Hanshan 131 [w/ Audio]

During thirty years since my birth
I've hiked thousands of miles,
seen green grass converging with a river
and red dust rising at the frontiers,
searched in vain for immortals and elixirs,
studying books and histories.
Today I've returned to Cold Mountain.
I lie back in a stream, washing out my ears.

Translation: Barnstone, Tony and Ping, Chou. 2005. The Anchor Book of Chinese Poetry: From Ancient to Contemporary. New York: Anchor Books.

BOOKS: “The Flowers of Evil” by Charles Baudelaire

Les Fleurs du MalLes Fleurs du Mal by Charles Baudelaire
My rating: 5 of 5 stars

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I read the 1909 Cyril Scott translation of Baudelaire’s poetry collection. It consists of 54 poems, including “Condemned Women” but not including others of the six poems that were banned in early editions and which only came to be included in later editions. (I did look up and read a couple translations each for the six poems — because censorship can’t be allowed to prevail. Not surprisingly, they are calm by today’s standards. It should be noted that Baudelaire played in symbolism, and so his poems – while ahead of their time in subject matter – didn’t tend toward explicit vulgarity in the first place.)

The Scott translation is all in rhymed verse, the largest share of it presented as sonnets — though there are some longer pieces (longer, but not long. It’s a quick read.) “The Broken Bell” and “Spleen” were highlights for me, but the whole collection is intriguing, evocative, and readable.

I enjoyed this collection tremendously, even with such an old translation. The hedonism, eroticism, and macabre of Baudelaire’s work creates an intense tone.

I’d highly recommend this collection for all poetry readers.



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“Gitanjali 35” by Rabindranath Tagore [w/ Audio]

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action
Into that heave of freedom, my Father, let my country awake.

NOTE: This poem is often entitled “Let My Country Awake,” particularly when it is anthologized independently of the larger Gitanjali poem.

“Seeking a Hermit-Sage in Vain” by Jia Dao [w/ Audio]

I question a local boy under a pine.
He says, "Teacher is gathering herbs
right here on the mountain...
But who can say where?
The mountain is thick with clouds."

Four Seasonal Haiku of Sōgi [w/ Audio]

SPRING

Despite the storm,
Spring's herald makes it through:
Scent of plum blossom.

SUMMER

Abundant fireflies
This year, but this morning
None are to be seen.

AUTUMN

Autumn sea:
A boat moves, leaf-like,
In the floating world.

WINTER

Winter rains
Cross the mountains
On rising clouds.

“On Laozi” by Bai Juyi [w/ Audio]

"The ignorant speak, while the wise keep silent."
I read the words of Laozi.
But if Laozi knew the Way,
Why did he write those five thousand characters?

Four Seasonal Haiku of Masaoka Shiki [w/ Audio]

SPRING

on wet feet,
the sparrows hop
down the hall.

SUMMER

the owl naps,
and dreams of a
summer grove.

AUTUMN

sunny autumn day:
smoke from something burning
rises skyward.

WINTER

a snowy night;
the sound of bamboo
rustling.

“Night Rain” by Bai Juyi [w/ Audio]

Chirp of an early cricket. Silence.
The lamp dies then flares up again.
Night must be raining outside the window:
plink, plink on the banana leaves.

Translation: Barnstone, Tony and Ping, Chou. 2005. The Anchor Book of Chinese Poetry: From Ancient to Contemporary. New York: Anchor Books.

“Treading on Grass” by He Zhu [w/ Audio]

On winding pool with willows dim,
At narrow strait the lovebirds swim.
Green duckweeds float,
Barring the lotus-picking boat.
Nor butterflies nor bees
Love fragrance from the withered trees.
When her red petals fall apart,
The lotus bloom 's bitter at heart.

The setting sun greets rising tide,
The floating clouds bring rain.
The swaying lotus seems to confide,
Her sorrow to the poet in vain.

Then she would not be wed to vernal breeze.
What could she do now autumn drives away wild geese?

Translation: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, p.226.

“West River Moon” by Su Shi [w/ Audio]

Wavelet on wavelet glimmers by the shore;
Cloud on cloud dimly appears in the sky.
Unsaddled is my white-jadelike horse;
Drunk, asleep in the sweet grass I'll lie.
My horse's hoofs may break, I'm afraid,
The breeze-rippled brook paved by moonlit jade.
I tether my horse to a bough of green willow.
Near the bridge where I pillow
My head on arms and sleep till the cuckoo's song awakes
  A spring daybreak.

Translation: Xu Yuanchong [translator]. 2021. Deep, Deep the Courtyard. [庭院深深.] Cite Publishing: Kuala Lumpur, p. 238