BOOK REVIEW: Tales of the Taoist Immortals by Eva Wong

Tales of the Taoist ImmortalsTales of the Taoist Immortals by Eva Wong
My rating: 3 of 5 stars

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This book tells of the key events in the lives of forty Taoist immortals. While the title (specifically the word “tales”) might lead one to think that this is a book of stories, it is only so in the most general sense of the word “story.” Satisfying stories show a character confronted by barriers to obtaining some desired goal. That isn’t the case in the overwhelming majority of the “tales” in this book, and the few in which the individual is confronted with a challenge she usually uses her superpowers to magic the problem away. (To be fair, Taoist sages aren’t known for being ambitious and thus have few goals to chase after. There are more examples of individuals turning down high offices in these character sketches than there are characters attempting to obtain some objective.)

If you are looking to learn more about key figures in Chinese history and mythology, this book will serve your purpose through brief (2-3 page) character sketches that hit the highlights. However, if you are looking for something like the “Book of Chuang Tzu” with clever morality tales, that’s not at all what you’ll find in this book. There are a couple of exceptions, but they are rare nuggets.

Each of the 40 chapters provides one character sketch of life events with a brief bio at the end. The 40 chapters are divided into five parts by the class of individual being mentioned (i.e. the eight immortals, sages, magicians, diviners, and alchemists.) There is a line drawing (reminiscent of block print) for each of the chapters that depicts the immortal in action. The only ancillary matter is a brief introduction.

As I suggested, if one is looking for information about the lives of Taoist immortals, one may find this to be a good source—particularly if one doesn’t want to get bogged down in minutiae. The entire book is less than 200 pages. On the other hand, if one is looking for stories or morality tales, one will likely find this book leaves one wanting.

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BOOK REVIEW: An Introduction to Indian Philosophy Chatterjee & Datta

An Introduction to Indian PhilosophyAn Introduction to Indian Philosophy by Satischandra Chatterjee
My rating: 4 of 5 stars

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India has spawned a number of philosophical systems over the centuries. Chatterjee and Datta provide an overview of Indian philosophy by comparing and contrasting nine major schools of Indian philosophy—the six orthodox schools plus three well-known heterodox schools. The dividing line between orthodox and unorthodox hinges upon whether a philosophy accepts the Vedas as sources of authority.

After an introductory chapter that lays out the concepts that will be needed throughout the remainder of the book as well as providing brief sketches of nine philosophical schools, the remainder of the book is a one chapter per school examination of metaphysics, ethics, theology, epistemology, etc. The authors first consider the heterodox schools: i.e. Carvaka (a materialist /atheist approach), Jain (one of the major Indian religions), and Buddhist. After examining the heterodox approaches, Chatterjee and Datta take on the orthodox schools in the following order: Nyaya, Vaisesika, Sankhya, Yoga (which you may not have realized was a philosophical system), Mimamsa, and Vedanta.

There are a number of questions that recur as the authors compare these schools to each other. A major point of consideration is presence or absence of belief in a god, and—for those systems that believe in a God or gods—what is the role of said deity. It might seem that all the orthodox systems would be theistic, but this isn’t the case (e.g. Sankhya.) Another key question is how one can know something, i.e. what is acceptable authority—can one only trust one’s own senses or can one trust everything but one’s own senses? Then there is the matter of ethics and how each system regards ethical behavior. Of course, there are some elements that are unique to a given system, and so it’s not entirely a matter of comparison and contrast.

There are no graphics in the book and the ancillary material is limited to footnotes, a select bibliography, and prefaces to the various editions of the book. Note: I read the 2007 / 7th Edition of the book.

I won’t say this book isn’t dry. It’s a philosophy textbook, after all. However, it does provide a solid overview of the topic and seems to take great efforts to be unbiased (to the extent of sometimes not challenging philosophical ideas that are patently unsound in favor of reporting what advocates of the tradition propose.)

