BOOK REVIEW: The Science of Meditation [also sold as Altered Traits] by Daniel Goleman and Richard Davidson

The Science of Meditation: How to Change Your Brain, Mind and BodyThe Science of Meditation: How to Change Your Brain, Mind and Body by Daniel Goleman
My rating: 5 of 5 stars

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This book has been sold under the title listed above as well as the less prosaic title, “Altered Traits.” The switch may represent a lack of confidence that the coined term “altered traits” would catch on, and / or a desire to market the book as broadly as possible.

“Altered Traits” is a play on the more well-known term “altered states [of consciousness.]” The idea being that meditation (as well as many other activities from consuming psychoactive drugs to having a shamanistic drum rave) create a change from the ordinary waking state of consciousness, but what the authors wanted to focus more upon is the long-term and sustained changes that result from extended meditation practice. (Hence, coining the term “altered traits.”) These sustained changes are a prevalent theme through out the book. This makes sense as one of the co-authors, Richard Davidson, is well-known for investigating the brains and brain activity of monks and yogis with extremely advanced practices (tens of thousands of hours in meditation.) Still, the prosaic title, “The Science of Meditation,” may make more than marketing sense because the book does discuss the scientific research on meditation pretty broadly.

Both Goleman and Davidson are long time meditators as well as being subject matter experts in psychology and brain science. This is a major strength of the book. Some scientists are dismissive of practices that have origins in spiritual practices and have blindsides or are prone to oversimplifications because of that bias. On the other hand, that bias isn’t helped by the fact that meditation experts often oversell meditation as a practice that will do everything from spontaneously cure your cancer to allow you to levitate six feet in the air. The authors of this book aren’t afraid to call out such spurious claims, but aren’t dismissive of practices of religious or spiritual origin. The authors also spend a fair amount of time criticizing past scientific investigations of meditation (including their own) on the basis of naivete about the nature of the practices. A major problem has always been an “apples and oranges” grouping together of practices that are different in potentially important ways. There have also been all the problems that plague other disciplines as well (small sample size, poor methodology, etc.) These discussions won’t mean much to most readers, but are helpful to those who want a better idea which studies are gold standard and which are weak. That said, the book doesn’t get bogged down in technical issues.

The book opens by laying out some of the important differences between various meditation practices and trying to educate readers who may either not know much about meditation or may know it only from the perspective of a single discipline. Goleman and Davidson suggest one way of thinking about different kinds of meditation is in terms of “the deep and the wide.” The former being sectarian practitioners who practice specific ritualized practices in an intense way. The latter being more secular practitioners whose practices may borrow from different domains. They present a more extensive classification scheme than this simple bifurcation, making it more of a continuum. Later in the book, they consider ways in which practices might be categorized (e.g. Attentional, Constructive, and Deconstructive) but it’s emphasized that there isn’t currently an agreed upon schema.

Throughout the book, one gets stories of the authors experience in investigating this subject. This included trying to get monks to allow themselves to be studied, even with a letter from the Dalai Lama. It also covers the challenge of trying to build interest in the subject in an academic setting that once thought of meditation as little more than voodoo.

The middle portion of the book has a number of chapters that address particular types of practices and the specific effects they have (and haven’t) been found to have. These include developing a more compassionate outlook and behavior (ch. 6), improved attention (ch. 7), negation of pain and physical ailments (ch. 8 & 9), and meditation / mindfulness as part of a psychotherapeutic approach. The authors repeatedly point out that these practices were never intended for the purpose of treating ailments (mental or physical,) though they do seem to show benefits in a number of domains outside of what the spiritual seekers who brought them to prominence intended of them.

The chapters toward the book’s end focus heavily on investigations into advanced meditators, and the altered traits and brain changes seen in them.

There are few graphics in the book, but it’s annotated and has an “additional resources” section in the back.

I’d highly recommend this book. The authors’ mixed background gives them a good vantage point to provide an overview of the subject, and also allows them to tap into stories of their experiences which make the book more interesting than it otherwise would be.

