PROMPT: Three Books

Daily writing prompt
List three books that have had an impact on you. Why?
Leaves of Grass by Walt Whitman

This poetry collection teaches that most challenging of human skills: how to be insanely confident that you can do anything without being a jerk about it. (Also, how to see beauty beyond the societal consensus of what’s beautiful.)

Zhuangzi by Zhuangzi

The virtues of a carefree, spontaneous, minimalist, and down-to-earth approach to living explained through tiny stories.

The Tragedies of William Shakespeare by William Shakespeare

A master class in things that can turn a life into a tragedy.

Titus Andronicus: Live by the sword = tragedy (An eye for an eye, and everyone dies.)

Romeo & Juliet: Grudges (+ Lust) = tragedy

Julius Caesar: handing your adversary the mic (/ the fickleness of crowds) = tragedy

Hamlet: indecisiveness = tragedy (i.e. On or off the crazy-bus.)

Othello: jealousy = tragedy

Macbeth: excessive ambition = tragedy

King Lear: needing gratuitous signs of affection = tragedy

Timon of Athens: expectations of reciprocity = tragedy

Anthony & Cleopatra: mixing one’s love and work lives = tragedy

Coriolanus: a crotchety old warrior in peace time = tragedy

Five Great Yarns from Kahlil Gibran’s The Madman

The MadmanThe Madman by Kahlil Gibran
My rating: 5 of 5 stars

Project Gutenberg Page

The Madman is a collection of poems and short fiction (often micro-fiction) of a philosophical nature. The protagonist claims he became a madman when a thief broke into his house and stole his masks, the masks that people wear to fit into society and appear “normal.” Beyond the thread created by this mad character, the entries meander along, each with its own moral and with little discernible overarching plot.

There are many clever stories in this collection, offering food-for-thought on religion, philosophy, and psychology. I’ll discuss five of my favorites:

“The Sleepwalkers” A mother and daughter are both sleepwalkers. When they are somnambulating, they speak to each other in horribly cruel terms, but when they wake up, they display (at least a veneer of) love and affection. Besides demonstrating the nature of the aforementioned masks, the loss of which gets one designated “crazy,” this story encourages the reader to discern the differences between conscious and subconscious mental activity.

“War” This one presents an analogy for war in which a thief breaks into the wrong building, walks into a machine, pokes his own eye out, and then takes the building owner to court seeking “justice” for his lost eye. The craftsman / shop-owner says he can’t lose an eye because he won’t be able to do his work, but he knows a neighboring craftsman who could have his eye removed without great loss of productivity. This story builds upon the well-known “An eye for an eye…” Bible verse with the added absurdity of violence being doled out randomly and without concern for whether the victim had anything to do with the events in question.

“The Wise King” A disgruntled witch poisons a city well with a substance that makes drinkers insane. The King avoids the well water and is spared insanity. However, the townspeople begin to plot against the king because, in their insanity, they believe him (as one who acts differently) to be insane. The king eventually drinks the well water in order to come back into synch with his subjects. This entry speaks to the arbitrary nature of classification of sane and insane, an idea that has been discussed in modern times by mental health experts such as R.D. Laing.

“The Two Cages” A bird is caged next to a lion. The bird’s confidence provides the central lesson, knowing they’re both imprisoned separately, the bird refers to the lion as “fellow prisoner.” The power dynamic has changed from that of the jungle. Perhaps, the bird has even happily exchanged its freedom — either for safety or to tear the lion down a little.

“The Eye” In this story, the other sense organs mock the eye after it comments upon how grand a mountain is. The ear can’t hear the mountain and the skin can’t feel the mountain. Therefore, the other senses assume that the eye is either lying or is delusional. This tale speaks to the risk of denying something based on one’s own limited perception.

This book was originally published in 1918 and is in the public domain (most places.) It’s definitely worth the short time investment required to read it.

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PROMPT: Quote

Do you have a quote you live your life by or think of often?

Four, actually:

Be kind, for everyone you meet is fighting a hard battle.

