Four Seasons fill the measure of the year; There are four seasons in the mind of man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honied cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness -- to let fair things Pass by unheeded as a threshold brook. He has his Winter too of pale misfeature, Or else he would forego his mortal nature.
As a fond mother, when the day is o'er, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor, Still gazing at them through the open door, Nor wholly reassured and comforted By promises of others in their stead, Which, though more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.
That time of year thou mayest in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang. In me though seest the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou seest the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire, Consumed with that which it was nourished by. This thou perceiv'st, which makes thy love more strong, To love that well, which thou must leave ere long.
Still will I harvest beauty where it grows: In coloured fungus and the spotted fog Surprised on foods forgotten; in ditch and bog Filmed brilliant with irregular rainbows Of rust and oil, where half a city throws Its empty tins; and in some spongy log Whence headlong leaps the oozy emerald frog... And a black pupil in the green scum shows. Her the inhabiter of divers places Surmising at all doors, I push them all. Oh, you that fearful of a creaking hinge Turn back forevermore with craven faces, I tell you Beauty bears an ultra fringe Unguessed of you upon her gossamer shawl!
Their shadow dims the sunshine of our day, As they go lumbering across the sky, Squawking in joy of feeling safe on high, Beating their heavy wings of owlish gray. They scare the singing birds of earth away As, greed-impelled, they circle threateningly, Watching the toilers with malignant eye, From their exclusive haven -- birds of prey. They swoop down for the spoil in certain might, And fasten in our bleeding flesh their claws. They beat us to surrender weak with fright, And tugging and tearing without let or pause, They flap their hideous wings in grim delight, And stuff our gory hearts into their maws.
If thou must love me, let it be for nought Except for love's sake only. Do not say, "I love her for her smile -- her look -- her way Of speaking gently, -- for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day" -- For these things in themselves, Beloved, may Be changed, or change for thee -- and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity.
Scorn not the Sonnet; Critic, you have frowned, Mindless of its just honours; with this key Shakespeare unlocked his heart; the melody Of this small lute gave ease to Petrarch's wound; A thousand times this pipe did Tasso sound; With it Camöens soothed an exile's grief; The Sonnet glittered a gay myrtle leaf Amid the cypress with which Dante crowned His visionary brow: a glow-worm lamp, It cheered mild Spenser, called from Faery-land To struggle through dark ways, and, when a damp Fell round the path of Milton, in his hand The thing became a trumpet; whence he blew Soul-animating strains -- alas, too few!
Mine eye hath play'd the painter and hath stell'd Thy beauty's form in table of my heart; My body is the frame wherein 'tis held, And perspective it is best the painter's art. For through the painter must you see his skill To find where your true image pictur'd lies, Which in my bosom's shop is hanging still, That hath his windows glazed with thine eyes. Now see what good turns eyes for eyes have done: Mine eyes have drawn thy shape, and thine for me Are windows to my breast, wherethrough the sun Delights to peep, to gaze therein on thee. Yet eyes this cunning want to grace their art; They draw but what they see, know not the heart.
No hawk hangs over in this air: The urgent snow is everywhere. The wing adroiter than a sail Must lean away from such a gale, Abandoning its straight intent, Or else expose tough ligament And tender flesh to what before Meant dampened feathers, nothing more.
Forceless upon our backs there fall Infrequent flakes hexagonal, Devised in many a curious style To charm our safety for a while, Where close to earth like mice we go Under the horizontal snow.
Tiger Riding for Beginners 