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BOOK REVIEW: Twelfth Night by William Shakespeare

Twelfth NightTwelfth Night by William Shakespeare
My rating: 5 of 5 stars

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The story of “Twelfth Night” (a.k.a. “What You Will”) revolves around several men in the city of Illyria vying for the hand of Olivia, a woman both lovely and wealthy. The problem is Olivia is in the dumps, having lost both her father and her brother (which explains how she ends up head of such prestigious household, given the times.) The only thing that brings her out of her sullen state is her affection for a new arrival to the city named Cesario. The problem is that Cesario is not interested because he is secretly a she – the cross-dressing Viola. This tale might have been counted among the tragedies were it not for the fact that Viola’s brother Sebastian shows up on the scene. Since Sebastion is the spitting image of the cross-dressed Viola (i.e. Cesario) and bears other common traits of sibling experience, Olivia transfers her affections without even realizing it. [Viola and Sebastian had both been laboring under the impression that the other is dead.]

In “Twelfth Night” one sees the plot device of mistaken identity from “Comedy of Errors” replayed in a way that is a bit less believable, though in a sense riper with comedic potential. I say this because while it might be possible to imagine two siblings being confused even (if they are of different gender), when the confusion begins (upon Sebastian’s arrival) we find that he is anything but the boyish character we expected given Cesario, granted the difference between the clever but wimpy Viola and the brave and cocksure Sebastion makes for levity. Notably when Sebastian lays out Sir Andrew Aguecheek with the utmost ease. Granted Aguecheek is a Don Qixote-esque character, though perhaps with incompetence owing more to alcoholism than an addled mind (though his mind may be addled as well as pickled.) Of course, there is the love-triangle plot device common in Shakespearean comedies, though “triangle” seems an inadequate geometry.

I’m a bit fonder of “Comedy of Errors” than “Twelfth Night.” I think more is done with the identity confusion in that one, as well as it having some great lines (many delivered by the Dromios.) That said, “Twelfth Night” has its funny moments, particularly involving the two plotting drunks, Sir Toby Belch (kinsman to Olivia) and Sir Andrew Aguecheek (the aforementioned Quixote-esque knight.)

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BOOK REVIEW: As You Like It by William Shakespeare

As You Like ItAs You Like It by William Shakespeare
My rating: 5 of 5 stars

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This play tells the tale of Rosalind, the daughter of an exiled Duke whose dominion was usurped by his brother, Fredrick. Rosalind goes into the woods with her best friend — the daughter of Fredrick, Celia — where her father is living in banishment. For a twist, she adopts the disguise of a man. As it happens the [proper] Duke’s forest attracts several other visitors in addition to its usual country folk, including the three sons of Sir Rowland de Boys, one of whom – Orlando – falls madly in love with Rosalind (who has by that point disappeared into the guise of a young gentleman.)

This play uses several of the common plot devices of Shakespearean comedies, including: mistaken identity, girls dressed as boys, the love triangle, and letting the audience in on a joke about which the play’s characters are kept in the dark. As it’s a comedy, you can correctly assume that all works out for the key characters — in fact, things work out quite neatly for everybody. In fact, Rosalind-in-disguise, conducts a scheme that results in a four-way wedding including not only her and Orlando, but also Orlando’s brother Oliver to Celia, a shepherd to a shepherdess, and a clown to a wench.

Of course it’s good, it’s Shakespeare. As for how it compares to the other comedies, I’d put it in the same ballpark as “Much Ado About Nothing” and slightly better than the middle of the pack. However, I have seen that some consider it the best of the comedies. I didn’t find it to have the tension of “The Merchant of Venice” or the intrigue of “Tempest” or “Midsummer Night’s Dream,” but it’s clever and has some well-known pieces of writing, probably most famously the “All the world’s a stage…” speech. If you haven’t read it, get on it.

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BOOK REVIEW: Beyond the Boulevards by Aditi Sriram

Beyond the BoulevardsBeyond the Boulevards by Aditi Sriram
My rating: 4 of 5 stars

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I came across a reference to this book on someone’s blog, fortuitously, a week before our first trip to Pondicherry. And I finished reading the short book during said trip. Pondicherry, technically now known as “Puducherry” but more often than not called “Pondy” by Indians, is a fascinating place on India’s coast with the Bay of Bengal. It’s both the name of the city and the Union Territory (UT) of which it is part. [The book deals mostly with the city, but it does explain the UT briefly.] UT’s are generally smaller than States and are usually managed by the national government. The UT of Pondicherry consists of four discontiguous pieces of land.

There are a few facts that stand out in making Pondy unique within India, and the book deals with them all in some detail. First of all, Pondicherry was a French colony and this is reflected both in the cuisine and architecture on offer. Chapter 6 focuses especially on the city’s French history, but one will find discussions and references of that past throughout.