I’d recommend this book for anyone who’s looking for an overview of Indian philosophy.

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BOOK REVIEW: Turtle Island by Gary Snyder

Turtle Island (Shambhala Pocket Classics)Turtle Island by Gary Snyder
My rating: 4 of 5 stars

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If you’re not a reader of latter-20th century American poetry, then maybe you’ve heard of Gary Snyder’s fictional doppelgänger, Japhy Ryder, even if you haven’t heard of Snyder, himself. Ryder appears in Jack Kerouac’s “Dharma Bums” as a friend and mentor to Kerouac’s own fictional persona, Ray Smith. If you do remember Ryder, you have some insight into the themes that recur throughout this collection. Said themes include reverence for nature and an appeal to Eastern philosophical and religious traditions–most specifically Zen. Though there are other themes that you might not be expecting, such as fatherhood and the overarching theme of North America.

This collection consists of 63 pieces divided into four parts. Except for those of the last part, the pieces are all poetic. In other words, there are 58 poems and five short prose essays. The poems cover a lot of ground, though they are all free verse. Some of them are spare and others are prose poetry. They range from a few lines to a few pages. The vast majority of the poems put nature at the fore. Some have the tone of haiku—though not its form. By that I mean the tendency to describe without letting in analysis or judgement, attempting to offer a pure reflection of scenes from nature. There are some points at which Snyder veers into political commentary, e.g. with lists of statistics—some of which have no meaning as written (see: “Fact” the first piece in the section “Magpie’s Song”) and rants against the Liquid Metal Fast Breeder Reactor (LMFBR)–a technology that one suspects the poet knows no more about than does the reader. But for the most part the poems are portraits of North American wilderness, and can be enjoyed as such.

I found this collection to be enjoyable and evocative. Snyder transports one into North America’s great outdoors. I’d recommend this work for poetry readers.

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BOOK REVIEW: Reality: A Very Short Introduction by Jan Westerhoff

Reality: A Very Short IntroductionReality: A Very Short Introduction by Jan Westerhoff
My rating: 4 of 5 stars

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If one has an inquisitive nature and finds oneself with a bit of time on one’s hands, one is likely to question reality eventually. What is reality? What does it mean to be real? (Yeah, just like Morpheus’s “How do you define ‘real?’”) How could we know if we weren’t in the reality we think we are? Does it matter? i.e. If we aren’t in the reality we think we are, do we have any other choice than to behave as if we are—in other words is there any hope of escaping whatever unreality our consciousness exists in?

Does the quantum world not make a lick of sense relative to the world as we know it because the ancestors who are simulating us never expected us to get far enough to investigate that scale before we crashed? And now, like the writers and directors of an unexpectedly popular and long-lived TV show, they have to find a way to cobble some convincing story together because their overlords aren’t willing to scrap a perfectly functional simulation as it’s churning out huge amounts of data. Of course most people quickly dismiss such possibilities as sci-fi, but—then again—that dismissal is what one would do if one was programmed to be psychologically pained by the idea that the lunatic shouting and running naked through the streets may have found freedom, while you–who appears to be fully successful in living life—are an automaton, a slave pure and simple?

Philosopher Jan Westerhoff provides a brief survey of the many ways reality has been questioned over time and what evidence proponents cite—or, if not evidence per se, what inexplicable phenomena at least make the possibility seem feasible. The book consists of just four chapters. The first chapter offers a context by discussing dreams and simulations. Dreams are one of humanity’s first sources of doubt about reality. This was most famously summed up by the Taoist philosopher Zhuangzi’s quote “Now I do not know whether I was then a man dreaming he was a butterfly, or whether I am now a butterfly, dreaming I am a man.” The simulation hypothesis suggests that societies eventually develop a capacity to run extremely advanced simulations that would feel very real, and, furthermore, the proliferation of such simulations would make it much more likely that we are in one than in a real world.

