Taken in August of 2016 at Lamayuru Gompa
DAILY PHOTO: In a Temple at Lamayuru Monastery
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Category Archives: Buddhism
BOOK REVIEW: The Tibetan Yogas of Dream and Sleep by Tenzin Wangyal Rinpoche
The Tibetan Yogas Of Dream And Sleep by Tenzin Wangyal
My rating: 5 of 5 stars
I stumbled upon this book in a used bookstore, and didn’t know what to expect–but was intrigued. It’s a book on the Tibetan Bön approach to dream yoga and sleep yoga, written by a Bön lama (monk.) Dream yoga is a term used in Buddhism and other Eastern traditions to refer to what is called lucid dreaming in Western scientific circles. My review will focus on the more than 3/4ths of the book that deals in dream yoga (lucid dreaming.) The 40-ish pages that deal with sleep yoga are outside my wheelhouse. The author suggests that that part is for initiates who are familiar with certain background concepts. I’m not an initiate, and—in fact—I have no idea whether there is any merit to sleep yoga practice. Lucid dreaming is a well-studied and documented phenomena, but, as far as I know, what the author calls sleep yoga remains unstudied. All I can say is that the part on dream yoga is readily comprehensible, despite much of it being couched in spiritual terms, but a lot of the section on sleep yoga is arcane and ethereal.
As it happens, I was pleasantly surprised with the portion of the book about dream yoga. Having read a number of books dealing with the subject recently, I wasn’t sure whether I would learn anything that was both new and useful. But I was exposed to ideas that were new, useful, and mind-blowing. There were a few ideas for helping one to achieve lucid dreaming—mostly through practices carried out during the day—that I’d not seen in other works, at least not put in such clear terms. Also, while there is a lot of reference to the Bön and Buddhist spiritual traditions, this didn’t result in the explanations being needlessly complicated or arcane. There is a lot of information that one doesn’t need if one is a secular practitioner, but many readers will find it interesting, even if it’s not necessary to advance their practice.
The book is organized into six parts: 1.) The Nature of Dream, 2.) Kinds and Uses of Dreams, 3.) The Practice of Dream Yoga, 4.) Sleep, 5.) The Practice of Sleep Yoga, and 6.) Elaborations. The last part has information pertinent to both dream yoga and sleep yoga.
There are some graphics in the book including photos, line drawings, and tables. Most of these aren’t essential, but some make it easier to imagine what the author is describing (e.g. when he discusses sleeping positions.) The book has a glossary and bibliography. The former is useful, and the latter doesn’t hurt (but it’s only one page and offers only a handful of citations.) The glossary is mostly of foreign terms, but includes English terms specific to the religious traditions discussed. It offers both Tibetan and Sanskrit variants of the word if they exist, which is a nice feature. There is also an appendix which summarizes the crucial practices elaborated upon in the book.
I’d recommend this book for those interested in developing a lucid dreaming practice. I will say that it may not be the best first book to read on the subject, unless you are a practitioner of Bön or intend to be. (For that, I would recommend Charlie Morley’s “Lucid Dreaming: A Beginner’s Guide…” which I recently reviewed.) However, this book makes an excellent follow-up once one has read a book that is couched in simpler terms (i.e. not specific to a certain spiritual tradition) and which reports on the science. I found that the book gave me a number of new ideas, and—in fact—offered some insightful ideas.
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DAILY PHOTO: Giant Maitreya of Diskit
Taken in August of 2016 in Diskit, India
It’s over 100ft (30m) tall.
A Maitreya is a “future Buddha,” meaning a Buddha who hasn’t yet appeared, but who was prophesied to live in an era to come. For people unfamiliar with Buddhism, this might seem strange. The Buddha we normal think of is Gautama Buddha, or the Shakyamuni Buddha (Siddhartha Gautama.) He was the founder of the religion, but one of many said to have achieved enlightenment. In other words, the Buddha we think of was an awakened one, not the awakened one.