Secondly, a famous member of the Indian Independence movement turned Karma Yogi, Sri Aurobindo, set up shop here after fleeing the Brits. This resulted in “Auroville” (an experimental township intended to be a utopia that sits a short drive from Pondy) as well as a large Ashram that owns a lot of property in Pondy proper. Sri Aurobindo’s lead student turned collaborator (called “Mother” by Ashramites) apparently bought up distressed property at bargain prices. Chapter seven deals extensively with Aurobindo, Mother, and their legacies in terms of Auroville and the ashram, but – again – these individuals are touched upon throughout. If the reader is looking for the skinny on any controversies regarding Auroville, they are only touched upon obliquely. [Moving to Auroville is said to involve surrendering all of one’s wealth into a communal collection, which is a common trait of cults.] Mostly, Sriram just includes some of the views of locals, which range from weakly positive to unenthusiastically negative.

Finally, while Pondy has this distinctive colonial history and an influx of international visitors to the Ashram, it can’t be forgotten that it’s literally surrounded by Tamil Nadu, and so there is that flavor throughout as well. People may hear about the unique flavor of Pondicherry and how it tends to be tidier than most Indian cities, and they might be expecting that it’s like being in a different country. Rest assured, the Indian influence dominates the landscape, it’s just that it’s diverse in a unique way.

The book mixes history from ancient to modern with discussions with current residents about current issues. When I say “ancient history,” it should be noted that there is an old Roman outpost called Arikamedu a short drive out of town, and it is discussed in the book. Travelers should note that the artifacts from the Roman era – including Greek and Roman pieces – are kept in the Puducherry Museum, and the ruins at Arikamedu are from more recent visitors (though they are photogenic if you’re willing to take a little effort to get there, which involves meandering around some small lanes and sandy roads.) One of the most interesting history-centric chapters is three, which tells the tale of the beautiful prostitute, Aayi, who had a water well built that kept Pondicherry hydrated during both pre-colonial and colonial times.

I found this book to be interesting, and I learned a few things that I probably wouldn’t have otherwise. If you’re traveling to Pondicherry, or have an interest in the city, it’s worth checking out.

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BOOK REVIEW: Why We Sleep by Matthew Walker

Why We Sleep: The New Science of Sleep and DreamsWhy We Sleep: The New Science of Sleep and Dreams by Matthew Walker
My rating: 4 of 5 stars

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For a long time, the questions of why we sleep and dream remained unanswered — or answered speculatively in ways that proved without merit. One presumes the reasons are potent because there seems to be little evolutionary advantage in spending a third of one’s life unconscious of one’s environs and paralyzed (literally in REM sleep, but for all intents and purposes in NREM sleep as one can’t respond to changes in the environment without some part of one’s brain taking note of said changes.) The good news is that Matthew Walker’s book offers insight into what scientists have learned about why we sleep, why we dream, why we become so dysfunctional without doing both, and what it is about modern life and its technologies that has created an apparent crisis of sleep loss. Walker goes beyond the science to discuss what individuals and institutions can do to reduce the harmful effects of sleep deprivation.

The downside of this book is that it’s a bit alarmist, and in contrast to many books of this nature one doesn’t get a good indication of the quality of studies reported. Some pretty brazen claims are made and the reader doesn’t necessarily know if they are preliminary and unvalidated or if they are well established. Here, I’m speaking about the studies that try to isolate out the effect of sleep loss versus all other factors (which is a notoriously messy affair,) and not so much studies that report on the physiological effects of sleep and sleep loss (which I see less reason to not take at face value.) At any rate, any reader who doesn’t fall asleep as soon as his head hits the pillow and sleep straight through 7 hours and fifty-five minutes — waking 5 minutes before the alarm — is likely to feel doomed if they take this book too seriously. And if you ever engaged in shift-work (as I have) or had an intense travel schedule, you are likely to feel that your life is permanently and irretrievably wrecked.

I know this is a book on sleep, but I think it went a little too far in marginalizing all other elements of health and well-being. Walker said that he used to tell people that sleep, nutrition, and exercise were the trifecta of good health, but he ultimately concluded that sleep was more important because diet and exercise were adversely impacted by sleep loss. I don’t disagree that diet and exercise are harmed by sleep loss, but – of course – sleep quality is harmed by lack of proper diet and exercise as well. The author later discusses research confirming this two-way street. I, therefore, have no idea why he changed his initial balanced and reasonable view with one that suggests sleep is the 800-pound gorilla of health and well-being.