The next three chapters examine three subjects where reality is taken for granted, but which each face challenges. The author starts with the most basic component of reality, matter. If you ask someone how they know the world is real, they might just knock on wood or kick a stone. Of course, that response only goes so far because there are a lot of entities we consider real that aren’t made of matter (e.g. is an economic recession real?) and so it’s definitely not a complete way of looking at the topic. There’s also the fact that all this hard and solid stuff we experience is mostly empty space. In this chapter, Westerhoff spends much of his time examining the basics of quantum mechanics, and the quantum strangeness that has put it in the minds of many that the world is probably not what we think it to be.

Chapter three explores the reality of a person. This is where people have the hardest time questioning reality, because most of us are quite certain that we exist. Descartes statement of: “I think, therefore, I am” nicely sums it up. But is there a place associated with personhood, or is it an emergent property? If it has a point of origin, where is it? Westerhoff describes the famous rubber hand experiment that shows that the connection between mind and body is more illusory than we think. He discusses many of the syndromes that challenge our intuitive beliefs about what it means to be a person, e.g. Cotard syndrome, in which individuals firmly believe that they don’t exist. (Note: this topic—at least the scientific dimension—is covered in detail in Anil Ananthaswamy’s book “The Man Who Wasn’t There.”)

Chapter four explores whether time is really what we think it is, and what it feels like to us. A lot of this chapter takes up findings about free will. A famous study in the neurosciences showed that before people make a decision at a conscious level, there is activation of subconscious parts of the brain such that what feels like a decision freely and consciously made is actually already made before the consciousness ever becomes aware of it. This study, now overwhelmingly validated by replication, presents a major challenge to our notion of free will—which isn’t to suggest we’re necessarily being fed a decision from some mysterious elsewhere but if some combination of our limbic and enteric nervous systems are making decisions without conscious input, then what is the nature of freedom in free will?

The book has an interesting Conclusion that gives the reader a map to consider the various ways reality might exist (or not.) This isn’t a dichotomous question—i.e. it’s not necessarily a matter of the world is real or it’s not. Instead, it can be thought of more as a continuum between everything is real and nothing is real with various way-points in between such as “I am all that is real” or “Everything is real, but me” and various ways of considering how some of the world might be real while some of it is not. Among the latter models, the relevant factor maybe consciousness (i.e. conscious may be unreal or maybe it’s the only thing that’s real.)

There are a number of graphics used to support the text, most of these are photographs and artworks, but some are diagrams. There is a “References and Further Readings” section in this book that is more substantial than most of the ones I’ve seen in AVSI (A Very Short Introduction) series books. It’s organized by chapter.

I’d recommend this book for anyone interested in the topic. I think the author does a great job in a small space of introducing various conceptions of reality. He draws on well-known works of film and literature to help clarify issues, and provides many thought-provoking ideas. It’s readable and doesn’t get bogged down in minutiae.

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BOOK REVIEW: A Wrinkle in Time by Madeleine L’engle

A Wrinkle in Time (A Wrinkle in Time Quintet, #1)A Wrinkle in Time by Madeleine L’Engle
My rating: 5 of 5 stars

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The Murry family feels mopey. There are a number of run-of-the-mill factors in the family malaise. Meg, the story lead, doesn’t fit in in school, and is frequently in disciplinary trouble. Her younger brother, Charles Wallace, is thought to be mentally deficient because he doesn’t talk to strangers, but he is—in fact—a genius. However, the big cloud hanging over this family’s head is that their father hasn’t been heard from for a year. He isn’t the type of father who goes out to the store for cigarettes and never comes back. Instead, Alexander Murry—Meg’s dad—is a loving father and husband who happens to be a renowned scientist who sometimes does work for the government. Even when he’s off doing top-secret work, however, he checks in with his wife and kids on a regular basis, but now there’s been no communication for months. The townspeople both pity the Murrys and think them to be living in denial because they maintain that Alexander Murry will soon come back.