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An Unusual International Yoga Day Post: or, Dream Yoga and Fear Management
“The Sleep of Reason Produces Monsters” by Francisco Goya
I awoke exuberant that I’d achieved lucidity in my dream and that I’d apparently slain a nasty character (picture Hans Gruber on a bad day)–a task that had seemed impossible before my eureka of “I’m lucid!” Only my exuberance was short-lived when I realized that Hans was also me. Do you have the courage to talk it out with your dream world nemesis instead of reacting from fear?
I was thinking that I should do a post on yoga for International Yoga Day (June 21st), but what to write about? My answer came in the wee hours of the morning when I had a minor breakthrough in lucid dreaming–also known as, dream yoga. I know this seems like a stretch because, despite “yoga” being right there in the name, this practice is much more firmly associated with Tibetan Buddhism than Hatha Yoga. But my last couple yoga posts (which were a while back on my experience with RYT300 teacher’s training and teaching a Yoga Kid’s Camp) were fairly conventional, so I’m due one that’s out there. Furthermore, I promise to try to make clear the relevance of dream yoga to my hatha yoga practice. (If you read the aforementioned posts, you’ll see that the theme of freeing oneself by managing one’s fears and anxieties is a recurring theme across all these posts. And that is the crux of the relevance of lucid dreaming to unifying mind, body, and breath [i.e. yoga.])
What is lucid dreaming? It’s becoming aware that one is in a dream as one is dreaming. One can then exert influence over the course of the dream. Maybe half of you have had this experience at some point in your lives, and so what I’m saying will not seem far-fetched. For those who don’t actively practice lucid dreaming, it’s much more common among the young, so maybe you had such dreams as an adolescent but don’t have them anymore.
For the other half, the whole idea may seem like poppy-cock. I could easily have been such a doubter. Without following a practice, I almost never remember dreams–let alone dreaming lucidly. At best, I get disappearing fragments of dreams that are ephemeral and hazy. I’m one of those people who might claim that he virtually never dreams, except that I read the science, which suggests that each of us dreams every night that we sleep long enough to cycle through REM (rapid eye movement) mode (and commonly 4 or 5 times a night.) We just don’t recollect these dreams. [However, I have had lucid dreams on rare occasions, and so my skepticism on the subject was curbed.]
Why do I practice dream yoga? While it wasn’t part of my formal hatha yoga training, dream yoga isn’t as far removed as one might think. I have been trained in yoga nidra (yoga sleep), which is an exercise that takes place in a hypnagogic state (on the edge between waking and falling asleep.) Commonly, yoga nidra is used as a deep relaxation exercise, but it can also help one to access the subconscious (as is reflected in repeating a sankalpa [a resolution] in the yoga nidra state.) Lucid dreaming is another approach to assessing the subconscious in order to see what’s going on in there and to try to make changes as necessary. Curiosity about the subconscious mind and its–largely unseen–influence on my daily life is what drew me to dream yoga. It’s just another aspect of knowing oneself and trying to expand one’s capacities of mind and body.
How does one practice dream yoga? Hardcore practitioners set alarms to wake themselves up when they think they’ll be in REM sleep. This, as I understand it, helps them reconnect with the dream when they drift back and greatly speeds the process. As I sleep with a wife who would clobber me with a brick if I set alarms for random times in the middle of the night, I’m not among those hardcore. My practice consists of three main aspects. First, I make resolutions to remember my dreams and to dream lucidly as I’m drifting off to sleep. Second, when I’m not making said resolutions, I try to just observe the subconsciously generated imagery that pops up as a witness–rather than letting my conscious mind go into its preferred mode of planning for an uncertain future. [One can tell the difference because the subconscious images don’t make a lick of sense, and–for me–are devoid of any verbal/language element–i.e. it’s all imagery.] Finally, I keep a journal in which I record any dreams or fragments that I can recall–sometimes with drawings to supplement the text (though my artisticness is lacking, to say the least.) The first and last of these are among the most common recommendations one will hear from experts.
I should point out that there are a number of books on the subject by individuals much more qualified than I. Said books give detailed guidance into how one can begin one’s own practice. One that I recently finished reading and would recommend is Charlie Morley’s “Lucid Dreaming: A Beginner’s Guide to Becoming Conscious in Your Dreams.” At some point, I’ll post a review of that book. Also, there is “Dreaming: A Very Short Introduction” by J. Allan Hobson, which I have reviewed.