Plato (attributions vary)

There is nothing either good or bad, but thinking makes it so.

William Shakespeare (in HamLet)

Contentment comes not so much from great wealth as from few wants.

Epictetus

If you reject the food, ignore the customs, fear the religion, and avoid the people, you might better stay home.

James a. Michener

Food for Thought [Voltaire & Smartphones]

When Voltaire said:

“Once a nation begins to think, it is impossible to stop it.”

I don’t think he’d anticipated smartphones.

The Most Important Lesson in All of Human Living [DAILY PROMPT]

Describe something you learned in high school.

A Psych teacher told us a story of what he called “a gestalt of expectations.” A man from a city in the East is driving out West, and he passes a gas station – despite being low on fuel. (He’s used to gas stations being everywhere.) Anyhow, he runs out of fuel. He can’t see anything around except desolate desert bisected by a line of asphalt. He decides to walk back to the gas station he passed ten miles back. There is no one traveling on this remote stretch of desert road. As he’s walking in the intense heat, it comes to his mind that the employee at the service station is really going to gouge him on the price of gas and a jerry can. As he walks and walks, skin prickling with the heat, he keeps thinking about how he’s going to get screwed by the gas station attendant and also how he’ll be chided and ridiculed for running out of gas in the middle of the desert. He imagines it in great detail. Finally, bedraggled and with heaving breaths, he arrives at the station. The gas station attendant rushes out to help this poor man, and the man punches the attendant square in the nose (for all the offenses taking place solely in the man’s mind.)

In a broader formulation, I think this is the most important lesson any human can learn. Our personal perception of what we experience is not equal to what it is that we experience (the exterior world.) This is why some people dealt a crappy hand can turn it into a wonderful life, and also why some people who seem to have it all commit suicide in the prime of life.

I could be angered or dismayed that the single most important lesson I learned in secondary school was via off-curriculum ramblings during an elective class, but I choose not to. Instead, I’ve been trying all my life to make that bit of knowledge into wisdom.

The Good, the Bad, and the Bat-Shit Crazy of The Republic by Plato

INTRODUCTION: The Republic is the most read and discussed of the Socratic dialogues written by Plato, and for good reason. It offers some intriguing ideas that have influenced philosophy, politics, religion, and even science fiction to this day. That said, the book isn’t without its stinkers, and many people have reasonably asked whether a state or nation employing all of Plato’s guidance wouldn’t be more dystopian than utopian. To avoid the error committed by many religious people regarding scriptures (and probably by a few scholars regarding Plato’s work,) we shouldn’t ignore the parts that are — let’s say…, complete lunacy, and also shouldn’t contort language and reason to make the questionable ideas palatable. With that in mind, we’ll start with a couple of The Republic‘s banana ideas before examining a few that have stood the test of time.

PLATO’S WAR AGAINST POETRY & THE ARTS: In The Republic, Plato goes on a tirade against the arts on the basis that they aren’t truthful and that they encourage readers and viewers to behave from the lesser elements of their “soul” – the emotional and desirous bits. Plato’s condemnation of art is informed by two of his major teachings. First, the “tripartite soul” in which reason is king and emotion and desire are lesser elements of humanity that should be checked by reason. Ergo, he doesn’t like that reading Homer makes people weepy or riled up. Second, in Plato’s conception of forms, for any given thing under the sun there’s an ideal form that was made once by god, then there are actual items made by craftspeople, and then there are the imitations made by artists. In Plato’s mind, this leads to a warped situation in which the craftsmen stray from the ideal by copying what artists presented, rather than seeking the divine ideal, and Plato is all about the pursuit of the ideal.  

Plato would grant artists the opportunity to prove that their works are of service to the state, but barring their demonstration that the art advances reason and is truthful it would be outlawed. To me, it sounds a lot like the Soviet Union where art was mostly jingoistic pieces that encouraged a Stakhanovite effort. At any rate, I’ve got to give this one to Aristotle who saw the cathartic value of art and poetry. There is value in the existence of a wide variety of modes of expression and ways of thinking about the world. It allows us to break new ground. I was just reading a book by Yeats in which he wrote: “Everything exists, everything is true, and the earth is only a little dust under our feet.” This may not seem like sound thinking in our rational age, but I like that such a counterweight exists.