While the book begins with a real world premise and feel, it soon becomes apparent that things aren’t what they seem–at least not around the Murry household. (Things not being as they appear recurs as a theme throughout this book.) Our first inkling of this unusualness comes when we realize that Charles Wallace isn’t only a genius and preternaturally mature, he also appears to be psychic. Events really turn strange when Meg’s mother, Katherine, goes out to investigate a noise and comes back into the house with an old lady who—surprise of surprises–Charles Wallace knows, a Mrs. Whatsit. And, as he seems to do with everyone, Charles Wallace begins talking to the old lady as if he were a sage old man.

The story follows the adventures of Meg, Charles Wallace, a boy named Calvin O’Keefe as they go with three mysterious visitors (one of whom is the aforementioned Mrs. Whatsit) in search of Alexander Murry. While O’Keefe is a popular kid and a jock, he doesn’t really feel he fits in. In that way, he’s a counterpoint to Meg. Meg doesn’t fit in and it gets her in trouble. O’Keefe pretends to fit in, but has angst about it. Furthermore, O’Keefe seems to have some sort of supernatural ability—perhaps not of the level of Charles Wallace, but enough to exacerbate his feeling of being an outcast among his own family and community. It’s Calvin’s feeling that he’s at home with the Murrys that accelerates his inclusion in the story.

The sci-fi elements of this book, as with many other great works of children’s science fiction, facilitate the teaching of simple moral /ethical lessons. Don’t rush to judgement about people—Aunt Beast is one of the most endearing characters of the book. Fitting in is not all it’s cracked up to be, and if everyone were the same, what a dreary existence life would be. And, ultimately, love conquers all.

I’d highly recommend this book for children and adults alike. The story is highly readable owing to narrative tension and mystery.

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BOOK REVIEW: Going Solo by Roald Dahl

Going SoloGoing Solo by Roald Dahl
My rating: 5 of 5 stars

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This is the second installment of Roald Dahl’s autobiography, and it covers the period from the time when the famous children’s author left home to work Shell Oil in East Africa, through his adventures as a pilot in the Royal Air Force (RAF) during World War II, concluding with his return home to England. In short it covers the earliest years of his adulthood, before he wrote such classic books for children as: “BFG,” “Matilda,” and “Charlie and the Chocolate Factory.”

In fifteen chapters, Dahl discusses his mysterious shipmate on the ship to Africa, a lion attack, an unwanted visitor in the form of a green mamba snake, and Dahl’s early experience of the war before he became a pilot. Becoming a pilot represents a shift in the book’s tone. From that point, it’s more of a war story, with the higher tempo of life and death situations that entails. That isn’t to say there’s no life and death in the first part, but it’s more quirky and humorous. In the chapters about his life as a pilot, Dahl describes crash landing in the desert and his subsequent recuperation, how he was posted to Greece where the German Air Force had a fleet of planes that made Britain’s look minuscule by comparison, and then his squadron’s move to Palestine to what would be his last battle-filled days before he was relieved from flight operations and sent home.

The stories throughout are as well crafted, as one might expect from a master storyteller. Dahl follows the advice (often-attributed to Elmore Leonard, but which has been around for decades in some words or another) to, “…leave out all the parts readers skip.” There is a tension throughout the book. It’s a much different approach than the previous volume, “Boy” which plays off the dramas of the adult-child interaction.

There are many graphics throughout the book, mostly black-and-white photos, but also maps and documents, but no other ancillary matter.

I’d highly recommend this book. If you want to know how to write a memoir that people will read, this is how it’s done. Dahl doesn’t try to take us from cradle to grave. He’s happy giving us the parts we won’t skip.