As I wrote up the entry in my dream journal, I made a resolution to stop attacking the “bad guys” in my dreams and to try to understand them. Note: I don’t recommend this approach for dealing with real world axe-wielding maniacs, but I highly recommend giving it a try in one’s dreams.
Sweet dreams.
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BOOK REVIEW: Running with the Mind of Meditation by Sakyong Mipham
Running with the Mind of Meditation: Lessons for Training Body and Mind by Sakyong Mipham
My rating: 4 of 5 stars
Tibetan Buddhists believe Sakyong Mipham is the reincarnation of a great teacher from late 19th century Tibet. He’s also completed many marathons—nine at the time of this book’s publication. He’s certainly qualified to comment on meditation, running, and the nexus of the two–if there is such a thing. However, it may not be clear that the topics are particularly connected. Readers may have an intuitive sense that they are closely connected, but without sufficient understanding of both elements to draw sound conclusions.
The author, himself, proposes that one should recognize the points of contrast as well as comparisons between the two activities. A couple quotes make this clear:
“People sometimes say, ‘Running is my meditation’… in reality, running is running and meditation is meditation… It would be just as inaccurate to say, ‘Meditation is my exercise.’”
“The body benefits from movement, and the mind benefits from stillness.”
Later in the book, the author suggests that the apparent clarity after running usually has more to do with the “wild horse” of the mind being tired, rather than it being tamed. (Taming the mind being the objective of meditation.) That said, Mipham Rinpoche clearly believes that there are benefits to be had from an interaction between these two activities.
The book is divided into six parts. The first part gives background on basics like base-building, breath, what meditation is, and the challenge of starting to build a regime (either of running, meditation, or both.) The rest of the book is organized by way of a Tibetan Buddhist conception about how new skills are learned. This schema relies on animal symbolism. The first level is that of the tiger, and this is when one works on attentively and conscientiously building one’s technique. The lion level follows the tiger. The lion phase is a joyful one because a base capacity and fundamentals have been built and the initial struggle is in the past. The next phase is represented by the Garuda (a mythical eagle-like creature that features in Hindu as well as Buddhist mythology), and it’s expressed by challenging oneself to more demanding practice. The final phase is the dragon, and it involves moving beyond doing the activity for oneself to doing it for others. There’s a final part, entitled the windhorse, that is based on the notion of an energy that Tibetan Buddhists believe accumulates when one follows the aforementioned 4 phase path. This last part is a description of events that might be seen as the culmination of the author’s running career.
Within the aforementioned six parts, there are 40 chapters—most of which are only a few pages and deal with a specific aspect (or pitfall) of that phase of training.
I found this book interesting. Learning about the four phases (tiger, lion, garuda, and dragon) of skill development was illuminating, and I found myself thinking about how this idea could be more widely applied. It’s a handy conception with broad utility. The author uses stories from his own experience to add credibility as well as light-heartedness to the philosophy lessons being taught. While the book may seem ethereal, much of the discussion is on down-to-earth subjects like dealing with pain and injury. It should be noted that the introductory and tiger parts make up a little more than half the book—suggesting the importance of fundamentals. There’s a lot of valuable information on fear, confidence, and how to view pain.
I’d recommend this book, especially for runners and meditators—but not exclusively so. Many people who are interested in mind / body interaction will be able to draw useful lessons from the book, even if running isn’t your thing.
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BOOK REVIEW: Zen in the Art of Archery by Eugen Herrigel
Zen in the Art of Archery by Eugen Herrigel
My rating: 4 of 5 stars
Herrigel’s book is part autobiography of his experience learning Japanese archery (kyudo) from the distinguished master archer Kenzo Awa (and through archery, Zen,) and it’s part philosophical treatise on how archery can help one achieve a Zen state of mind.
The book is less than one hundred pages and has a Zen feel itself. Exemplary of this, the book’s divisions aren’t labeled or numbered into chapters—i.e. there’s a general trimming away of the extraneous features of a book. That said, there’s a clear organization to the book, and most of it follows the chronology by which the author (and others) progress in developing deep insight into the mind through the practice of archery.