THE SHARING OF WIVES & CHILDREN BY THE RULING CLASS: Plato’s Republic would be ruled by a philosopher-king, and it requires the ruling class to be specially educated and controlled to avoid pursuit of wealth and comfort. One such control is that the aristocrats can only have kids (unaborted ones, at least) under certain conditions, but the children wouldn’t know who their biological parents were.

Plato is no fan of democracy. In fact, democracy is the stage right before tyranny in Plato’s model of political devolution. [It starts with Plato’s ideal, Aristocracy, which devolves into Timocracy with the declining character of leaders (because they’re not well-trained philosophers.) Timocracy devolves into Oligarchy as the lesser quality ruling class becomes obsessed with wealth. This leads to Democracy because people get fed up with the oligarchs having all the money and they revolt. But since anyone can become leader, a tyrannical type will eventually rise to the top and use an iron-hand to maintain power.]

There’s a reason why, to my knowledge, this approach has never been tried, despite the immense popularity of Plato and The Republic. It relates to a previously mentioned point as it pertains to Plato’s ineptitude with regards to human psychology. Plato [like several other philosophers of the ancient world] believes one can kill emotion and desire through the power of pure reason. Reason maybe our smartest mental activity, but it’s neither fastest nor particularly capable of steering the ship. At any rate, this joint parentage scheme makes me think of the Harry Harlow experiments in which baby monkeys were put either with a wire mesh or cloth-covered “mother surrogate.” We’ve learned a lot about how psychopaths are made since the days of Plato. I think Plato’s guardian class would be chock-full of lunatics.

THE SUPREME IMPORTANCE OF GEOMETRY: I love a triangle as much as the next fellow, but I think Plato may have gone a little overboard with his views about the transcendent value of geometry.

WHAT PLATO GOT RIGHT: There are definitely ideas in The Republic that continue to contribute to humanity’s understanding of itself and the world. Here are a few good reasons to read The Republic — despite all that junk mentioned above.

THE ALLEGORY OF THE CAVE: Because of sci-fi works such as The Matrix, this is probably the most widely cited bit of The Republic. However, it’s not just a fictional or hypothetical idea anymore. One will also see references to Plato’s cave in nonfiction works of neuroscience and physics that deal with how our perceived world doesn’t equate to the objectively real world. Plato offers a very clear thought experiment in Book VII.

PLATO’S GENDER PROGRESSIVISM: In The Republic, Plato argues that women can be guardians of the state as well as men, and that women must receive the same education in order to do so. Lest the feminist jump all-in on Plato, it should be noted that he maintained some pretty misogynist / patriarchal views (e.g. women being like children,) as well as some bizarre ones (e.g. the wandering womb hypothesis.) However, in at least that one regard, Plato was ahead of his time.

KNOWLEDGE ACQUIRED UNDER COMPULSION OBTAINS NO HOLD: Given that Plato’s Republic would feature some harsh limitations of individual freedom, from lack of artistic expression to inability to know one’s own mom, it’s nice to see that he held some freedom-loving views, as well.

COURAGE IS STAYING SPIRITED IN ONE’S DECISIONS IN THE FACE OF PLEASURE OR PAIN: Much of The Republic is an attempt to define and distinguish the cardinal virtue of justice. In fact, in many Socratic dialogues, the primary objective is to understand virtues, and they’re often discussed at length, not always resulting in a firm conclusion. I like the definition of courage provided in The Republic. One makes a decision based on the virtuous path, and sticks with it even when pleasure or pain might divert one.