The book’s 16 chapters are divided into four parts. Part I (Ch. 1 – 5) lays out what sleep is, how rhythms of sleep are established / disrupted, how much sleep one needs, and how one’s sleep needs change throughout the course of one’s life. Part II (Ch. 6 – 8) explores the benefits of sleeping as well as describing the nature of the damage caused by lack of sufficient sleep. Part III (Ch. 9 – 11) shifts the focus to dreams, and delves into what they appear to do for us. The final part (Ch. 12 – 16) investigates the many ways in which modern life disrupts sleep from blue light in LED’s to arbitrary school and work schedules to cures that are worse than the ill (i.e. sleeping pills.)

There is an appendix that summarizes twelve key changes that an individual can make to get more and better sleep. There are graphics throughout the book, mostly line-drawn graphs to provide visual clarity of the ideas under discussion.

I found this book interesting and informative. I would recommend it for anyone interested in the science of sleep or how they might sleep better, with the exception of anyone who has anxiety about the state of his or her health and well-being. While I understand that Dr. Walker wants to drive changes regarding views and policies that have been wrong-headed or deleterious regarding sleep, I feel he went too far toward suggesting the sky is falling for anyone who gets less than a perfect night’s sleep every night of his life.

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BOOK REVIEW: Collected Poems by W.B. Yeats

Collected PoemsCollected Poems by W.B. Yeats
My rating: 5 of 5 stars

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This collection gathers about 300 poems from 12 poetry collections by Yeats. Most of the dozen collections are included in their entirety.

Yeats is considered by some to be the best poet of the 20th century and by most to be among the best. Most poetry readers will be familiar with Yeats’ more commonly anthologized poems such as: “The Lake Isle of Innisfree,” “The Second Coming,” “Leda and the Swan,” and “Sailing to Byzantium.” However, many readers may not be familiar with the full scope of his work. Some may believe that Yeats work is antiquated, not because it isn’t approachable, but because Yeats favored traditional forms (i.e. rhymed and metered poetry) [though he did engage in experimental approaches.] By the time he was writing, there had already begun to be a shift toward free verse, and so his work may seem of a more bygone era than it was. Of course, as will be mentioned below, Yeats work included a lot of political poetry, and political poetry doesn’t tend to age well.

On subject matter more than form, Yeats was progressive and experimental. Yeats poetry drew heavily on mysticism and the occult. In his earliest collection, “Crossways,” he does as many 20th century poets and writers with mystic ambitions or interests did, and turned his attention eastward to India. However, Yeats soon decided to focus on his homeland of Ireland. Hence, one will see references to faeries and Christian mystic notions rather than appeals to Hindu mythos. Many will find Yeats’ appeal to mysticism intriguing.

Yeats’ poems were also often political in nature. He viewed himself as Irish to the core, but was among the Protestant minority. While he was an Irish nationalist who wanted an independent Ireland, he wasn’t so keen on the fact that the full expression of that would mean that his sect, whose power outsized its numbers — would suffer a shift from the ruling to the ruled. “Easter, 1916” is among his most well-known and potent political poems. His feelings about Ireland being yoked into Britain’s affairs can most vividly be seen in “An Irishman Foresees His Death.”

I enjoyed experiencing the full breadth of Yeats’ work from tiny amusing poems like “A Drinking Song” to clever lessons such as “Beggar to Beggar Cried” to more extensive commentary on social issues like “Lapis Lazuli.” I’d highly recommend this collection for poetry readers.

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BOOK REVIEW: Selected Poems, 1957-1981 by Ted Hughes

Selected Poems, 1957-1981Selected Poems, 1957-1981 by Ted Hughes
My rating: 5 of 5 stars

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This is a collection of 150+ poems extracted from 15 works from Ted Hughes’ early career. Note: there is a second volume that picks up where this one leaves off and continues to 1994, as well as another volume entitled “New Selected Poems” that covers his entire poetic career from 1957 – 1994.

The selected poems are largely free verse. However, particularly among his early works there are many examples of rhymed and near-rhymed verse. As would be expected of a collection of selections covering more than two decades, the topics and themes are varied. However, naturalistic symbolism is the dominant approach across the collection, as seen in one of Hughes’ most famous poems, “The Jaguar.” There are poems that take Shakespeare’s “Tempest,” Greek mythology, or other human-centric subjects for their subject matter, but imagery from nature is the most common means used by Hughes to achieve his aim – even when that aim is commenting on human subject matter.