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BOOK REVIEW: Crossing the Heart of Africa by Julian Smith

Crossing the Heart of Africa: An Odyssey of Love and AdventureCrossing the Heart of Africa: An Odyssey of Love and Adventure by Julian Smith
My rating: 5 of 5 stars

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This book tells two tales in parallel, connected by one theme: travel for love. The author, Julian Smith, recounts the experience of Ewart Grogan, an English explorer whose life straddled the 19th and 20th centuries. Grogan traveled the length of Africa from South to North and recounted his experience in a book entitled “From Cape to Cairo.” The purpose of his grand endeavor was to prove his worth as man. Grogan was in love with a woman whose family was of higher station, and he believed that if he could only do what had never been done before, then the objections to his “marrying up” would dissolve.

The other story is Smith’s own attempt to retrace Grogan’s route across the length of the continent. While Smith doesn’t have to prove his worth, his motivations are more complex and tied up with his engagement to be married. Maybe Smith’s motivation is best summed up as a desire to prove to himself and / or his fiancé that he had sufficient commitment and fortitude to get him through rough times—a characteristic relevant to both marriage and crossing some of the world’s least developed countries.

Of his own admission, Smith’s journey was to be far less arduous than Grogan’s by virtue of the fact that he’d be traveling by taxis, motorcycles, buses, and ferries. Grogan and other 19th century explorers were subject to hazards far graver and more ever-present. For one thing, in Grogan’s day virtually everybody who spent any significant time in Africa got malaria. It wasn’t a question of if but when and how seriously. Even if you escaped malaria, there were myriad other tropical diseases to bring one to one’s knees. Next, there was the tribal environment in which one would travel through dozens of tribal territories, all of whose chiefs expected tribute and many of which were outright hostile. For Smith, rule of law was present in some form or fashion along most of his route, such that no one could just murder him and get off scot-free. There was also the risk of crew desertions that could cripple an expedition. Traveling parties had to carry huge amounts of goods from surveying equipment to gifts to medicines to food stuffs. Still, they had to obtain many of the party’s needs along the route. Among other things, this meant hunting animals that weren’t as docile as livestock. Anything less than an instant kill meant having to trudge into tall grass after a wounded creature that had a far greater killing capacity at close range.

This isn’t to say that Smith’s journey was adventure free. Anyone who has traveled in Africa knows that getting from place to place remains a slow and exhausting process. And many of the things that undermined Grogan’s trip also undermined Smith’s, e.g. the author suffered extended fever. But the most devastating factor for Smith’s travels was the fact that parts of Sudan were lawless and a brutal war was being fought. While Grogan barely managed to drag himself through the swampy landscape, Smith was unable to proceed overland because of the conflict. In telling of his travels, Smith discusses many of the dilemma’s that traveler’s face today (e.g. to give people money or not, how to contend with bureaucrats.) Among the travels that modern-day readers might be interested in is Smith’s visit to a gorilla sanctuary.

I enjoyed this mix of travelogue and history. The book gives one insight into the changing nature of the world and, particularly, what was once called the Dark Continent. [Note: while that may sound either racist or awash in a negativity bias, I’ve read that the reason it was called that was that when the 19th century explorers were traveling through much of the continent was unmapped, i.e. blacked out.]

I’d recommend this book for anyone who is interested in travel in Africa—past or present.

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BOOK REVIEW: Hapkido by Scott Shaw

Hapkido: Korean Art of Self-DefenseHapkido: Korean Art of Self-Defense by Scott Shaw
My rating: 4 of 5 stars

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When I picked up this book, all I knew about Hapkidō was that it was a Korean martial art, that it wasn’t a sport like its more famous martial cousin—Tae Kwon Do (TKD), and that it was a more comprehensive art (grappling as well as striking) than TKD. I grabbed it because at least one of these mental reductions proved only partially correct and I wanted to know what else I might be getting wrong. In the first paragraph, I learned that Hapkidō was heavily influenced by / a descendant of Daitō-ryū Akijūjutsu. (If that art sounds vaguely familiar, it’s because it was also a big influence for its most famous student, Morihei Ueshiba—i.e. the founder of the Japanese art Aikidō.)