THE TENDENCY TOWARD DIMINISHING EFFECTIVENESS IN POLITICS: While I share neither Plato’s enthusiasm for aristocracy nor his pessimism about democracy (there’s a reason the world has abandoned the former in preference for the latter,) I do think there’s a potential grain of truth in his model of political devolution that’s mentioned in Books VIII & IX. I think there can be a proclivity towards weaker and less effective leaders over time under certain systems of governance. One can see this in the Soviet Union, and arguably in North Korea. It seems possible that there are systemic causes for devolution of political effectiveness, at least under certain approaches to governance. (I’d argue this is one of the reasons that democracy is best, because it can fully overturn the apple cart of governance rather than struggling with whatever continuity issues contribute to declining effectiveness.)

READ THE REPUBLIC, both for its great and for its dystopian ideas, because even when it’s bad, it’s stimulating.

Five Wise Lines from “The Marriage of Heaven and Hell” [Plus Five Lines, More]

No bird soars too high, if he soars with his own wings.

william blake

The road of excess leads to the palace of wisdom.

William blake

Prisons are built with stones of Law, Brothels with bricks of Religion.

William Blake

The fox condemns the trap, not himself.

William Blake

Exuberance is Beauty.

William blake

Without Contraries is no Progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence.

William Blake

If the doors of perception were cleansed, everything would appear to man as it is, infinite.

William blake

The man who never alters his opinion is like standing water, and breeds reptiles of the mind.

William Blake

I also asked Isaiah what made him go naked and barefoot three years. He answer’d: ‘The same that made our friend Diogenes, the Grecian.’

William Blake

The most sublime act is to set another before you.

William blake

NOTE: William Blake’s “The Marriage of Heaven in Hell” is available in many collections of his poetry, and is in the public domain and available via Project Gutenberg at: https://www.gutenberg.org/ebooks/45315

Master & Slave [Lyric Poem]

What will be your master,
  and what will be your slave?
Will you court disaster
  to be perceived as brave?
Will you call your pastor
  to hide that which you crave,
    or be your own ringmaster
       and own how you behave?

And will you choose virtue,
  or live in fear of vice?
Will you choose to be true,
  or default to being nice?
And when there's much ado
  will you jet their paradise?
Or just defer your view,
  as act some men and mice?

In Homage to Leaves of Grass

You're my Analects,
           my Gita,
           my Dao De Jing,
           my sutras,
           my Meditations,
           and my Republic
 all rolled into one.

You are the scripture by which I live.

You present a path to that rare place:
            extreme confidence
            which tears no one down,

            but, rather, lifts all.

You achieve this by crushing 
            the ordinary.

Nothing is common.

Everything is a miracle. 
            (Even those leaves of grass
                      you repeatedly reference.)

No one is so rough
             or promiscuous
             or simple
as to be lowly.

Your author's unbridled enthusiasm 
             glowed with the insane confidence
             of an adolescent boy,
but his awesomeness was never gained
             by subtracting from others.
Rather by seeing the bright, beautiful spark 
             in each body,
             mind,
             pair of hands,
             & burdened shoulder. 

You are America,
             the America we want to be.

The America that labors,
             but which takes time to see
             its natural wonders. 

The America that heard what Jesus said,
             and became less excelled at stone-throwing,
             and more at cheek-turning.

The America that could see beyond dogma
             and hard-edged tribalism,
             and could learn from all the 
             grand & glorious people 
             who reached its shores --

So that we could be the best version of ourselves
            through the strengths of all of us,
            and not be stymied by missing 
            the great beauty & knowledge
           among us. 

You pair away the extraneous burdens
            which tax the mind,
and show us what the world looks like
             unfiltered. 

You teach one to see a beauty
            that is so well hidden 
            that its own possessor doesn't 
                      recognize it.

You are the song of a life well lived.

Bury the Ordinary [Free Verse]

Bury the ordinary,
 but make sure to 
  chop it out at the roots.

Nothing grows back more tenaciously
 than the commonplace or the quotidian.

Sometimes what grows 
 back from those roots 
  looks entirely different,
   but it's still mundane.

It has the same feel,
 even when it has a 
  very different look.

Kill it.
 Murder it.
  Chop it up.
    Bury it, 
     and let it die the death
       of the forgotten.