There are a couple pages of explanatory notes, but – otherwise – the book is all poems, and no forwards, conclusions, graphics, or other ancillary matter. It’s 222 pages packed with poetry.

I enjoyed Hughes’ poetry and am fond of his use of natural imagery. That imagery is vivid and evocative, but some readers may find it a bit arcane or obscure for their tastes. One has to ride it like a river, rather than excavating like an archeologist. I would highly recommend this book for poetry readers.

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BOOK REVIEW: The Art of Living by Epictetus; ed. by Sharon Lebell

The Art of Living: The Classical Manual on Virtue, Happiness and EffectivenessThe Art of Living: The Classical Manual on Virtue, Happiness and Effectiveness by Epictetus
My rating: 4 of 5 stars

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This thin volume is packed with the wisdom of Epictetus. Epictetus was a freed slave who made a name for himself as a philosopher in Rome about a century after the birth of Christ. While small-s “stoic” conjures an image of a dour automaton, the Stoics were philosophers who believed [he oversimplified] that there’s nothing worth getting broken up about. If you can do something to influence the outcome of an event, you just need to pick the virtuous course. And if you can’t do anything about it, getting mopey is futile. In many ways, Stoicism is the Western philosophy that is most in-line with Eastern philosophies in that it emphasizes that your internal mental state is independent of what is happening outside you; so, if you can rule your mind you can find your bliss. Lebell, the editor of this volume, heavily accentuates that similarity.

When I called this thin, I didn’t mean “thin” as a derogatory comment. That said, this book is even thinner than it’s 113-page count would suggest because (as with most poetry collections) there’s a lot of white space left under a few lines of text. I actually think it’s kind of nice that the publisher didn’t do what is usually done with such short books, which is to pad them out with various unnecessary ancillary material. That said, if you can get the e-book, you’ll save some trees from dying for blank space. If they would have placed more than one maxim per page, it would probably have been cut to about 60pp.

I found this book to be well-written and nicely presented, and would recommend it for someone who wants a simple and concise overview of Stoicism.

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BOOK REVIEW: Much Ado About Nothing by William Shakespeare

Much Ado About NothingMuch Ado About Nothing by William Shakespeare
My rating: 5 of 5 stars

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[Spoiler-laden summary: To be fair, you’ve had almost 400 years to read it or watch it.] The “nothing” that there is much ado about in this play is the [non-existent] hanky-panky of Hero, daughter of Leonato and the female lead. As it happens, a couple young and studly bachelors (Claudio and Benedick) roll into town after valorous service in the war. This causes some angst in Don John, bastard (Shakespeare’s word, not mine) brother to the Prince of Arragon, because his stock just plummeted. Don John, thus, devises a plot exploiting one of his minions and one of Hero’s attendants to make it look like Hero is flirting about with a strange man. This is a problem because it’s 1623 and Claudio wants his bride to be able to wear white.

When Hero is accused by some credible [but misled] witnesses including her fiancé, Claudio, she passes out from incredulity. Claudio takes off without knowing her condition. A Friar with a devil on his shoulder suggests Leonato tell everyone that Hero’s heart gave out and she died. Friar Francis is one of a handful of steadfast fans of Hero (as well as her cousin and best-friend Beatrice and – by extension – the man courting Beatrice, Benedick – who’s not so much sure of Hero’s virtue as he is sure that Don John is a jerk.) Sad as it is, Hero’s father and her fiancé are ready to relegate her to skanks-town, but her smart-aleck bestie / cousin Beatrice and the priest each have her / his own idea of how things can be set straight. As mentioned, the friar thinks that if Claudio believes Hero died, the better angels of his nature will make him come and atone for his accusations. Beatrice’s approach is to whip Benedick into challenging Claudio to a dual. (Which Benedick is not keen on because he’s war buddies with Claudio, but he plays it strategically by giving Claudio an opportunity to do the right thing while still challenging him.)

This is one of Shakespeare’s comedies, and so in the end everything works out after the twists and turns. Unfortunately, things even work out for Don John – for the time being, at least. The bastard (Shakespeare’s word) goes on the lam knowing the jig is up on his plot. His man, Borachio, rolls on him, and with Hero “dead” things are about to get serious. So, if you were expecting the villain to get it Shylock-style, you’ll be sadly disappointed.

Of course, it’s brilliant; it’s William -frickin- Shakespeare.