This book is tiny. It’s an overview of the art in less than 100 pages (and, as is common with martial arts books, at least half the space is devoted to photos.) So the first thing a reader might want to be aware of is that you’ve probably read newspaper articles with higher word counts than this book. I’ll leave it to the reader to determine whether that’s a good or bad thing.

The book consists of five chapters, but the last chapter accounts for the majority of the page count (but not the word count.) The first two chapters are histories. The first offers an overview of Korean martial arts situated in the context of national events of the time. The second chapter is a history of Hapkidō and gives one insight into Daitō-ryū Akijūjutsu and how it came to influence the Korean founder of Hapkidō, Choi Yong-Sul.

Chapters 3 and 4 examine aspects of the art that one might call “pre-basics” for lack of a better term. As ki (i.e. life force / energy, those familiar with Chinese arts might know it as “chi” or “qi”) plays a central role in the art, Chapter 3 discusses ki and describes breathing and meditation practices that are used for building energy. Chapter 4 describes break-falls and the art’s one posture / stance (a natural posture.)

Chapter 5 describes, and presents photos of, basic defensive moves of Hapkidō. There are five sub-sections that explore, respectively, the following types of techniques: disengagements (i.e. breaking away from an opponent who has seized one), joint locks, throws, punch defenses, and kick defenses.

I found this book to be concise and informative. If one is seeking a detailed overview of the art, one might want to look elsewhere. However, if one is just trying to figure out what Hapkidō is all about, it should serve you well. I doubt that an experienced student of the art would get much out of this book as it’s just the bare bones. Not everybody is looking to delve into the minutiae.

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BOOK REVIEW: Tai Chi Chuan Classical Yang Style by Yang, Jwing-Ming

Tai Chi Chuan Classical Yang Style: The Complete Form QigongTai Chi Chuan Classical Yang Style: The Complete Form Qigong by Yang Jwing-Ming
My rating: 5 of 5 stars

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This book is one stop shopping for students of the Yang Style Tai Chi Chuan Long Form (i.e. 108 forms.) That’s not to suggest that it only describes the sequence of that form. It does that, but it also offers lessons in the history of the art, explanations of chi and qigong, and elucidation of the fundamentals of the art.

The book is divided into four parts. Chapter one examines the history of this martial art and places Tai chi chuan in the context of Chinese martial arts as well as the Yang Style within the context of Tai chi chuan. The nine sections of the first chapter also explore Tai chi chuan as a means to healthy living, and provide guidance to students on how to go about taking up the practice.

Chapter two consists of five parts that delve into the concept of chi (qi), or energy. This section mixes together mythology of traditional Chinese theory on chi with scientific explanations where science has something to say on the matter.

The third chapter describes the 13 postures of Tai chi chuan, which are a set of fundamentals that feature prominently in the martial art. This is a relatively brief section and is where the book becomes photo intensive.

The fourth chapter offers students guidance about the unarmed element of Yang Style of Tai chi chuan. While the capstone of the chapter is a systematic walk through the Long Form, there’s also coverage of some Yang Style fundamental movements as well as presentation of meditation practices taught in the system. It should be noted that this book doesn’t cover the sequence of the Yang Style Short Form (a.k.a. 24 Forms, or the Beijing Standard Form.) (I mention that because that’s the most popular form in the world and many students may want to learn about it specifically. This book offers many insights into the minutiae of the component forms, but doesn’t describe it as a sequence.) There is a fifth chapter, but it’s only a brief conclusion.

With respect to ancillary matter, like most martial arts books, it’s graphic-intensive. The bulk of the graphics are photos that are used in chapters 3 and 4 to clarify the movements and postures. Said photos have arrows and other figures drawn onto them to help clarify the movement involve. There are also a few line diagrams and maps, and chapter 2 has a many scientific photos, diagrams, and anatomical drawings.

