Quick to Dead [Couplets]

I gasp in my last minute living loud,
I'd dreamt of being carried on a cloud.
But,
My body 's too heavy, my mind too light,
and nothing remains once I'm failed by sight.

Just a pile of death stacked before the door,
as carrion feeders squawk out for more.

In eternal darkness, that endless void,
I was once created, & now once destroyed. 

BOOK REVIEW: Duino Elegies by Rainer Maria Rilke [Trans. Vita & Edward Sackville-West]

Duino ElegiesDuino Elegies by Rainer Maria Rilke
My rating: 5 of 5 stars

Amazon.in Page

Out: February 22, 2022 [In some markets it may be out already.]

This is a reissue of the original English translation of Rilke’s elegies composed on the karst cliffs of northeast Italy in the early 1920’s. The book consists of ten medium-length, angel-laden elegiac poems. [Yes, dude was just that into angels.] The translator’s notes are posted as an epilogue and the volume has a new preface. It should be noted that the translators suggest one think of it as one long elegy in ten parts.

I’m far from qualified to comment on the skill of translation from the perspective of how well it catches the meaning and nuance of the original poems. However, the Sackville-Wests’ words are evocative and impactful in their own right, and I enjoyed and was moved by this collection of poems. [In their notes, the translators say they decided it was most productive to try to artfully paraphrase rather than getting too caught up in strict literal translation.] I’d highly recommend this book for poetry readers.


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Mossy Monument [Haiku]

moss grows on granite;
nature swallowing gravestones
and erasing names

Autumn’s Elegy [Haiku]

leaf-lined walks
in the cemetery --
autumn's elegy

DAILY PHOTO: Oakland Cemetery

Taken on November 15, 2021 in Atlanta

BOOK REVIEW: Death: The Deluxe Edition by Neil Gaiman

Death: The Deluxe Edition (Death of the Endless, #1-2)Death: The Deluxe Edition by Neil Gaiman
My rating: 5 of 5 stars

Amazon.in Page

This book includes seven stories featuring the character of Death from Gaiman’s Sandman series. Two of the stories are longer (three-issue) tales, and the rest are single-issue short fiction.


For those unfamiliar with character, Gaiman subverts the “Grim Reaper” persona. Instead of a cloak-enshrouded skeleton, its face obscured by hood and shadow, Gaiman’s Death is an attractive young woman who goes by Didi, Gothically pale but certainly more beautiful than terrifying. However, appearances aren’t the only way in which Didi is the polar opposite of the Grim Reaper. She’s also preternaturally likeable and gregarious.


The first tripartite story is entitled “The Hight Cost of Living,” and in it a suicidal teen, Sexton, gets drawn into Didi’s drama, but also experiences a newfound appreciation for living. The other three-part story, “The Time of Your Life,” is about a rock star [stage name, “Foxglove”] who has everything a budding pop star could want, but when she learns that you can’t have it all and no one escapes their mortality, she’s forced to reevaluate her priorities. While the collection is built around those two stories, it’s not like the shorter works are filler. I found that “Façade” and “Death and Venice,” in particular, to be quite satisfying as stories.


A couple things to keep in mind: First, the stories are pulled from a long run, and so there are discontinuities – e.g. Death in “The Wheel” looks different from the other stories. Second, one reviewer said this book wasn’t a good choice if one hadn’t read the whole “Sandman” series. Someone who’d read it all might get more Easter Eggs, but it’s not the case that the stories don’t make sense in isolation. With the exception of the opening story, “The Sound of Her Wings,” I didn’t feel I was missing anything by not having read the series.


One can’t go wrong with Gaiman, the storytelling is clever and compelling, and the art is captivating – despite the stylistic variation.


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DAILY PHOTO: Desert Cemetery, Kyrgyzstan

Taken in the summer of 2019 near Manzhyly Ata

Necropolis [Free Verse]

a city of the dead
tunneled under the living,

awaiting the flip,
a shift in who's who

-the living & the dead,
-the dead & the living
-the alive and the existent
-the living dead &
those dying alive

all jumbled together
in a sea of inhumanity,
tumbling past each other,

scrambling for humanity -
for the breath of life,
for life in a breath

the musty scent of decay
in the living city
was the first sign...

those in the necropolis 
smelled flowery scents --
clean and bright --
and found those fragrant
perfumes
as revolting as the
living found the rot stench

in the brief time it took
to become acclimated to the stink,
all found themselves in the churn,
struggling for more
of something they
didn't understand

Graveyard [Haiku]

snow accrues
on a marble headstone -
silently

Fungi Mind [Free Verse]

From its perspective,
we live in a vacant
 upside down underworld.

It can't understand 
our terror over death
and our obsession
with life. 

Just thinking about it
gives it nightmares,
heebie-jeebies
of being overrun
by endless piles
of creatures --
endless piles
with endless needs.

We may wrinkle a nose
in disgust at its worldview,
but it finds ours
positively suffocating.

But it forgives us
our simple ways,
we are just its food,
after all.