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BOOK REVIEW: Prana and Pranayama by Swami Niranjanananda Saraswati

Prana And PranayamaPrana And Pranayama by Swami Niranjananda
My rating: 5 of 5 stars

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This is the Bihar School of Yoga manual on pranayama, or yogic breathing exercises. The book is a one-stop reference for yoga students and teachers wishing to review the philosophy and physiology of breathing practices, as well as to put together lessons or a plan of action for practice that consists of both preparatory exercises and classical pranayama.

Students in the West may be more familiar with B.K.S. Iyengar’s “Light on Pranayama,” which offers a similar set of material and is this book’s main competitor for most readers. In my view, Swami Saraswati’s book is a bit more pragmatic and gets caught in the weeds less, but offers fewer detailed photos and is a little bit less precisely organized. If one is considering between the two books, I’d say the advantage of Iyengar is a 200-week course plan that some individuals may find a handy way to systematically advance their practice pranayama. The disadvantage of Iyengar is that he goes into vastly greater detail than most people will be able to take advantage of via book. (For example, there’s 22 pages of precise explanation of closing off one’s nostrils for digital pranayama.) In short, both books give the reader everything they’ll need in a pranayama reference, Swami Saraswati’s book is a bit more laid-back, and Iyengar’s a bit more oriented as a step-by-step instruction manual.

The twenty-one chapters of this book are organized into three parts, but we’ll call it four because the last part is divided in two sub-parts. The first part of the book is entitled, “Philosophy of Pranayama” and it dives into the definitions of prana, kosha (sheaths), chakra, nadi (channels), pranic fields, and discusses the connection between prana and chanting.

The second part of the book (ch. 8 – 13) explores the physiology of breath. This section explains the anatomy of the musculature that drives respiration (e.g. the diaphragm, intercostals, etc.), the processes of respiration and circulation, and the importance of the nose in breathing (which is more extensive than the average person could imagine.) This section also discusses the classical distinction between pranayama and rudimentary breath practices (i.e. whether there is breath retention, or kumbhaka), and has a separate chapter explaining retention. It also has a couple chapters that present the research on the benefits and effects of pranayama practice. (Full-disclosure: this isn’t up-to-date in the edition I read, and that was the 2016 — first digital — edition. So, I wouldn’t go here looking for information on the state of research because there’s been a virtual explosion of research that’s more recent than what is covered in the book. However, it will give one a gist what has been known for a while.)

Part III consists of two sub-parts. The first is called “Pre-Pranayama” and it includes many exercises to help one become familiar with one’s breath as well as to develop the foundational breaths (e.g. abdominal / diaphragmatic verses chest breathing) that are built upon in the final section. Part III.B presents the classic pranayama. The four chapters of this section are conveniently organized into: guidelines for practice (e.g. contraindications and general concepts to keep in mind), nadi shodhana (alternate nostril breathing), tranquilizing / calming breaths, and vitalizing / excitatory breaths.

There are five appendices as well as a glossary and two indexes (an index of practices and a general index.) The five appendices provide instruction on practices that are employed in pranayama, but are not pranayama themselves. These include supplementary practices, asana (seated postures for doing pranayama more than asana for opening the rib-cage, etc.,) mudra (“seals” postures of specific body parts), and bandha (locks). The presence of the first four appendices mean that one doesn’t have to buy other books (e.g. the APMB) to access this information. The fifth appendix gathers the sutra from “Hatha Yoga Pradipika” that deal with pranayama and provide an English translation. (HYP is a 15th century manual of Hatha Yoga that is much more detailed than Patanjali’s sutras.) There are graphics throughout the book as needed to convey information, mostly line drawings.

I found this book very useful and well presented. If there is one change that would improve the book it would be less crow-barring of science and traditional / philosophical beliefs about the body to be consistent with one another. I see the value of presenting both sets of information as both this book and the Iyengar book do, but a muddle is created by trying to force the explanations into consistency when they aren’t. (I think this book does it a bit more than Iyengar, but only because Iyengar puts much less emphasis on science than does this one.) The problem is that one ends up with low-quality pseudo-science amid the strong studies, and most readers won’t be able to tell scientific consensus and from the lunatic fringe. (e.g. The belief that kirlian photography is evidence of pranic fields or qi is far from scientifically supported.) That said, for most practitioners it doesn’t much matter as it doesn’t affect the nature of the practices, which are sound and well-described.

If you’re looking for a pranayama reference, this is a great option.

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