DAILY PHOTO: Gommateshwara, Shravanbelagola
2
You see that one ship out on the horizon,
and feel that unique tang of loneliness.
There's far, far too much blank sea to thrive in,
and all the makings for keen ghostliness.
That boat will soon be passing beyond sight,
and maybe it will falter, maybe sink.
The sea has created a million plights,
and hazards there will honor no strict brinks.
In Shakespeare, ships are lost, often as not.
See: "Tempest," "Merchant," "Pericles,” and so on.
Perhaps, you'll say that today isn't so fraught
with maritime menace and sea demons.
Why more vexed than those who keep ships running?
'Cause sailors will never, ever, see it coming.
Why, who makes much of a miracle? As to me I know of nothing else but miracles.
Walt Whitman, “miracles”
The American contempt for statues and ceremonies, the boundless impatience for restraint…
Walt whitman, “Song of the Broad-axe”
I exist as I am, that is enough. If no other in the world would be aware I sit content. And if each and all be aware I sit content.
walt whitman, “Song of myself”
I am not the poet of goodness only, I do not decline to be the poet of wickedness also.
walt whitman, “song of myself”
If any thing is sacred the human body is sacred.
Walt whitman, “i sing the body electric”
NOTES: Numerous editions exist between the 1855 and 1892 (deathbed) edition. It’s available for free on Project Gutenberg at: https://www.gutenberg.org/ebooks/1322
The Nobodaddy rolls
like a sunglassed Santa Claus.
He watches things crash
with bemused satisfaction --
like a buzzed NASCAR fan.
And people cry out to him,
and he gives a spiritless wave
of vague acknowledgement --
like a celebrity tired of celebrity.
But the victims all die,
and Nobodaddy calls it a day,
a day of seeing life & death play out -
not in any grand design -
but puttering about as the living
bow to life,
and the dead play out a demise.
When I was a child,
for a time,
the bridge was out.
They were replacing the rusty
iron trestle bridge
with a thick-slab concrete
monstrosity.
I could go down to the river,
and I could see the
scarred and marred
construction site,
& the big yellow machines
that sat dormant on the weekends.
But one couldn't cross the river --
not unless one was willing to get wet,
and was a better swimmer than I
(and it was autumn & the water cold.)
It was a strong current that swept
along between two steep banks.
It was not a great distance,
nor were they violent waters.
But that brown water moved with
such smooth swiftness.
I dream about the time the bridge was out,
now & again,
and wonder what it was
about those weeks
that still has meaning to my mind.