There are three Appendices. The first provides a list of the forms of the Yang Style Long Form. The second is a glossary of the many Chinese terms mentioned in the book. The final Appendix provides information about the DVDs that are available to be used in conjunction with the book (there are markers throughout the book to provide suggestions of when students should turn to the video lessons.) There are end-notes of cited material, but I read the Kindle edition, and most of these were unavailable because Chinese characters didn’t convert to the electronic format. This was no big deal for me because I couldn’t read the Chinese reference material anyway, but if you read Chinese, you might opt for the hard copy of the book.

I learned the Yang Style short and long forms several years ago, and bought this book to provide some background and technical guidance. I found the book to be interesting and informative, and would recommend it—particularly if you’ve learned the Yang Style (but one may find the early chapters interesting even if one hasn’t.) The author uses a number of entertaining and educational stories and the book is readable and insightful for students of all levels.

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BOOK REVIEW: The Circle by Dave Eggers

The CircleThe Circle by Dave Eggers
My rating: 5 of 5 stars

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In Eggers’ novel, the Circle is a technology giant that looks a lot like Google + FaceBook + PayPal + Twitter all wrapped together under one corporate roof. Mae Holland, the book’s lead, is a young woman hired into the firm owing to her close friendship with a college roommate turned high level executive at the Circle, Annie. Even though Mae is brought in to work what is called “customer experience” (i.e. customer service) doing seemingly tedious work, Mae is in hog heaven. She left a job doing tedious work in a depressing environment with minimal support, and so this job personalizing boilerplate responses in a fascinating place with the opportunity to move up is a dream. The Circle is a utopian workplace where engineers are given free rein to experiment, where great minds and performing artists come to hang out, and where one gets handsomely rewarded for playing on one’s social media at work. All one needs to thrive at the Circle is a sharp mind and a willingness to accept that one’s days of privacy and solitude are behind one.

The Circle is the dystopia that some would say we are on the cusp of and others think we’ve already plunged into. It’s not Orwell’s gray dystopia of brutal state force. Neither is it Huxley’s bright and shiny dystopia of drugs and free loving. It’s a dystopia in which people willingly give up all privacy and negate the need for a neo-KGB by posting every idiotic thing that they do directly to the worldwide web. However, as in Huxley’s “Brave New World,” we see that the most nefarious character isn’t necessarily the most dangerous. The Circle is headed by an executive trinity. There’s the tech genius who we know little about until the book’s end–except that his life runs contrary to what the Circle seeks in its employees in that he’s fiercely private to the point of being mysterious. There is Tom Stenton who is the face of greedy capitalism, a loathsome character in every way imaginable. However, the real danger comes from the likable–and seemingly reasonable–Eamon Bailey who’s an idealist who thinks that people can perfect if they have no shadows in which to make mischief.

Mae is introduced to us as a likable character. She’s a hardworking but human girl next door. When we are introduced to Mercer, her ex-boyfriend and the face anti-Circle-ism, we assume that she’s being reasonable in her dislike of him. Even though he sounds reasonable, she knows him. Mercer rails against this corporatized surveillance state, and initially one may not be able to tell whether he’s a Luddite or the voice of reason. As the story goes on, however, the reader is likely to like Mercer more and more and Mae less and less. But the question remains until the end whether Mae will do the right thing as she becomes aware of the full—disturbing–picture of the Circle.

I got engrossed in this book. It’s absorbing both because of good character development and an intriguing story. That’s probably why the novel was made into a film that came out earlier in the year. It’s one of those books with the readability of popular commercial fiction, but which provides some food for thought. Some of the twists you may figure out, but the book keeps one wondering until the reveals.

I’d recommend this book for fiction readers—particularly if you have any pictures on social media with a drink in your hand or bad judgement in progress.

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The movie trailer, if you’re interested: