nation Under Our Feet, Book 2Black Panther: A Nation Under Our Feet, Book 2 by Ta-Nehisi Coates
My rating: 4 of 5 stars

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This volume contains the middle portion of a three-part story arc written by Ta-Nehisi Coates. The books included are “Black Panther (2016)” #5-8 and “The Black Panther: Jungle Action” #6&7.

As the subtitle suggests, the fate of Wakanda is at stake and King T’Challa, a.k.a. the Black Panther, must find a way to keep his nation from falling. Public displeasure with T’Challa is being exploited by a man named Tetu who heads a revolutionary group called “The People.” Tetu is allied with a powerful psychic named Zenzi and—in contrast to the populist message his organization’s name suggests–the arms dealer Ezekiel Stane. However, while the might of Tetu and his allies represents a dire threat, the greatest challenge might be from a beloved scholar named Changamire, who holds both the moral high ground and the voice of reason. As Tetu sought to co-opt ex-Dora Milaje members Aneka and Ayo (now called the Midnight Angels) to gain legitimacy as well as their strength, he also seeks to get Changamire in his corner.

As the main plot of political intrigue unfolds, there is a subplot involving T’Challa’s sister Shuri who is trapped in the Djalia—Wakanda’s plane of collective memory. For a time T’Challa is forced by events to set aside his desire to get his sister back in order to battle Tetu both outright and by rekindling goodwill in the hearts and minds of his people. However, Shuri’s lessons in the Djalia, delivered by a griot in the form of her mother, are interspersed throughout the story, and by this segment’s end T’Challa finds it impossible to delay his search any longer.

Coates presents us with a human T’Challa, one who makes mistakes and whose mistakes exacerbate the threat to Wakanda. His most notable mistake is allowing himself to be talked into convening a council of “counter-revolutionary” experts who, in fact, consist of heads of the security apparatus for several corrupt regimes. His only saving grace is that Tetu has even more skeletons in his closet. T’Challa has to deal the best he can with situations in which there is no clear high ground, and that makes for a more intriguing story than one normally associates with superhero comic books. By the end of this Volume, it seems that Black Panther—along with his allies Manifold, Luke Cage, Misty Knight, and Storm—has turned things around by defeating Stane and uncovering the lair of “the People,” but then one realizes how fragile Wakanda remains.

The two bonus books “Jungle Action” #6&7 are from the early 1970’s and feature an earlier challenge to T’Challa’s throne from his archenemy Erik Killmonger. I can see why these two comics were included. Said books might be viewed as influences on this story, but there may have been better choices. At the end of the third volume (reviewed concurrently), there’s material from a 2013 run that offers great insight into why T’Challa is on the outs with his people. For those of us who pick up select stories (i.e. not all-reading fanboys), the insight offered in Volume 3’s supplementary material would be useful earlier in the reading process. (Preferably it would be in Volume 1.) The first volume includes a single book from “Fantastic Four.” It’s fun to read because it’s Black Panther’s introduction into the Marvel-verse and it shows us how formidable Black Panther is as well as letting us in on the secret that Wakanda is the most technologically advanced nation on the planet. However, I think knowing why the Wakandans are so disgruntled would help make Coates’s story more powerful.

As it’s a comic book, I should mention the artwork–even though I have no particular insight into graphic artistry—comic book or otherwise. All I can say is that I liked the art and found it effective and clear. I viewed the book in black-and-white, so I have nothing to say about color palette.

I enjoyed this arc and thought this section of it had a good balance of peril and victory for our hero. I’d recommend it broadly. I don’t think you have to be solely interested in comic books or the Black Panther character specifically to find this story intriguing.

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BOOK REVIEW: A Study in Scarlet by Sir Arthur Conan Doyle

A Study in Scarlet (Sherlock Holmes, #1)A Study in Scarlet by Arthur Conan Doyle
My rating: 5 of 5 stars

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This is the first book of the Sherlock Holmes canon, and is also the first Holmes novel (most of Arthur Conan Doyle’s Sherlock Holmes stories are short stories published in collections.) The book was first published in 1887.

There are actually two stories told in the novel. The first part of the novel describes a mysterious murder that happens in London and whose victim displays a gruesome death mask. Later a second murder is discovered. It’s not clear whether the two killings are connected but the two men were associates and so it’s a likely conclusion—though the victims’ manner of death is quite different. Because, it’s the first story, there’s also the meeting of Holmes and Dr. Watson–who becomes Holmes’s roommate and who soon becomes fascinated by the work of the world’s first consulting detective.

Part I is as one would expect of a Holmes’ story in setting and characters, the second part is out of the ordinary but none-the-less fascinating. Part II begins with a man and a little girl being rescued by a caravan of Mormons. The two are the sole survivors of a Donner Party-style ill-fated wagon train through the Rockies. The man and the girl go on to live with the Mormons, if uneasily. Eventually, the girl reaches age. While she falls for a non-Mormon hunter, the polygamous Mormon’s face a situation in which the demand for wives far outstrips supply. This sets up the intrigue of the story. That intrigue is eventually tied up by Holmes at the end of the second part.

It seems like it would be an odd way to tell such a story, in two disparate parts, but both parts of the story are well-told and gripping. Though, I found the adventure in Utah to be particularly edge-of-the-seat. There’s a reason Holmes was such a popular character. Arthur Conan Doyle wove fascinating tales.

I’d recommend this book for all fiction readers—unless you’re a Mormon with anger issues, then you might want to just pass.

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