There are nine sections:
The first section helps the reader understand why one might consider Zen and archery in the same thought–something that will by no means be obvious (even to many Zen Buddhists.)
The second section explains why Herrigel took up Zen and decided to use archery as his vehicle to understand it.
Section three describes the early learning process, and focuses heavily on the importance of breath.
Section four takes place after Herrigel has been practicing about a year, and the theme of purposeless action is at the fore. This idea is one of the recurring central ideas in the book.
Section five is Herrigel’s introduction to withdrawing from attachments, and—in particular—letting go of the ego. It’s not the point at which Herrigel masters this difficult practice, but he’s made aware of it.
The next section is one of the longer chapters and in it Master Awa tries to teach Herrigel the importance of letting “it shoot” rather than making the shot. This is clearly a challenging idea.
In the seventh section, Herrigel has been practicing for five years and Master Awa recommends that he take a test to help him move on to the next stage in his practice.
Section eight is a brief elucidation as to why kyudo is still relevant and how its relevance has long been tied to what it teaches about the mind.
The final section shifts gears into the relation between Zen and swordsmanship. There have been many works written on this subject, and Herrigel’s purpose may have been to convince the reader that kyudo isn’t uniquely a vehicle for Zen. One can engage in many activities (arguably any activity) with the mind of Zen, be it flower arranging, tea ceremony, calligraphy, or spearmanship.
I’d recommend this book for those interested in the mind / body connection. It’s short, readable, filled with food for thought, and is a classic on the subject.
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DAILY PHOTO: Thangka Painting in McLeod Ganj
Taken in July of 2015 in McLeod Ganj
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BOOK REVIEW: An Introduction to Zen Training by Omori Sogen
An Introduction to Zen Training by Omori Sogen
My rating: 4 of 5 stars
This is a guidebook that explains how to sit for meditation—particularly in the Rinzai style. It describes all the fundamentals one needs to begin Zen sitting including: posture, breathing, where to look, what to do with one’s hands, and even how to get up after a long session. It also provides background information about what to look for in a teacher, what differentiates Rinzai from Soto Zen, and what the objective of practice is (and why it is sought after.) This makes it sound like a dry, technical manual, and to some degree it’s unavoidably so. However, the author does include stories here and there to make the book more engaging and palatable. Overall, though, it’s written as a manual for students.
The book is arranged into 7 chapters, but it’s only the first five of these that are the author’s introduction to Zen meditation. These five chapters are logically arranged to cover the ground from why one should practice to what effects it will have with consideration of the aims, technique, and pitfalls covered in between. The last two chapters are commentaries on (including text from) a couple of the key documents of Zen Buddhism: “A Song of Zen” (Zazen Wazen) and “The Ten Oxherding Pictures.”
There are black and white graphics. First, there are line drawings used to convey information about posture and the physical body in meditation. Second, there are a few photographs of the author, including his dōjō and in the practice of swordsmanship. The author was a skilled swordsman; hence my tagging of this book in “martial arts,” as there may be some interest among martial artists in the author’s take as one who straddled the two worlds of Zen and budō. Finally, there are also copies of the ten ox herding pictures that go with the verse.
I think this book is well-organized and provides a beginner an excellent introduction to the practice of Zen. I didn’t really note any major deficiencies, and will thus recommend it as a good resource for anyone considering taking up a Zen practice or wanting to learn more about doing so. I should point out that the book does also get into the philosophical aspects of Zen, but if one isn’t looking for information about how to practice then there may be books more oriented toward one’s needs. Despite the fact that the book is a translation, it’s clear and readable. As I said, it includes stories—including those about Japanese warriors as well as Zen masters—and that helps to break up the dryness of what is at its core an instructional manual.
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DAILY PHOTO: Joss Sticks Drying in the Sun
Taken in December in Hue, Vietnam
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DAILY PHOTO: Namdroling Façade
Taken in March of 2014 at Namdroling Monastery
Tiger Riding for Beginners 